HOME

TheInfoList



OR:

The Festival of Britain was a national exhibition and fair that reached millions of visitors throughout the United Kingdom in the summer of 1951. Historian Kenneth O. Morgan says the Festival was a "triumphant success" during which people: Labour cabinet member Herbert Morrison was the prime mover; in 1947 he started with the original plan to celebrate the centennial of the Great Exhibition of 1851. However, it was not to be another World Fair, for international themes were absent, as was the British Commonwealth. Instead the 1951 festival focused entirely on Britain and its achievements; it was funded chiefly by the government, with a budget of £12 million. The Labour government was losing support and so the implicit goal of the festival was to give the people a feeling of successful recovery from the war's devastation, as well as promoting British science, technology, industrial design, architecture and the arts. The Festival's centrepiece was in London on the South Bank of the Thames. There were events in Poplar (Architecture –  Lansbury Estate), Battersea (the Festival Pleasure Gardens), South Kensington (Science) and
Glasgow Glasgow ( ; sco, Glesca or ; gd, Glaschu ) is the most populous city in Scotland and the fourth-most populous city in the United Kingdom, as well as being the 27th largest city by population in Europe. In 2020, it had an estimated popu ...
(Industrial Power). Festival celebrations took place in Cardiff, Stratford-upon-Avon,
Bath Bath may refer to: * Bathing, immersion in a fluid ** Bathtub, a large open container for water, in which a person may wash their body ** Public bathing, a public place where people bathe * Thermae, ancient Roman public bathing facilities Plac ...
,
Perth Perth is the capital and largest city of the Australian state of Western Australia. It is the fourth most populous city in Australia and Oceania, with a population of 2.1 million (80% of the state) living in Greater Perth in 2020. Perth is ...
, Bournemouth,
York York is a cathedral city with Roman origins, sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. It is the historic county town of Yorkshire. The city has many historic buildings and other structures, such as a ...
,
Aldeburgh Aldeburgh ( ) is a coastal town in the county of Suffolk, England. Located to the north of the River Alde. Its estimated population was 2,276 in 2019. It was home to the composer Benjamin Britten and remains the centre of the international Ald ...
, Inverness, Cheltenham,
Oxford Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the ...
,
Norwich Norwich () is a cathedral city and district of Norfolk, England, of which it is the county town. Norwich is by the River Wensum, about north-east of London, north of Ipswich and east of Peterborough. As the seat of the Episcopal see, See of ...
, Canterbury and elsewhere,''The Festival of Britain'' (Official Book of the Festival of Britain 1951). HMSO, 1951. and there were touring exhibitions by land and sea. The Festival became a "beacon for change" that proved immensely popular with thousands of elite visitors and millions of popular ones. It helped reshape British arts, crafts, designs and sports for a generation. Journalist Harry Hopkins highlights the widespread impact of the "Festival style". They called it "Contemporary". It was:


Conception and organisation

The first idea for an exhibition in 1951 came from the Royal Society of Arts in 1943, which considered that an international exhibition should be held to commemorate the centenary of the 1851 Great Exhibition. In 1945, the government appointed a committee under
Lord Ramsden Eugene Joseph Squire Hargreaves Ramsden, 1st Baron Ramsden OBE (2 February 1883 – 9 August 1955), known as Sir Eugene Ramsden, Bt between 1938 and 1945, was a Conservative Party politician in the United Kingdom. Background Ramsden was the son ...
to consider how exhibitions and fairs could promote exports. When the committee reported a year later, it was decided not to continue with the idea of an international exhibition because of its cost at a time when reconstruction was a high priority. Herbert Morrison took charge for the Labour government and decided instead to hold a series of displays about the arts, architecture, science, technology and industrial design,Cox, Ian, ''The South Bank Exhibition: A guide to the story it tells'', H.M.S.O., 1951 under the title "Festival of Britain 1951". Morrison insisted there be no politics, explicit or implicit. As a result, Labour-sponsored programs such as nationalisation, universal health care and working-class housing were excluded; instead, what was allowed was town planning, scientific progress, and all sorts of traditional and modern arts and crafts.Leventhal, "A Tonic to the Nation" p 447 Much of London lay in ruins, and models of redevelopment were needed. The Festival was an attempt to give Britons a feeling of recovery and progress and to promote better-quality design in the rebuilding of British towns and cities. The Festival of Britain described itself as "one united act of national reassessment, and one corporate reaffirmation of faith in the nation's future." Gerald Barry, the Festival Director, described it as "a tonic to the nation". A Festival Council to advise the government was set up under General Lord Ismay. Responsibility for organisation devolved upon the Lord President of the Council, Herbert Morrison, the deputy leader of the Labour Party, who had been London County Council leader. He appointed a Great Exhibition Centenary Committee, consisting of civil servants, who were to define the framework of the Festival and to liaise between government departments and the festival organisation. In March 1948, a Festival Headquarters was set up, which was to be the nucleus of the Festival of Britain Office, a government department with its own budget. Festival projects in Northern Ireland were undertaken by the government of Northern Ireland. Associated with the Festival of Britain Office were the Arts Council of Great Britain, the Council of Industrial Design, the
British Film Institute The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, ...
and the National Book League. In addition, a Council for Architecture and a Council for Science and Technology were specially created to advise the Festival Organisation and a Committee of Christian Churches was set up to advise on religion. Government grants were made to the Arts Council, the Council of Industrial Design, the British Film Institute and the National Museum of Wales for work undertaken as part of the Festival. Gerald Barry had operational charge. A long-time editor with left-leaning, middle-brow views, he was energetic and optimistic, with an eye for what would be popular, and a knack on how to motivate others. Unlike Morrison, Barry was not seen as a Labour ideologue. Barry selected the next rank, giving preference to young architects and designers who had collaborated on exhibitions for the wartime Ministry of Information. They thought along the same lines socially and aesthetically, as middle-class intellectuals with progressive sympathies. Thanks to Barry, a collegial sentiment prevailed that minimised stress and delay.


