Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte
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The Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte (GEMA; "Society for musical performing and mechanical reproduction rights") is a government-mandated collecting society and
performance rights organization A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works ''publicly'' in loca ...
based in Germany, with administrative offices in
Berlin Berlin ( , ) is the capital and List of cities in Germany by population, largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's List of cities in the European Union by population within ci ...
and
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
. GEMA represents the usage rights stemming from
authors' rights "Author's rights" is a term frequently used in connection with laws about intellectual property. The term is considered as a direct translation of the French term ''droit d’auteur'' (also German ''Urheberrecht''). It was first (1777) promoted ...
(e.g., mechanical licensing, broadcast licensing, synchronization licensing) for the musical works of those composers, lyricists, and publishers who are members in the organization. It is the only such institution in Germany and a member of BIEM and CISAC. Other collecting societies include the (AKM) ''Society of authors, composers and music publishers'' ( de) in Austria and SUISA in Switzerland. As an "accredited profit-making association with legal capacity" (de: '' rechtsfähiger wirtschaftlicher Verein''), GEMA's capacity to be a subject of legal rights and duties is based upon state conferral (under Article 22 of the
German civil code German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ger ...
). The
chairperson The chairperson, also chairman, chairwoman or chair, is the presiding officer of an organized group such as a board, committee, or deliberative assembly. The person holding the office, who is typically elected or appointed by members of the grou ...
of the
executive board A board of directors (commonly referred simply as the board) is an executive committee that jointly supervises the activities of an organization, which can be either a for-profit or a nonprofit organization such as a business, nonprofit organiz ...
(CEO) is Harald Heker (since 2007); the chairperson of the board of directors is
Ralf Weigand Ralph (pronounced ; or ,) is a male given name of English, Scottish and Irish origin, derived from the Old English ''Rædwulf'' and Radulf, cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms ...
.


Structure and membership

GEMA is organized according to ' (German law of association). It directly represents some 3,300 composers,
lyricist A lyricist is a songwriter who writes lyrics (the spoken words), as opposed to a composer, who writes the song's music which may include but not limited to the melody, harmony, arrangement and accompaniment. Royalties A lyricist's incom ...
s, and music
publisher Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ...
s as full members, along with approximately 6,400 more as members with sharply restricted rights and another 55,000 authors who have entered into a '' deed of assignment'' with GEMA without fulfilling the professional requirements for full membership. Members of this last group are termed "associated members" within the organization, but they do not enjoy the rights associated with membership under German law of association. As of 2010, GEMA also represents a further 2 million international rights-holders within Germany, through reciprocal arrangements with other performance rights organizations. Membership in GEMA is necessarily voluntary, since all usage rights (stemming from German authors' rights law) are reserved exclusively by the author. In contrast with ''copyright'' as it usually appears in
common law In law, common law (also known as judicial precedent, judge-made law, or case law) is the body of law created by judges and similar quasi-judicial tribunals by virtue of being stated in written opinions."The common law is not a brooding omnipres ...
, ''authors' rights'' are inalienable (i.e., non-transferable), which means that the author can transfer only the exercise of these rights to another
natural Nature, in the broadest sense, is the physical world or universe. "Nature" can refer to the phenomena of the physical world, and also to life in general. The study of nature is a large, if not the only, part of science. Although humans are ...
or
legal person In law, a legal person is any person or 'thing' (less ambiguously, any legal entity) that can do the things a human person is usually able to do in law – such as enter into contracts, sue and be sued, own property, and so on. The reason for ...
. Therefore, the author theoretically reserves the right to exercise her/his own rights or to transfer these duties to another third party (e.g., a collecting society or
performance rights organization A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works ''publicly'' in loca ...
). The ''de facto'' situation remains in GEMA's favor, however, as all efforts to found a competing institution have thus far been hindered by the
German Patent and Trademark Office The German Patent and Trade Mark Office (german: Deutsches Patent- und Markenamt; abbreviation: DPMA) is the German national patent office, with headquarters in Munich, and offices in Berlin and Jena. In 2006 it employed 2556 people, of which ab ...
, and the sole management of one's own authors' rights remains a daunting task for lone artists. In order to be represented by GEMA, authors (i.e., composers and lyricists along with their publishers and heirs) must become a member and sign a ''deed of assignment'' (german: Berechtigungsvertrag) with GEMA, transferring the exercise and exploitation of media rights for the author's entire repertoire to GEMA. Member authors are entitled to apply for full membership after spending five years as ''extraordinary members'', fulfilling the requirement of maintaining a payout-level from GEMA above a certain minimum value. Until then, they belong to the status category of "extraordinary member," with limited voting rights (and usually a meagre share of fee revenues, ca. 4.8% in 2010). Other people, who are indeed authors but neither composers nor lyricists (nor publishers nor inheritors of authors), can also enter into a deed of assignment with GEMA; however, these authors cannot gain full membership, instead remaining so-called "associated members." The overwhelming majority of those represented by GEMA have no access to membership status as defined and protected under the
German civil code German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ger ...
(see Articles 21–79), holding instead the pseudo-title of "associated member." In 2010, approximately 24.11% of fee revenues were distributed to associated members. GEMA is organized by professional and status groupings. German members of GEMA can be divided into three groups: 54,605 associated members (german: angeschlossene Mitglieder), 6,406 extraordinary members (german: außerordentliche Mitglieder) and 3,343 full members (german: ordentliche Mitglieder). Those who have signed a deed of assignment with GEMA but do not fulfill the requirements for extraordinary membership can become associated members—along with those whose application for membership status has been refused. Associated members do not count as members in the legal sense, as defined in the German civil code concerning associations. Full and extraordinary members must be either composers, lyricists, or music publishers. Extraordinary members can become full members, when they have received at least €30,000 in fee payouts from GEMA over five consecutive years (of which the yearly income must be at least €1,800 for four of the five years). There is an elevated minimum revenue for publishers, currently at €75,000 over five years (with a yearly minimum of €4,500 for four of those years). The purpose of GEMA is to collect royalty fees from the organisers of events where music protected by this organization is played as well as media manufacturers, publishers, and broadcasting stations. GEMA collected 850 million euros in copyright fees in 2008. Disbursements go largely to the full members (2010: 64%), whose repertoire represents the lion's share of the listed works. The distribution of revenue and disbursement procedures are decided annually at the general assembly, which consists of approximately 3,000 full members as well as 64 delegates representing the associated and extraordinary members. The general assembly elects the 15 members of the board of directors (6 composers, 4 lyricists, 5 publishers). The board of directors appoints the chairperson. According to GEMA by-laws, the delegates for the extraordinary and associated members must be appointed according to the following pattern: 32 delegates must be composers (of which at least 12 must be inheritors/ legal successors), 12 lyricists (of which at least 6 inheritors), and 20 publishers. In 2010, there were 6 inheritors among the extraordinary members (0.1%) and 3,749 among the associated members (6.9%). As a consequence, a minority of 26 currently-active composers and lyricists must contend with a majority of 38 rights managers and legal successors. Users of GEMA-protected works—primarily manufacturers of audio/video media, radio and television broadcasters, and the organizers of events such as music festivals, street festivals, Christmas markets and many more—procure the always-required usage rights from GEMA by paying a fee, which is to be paid to the rights-holders after the deduction of an administrative handling charge.