Displays

The arts were displayed in a series of country-wide musical and dramatic performances. Achievements in architecture were presented in a new neighbourhood, the Lansbury Estate, planned, built and occupied in the Poplar district of London. The Festival's centrepiece was the South Bank Exhibition, in the Waterloo area of London, which demonstrated the contribution made by British advances in science, technology and industrial design, displayed, in their practical and applied form, against a background representing the living, working world of the day. There were other displays elsewhere, each intended to be complete in itself, yet each part of the one single conception. Festival Pleasure Gardens were set up in Battersea, about three miles up river from the South Bank. Heavy engineering was the subject of an Exhibition of Industrial Power in Glasgow. Certain aspects of science, which did not fall within the terms of reference of the South Bank Exhibition, were displayed in South Kensington. Linen technology and science in agriculture were exhibited in "Farm and Factory" in Belfast. A smaller exhibition of the South Bank story was put on in the Festival ship '' Campania'', which toured the coast of Britain throughout the summer of 1951, and on land there was a travelling exhibition of industrial design. The University of Brighton Design Archives have digitised many of th
Design Council's files
relating to the planning of the festival.


Principal events


England

Exhibitions *South Bank, London (4 May – 30 September) *Science, South Kensington (4 May – 30 September) *Architecture, Poplar (3 May – 30 September) *Books, South Kensington (5 May – 30 September) *1851 Centenary Exhibition, South Kensington (1 May – 11 October) *Festival of British Films, London (4 June – 17 June) Festival Pleasure Gardens, Battersea Park, London (3 May – 3 November) London Season of the Arts (3 May – 30 June) Arts Festivals * Stratford-upon-Avon (24 March – 27 October) *
Bath Bath may refer to: * Bathing, immersion in a fluid ** Bathtub, a large open container for water, in which a person may wash their body ** Public bathing, a public place where people bathe * Thermae, ancient Roman public bathing facilities Plac ...
(20 May – 2 June) * Bournemouth and Wessex (3 June – 17 June) *
York York is a cathedral city with Roman origins, sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. It is the historic county town of Yorkshire. The city has many historic buildings and other structures, such as a ...
(3 June – 17 June) *
Aldeburgh Aldeburgh ( ) is a coastal town in the county of Suffolk, England. Located to the north of the River Alde. Its estimated population was 2,276 in 2019. It was home to the composer Benjamin Britten and remains the centre of the international Ald ...
(8 June – 17 June) *
Norwich Norwich () is a cathedral city and district of Norfolk, England, of which it is the county town. Norwich is by the River Wensum, about north-east of London, north of Ipswich and east of Peterborough. As the seat of the Episcopal see, See of ...
(18 June – 30 June) * Cheltenham (2 July – 14 July) *
Oxford Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the ...
(2 July – 16 July) * Brighton (16 July – 25 August) * Canterbury (18 July – 10 August) *
Liverpool Liverpool is a City status in the United Kingdom, city and metropolitan borough in Merseyside, England. With a population of in 2019, it is the List of English districts by population, 10th largest English district by population and its E ...
(22 July – 12 August) *
Cambridge Cambridge ( ) is a university city and the county town in Cambridgeshire, England. It is located on the River Cam approximately north of London. As of the 2021 United Kingdom census, the population of Cambridge was 145,700. Cambridge bec ...
(30 July – 18 August) *
Worcester Worcester may refer to: Places United Kingdom * Worcester, England, a city and the county town of Worcestershire in England ** Worcester (UK Parliament constituency), an area represented by a Member of Parliament * Worcester Park, London, Engla ...
(2 September – 7 September)


Wales

Pageant of Wales,
Sophia Gardens, Cardiff Sophia Gardens ( cy, Gerddi Sophia) is a public park in Riverside, Cardiff, Wales, on the west bank of the River Taff. International test cricket matches and county cricket matches are held in the Sophia Gardens cricket ground, the home of G ...
St Fagan's Folk Festival, Cardiff Welsh Hillside Farm Scheme, Dolhendre Arts Festivals


Scotland

Exhibitions *Industrial Power, Glasgow *Contemporary Books, Glasgow *"Living Traditions" – Scottish Architecture and Crafts, Edinburgh *18th Century Books, Edinburgh Arts Festivals Gathering of the Clans, Edinburgh Scots Poetry Competition Masque of St. Andrews,
St. Andrews St Andrews ( la, S. Andrea(s); sco, Saunt Aundraes; gd, Cill Rìmhinn) is a town on the east coast of Fife in Scotland, southeast of Dundee and northeast of Edinburgh. St Andrews had a recorded population of 16,800 , making it Fife's four ...


Northern Ireland

Ulster Farm and Factory, Belfast Arts Festival


Travelling Exhibitions

Festival Ship ''Campania'',: England, Scotland, Wales and Northern Ireland *Southampton (4 May – 14 May) *Dundee (18 May – 26 May) *Newcastle (30 May – 16 June) *Hull (20 June – 30 June) *Plymouth (5 July – 14 July) *Bristol (18 July – 28 July) *Cardiff (31 July – 11 August) *Belfast (15 August – 1 September) *Birkenhead (5 September – 14 September) *Glasgow (18 September – 6 October) Land Travelling Exhibition : England *Manchester (5 May – 26 May) *Leeds (23 June – 14 July) *Birmingham (4 August — 25 August) *Nottingham (15 September – 6 October)