Fees and private copying levy

Licensing fees must be paid to GEMA for the public performance of protected musical works belonging to GEMA's so-called "world inventory" (german: Weltrepertoire); these are then paid out to its members according to a complex distribution scheme. The division of royalties operates through a points system, which distinguishes between "entertainment music" (german: U-Musik, Unterhaltungsmusik) and "serious music" (german: E-Musik, ernste Musik); for example, a single pop song is worth 12 points in this system, whereas a large
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
l work with a playing time longer than 70 minutes is worth 1,200 points. According to Article 54 of , a '' private copying levy'' (or: ''blank media tax'') can be applied to devices and media that " ..are used for the making of reproductions .., which is already included in the price. This levy first goes to the German , and from there a portion is forwarded to GEMA. In 2004, the International Federation of the Phonographic Industry (IFPI) applied to lower the licensing fee rates for sound recording media from 9.009% to 5.6% of the manufacturer's price. GEMA criticized this push as "an attempt by the German phonographic industry to solve their problems on the backs and at the expense of creative composers and lyricists." In 2005, the board of arbitration of the
German Patent and Trademark Office The German Patent and Trade Mark Office (german: Deutsches Patent- und Markenamt; abbreviation: DPMA) is the German national patent office, with headquarters in Munich, and offices in Berlin and Jena. In 2006 it employed 2556 people, of which ab ...
in Munich decided in favor of GEMA, preventing the proposed licensing fee rate-reduction. Other arbitration processes attempted by the IFPI (regarding
music video A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device ...
s, downloads, and ring tones) in 2006 were decided in favor of GEMA by the board of arbitration of the German Patent and Trademark Office. GEMA also exercises the rights of authors in the online sector. GEMA licenses responsible
content provider A value-added service (VAS) is a popular telecommunications industry{{cite web, url=http://www.prweb.com/releases/2013/11/prweb11284640.htm, title=Global Mobile Value Added Services (VAS) Market: Worldwide Industry Share, Investment Trends, Growth, ...
s, such as Musicload,
Apple An apple is an edible fruit produced by an apple tree (''Malus domestica''). Apple trees are cultivated worldwide and are the most widely grown species in the genus ''Malus''. The tree originated in Central Asia, where its wild ancestor, ' ...
's
iTunes Store The iTunes Store is a digital media store operated by Apple Inc. It opened on April 28, 2003, as a result of Steve Jobs' push to open a digital marketplace for music. As of April 2020, iTunes offered 60 million songs, 2.2 million apps, 25,00 ...
,
Spotify Spotify (; ) is a proprietary Swedish audio streaming and media services provider founded on 23 April 2006 by Daniel Ek and Martin Lorentzon. It is one of the largest music streaming service providers, with over 456 million monthly active us ...
, Napster, and others. The data is provided by GEMA itself; since 1 January 2007, the exercise of online usage rights for certain parts of its inventory is no longer managed by GEMA, but rather through . The charges for performances and
background music Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behav ...
are tiered. The playback of GEMA-protected music in telephone systems as background music for answering messages or on-hold music also must be declared to GEMA. Many businesses (especially small ones) are unaware of this obligation. The same applies to the valorization of internet presence through audio-branding involving the use of music. Since April 2003, GEMA offers access to its database of musical works on its website, including approximately 1.6 Million copyrighted musical works.


Legal basis

All collective rights management societies operate on the basis of laws and ordinances. Within the
European Community The European Economic Community (EEC) was a regional organization created by the Treaty of Rome of 1957,Today the largely rewritten treaty continues in force as the ''Treaty on the functioning of the European Union'', as renamed by the Lisb ...
, these collecting societies derive their legitimacy from
constitution A constitution is the aggregate of fundamental principles or established precedents that constitute the legal basis of a polity, organisation or other type of entity and commonly determine how that entity is to be governed. When these princ ...
al protections for
intellectual property Intellectual property (IP) is a category of property that includes intangible creations of the human intellect. There are many types of intellectual property, and some countries recognize more than others. The best-known types are patents, cop ...
and
intangible assets An intangible asset is an asset that lacks physical substance. Examples are patents, copyright, franchises, goodwill, trademarks, and trade names, as well as software. This is in contrast to physical assets (machinery, buildings, etc.) and finan ...
, in the form of
intellectual property law Intellectual property (IP) is a category of property that includes intangible creations of the human intellect. There are many types of intellectual property, and some countries recognize more than others. The best-known types are patents, cop ...
, which is enshrined in the constitutions of European states. Although the concept of intellectual property had already been established in the 1866 constitution of the
North German Confederation The North German Confederation (german: Norddeutscher Bund) was initially a German military alliance established in August 1866 under the leadership of the Kingdom of Prussia, which was transformed in the subsequent year into a confederated st ...
as well as in the 1871
Constitution of the German Empire The Constitution of the German Empire (german: Verfassung des Deutschen Reiches) was the basic law of the German Empire of 1871-1918, from 16 April 1871, coming into effect on 4 May 1871. German historians often refer to it as Bismarck's imper ...
, Article 14 of the current ''Grundgesetz'' (german:
Basic Law for the Federal Republic of Germany The Basic Law for the Federal Republic of Germany (german: Grundgesetz für die Bundesrepublik Deutschland) is the constitution of the Federal Republic of Germany. The West German Constitution was approved in Bonn on 8 May 1949 and came in ...
) only generally addresses property rights, inheritance law, and expropriation, including the issue of intellectual property. By contrast, in the constitution of the free state of
Bavaria Bavaria ( ; ), officially the Free State of Bavaria (german: Freistaat Bayern, link=no ), is a state in the south-east of Germany. With an area of , Bavaria is the largest German state by land area, comprising roughly a fifth of the total lan ...
—and also previously in
Baden Baden (; ) is a historical territory in South Germany, in earlier times on both sides of the Upper Rhine but since the Napoleonic Wars only East of the Rhine. History The margraves of Baden originated from the House of Zähringen. Baden i ...
and Greater Hesse, which were formed before the ''Grundgesetz'' (1949)—the intellectual property of authors, inventors, and artists come under the direct protection of the state, which explicitly allows for the existence of
collecting societies Copyrights can either be licensed or assigned by the owner of the copyright. A copyright collective (also known as a copyright society, copyright collecting agency, licensing agency or copyright collecting society or collective management organiz ...
. Furthermore, collecting societies receive their legitimacy from German author's rights (german: Urheberrecht), which is legally regulated in all European states. German author's rights law (german: Urheberrechtsgesetze) grants authors a range of exploitation rights (german: Verwertungsrechte) that the individual author would find difficult to exercise without the assistance of a collecting society, which is why the author transfers them. Transferred exploitation rights become usage rights (german: Nutzungsrechte) in the form of
licenses A license (or licence) is an official permission or permit to do, use, or own something (as well as the document of that permission or permit). A license is granted by a party (licensor) to another party (licensee) as an element of an agreeme ...
. In Germany, for example, this is regulated through the "law concerning the exercise of author's rights" (german: Urheberrechtswahrnehmungsgesetz) of 9 September 1965. The core of this law is the obligation to administer (Article 6, german: Wahrnehmungszwang) and the obligation to contract (Article 11, german: Abschlusszwang). The former obligation means that collecting societies must prosecute all rights that have been transferred to them. The latter obligation means that they cannot refuse entry to any author (in the case of GEMA: composer, lyricist, or publisher) who has fulfilled all the entry requirements. GEMA is governed by a double-obligation to contract, that is: 1) on the one hand, it must take on and exercise any usage rights that have been transferred to it from its members; 2) on the other hand, it must also provide licensing in exchange for money to any music-user making a request. Copyright collecting societies in the European Union usually hold monopolies in their respective national markets, and German law recognizes GEMA as an effective monopoly. German case law has established the so-called ', a presumption that works are managed by GEMA due to its effective monopoly position. As such, in Germany the burden of proof is on the accused infringer that the work is not managed by GEMA.


History


Antecedents: 1902–1933

Upon coming into effect in January 1902, the ''Law Concerning Author's Rights to Works of Literature and Musical Art'' (german: Gesetz betreffend das Urheberrecht an Werken der Literatur und der Tonkunst) first set down in law that the public performance of a musical work required the permission of the author. The ''Consortium of German Composers'' (german: Genossenschaft Deutscher Tonsetzer; GDT) subsequently founded the ''Institute for Musical Performing Rights'' (german: Anstalt für musikalische Aufführungsrechte; AFMA) in 1903. This came much later than in other states such as France, where the collecting society SACEM had already been founded in 1851, having its roots in the ''Agence Centrale'', an interest group of musicians and publishers. Founders of the AFMA included Richard Strauss, Hans Sommer and . The GDT was headed by some of the most successful composers of the time, including Engelbert Humperdinck, Georg Schumann and most notably Richard Strauss. In 1904, the GDT published a memorandum on the spirit and purpose of the AFMA, as there remained a great deal of confusion—as much among musicians as among event promoters and users. A central point of the memo was the following paragraph, most of whose contents now appear in the association rules of GEMA: : "The Institute pursues absolutely no private business purposes. It is only an intermediary agency. It does not collect reserve funds. A trade profit is out of the question. Administrative costs will be deducted from incoming fees, along with a further 10% contribution to the co-operative's relief fund. All remaining income, down to the last penny, will be distributed to the beneficiary composers, lyricists, and publishers." The time after the foundation of the AFMA was quite turbulent. In 1909, the GDT founded a second society focused exclusively on the exploitation of mechanical reproduction for
vinyl records A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near ...
, the ''Institute for Mechanical-Musical Rights'' LLC (german: Anstalt für mechanisch-musikalische Rechte GmbH; AMMRE). In 1913, the Austrian ''Society of Authors, Composers, and Music Publishers'' (german: Gesellschaft der Autoren, Komponisten und Musikverleger; AKM) entered the German market and opened a German branch office. In 1915, a few members of the GDT split off from the organization and founded ''GEMA'' (''Genossenschaft zur Verwertung musikalischer Aufführungsrechte'', which is not identical to the present-day GEMA). One of the founding members was composer Leon Jessel. In 1916, GEMA and AKM's German branch merged into the ''Association for the Protection of Musical Performing Rights in Germany'' (german: Verband zum Schutze musikalischer Aufführungsrechte für Deutschland). All of this resulted in a situation that had effects contrary to the original interests of authors and promoters as well as users—that is, two competing collecting societies. In 1930, the GDT (in the form of the AFMA) joined with the ''Verband'' under the label ''Verband zum Schutze musikalischer Aufführungsrechte für Deutschland''. However, the business units and facilities of both societies were not impacted by the consolidation. Both collecting societies continued to operate separately—all the while pretending to operate under a unified corporate name. This came to an end during the
Third Reich Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was ...
with the ''Reich Law regarding the Intermediation of Musical Performance Rights'' (german: Reichsgesetz über die Vermittlung von Musikaufführungsrechten). The legislator responsible for this law, Joseph Goebbels, did so with the aim of bringing all collecting societies into line and granting them a monopoly position.