The South Bank Exhibition

Construction of the South Bank site opened up a new public space, including a riverside walkway, where previously there had been warehouses and working-class housing. The layout of the South Bank site was intended to showcase the principles of urban design that would feature in the post-war rebuilding of London and the creation of the new towns. These included multiple levels of buildings, elevated walkways and avoidance of a street grid. Most of the South Bank buildings were International Modernist in style, little seen in Britain before the war. The architecture and display of the South Bank Exhibition were planned by the Festival Office's Exhibition Presentation Panel, whose members were: *Gerald Barry, ''Director-General, Chairman'' *Cecil Cooke, ''Director, Exhibitions, Deputy Chairman'' *
Misha Black Sir Misha Black (16 October 1910 – 11 October 1977) was a British-Azerbaijani architect and designer. In 1933 he founded with associates in London the organisation that became the Artists' International Association. In 1943, with Milner Gray ...
*G. A. Campbell, ''Director, Finances and Establishments'' *
Hugh Casson Sir Hugh Maxwell Casson (23 May 1910 – 15 August 1999) was a British architect. He was also active as an interior designer, as an artist, and as a writer and broadcaster on twentieth-century design. He was the director of architecture for t ...
, ''Director, Architecture'' *Ian Cox, ''Director, Science and Technology *A. D. Hippisley Coxe, ''Council of Industrial Design'' * James Gardner *James Holland *M. Hartland Thomas, ''Council of Industrial Design'' *
Ralph Tubbs Ralph Tubbs OBE FRIBA (9 January 1912 – 23 November 1996) was a British architect. Well known amongst the buildings he designed was the Dome of Discovery at the successful Festival of Britain on the South Bank in London in 1951. Ralph was educa ...
*Peter Kneebone, ''Secretary'' The theme of the Exhibition was devised by Ian Cox. The Exhibition comprised the Upstream Circuit: "The Land", the Dome of Discovery, the Downstream Circuit: "The People", and other displays.


Upstream Circuit: "The Land"

''Architect'': Misha Black ''Theme'': Ian Cox ''Display Design'': James Holland The exhibits comprised: *The Land of Britain. (''Architect'':
H. T. Cadbury-Brown Henry Thomas Cadbury-Brown RA (20 May 1913 – 9 July 2009) was an English architect. He was educated at the Architecture Association where he was influenced by the architecture of Le Corbusier and Walter Gropius. After graduating he worked fo ...
. ''Theme Convener'': Kenneth Chapman. ''Display Design'': V.Rotter.) *The Natural Scene (''Architect'': Brian O'Rorke. ''Theme Convener'': Kenneth Chapman. ''Display Designer'': F. H. K. Henrion) *The Country. (''Architect'': Brian O'Rorke. ''Theme Conveners'': A. S. Thomas, Peter B. Collins. ''Display Designer'': F. H. K. Henrion.) *Minerals of the Island (''Architects'': Architects' Co-operative Partnership. ''Theme Convener'': Sonia Withers. ''Display Designer'': Beverley Pick.) *Power and Production (''Architects'': George Grenfell Baines and H. J. Reifenberg. ''Theme Convener'': C. J. Whitcombe. ''Display Design'': Warnett Kennedy and Associates) *Sea and Ships. (''Architects'': Basil Spence and Partners. ''Theme Conveners'': C. Hamilton Ellis and Nigel Clayton. ''Display Designers: James Holland and Basil Spence.) *Transport. (''Architects and Designers'': Arcon. ''Theme Direction'': George Williams.)


The Dome of Discovery

''Architect'': Ralph Tubbs ''Theme'': Ian Cox ''Display'': Design Research Unit The exhibits focused on scientific discovery. They included: *The Land. (''Theme Convener''. Penrose Angwin. ''Display Designers'': Stefan Buzas and Ronald Sandiford.) *The Earth. (''Theme Convener'': Sonia Withers. ''Display Designer'': Robert Gutman.) *Polar. (''Theme Convener'': Quinitin Riley and L. P. Macnair. ''Display Designer'': Jock Kinneir.) *Sea. (''Theme Conveners'': C. Hamilton Ellis and Nigel Clayton. ''Display Designers'': Austin Frazer and Ellis Miles.) *Sky. (''Theme Convener'': Arthur Garratt. ''Display Designer'': Ronald Sandiford.) *Outer Space. (''Theme Convener'': Penrose Angwin. ''Display Designers'': Austin Frazer and Eric Towell.) *The Living World. (''Theme Convener'': Kenneth Chapman. ''Display Designers'': Austin Frazer and Stirling Craig.) *The Physical World. (''Theme Conveners'': Arthur Garratt and Jan Read. ''Display Designers'': Ronald Ingles and Clifford Hatts.)


Downstream Circuit: "The People"

''Architect'': Hugh Casson ''Theme'': M.Hartland Thomas ''Display Design'': James Gardner The exhibits comprised: *The People of Britain. (''Architect'': H. T. Cadbury-Brown. ''Theme Convener'':
Jacquetta Hawkes Jacquetta is a feminine given name which may refer to: * Jacquetta of Luxembourg Jacquetta of Luxembourg, Dowager Duchess of Bedford and Countess Rivers (1415 or 1416 – 30 May 1472) was a prominent, though often overlooked, figure in the War ...
. ''Display Design'': James Gardner.) *The Lion and the Unicorn (''Architects'': R. D. Russell, Robert Goodden. ''Theme Conveners'': Hubert Phillips and Peter Stucley. ''Display Designers'': Robert Goodden, R. D. Russell and
Richard Guyatt Professor Richard Guyatt (1914–2007) was a British designer and academic who has been described as "one of the 20th century's most seminal figures in the world of graphic design". He was the youngest ever professor at the Royal College of Art on ...
. ''Commentary'': Laurie Lee.) *Homes and Gardens. (''Architects'': Bronek Katz and Reginald Vaughan. ''Theme Conveners'': A.Hippisley Coxe and S. D. Cooke.) *The New Schools. (''Architects'': Maxwell Fry and Jane Drew. ''Theme Convener'': B. W. Rowe. ''Display Designers'': Nevile Conder and Patience Clifford.) *Health. (Theme Conveners: Sheldon Dudley and Nigel Clayton. Display Designer: Peter Ray.) *Sport. (''Architects and Designers'': Gordon Bowyer and Ursula Bowyer. ''Theme Convener'': B. W. Rowe.) *Seaside. (''Architects and Designers'': Eric Brown and Peter Chamberlain. ''Theme Convener''. A. Hippisley Coxe.)


Other Downstream Displays

*Television. (''Architect and Designer'': Wells Coates. ''Theme'': Malcolm Baker Smith.) *
Telecinema The Telecinema was a small cinema built especially for the Festival of Britain's London South Bank Exhibition in the summer of 1951. It was situated between Waterloo station and the Royal Festival Hall. The Telecinema was one of the most popular ...
. (''Architect'': Wells Coates. ''Programme and Presentation'': J. D. Ralph and R. J. Spottiswoode.) *The 1851 Centenary Pavilion. (''Architect'': Hugh Casson. ''Display Designer'': James Gardner.) * Shot Tower. (''Architecture and Design Treatment'': Hugh Casson and James Gardner.) *Design Review. (''Display Designers'': Nevile Conder and Patience Clifford.)