1933–2000

On 28 September 1933, the ''State-Approved Society for the Exploitation of Musical Performing Rights'' (german: Staatlich genehmigte Gesellschaft zur Verwertung musikalischer Aufführungsrechte; STAGMA) arose out of the ''Verband zum Schutze musikalischer Afführungsrechte für Deutschland'' and was issued a monopoly on the exercise of musical performing rights. The still-existing AMMRE was annexed into STAGMA in 1938. The
Reichsmusikkammer The Reich Chamber of Music (German: ''Reichsmusikkammer'') was a Nazi institution. It promoted "good German music" which was composed by Aryans and seen as consistent with Nazi ideals, while suppressing other, "degenerate" music, which included ato ...
( en, Reich Chamber of Music), under the direction of then-president Richard Strauss, stipulated in its guidelines that, "non-
Aryans Aryan or Arya (, Indo-Iranian *''arya'') is a term originally used as an ethnocultural self-designation by Indo-Iranians in ancient times, in contrast to the nearby outsiders known as 'non-Aryan' (*''an-arya''). In Ancient India, the term ...
are categorically not to be viewed as bearers and stewards of German cultural goods." This amounted to an occupational ban on the approximately 8000 Jews active in the Reichsmusikkammer. STAGMA was tightly enmeshed in the
Nazi Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in ...
power structure, and the leading members of STAGMA were die-hard and voluntary
Nazi Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in ...
s. The CEO of STAGMA was Leo Ritter, who occupied the same position in the original GEMA and was in the habit of giving
Hitler Adolf Hitler (; 20 April 188930 April 1945) was an Austrian-born German politician who was dictator of Nazi Germany, Germany from 1933 until Death of Adolf Hitler, his death in 1945. Adolf Hitler's rise to power, He rose to power as the le ...
's '' Mein Kampf'' as a prize to worthy employees. STAGMA continued its work after the
Second World War World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposi ...
, but under the title of GEMA (''Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte'') starting from 24 August 1947. was the chairman and general director from 1947 to 1989, to whom was dedicated the ''Erich Schulze Fountain'' in front of the GEMA headquarters in Munich. Starting in 1950, the chairman of the board of directors was
Werner Egk Werner Egk (, 17 May 1901 – 10 July 1983), born Werner Joseph Mayer, was a German composer. Early career He was born in the Swabian town of Auchsesheim, today part of Donauwörth, Germany. His family, of Catholic peasant stock, moved to A ...
. Both Schulze and Egk already occupied leading positions in STAGMA.
Albrecht Dümling Albrecht Dümling (born 1949) is a German musicologist and music critic. Biography Born in Wuppertal, Dümling studied musicology in Essen, Vienna and Berlin and earned a Ph.D. with an interdisciplinary study on Arnold Schönberg and Stefan Georg ...
's book, ''Musik hat ihren Wert'' ( en, Music has its Value) was published to mark the 100-year anniversary of the first collection society in Germany. This book shed light on the role of the collecting society after the Nazi era. In 1950, after the founding of the
German Democratic Republic German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **G ...
(GDR) and the partition of Germany (and as a consequence of the division in currencies), a society with comparable functions came into being in the GDR, the ''Institute for the Preservation of Performing and Reproduction Rights in the Area of Music'' (german: Anstalt zur Wahrung der Aufführungs- und Vervielfältigungsrechte auf dem Gebiet der Musik; AWA). In 1982, GEMA collected 532.8 Million
Deutschmark The Deutsche Mark (; English: ''German mark''), abbreviated "DM" or "D-Mark" (), was the official currency of West Germany from 1948 until 1990 and later the unified Germany from 1990 until the adoption of the euro in 2002. In English, it was ...
s. In 1990, CSU politician succeeded Erich Schulze as chairman of the board. Towards the end of his term of office, he dedicated himself to fighting against digitalization. He characterized GEMA as the "Lighthouse of Culture" and a "rock in the surf of the waves of digitalization." According to him, GEMA succeeded in avoiding "pointless competition." To him, the internet was "nothing but a virtual department store," that should be assimilated in a hostile takeover. He went into retirement at the end of 2005. After the reunification of Germany, many composers from the former GDR joined GEMA, but not all. The AWA has been dissolved since 1990, but it nonetheless persists as a society under liquidation.


2000–present

Harald Heker took over chairmanship of the board of directors in 2007.


Revenues

See Structure and membership for definitions of ''full member'', ''extraordinary member'', and ''associated member''. After the deduction of expenditures, GEMA's income is paid out to rights holders (approximately 40% to members and 60% to other rights-holders). During the payout process in 2010, an average of ca. €58,000 were apportioned to each full member, ca. €2,270 to each extraordinary member, and ca. €1,300 to each associated member. The internal distribution within these status groups remains confidential. In 2010, 33 (1%) legal successors had full membership, while 6 were extraordinary members (0.1%) and 3,749 associated members (6.9%). These numbers illustrate that, since the appearance of
YouTube YouTube is a global online video sharing and social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the second mo ...
on 15 February 2005, absolutely no negative effects on earnings from usage rights can be detected to date. On the contrary, there has even been a considerable increase in income since 2005 (see Blocking of YouTube videos in Germany). It can also be seen that the share of revenues has continually increased for full members—at the expense of extraordinary members.


Other collecting societies

Some other collecting societies that have partially handed over the collection of their entitled fees to GEMA include: * GEMA remains the predominant collecting society in Germany, but others include: ** – GVL (Performing artists, Producers of sound recordings). ** – Verwertungsgesellschaft Wort ( en, Collecting Society Wort). ** – Artists, Photographers und Filmmakers. * In Switzerland, the counterpart to GEMA is SUISA: ''Schweizerische Gesellschaft für die Rechte der Urheber musikalischer Werke'' ( en, Swiss Society for the Rights of Authors of Musical Works). * In Austria, the corresponding organization is called AKM: ( en, Society of Authors, Composers, and Music Publishers). * In Belgium, the corresponding organisation is
SABAM SABAM is one of the Belgian associations of authors, composers and publishers. The bilingual acronym stands for "Société d'Auteurs Belge – Belgische Auteurs Maatschappij". Their headquarters is located at 75–77 rue d'Arlon in Brussels. S ...
''CVBA''. * In the Netherlands,
BUMA/STEMRA BUMA/STEMRA are two private organisations in the Netherlands, the Buma Association ( Dutch: ''Vereniging Buma'') and the Stemra Foundation ( Dutch: ''Stichting Stemra'') that operate as one single company that acts as the Dutch collecting society fo ...
both fulfill these duties. * In France, the agency that plays a comparable role is SACEM: ''
Société des auteurs, compositeurs et éditeurs de musique Société des auteurs, compositeurs et éditeurs de musique (SACEM) is a French professional association collecting payments of artists’ rights and distributing the rights to the original songwriters, composers, and music publishers. Founded ...
'' ( en, Society of Authors, Composers, and Music Editors). * In Croatia, the corresponding organisation is HDS ZAMP. * In Finland, the counterpart would be Teosto. * In Italy, the corresponding agency is the
SIAE SIAE ( en, Italian Society of Authors and Publishers, Italian: Società Italiana degli Autori ed Editori) is the Italian copyright collecting agency. Founded in 1882 in the Kingdom of Italy, it is the monopolist intermediary between the autho ...
: ''Società Italiana degli Autori ed Editori'' ( en, Italian Society of Authors and Publishers). * in the
United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the European mainland, continental mainland. It comprises England, Scotlan ...
, these duties are fulfilled by
PRS for Music PRS for Music Limited (formerly The MCPS-PRS Alliance Limited) is a British music copyright collective, made up of two collection societies: the Mechanical-Copyright Protection Society (MCPS) and the Performing Right Society (PRS). It undertakes ...
, previously known as the ''Performing Rights Society''. * In Portugal, the (''Sociedade Portuguesa de Autores''; en, Portuguese Society of Authors) corresponds to GEMA. * In Spain, the SGAE: ''Sociedad General de Autores y Editores ( en, General Society of Authors and Editors). * In Sweden, the corresponding agency is STIM: ''Svenska Tonsättares Internationella Musikbyrå (English: Swedish Performing Rights Society).'' * In the United States, there is: ** for reproduction rights, the
Harry Fox Agency The Harry Fox Agency (HFA) is a provider of rights management and collector and distributor of mechanical license fees on behalf of music publishers in the United States. HFA has over 48,000 music publishing clients and issues the largest number ...
. ** for performing rights, there are three competing
performance rights organization A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works ''publicly'' in loca ...
s: *** BMI *** ASCAP *** SESAC


Reciprocal agreements

GEMA has entered into reciprocal agreements over performing and broadcasting rights with 73 of its foreign sister companies. For mechanical reproduction rights, GEMA entered into reciprocal agreements with 51 different collecting societies. A reciprocal agreement facilitates the mutual granting of rights; foreign collecting societies transfer to GEMA the exercise of performance, broadcast, and reproduction rights of their entire inventory within Germany, along with the collection of corresponding usage fees, and in return GEMA grants the same rights and duties to foreign counterparts holding corresponding legal positions in their own territories. In each case, a foreign society operates as a trustee for the rights-exercising collecting society: it has no influence over how and when the collecting society will disburse the collected royalties to its member authors. As of 2009 and based on a total of 151 agreements, GEMA represents more than 2 Million musical authors from the entire world and maintains data on over 8.5 Million musical works in its works-documentation files. Collecting societies have joined together internationally into
umbrella group An umbrella organization is an association of (often related, industry-specific) institutions who work together formally to coordinate activities and/or pool resources. In business, political, and other environments, it provides resources and ofte ...
s such as the Confédération Internationale des Sociétés d'Auteurs et Compositeurs (CISAC), using this organization as a lobby group to influence governments, international organisations, and the
European Community The European Economic Community (EEC) was a regional organization created by the Treaty of Rome of 1957,Today the largely rewritten treaty continues in force as the ''Treaty on the functioning of the European Union'', as renamed by the Lisb ...
.