Other features of the South Bank Exhibition


The Skylon

An unusual cigar-shaped aluminium-clad steel tower supported by cables, the Skylon was the "Vertical Feature" that was an abiding symbol of the Festival of Britain. The base was nearly 15 metres (50 feet) from the ground, with the top nearly 90 metres (300 feet) high. The frame was clad in aluminium louvres lit from within at night. It was designed by Hidalgo Moya, Philip Powell and Felix Samuely, and fabricated by
Painter Brothers Painter Brothers is a major British fabricator of structural steelwork and one of the leading producers of bolted lattice steelwork in the world. History Painter Brothers was founded in Hereford, England in 1920 and incorporated in 1929. In conj ...
of Hereford, England, between Westminster Bridge and
Hungerford Bridge The Hungerford Bridge crosses the River Thames in London, and lies between Waterloo Bridge and Westminster Bridge. Owned by Network Rail Infrastructure Ltd (who use its official name of Charing Cross Bridge) it is a steel truss railway brid ...
. It had a steel latticework frame, pointed at both ends and supported on cables slung between three steel beams. The partially constructed Skylon was rigged vertically, then grew taller ''in situ''. The architects' design was made possible by the engineer Felix Samuely who, at the time, was a lecturer at the Architectural Association School of Architecture in Bedford Square, Bloomsbury. The Skylon was scrapped in 1952 on the orders of
Winston Churchill Sir Winston Leonard Spencer Churchill (30 November 187424 January 1965) was a British statesman, soldier, and writer who served as Prime Minister of the United Kingdom twice, from 1940 to 1945 during the Second World War, and again from ...
, who saw it as a symbol of the preceding Labour government. It was demolished and sold for scrap after being toppled into the Thames.


Royal Festival Hall

Designed by Leslie Martin,
Peter Moro Peter Meinhard Moro (27 May 1911 – 10 October 1998) was a London-based architect whose practice developed many notable public buildings. He was the son of Austrian physician and paediatrician Ernst Moro. Life and works Moro was born in Heide ...
and Robert Matthew from the LCC's Architects' Department and built by Holland, Hannen & Cubitts for
London County Council London County Council (LCC) was the principal local government body for the County of London throughout its existence from 1889 to 1965, and the first London-wide general municipal authority to be directly elected. It covered the area today kn ...
. The foundation stone was laid by Prime Minister Clement Attlee in 1949, on the site of the former Lion Brewery, built in 1837. Martin was 39 when he was appointed to lead the design team in late 1948. He designed the structure as an 'egg in a box', a term he used to describe the separation of the curved auditorium space from the surrounding building and the noise and vibration of the adjacent railway viaduct. Sir Thomas Beecham used similar imagery, calling the building a "giant chicken coop". The building was officially opened on 3 May 1951. The inaugural concerts were conducted by
Sir Malcolm Sargent Sir Harold Malcolm Watts Sargent (29 April 1895 – 3 October 1967) was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated include ...
and
Sir Adrian Boult Sir Adrian Cedric Boult, CH (; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London ...
. In April 1988 it was designated a Grade I
listed building In the United Kingdom, a listed building or listed structure is one that has been placed on one of the four statutory lists maintained by Historic England in England, Historic Environment Scotland in Scotland, in Wales, and the Northern I ...
, the first post-war building to become thus protected.


Minor features

* The Festival Administration Building, by Maxwell Fry, Jane Drew and Edward Mills.


Festival Pleasure Gardens

The Festival Pleasure Gardens were created to present a lighter side of the Festival of Britain. They were erected in Battersea Park, a few miles from the South Bank Exhibition. Attractions included: *An amusement park which would outlast the other entertainments. It included the Big Dipper and became the Battersea Fun Fair, staying open until the mid-1970s. *A miniature railway designed by Rowland Emett. It ran for 500 yards along the south of the gardens with a station near the south east entrance and another (with snack bar) at the western end of the line; *A "West End" Restaurant with a terrace overlooking the river and facing Cheyne Walk. *Foaming Fountains, later restored. *A wine garden surrounded by miniature pavilions. *A wet weather pavilion with a stage facing two ways so that performances could take place in the open air. It had murals designed by the film set designer Ferdinand Bellan. *An amphitheatre seating 1,250 people. The opening show featured the music hall star Lupino Lane and his company. It was later turned into a circus. The majority of the buildings and pavilions on the site were designed by John Piper. There was also a whimsical Guinness Festival Clock resembling a three dimensional version of a cartoon drawing. The Pleasure Gardens received as many visitors as the South Bank Festival. They were managed by a specially-formed private company financed by loans from the Festival Office and the London County Council. As the attractions failed to cover their costs, it was decided to keep them open after the rest of the Festival had closed.


Aspects of the Festival


Architecture

The Festival architects tried to show by the design and layout of the South Bank Festival what could be achieved by applying modern town planning ideas. The Festival Style, (also called "Contemporary") combining
modernism Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
with whimsy and Englishness, influenced architecture, interior design, product design and typography in the 1950s. William Feaver describes the Festival Style as "Braced legs, indoor plants, lily-of-the valley sprays of lightbulbs, aluminium lattices, Cotswold-type walling with picture windows, flying staircases, blond wood, the thorn, the spike, the molecule."William Feaver, "Festival Star", in Mary Banham and Bevis Hillier, ''A Tonic to the Nation: The Festival of Britain 1951'', London, Thames and Hudson, 1976 , p. 54 The influence of the Festival Style was felt in the
new towns A planned community, planned city, planned town, or planned settlement is any community that was carefully planned from its inception and is typically constructed on previously undeveloped land. This contrasts with settlements that evolve ...

coffee bars
and office blocks of the fifties. Harlow new town and the rebuilding of
Coventry Coventry ( or ) is a city in the West Midlands, England. It is on the River Sherbourne. Coventry has been a large settlement for centuries, although it was not founded and given its city status until the Middle Ages. The city is governed b ...
city centre are said to show the influence of the Festival Style "in their light structures, picturesque layout and incorporation of works of art", and Coventry Cathedral (1962), designed by Basil Spence, one of the Festival architects, was dubbed "The Festival of Britain at Prayer". There was an exhibition about building research, town planning and architecture, the "Live architecture" exhibit of buildings, open spaces and streets in the Lansbury Estate, Poplar (named after the former Labour Party leader George Lansbury. Plans for social housing in the area had commenced in 1943. By the end of the war nearly a quarter of the buildings in the area had been destroyed or badly damaged. In 1948, the Architecture Council decided that the Poplar site would make a good exhibition partly because it was near to the other Festival exhibitions. Despite funding problems, work began in December 1949 and by May 1950 was well advanced. The wet winter of 1950–51 delayed work, but the first houses were completed and occupied by February 1951. The exhibition opened on 3 May 1951 along with the other Festival exhibitions. Visitors first went to the Building Research Pavilion, which displayed housing problems and their solutions, then to the Town Planning Pavilion, a large, red-and-white striped tent. The Town Planning Pavilion demonstrated the principles of town planning and the urgent need for new towns, including a mock up of an imaginary town called "Avoncaster". Visitors then saw the buildings of the Lansbury Estate. Attendance was disappointing, only 86,426 people visiting, compared to 8 million who visited the South Bank exhibition. Reaction to the development by industry professionals was lukewarm, some criticising its small scale. Subsequent local authorities concentrated on high-rise, high-density social housing rather than the Lansbury Estate model. The estate remains popular with residents. Among the remaining 1951 buildings are
Trinity Independent Chapel The Trinity Independent Chapel (also known as the Congregational church, Congregational or Methodist chapel) was an Victorian architecture, early Victorian church in Poplar, London, Poplar. It was destroyed by a V-2 rocket hit during the Second W ...
, and The Festival Inn and Festive Briton (now Callaghans) pubs. Misha Black, one of the Festival architects, said that the Festival created a wide audience for architectural modernism but that it was common currency among professional architects that the design of the Festival was not innovative. The design writer
Reyner Banham Peter Reyner Banham Hon. FRIBA (2 March 1922 – 19 March 1988) was an English architectural critic and writer best known for his theoretical treatise ''Theory and Design in the First Machine Age'' (1960) and for his 1971 book ''Los Angeles: Th ...
has questioned the originality and the Englishness of the Festival Style and indeed the extent of its influence.Reyner Banham, "The Style: 'Flimsy ... Effeminate'?" in Mary Banham and Bevis Hillier, ''A Tonic to the Nation: The Festival of Britain 1951'', London, Thames and Hudson, 1976 Young architects in 1951 are said to have despised the Festival of Britain for its architecture. "It was equated with the 'Contemporary Style', and an editorial on New Brutalism in ''Architectural Design'' in 1955 carried the epigraph, 'When I hear the word "Contemporary" I reach for my revolver.'"


Design

The South Bank Exhibition included a Design Review that presented "an illustrated record of contemporary achievement in British industry", showing "the high standard of design and craftsmanship that has been reached in a wide range of British products." The exhibits were based on the stock list of the Council of Industrial Design (CoID) and were chosen for appearance, finish, workmanship, technical efficiency, fitness for purpose and economy of production. In selecting and promoting designs in this way, the Festival was an influential advocate of the concept of "Good Design", a rational approach to product design in accordance with the principles of the Modern Movement. Its advocacy of Good Design had grown partly out of the standards of
utility furniture Utility furniture was furniture produced in the United Kingdom during and directly after World War II. The furniture was produced under a government scheme which was designed to cope with raw material shortages and rationing of their usage. Intro ...
created during the war ( Gordon Russell, the Director of the CoID, had been Chairman of the Utility Furniture Design Panel) and partly out of the CoID's
Britain Can Make It ''Britain Can Make It'' was an exhibition of industrial and product design held at the Victoria and Albert Museum in London in 1946. It was organised by the '' Council of Industrial Design'', later to become the ''Design Council''. Background ...
exhibition of 1946. The CoiD's stock list was retained and inherited by its successor, the
Design Council The Design Council, formerly the Council of Industrial Design, is a United Kingdom charity incorporated by Royal Charter. Its stated mission is "to champion great design that improves lives and makes things better". It was instrumental in the prom ...
. Design, science and industry came together in the Festival Pattern Group, which commissioned textiles, wallpaper, domestic objects and Festival exhibits based on x-ray crystallography. The idea of using the molecular patterns revealed in x-ray crystallography in surface patterns was first suggested by Dr Helen Megaw, a leading Cambridge University crystallographer. After hearing a presentation by Dorothy Hodgkin to the
Society of Industrial Artists The Chartered Society of Designers (CSD) is a professional body for designers. It is the only Royal Chartered body of experienced designers. Its membership is multi-disciplinary – representing designers in all design, disciplines including I ...
, Mark Hartland Thomas, chief industrial officer of the CoID, took up the idea and formed the Festival Pattern Group. Hartland Thomas was a member of the Festival of Britain Presentation Panel and was co-ordinating the CoID's stock list. He secured the Regatta Restaurant, one of the temporary restaurants on the South Bank, for an experiment in pattern design based on the crystal structure of haemoglobin, insulin, wareite, china clay, mica and other molecules, which were used for the surface patterns of the restaurant furnishings. The designs that were sponsored by the Festival Pattern Group chimed in with displays in the Dome of Discovery about the structure of matter and the Festival's emphasis on progress, science and technology. The
Science Museum in London The Science Museum is a major museum on Exhibition Road in South Kensington, London. It was founded in 1857 and is one of the city's major tourist attractions, attracting 3.3 million visitors annually in 2019. Like other publicly funded ...
holds a collection of the Festival's fabrics donated by Dr Megaw; it also includes the official souvenir book by Mark Hartland Thomas. Lettering and type design featured prominently in the graphic style of the Festival and was overseen by a typography panel including the lettering historian
Nicolete Gray Nicolete Gray (sometimes Nicolette Gray) (20 July 1911–8 June 1997) was a British scholar of art and calligraphy. She was the youngest daughter of the poet, dramatist and art scholar Laurence Binyon and his wife, writer, editor and transla ...
. A typeface for the Festival, Festival Titling, was specially commissioned and designed by Philip Boydell. It was based on condensed sans-serif capitals and had a three-dimensional form making it suitable for use in exhibition display
typography Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing ( leading), an ...
. It has been said to bear "a vague resemblance to bunting". The lettering on the Royal Festival Hall and the temporary Festival building on the South Bank was a bold, sloping
slab serif In typography, a slab serif (also called ''mechanistic'', ''square serif'', ''antique'' or ''Egyptian'') typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular ( Rockwell), ...
letter form, determined by Gray and her colleagues, including Charles Hasler and
Gordon Cullen Thomas Gordon Cullen (9 August 1914 – 11 August 1994) was an influential British architect and urban designer who was a key motivator in the Townscape movement. Cullen presented a new theory and methodology for urban visual analysis and design b ...
, illustrated in Gray's ''Lettering on Buildings'' (1960) and derived in part from typefaces used in the early 19th century. It has been described as a "turn to a jauntier and more decorative visual language" that was "part of a wider move towards the appreciation of vernacular arts and the peculiarities of English culture". The lettering in the Lion and Unicorn Pavilion was designed by John Brinkley. The graphic designer for the Festival was Abram Games, who created its emblem, the
Festival Star The Festival Star was the graphic symbol designed by Abram Games for the 1951 Festival of Britain. Games was one of 12 artists invited to submit designs to the Arts Council and the Council of Industrial Design in 1948, and won the limited comp ...
.