Current debates

GEMA often features in discussions about
copyright A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educatio ...
, private copying,
webradio Online radio (also web radio, net radio, streaming radio, e-radio, IP radio, Internet radio) is a digital audio service transmitted via the Internet. Broadcasting on the Internet is usually referred to as webcasting since it is not transmitted ...
and
file sharing File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia (audio, images and video), documents or electronic books. Common methods of storage, transmission and dispersion include r ...
. For example, the private copying levy on blank recordable media and recording devices was brought into question, especially as it not clear what rights the buyer acquires by paying this sum. In an
online petition An online petition (or Internet petition, or e-petition) is a form of petition which is signed online, usually through a form on a website. Visitors to the online petition sign the petition by adding their details such as name and email address. T ...
initiated by Monika Bestle on 19 May 2003, artists and event-organizers demanded a revision of GEMA's regulations with respect to better transparency, adjusted payment methods and other critical points. The petition was signed by 106,575 citizens and remains under parliamentary review since 17 July 2009. From 2009 to 2016, many music videos on
YouTube YouTube is a global online video sharing and social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the second mo ...
were not accessible from a German
IP address An Internet Protocol address (IP address) is a numerical label such as that is connected to a computer network that uses the Internet Protocol for communication.. Updated by . An IP address serves two main functions: network interface ident ...
. This is because, after the expiration of the original contract, YouTube and GEMA had not yet come to an agreement on a new contract (see section Blocking of YouTube videos in Germany below). On 2 April 2009, a lawsuit took place before the regional court of Munich, in which the plaintiff, German singer , demanded a court-backed disclosure of GEMA's business practices. According her own statements, Clear paid a total of €80,000 in fees for her concerts between 2004 and 2007 and received around €10,000 in payouts, despite more than half of the performed music being composed, texted, and performed by herself. By her own calculations, she expected a return of approximately €33,000. The verdict, made on 10 June 2010 in the Munich regional court, found in favor of GEMA on all points and, due to incomplete information from Clear, negotiated payments were limited to approximately €23,000 in fees to GEMA and ca. €10,000 in payouts to Clear. The grounds for judgment stated that any claim to payment that may arise does not do so out of the deed of assignment signed between the two parties. On 21 January 2010, the Munich regional higher court of appeal (german: Oberlandesgericht) rejected Clear's appeal against the Munich regional court's (german: Landgericht) verdict in its entirety. It came to light on 28 May 2010, that two employees along with ten GEMA members were embroiled in a fraud scandal, in which money was paid out for events that never took place. At the same time, another fraud trial was already being litigated against another GEMA employee for another case. At a press briefing related to these cases, Harald Heker proclaimed that, "When a system such as this is circumvented by high criminal energies, such a system is powerless." GEMA garnered a great deal of attention in January 2011 when it sent a letter to 36,000 Kindergartens, charging them a yearly lump-sum fee of €56 for the photocopying of music scores with children's songs on them. More importantly, the Kindergartens were obligated to maintain an exact itemization of each song used. GEMA replied in a statement that the media had misrepresented the facts. In Bavaria, the dispute was settled by signing a lump-sum agreement amounting to €290,000, which would be paid out from the communal budget. Other states of Germany are also in the process of negotiating similar agreements. In 2011, GEMA's web presence was the target of two
cyber attack A cyberattack is any offensive maneuver that targets computer information systems, computer networks, infrastructures, or personal computer devices. An attacker is a person or process that attempts to access data, functions, or other restricted ...
s over the failure to reach an agreement with YouTube. The
hacktivist In Internet activism, hacktivism, or hactivism (a portmanteau of '' hack'' and '' activism''), is the use of computer-based techniques such as hacking as a form of civil disobedience to promote a political agenda or social change. With roots in h ...
group Anonymous claimed responsibility for both attacks, accusing GEMA of making exorbitant demands in regarding the required licensing fees for accessed videos. During the first attack in June 2011, GEMA's server was incapacitated by a
denial of service In computing, a denial-of-service attack (DoS attack) is a cyber-attack in which the perpetrator seeks to make a machine or network resource unavailable to its intended users by temporarily or indefinitely disrupting services of a host connec ...
attack. On 22 August, the hackers directly attacked the content of the website, redirecting viewers to an image that played on the dispute with YouTube. Anonymous additionally succeeded in penetrating the company's intranet, collecting usernames and passwords that they later published on
Twitter Twitter is an online social media and social networking service owned and operated by American company Twitter, Inc., on which users post and interact with 280-character-long messages known as "tweets". Registered users can post, like, and ...
. On 3 December 2011, another online petition explicitly called for the elimination of Article 13c—the so-called ''GEMA-Vorbehalt'' ( en, GEMA Clause)—of the ''Urheberrechtswahrnehmungsgesetz'' ( en, Law concerning the exercise of authors' rights). This section of the law contains a full power of attorney, which GEMA also invokes: "If a rights-holder has not transferred to any collecting society the exercise of his rights of cable retransmission in accordance with Article 20b, Paragraph 1, Sentence 1 of the ''Urheberrechtswahrnehmungsgesetz'', then the collecting society that exercises rights of this sort will be considered to be entitled to exercise these rights." A radio interview with artist
Sven Regener Sven Regener (born 1 January 1961) is a German musician and writer living in Berlin. In 1982 he recorded his first LP with the band ''Zatopek'' and in 1984 he joined ''Neue Liebe''. In 1985 he founded the Berlin band Element of Crime together w ...
(from the band Element of Crime) caused a stir in March 2012. On Bavarian Radio, Regener railed against "no-cost-culture" in the music industry and vehemently advocated the strengthening of authors' rights and of GEMA (Regener: "We are GEMA, the composers and lyricists"). He accused opponents of copyright with undermining the value of art. He also criticized YouTube, the video portal for the internet company
Google Google LLC () is an American Multinational corporation, multinational technology company focusing on Search Engine, search engine technology, online advertising, cloud computing, software, computer software, quantum computing, e-commerce, ar ...
. According to him, Google earns billions, but it is not willing to give some of its profits to artists. In 2012, the organizers of the
non-profit organization A nonprofit organization (NPO) or non-profit organisation, also known as a non-business entity, not-for-profit organization, or nonprofit institution, is a legal entity organized and operated for a collective, public or social benefit, in co ...
demo party
Evoke Evoke may refer to: * Evocation, the act of calling upon or summoning a spirit, demon, deity or other supernatural agent * E'voke, a British female vocal duo * ''Evoke'' (album), a 2005 electro-industrial album by Wumpscut * Evoke Motorcycles, a ...
decided not to admit any competitors that were members of GEMA or any other international collection society, because otherwise they would incur GEMA licensing fees amounting to €4,500. These costs would endanger the event itself. Another demo party,
Revision Revision is the process of revising. More specifically, it may refer to: * Update, a modification of software or a database * Revision control, the management of changes to sets of computer files * ''ReVisions'', a 2004 anthology of alternate hi ...
, made a similar decision in 2013 after having to pay GEMA because of GEMA-registered artists participating in music competitions during the previous year's event.


Blocking of YouTube videos in Germany

Music videos for major label artists on
YouTube YouTube is a global online video sharing and social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the second mo ...
, as well as many videos containing background music, have been unavailable in Germany since the end of March 2009 after the previous agreement had expired and negotiations for a new license agreement were stopped. According to Google, GEMA sought to raise its fee charged to YouTube to a "prohibitive" 12 euro cents per streamed video - a claim that is disputed by GEMA speaker Bettina Müller stating their proposal was 1 euro cent only plus a breakdown by composer. The issue was to be taken up by a California court. Google Inc., the world's biggest Internet search engine company, partly lost a German copyright infringement suit over how much it must do to remove illegal music videos from its YouTube website. On 20 April 2012, the regional court of Hamburg decided in favor of GEMA in the dispute with YouTube, ordering the removal of seven copyright-protected videos from its platform. Despite its victory, GEMA nonetheless launched an appeal against the verdict on 21 May 2012, because according to GEMA the talks following the verdict remained fruitless, and so the collecting society could not ensure legal certainty for its members. Moreover, GEMA demanded more transparency from the Google-subsidiary in their ongoing negotiations. YouTube also launched an appeal against the 20 April verdict, on the grounds that "the implementation of filters would compromise innovation and freedom of speech." In February 2014, GEMA won a lawsuit against YouTube at the District Court of Munich which ordered the website to remove blocking messages which claim GEMA is to blame for thousands of videos being unavailable in Germany on copyright grounds. On 31 October 2016, YouTube agreed to pay an undisclosed amount of money to GEMA for video views of GEMA-protected artists.


Criticism

As of 5 November 2012, the German parliament had already received 1863 petitions against GEMA.