The arts

The South Bank Exhibition showed the work of contemporary artists such as William Scott, including murals by Victor Pasmore,
John Tunnard John Samuel Tunnard (7 May 1900 – 12 December 1971) was an English Modernist designer and painter. He was the cousin of landscape architect Christopher Tunnard. Life Tunnard was born in Sandy, Bedfordshire, and educated at Charterhouse Schoo ...
, Feliks Topolski, Barbara Jones, and John Piper and sculptures by Barbara Hepworth, Henry Moore, Lynn Chadwick, Jacob Epstein and Reg Butler. Arts festivals were held throughout the summer as part of the Festival of Britain: *Aberdeen Festival ''30 July – 13 August'' * Aldeburgh Festival of Music and the Arts ''8–17 June'' *Bath Assembly ''20 May – 2 June'' *Belfast Festival of the Arts ''7 May – 30 June'' *Bournemouth and Wessex Festival ''13–17 June'' *Brighton Regency Festival ''16 July – 25 August'' *Cambridge Festival ''30 July – 18 August'' *Canterbury Festival ''18 July – 10 August'' * Cheltenham Festival of British Contemporary Music ''18 July – 10 August'' *Dumfries Festival of the Arts ''24–30 June'' *Inverness 1951 Highland Festival ''17–30 June'' *Liverpool Festival ''22 July – 12 August'' * Llangollen International Eisteddfod ''3–8 July'' *Llanrwst (Royal National Eisteddfod of Wales) ''6–11 August'' *Norwich Festival ''18–30 June'' *Oxford Festival ''2–16 July'' *Perth Arts Festival ''27 May – 16 June'' *Stratford-upon-Avon (Shakespeare Festival) ''April – October'' *St David's Festival (Music and Worship) ''10–13 July'' *Swansea Festival of Music ''16–29 September'' *Worcester ( Three Choirs Festival) ''2–7 September'' *York Festival (including a revival of the York Mystery Plays) The London Season of the Arts comprised exhibitions specially arranged for the Festival of Britain. They included: *"An Exhibition of Sixty Large Paintings commissioned for the Festival of Britain" ("60 Paintings for '51"), Suffolk Galleries, organised by the Arts Council, prize awarded to William Gear; *Exhibitions of the works of Hogarth and Henry Moore, Tate Gallery; *Open-air International Exhibition of Sculpture, Battersea Park; *"Modern British Painting", New Burlington Gallery; *"An Exhibition of Exhibitions", Royal Society of the Arts. *Two exhibitions at the Whitechapel Art Gallery: "Black Eyes and Lemonade" and "East End 1851". Barbara Jones and Tom Ingram organised "Black Eyes and Lemonade", an exhibition of British popular and traditional art, in association with the Society for Education in Art and the Arts Council. In the same year she surveyed the popular arts in her influential book, ''The Unsophisticated Arts'', which included taxidermy, fairgrounds, canal boats, seaside, riverside, tattooing, the decoration of food, waxworks, toys, rustic work, shops, festivals and funerals. She said of the popular arts," some of it is made for themselves by people without professional training in the arts or in the appreciation of them, and some of it has been made for those people by professionals who work to their taste." The Festival was the occasion of the first performance of steelpan music in Britain by the Trinidad All Steel Percussion Orchestra.