From members

* GEMA members with voting rights, who are responsible for the majority of performances, received 62.99% of the disbursements in 2008. Event-organizer Marcus Gloria characterizes these payouts as a non-transparent distribution process. Independent artist complains that the rental costs of the same concert hall have fluctuated from €2,007 (2004) to €459 (2005) to €1,233 (2006). * According to contract terms, every member is obligated to register every single one of his/her works that will be released publicly. According to Article 1 of the GEMA deed of assignment, the rights-holder grants GEMA comprehensive exclusive usage rights as a trustee to all of his/her current and future creative works. It is thereafter impossible to publish single works under another license (e.g., a free license). It is likewise impossible to release works for non-commercial use—such as the "nc" varieties available through Creative Commons—which is currently possible in France. In GEMA's view, such arrangements would prevent the society from ensuring the effective and commercial exercise of legal rights, which the EU-Commission should also recognize (according to evidence and business decisions from 1971 to 1974). One can only revoke the transfer of usage rights and manage them oneself in individual law sectors (german: Sparten) and/or territories—and for all works. * The conventional term of a contract for members of EU-member states is three months. As a general rule, works registered at one point cannot simply be de-registered, because it comes into conflict with other already-standing contracts with its clients. The original six-year term of contract was forbidden by the
European Commission The European Commission (EC) is the executive of the European Union (EU). It operates as a cabinet government, with 27 members of the Commission (informally known as "Commissioners") headed by a President. It includes an administrative body ...
in two decisions (1971; 1972), due to the abusive exploitation of monopoly positions, which was confirmed in a verdict by the European Court of Justice. However, six-year contracts remain the norm for citizens of non-EU states. * Another charge against GEMA is that there is a disparity between the revenues and disbursements for the playback of (''Unterhaltungsmusik''; en, entertainment music, or
pop music Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former descri ...
) versus live musical performances. GEMA explains this difference by pointing out the high acquisition efforts for the latter events. "Playlists" must always be prepared manually and require a signature, in order to count as a legally-valid document. * In 1998, GEMA introduced new PRO extrapolation procedures. This system for dividing up royalties led to drastic deficits for a portion of members, since oft-played but seldom-reported works became more expensive during the settlement process. Dance bands, solo entertainers, etc. play the standard repertoire but rarely feel compelled to fill out "playlists," since, as non-authors, they will not receive any royalties for the performance. On the other hand, performers of their own works report nearly 100% of their performances, since they are bound to earn royalties from them. * Authors who perform their own works must also pay music event fees to GEMA, if they are also organizing the event themselves. If more than 80% of their performance consists of their own works, they can use a "net individual invoice" (german: Nettoeinzelverrechnung) to get these fees back—less the handling fees. However, this only applies when all authors participating in the same event are included, which makes no provisions for festivals and supporting acts. * If an author wishes to make their music available on their own website, they must still pay GEMA fees and fill out the corresponding information sheet, even if the royalties are to be disbursed to them afterwards. This is somewhat different from the policy of the US performing rights societies ASCAP and BMI. * Since organizers pay concert fees that are calculated using the event venue's size and the admission price, there is a danger that organizer will be saddled with the costs, should the actual sales for the appearance of an artist not cover the incurred GEMA charges. GEMA has implemented a "hardship abatement provision" (german: Härtefallnachlassregel), with which one can apply for a retroactive reduction in licensing costs when an unprofitable event fulfills certain conditions. * The spokesperson for the , , charges that the PRO process was introduced by the executive board in a "hush-hush operation" (german: Nacht-und-Nebel-Aktion) without a resolution from the General Assembly—and which just happened to benefit the members of the executive board, including its chairman at the time, Otto Krause. He accused him of exploitation and personal enrichment, because he sometimes collected sums that were 100 times the incoming licensing fees collected for his old Schlager songs, while rock musicians only earned 10% of the licensing fees their music earned. Furthermore, he claimed that a statistics professor that had been appointed to assess the rationale for the distribution process had had absolutely no expertise in the field of live music and was deliberately misinformed by the executive board. Furthermore, a 2005 verdict by the federal court demanded that the PRO process be subject to a vote by the membership, which has yet to occur. Seelenmeyer also sharply criticized the term "solidarity principle" (german: Solidarprinzip), arguing that it disguises and sugarcoats a planned- and intentionally-unfair distribution process. He cited the former chairman of the GEMA board of directors , who wrote regarding the introduction of the PRO process that, "For an extrapolation process heavily impacting the income distribution of members to be introduced without a membership resolution is simply intolerable and furthermore against regulations, according to the opinion of many legal experts." Evers further charged: "This paternalism would rob GEMA members of their voting rights regarding an essential domain of their assets. They are almost being deprived of their right of decision by their own trustees!" Evers demanded that: "The only way that the executive board and directorial board can get out of this crisis of confidence that has arisen through the patronization of members lies in the immediate dismissal of the PRO process and the development of a new process with the participation and approval of its members!" * Edgar Berger, President and international CEO of
Sony Music Entertainment Sony Music Entertainment (SME), also known as simply Sony Music, is an American multinational music company. Being owned by the parent conglomerate Sony Group Corporation, it is part of the Sony Music Group, which is owned by Sony Entertainmen ...
outside of the US, criticized the authors' rights practices of GEMA in an interview with the daily newspaper ''
Die Welt ''Die Welt'' ("The World") is a German national daily newspaper, published as a broadsheet by Axel Springer SE. ''Die Welt'' is the flagship newspaper of the Axel Springer publishing group. Its leading competitors are the ''Frankfurter All ...
'' on 23 February 2012, questioning why in Germany, in contrast with other countries, no ''official'' music videos can be viewed on YouTube: "It's not because of us. We have licensed our content to market players. You need to ask this question to the collecting society GEMA, who is very restrictive in its copyright licensing. We're losing millions in revenue as a result. By the way, this is one of the main reasons why digital music sales in Germany are less prevalent than elsewhere."


From users

* For the public use of "entertainment" music (german: Unterhaltungsmusik) or dance music (german: Tanzmusik), GEMA assumes that all songs/tracks belong to the GEMA Repertoire by default—until such time as the user submits a completed playlist that indicates which authors are either non-members and/or which tracks are in
public domain The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Because those rights have expired, ...
. In doing so, GEMA is exercising a legally-sanctioned and much-debated reversal of the burden of proof, which is usually termed the ''GEMA-Vermutung'' ( en, GEMA-assumption).


From club managers and disco owners

* In April 2012, disco owners were angered by the announcement of GEMA's new licensing fee scheme (dubbed the ''Tarifreform''), because they predicted a more than 1000% increase for them in the year 2013. GEMA did not deny that the new tariffs could mean ten-fold fee hikes for certain venues—especially
discotheque A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs gene ...
s—but they were of the opinion that such cases would be isolated. The tariff reforms were based on requests made to GEMA for a simplified tariff structure and a fairer distribution of tariffs between cultural event-organizers and discos. For years discos have paid much less than cultural event-organizers, and there has been a great deal of criticism—including from the political sphere—of the subvention of discos. GEMA also criticized for their one-sided misrepresentation of the issue, charging them with having concealed the impact of the ''Angemessenheitsregel'' ( en, adequacy rule) cost-abatement, which is based on the actual audience turnout at events. GEMA also argues that 60% of event organizers will pay the same or less under the new tariff system. In particular, smaller clubs will be relieved of paying fees. * A table on the GEMA website indicates that most of the licensing fees will go down in 2013, but nevertheless a club in Frankfurt with a surface area of 300 m2 (3230 sq. ft.) will currently pay a yearly lump sum between €8,000 and €10,000 for GEMA fees. This would constitute a 500% increase in tariffs. According to a fee-calculator on the website of the ''Bundesverband Deutscher Discotheken und Tanzbetriebe'' ( en, Association of German Discos and Dance Venues), the tariffs will be far higher. However, the estimates generated by this calculator indicate the theoretical maximum flat-rate charge per event. Also, this calculator does not take the ''Angemessenheitsregel'' (see above) into account, which gives organizers the ability to have their licensing payments based on the actual number of spectators at their events. The numbers that have been disseminated in the media have greatly distorted public perceptions of the consequences of the tariff reforms. Additionally, there is a growing assumption in the media that discos will be especially reluctant to calculate their costs based on spectator-turnout numbers, since these numbers were not previously monitored and likewise not fully counted. * By way of a sample fee-estimate, the ''Bundesvereinigung der Musikveranstalter'' ( en, National Union of Music Event Organizers) calculated that a club with two dance-floors of a combined total surface area of 720 m2 (7750 sq. ft.) charging €8 at the door will see a rise in GEMA fees from €21,553 yearly to €147,916. Under the new system, event licensing fees increase by 50% if the music runs longer than five hours. Many other model calculations made the rounds as well, according to which only one-time events such as a marksmanship festivals and very small clubs would actually profit from the new tariff scheme. * 20 dance club owners came together for the initiative, "Clubs am Main," in order to oppose the new tariff regulations. According to Matthias Morgenstern, the leader of this association and the owner of ''Tanzhaus West'', this new fee structure would lead to ''Clubsterben'' ( en, club-death). The yearly payments of Frankfurt club were slated to jump from €14,000 to €165,000. Another club called Travolta would also see a rise in fee payments from €10,000 to more than €50,000. Tanzhaus West foresees a yearly increase from €1,500 to more than €50,000. * In Berlin, the
techno Techno is a Music genre, genre of electronic dance music (EDM) which is generally music production, produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central Drum beat, rhythm is typ ...
club
Berghain Berghain () is a nightclub in Berlin, Germany. It is named after its location near the border between Kreuzberg and Friedrichshain in Berlin, and is a short walk from Berlin Ostbahnhof main line railway station.
indicated that, starting in 2013, it would have to pay %1400 more in GEMA fees than it did before and therefore was considering closing at the end of 2012. Berghain later announced in mid-August that the club would not shut its doors in the new year, but instead would cancel their planned expansion project, the cultural event-space ''Kubus''. * On 30 June 2012, the ''Bundesverband Deutscher Discotheken und Tanzbetriebe'' ( en, Association of German Discos and Dance Venues) organized a "moment of silence" protest, in which the music of 500 clubs and discos in Germany fell silent between 23:55 and midnight. The manager of the association, Stephan Büttner, intended to use this collective gesture of protest to inform patrons and spectators about the impact of the new tariff system. * According to Ralf Scheffler, owner of the
Frankfurt Frankfurt, officially Frankfurt am Main (; Hessian: , " Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on it ...
cultural center Batschkapp, GEMA presumes maximum occupancy at events in clubs and discos. But this does not reflect actual/typical turnout. For example, Scheffler's venue has a capacity of 2,000 people, but nonetheless turnout usually hovers at around 500 visitors. But with the new tariff reforms, he will have to pay for 2000 guests, even if they do not show up in those numbers. Due to this, Scheffler plans to quit organizing disco-format events, since he will have to pay €60,000 instead of €3,000 starting in 2013. * In a letter to GEMA, the head of the ''Senatskanzlei Berlin'' ( en, Senate Chancellery Berlin), state secretary
Björn Böhning Björn Böhning (born 2 June 1978) is a German politician of the Social Democratic Party (SPD) who has been serving as State Secretary at the Federal Ministry of Labour and Social Affairs under the leadership of minister Hubertus Heil from 2018 t ...
, called for a reconsideration of their plans. According to Böhning, Berlin has a creative and innovative music scene, for which clubs and concerts are important. These require affordable licensing fee rates as a basis for their business operations. * An online petition protesting the GEMA tariff reforms, initiated by event promoter Matthias Rauh (of ''giga event''), was launched shortly after the announcement of the new tariffs in April 2012, closed on 3 October with 305,122 signatures (of which 284,569 were signed with a German address), and presented to Justice Minister
Sabine Leutheusser-Schnarrenberger Sabine Leutheusser-Schnarrenberger ( Leutheusser; born 26 July 1951) is a German politician of the liberal Free Democratic Party and a prominent advocate of human rights in Germany and Europe. Within the FDP, she is a leading figure of the soc ...
on 13 December 2012. A week later, on 20 December 2012, both GEMA and announced in press statements that they had reached an interim agreement that would delay the implementation of the tariff reforms for a year (until 1 January 2014)—allowing another year to negotiate further over the licensing fee structures—and during the year 2013 all flat-rate event licensing fees will go up by 5% (and, on 1 April 2013, fees will rise a further 10% for discos and clubs).


German Music Authors' Prize

Since 2009, GEMA has been granting the annual
German Music Authors' Prize The German Music Authors' Prize (german: Deutscher Musikautorenpreis) is a German music prize that has been awarded since 2009 by German collective rights association GEMA. It is awarded to composers and lyricists for their outstanding achievement ...
(german: Deutscher Musikautorenpreis). With the motto, "Authors Honor Authors" (german: Autoren ehren Autoren), the award ceremony takes place in Berlin with about 300 guests in attendance from the worlds of music, culture, business, media, and politics. This award recognizes composers and lyricists for the outstanding quality of their work. The award is conferred in ten categories, and the honorees are selected by an independent jury of experts: composers, lyricists, and producers from a variety of musical genres. The award for the "up-and-coming" category comes with a monetary prize amounting to €10,000. All other categories bestow non-monetary awards.


See also

* Bureau International de l'Edition Mecanique * Cultural Commons Collecting Society * GÜFA * Recording Industry Association of America (RIAA)


References


External links

* {{DEFAULTSORT:Gesellschaft fur musikalische Auffuhrungs- und mechanische Vervielfaltigungsrechte Music licensing organizations 1947 establishments in Germany Music organisations based in Germany