Film

The
British Film Institute The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, ...
was asked by Herbert Morrison in 1948 to consider the contribution that film could make to the Festival. It set up a panel including Michael Balcon, Antony Asquith, John Grierson, Harry Watt and Arthur Elston, which became a committee of sponsorship and distribution. Over a dozen sponsored documentary films were made for the Festival, including *"Air Parade", sponsored by the Shell Film Unit *"Family Portrait", made by Humphrey Jennings *"
David David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". w ...
", a short film based on the life of David Rees Griffiths (and in which he appeared), made by Wide Pictures and the Welsh Committee *"Water of Time", made by International Realist films and sponsored by the Port of London Authority *"Forward a Century", sponsored by the Petroleum Films Bureau. Several feature films were planned, but only one was completed in time, namely ''
The Magic Box ''The Magic Box'' is a 1951 British Technicolor biographical drama film directed by John Boulting. The film stars Robert Donat as William Friese-Greene, with numerous cameo appearances by performers such as Peter Ustinov and Laurence Olivier. ...
'', a biopic concerning pioneer William Friese-Greene, made by Festival Film Productions. There was a purpose-built film theatre on the South Bank, the Telecinema (sometimes called the "Telekinema"), designed by Wells Coates, which showed documentary and experimental film exploiting stereophony and stereoscopy and the new invention of television. It was one of the most popular attractions of the Festival, with 458,693 visitors. When the Festival ended, the Telecinema was handed over to the BFI for use as a members-only repertory cinema club, re-opening in 1952 as the National Film Theatre. Film was integral to the South Bank Exhibition, used to explain manufacturing, science and technology. The Dome of Discovery, the Exhibition of Science in South Kensington and the travelling Festival Exhibition made extensive use of educational and explanatory film. Film festivals, including those at Edinburgh Film Festival, Bath and Glasgow participated in the Festival of Britain, and local authorities put on film festivals, helped by a BFI pamphlet, ''How to put on a Film Show''. Commercial cinema chains and independent cinemas also joined in, the Gaumont and Odeon chains programming seasons of British films. "And finally, if the Festival visitor had not tired of the medium, they could purchase colour 16mm film of Britain’s historic buildings and pageantry and filmstrips of the Festival of Britain and London as souvenirs." One of the
British Broadcasting Corporation #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ...
...
's contributions to the Festival was a television musical entitled '' The Golden Year'', broadcast on 23 June and 2 July.


Science

A new wing was built for the Science Museum to hold th
''Exhibition of Science''
The first part of the exhibition showed the physical and chemical nature of matter and the behaviour of elements and molecules. The second part, "The Structure of Living Things", dealt with plants and animals. The third part, "Stop Press", showed some of the latest topics of research in science and their emergence from the ideas illustrated in the earlier sections of the exhibition. They included "the penetrating rays which reach us from outer space, what goes on in space and in the stars, and a range of subjects from the electronic brain to the processes and structures on which life is based." It has been claimed that "the Festival of Britain created a confusion at the heart of subsequent discussions amongst administrators and educationalists concerning the place science should have in British life and thought as a whole (particularly education), and its role in Britain’s post-war greatness."


Other Festival events

There were hundreds of events associated with the Festival, some of which were: *The selection of Trowell, a
Nottinghamshire Nottinghamshire (; abbreviated Notts.) is a landlocked county in the East Midlands region of England, bordering South Yorkshire to the north-west, Lincolnshire to the east, Leicestershire to the south, and Derbyshire to the west. The trad ...
village in the middle of England, as the Festival Village. *The re-design of Parliament Square by George Grey Wornum in preparation for the Festival of Britain year. *Commemorative postage stamps and many souvenirs, official and unofficial. *A commemorative crown coin (presented with a certificate in either a red or green presentation box), The crown coin featured on its reverse the St. George and the Dragon design by
Benedetto Pistrucci Benedetto Pistrucci (29 May 1783 – 16 September 1855) was an Italian gem-engraver, medallist and coin engraver, probably best known for his Saint George and the Dragon design for the British sovereign coin. Pistrucci was commissioned by ...
, best known for its place on British Sovereign coins. The certificate states "The first English Silver Crown piece was minted in 1551. Four hundred years later, on the occasion of the Festival of Britain, the Royal Mint has issued a Crown piece, bearing on its edge the Latin inscription MDCCCLI CIVIUM INDUSTRIA FLORET CIVITAS MCMLI-1951 ''By the industry of its people the State flourishes'' 1951". A non-circulating cupronickel coin, about 2 million were minted, most in "prooflike" condition. It remains very inexpensive. * The restoration of Moot Hall, Elstow by Bedfordshire County Council. The hall was opened to the public as a museum of 17th century life and the local-born author John Bunyan. The council also erected signs in several of its villages, each bearing the village name and the festival and council CC logos. *The first performance of
Robert McLellan Robert McLellan OBE (1907–1985) was a Scottish renaissance dramatist, writer and poet and a leading figure in the twentieth century movement to recover Scotland’s distinctive theatrical traditions. He found popular success with plays and s ...
's play ''Mary Stewart'' at the Glasgow Citizens Theatre. *The first performance of Ralph Vaughan Williams's opera '' The Pilgrim's Progress'' on 26 April 1951, at the
Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal ...
*An exhibition about Sherlock Holmes (part of which is now owned by Westminster Libraries and part by the Sherlock Holmes pub). * '' The William Shakespeare'' and '' The Merchant Venturer'', two daily excursion trains run by the Western Region of British Railways from London to sites of British history,
Stratford upon Avon Stratford-upon-Avon (), commonly known as just Stratford, is a market town and civil parish in the Stratford-on-Avon district, in the county of Warwickshire, in the West Midlands region of England. It is situated on the River Avon, north-w ...
and Bristol. ''The William Shakespeare'' proved to be financially unviable and only ran for the summer of the festival, but ''The Merchant Venturer'' remained in service until 1961.


Attendance figures

The Festival was highly popular in every part of Britain. Richard Weight estimates that of the national population of 49 million, about half participated. The Festival largely ignored foreign tourists, with most of the visitors from the Continent being expatriate Britons. There were over ten million paid admissions to the six main exhibitions over a period of five months: The most popular event was the centerpiece at South Bank Exhibition with almost 8.5 million visitors, over half of them from outside London. The Festival Pleasure Gardens had over 8 million visitors, three-quarters of them from London. The Festival Ship ''Campania'', which docked in ten cities, was visited by almost 900,000 people. The Travelling Land Exhibition, which went to four English cities, attracted under half a million. The most specialised events, in terms of attracting few visitors, were the architecture exhibition in Poplar, with 87,000 visitors and the exhibition of books in South Kensington, with 63,000.


Political responses

The idea of holding the Festival became a party political issue. Although Herbert Morrison said that he did not want the Festival to be seen as a political venture,Conekin, Becky, ''The Autobiography of a Nation: the 1951 Festival of Britain'', 2003 Manchester University Press it became associated with the Labour Party, which had won the 1950 general election, and it was opposed by the
Conservative Party The Conservative Party is a name used by many political parties around the world. These political parties are generally right-wing though their exact ideologies can range from center-right to far-right. Political parties called The Conservative P ...
. Hugh Casson said that, "Churchill, like the rest of the Tory Party, was against the Festival which they (quite rightly) believed was the advanced guard of socialism." Churchill referred to the forthcoming Festival of Britain as "three-dimensional Socialist propaganda." In an essay on the Festival, Michael Frayn characterised it as an enterprise of "the radical middle-classes, the do-gooders; the readers of the ''
News Chronicle The ''News Chronicle'' was a British daily newspaper. Formed by the merger of '' The Daily News'' and the ''Daily Chronicle'' in 1930, it ceased publication on 17 October 1960,''Liberal Democrat News'' 15 October 2010, accessed 15 October 2010 b ...
'', ''
The Guardian ''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers '' The Observer'' and '' The Guardian Weekly'', ''The Guardian'' is part of the ...
'', and '' The Observer''; the signers of petitions; the backbone of the B.B.C.," whom he called "Herbivores". In Frayn's view, "The Festival was the last, and virtually the posthumous, work of the Herbivore Britain of the BBC News, the
Crown Film Unit The Crown Film Unit was an organisation within the British Government's Ministry of Information during the Second World War. Formerly the GPO Film Unit it became the Crown Film Unit in 1940. Its remit was to make films for the general public in ...
, the sweet ration, the Ealing comedies,
Uncle Mac Derek Ivor Breashur McCulloch OBE (18 November 1897 – 1 June 1967) was a BBC Radio producer and presenter. He became known as "Uncle Mac" on ''Children's Hour'' and ''Children's Favourites'' and provided the voice of "Larry the Lamb" in ''Toy ...
, Sylvia Peters." In making the Festival the Herbivores "earned the contempt of the Carnivores – the readers of the '' Daily Express''; the Evelyn Waughs; the cast of the Directory of Directors". Some prominent members of the Labour government considered the Festival to be a Labour undertaking which would contribute to their future electoral success, and Clement Attlee, the Labour Leader, wrote to Morrison saying that an election in autumn 1951 would enable the Labour Party to benefit from its popularity. In the event, Labour lost the autumn election. Churchill's contempt for the Festival led him to make his first act as
Prime Minister A prime minister, premier or chief of cabinet is the head of the cabinet and the leader of the ministers in the executive branch of government, often in a parliamentary or semi-presidential system. Under those systems, a prime minister is ...
in October 1951 an instruction to clear the South Bank site.


Legacy

The ''Guide Book'' to the Festival described its legacy in these words: "It will leave behind not just a record of what we have thought of ourselves in the year 1951 but, in a fair community founded where once there was a slum, in an avenue of trees or in some work of art, a reminder of what we have done to write this single, adventurous year into our national and local history." While the idea of the Festival was being worked out, the government and the London County Council were at the same time planning the redevelopment of the South Bank site, including "a number of great buildings, which will form part of a co-ordinated design." The first of these was the Royal Festival Hall. The Festival hastened the reclamation of four and a half acres of land from the river, which "transformed the familiar patchwork of rubble and half-derelict buildings which had for so long monopolised the propect from the North Bank". The Festival site was, over the following thirty years, developed into the
South Bank Centre Southbank Centre is a complex of artistic venues in London, England, on the South Bank of the River Thames (between Hungerford Bridge and Waterloo Bridge). It comprises three main performance venues (the Royal Festival Hall including the N ...
, an arts complex comprising the Royal Festival Hall, the National Film Theatre, the Queen Elizabeth Hall, the Purcell Room and the National Theatre. A 1951 office building at 219 Oxford Street, London, designed by Ronald Ward and Partners (now a Grade II*
listed building In the United Kingdom, a listed building or listed structure is one that has been placed on one of the four statutory lists maintained by Historic England in England, Historic Environment Scotland in Scotland, in Wales, and the Northern I ...
), incorporates images of the Festival on its facade. The Festival cost about £10.5 million (apart from the loans for the Festival Gardens), (Extract from with revenues of about £2.5m. The net cost was £8 million (equivalent to £ million today). In 1953 the Festival of Britain Office was abolished and its records were taken over by the Ministry of Works. As well as the material legacy, the Festival gave rise to new traditions, in particular the performances of medieval mystery plays in
York York is a cathedral city with Roman origins, sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. It is the historic county town of Yorkshire. The city has many historic buildings and other structures, such as a ...
and Chester. There was an explosion of interest in these plays, regular performance of which have continued in those cities ever since. In 2018 Prime Minister
Theresa May Theresa Mary May, Lady May (; née Brasier; born 1 October 1956) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from 2016 to 2019. She previously served in David Cameron's cab ...
announced that the government was planning a Festival of Great Britain and Northern Ireland, to be held in 2022. The proposed festival, which was intended to unite the United Kingdom after
Brexit Brexit (; a portmanteau of "British exit") was the Withdrawal from the European Union, withdrawal of the United Kingdom (UK) from the European Union (EU) at 23:00 Greenwich Mean Time, GMT on 31 January 2020 (00:00 1 February 2020 Central Eur ...
, was widely criticised as it coincided with centenary of the Irish Civil War and risked inflaming tensions in Northern Ireland. The graphic designer Richard Littler, creator of Scarfolk, created a satirical poster for the Festival based on the cover of the original 1951 guide, reimagining the profile of the nation's symbolic figurehead Britannia shooting herself in the head.


Images of the Festival of Britain

Several images of the South Bank Exhibition can be found on the internet, including many released by The National Archives on the 60th anniversary of the festival. A filmed retrospective of the South Bank Exhibition, ''Brief City'' (1952), with special reference to design and architecture, was made by Richard Massingham for '' The Observer'' newspaper. A film comedy, '' The Happy Family'', was made about working-class resistance to the demolition that the festival required. The Festival is featured in the early portion of the film '' Prick up your Ears''. The archive of the Design Council held at the University of Brighton Design Archives includes several hundred images of the festival.60th Anniversary of the Festival of Britain 2011
Retrieved May 2015
They can be searched via th
Visual Arts Data Service
(VADS).


See also

*
Britain Can Make It ''Britain Can Make It'' was an exhibition of industrial and product design held at the Victoria and Albert Museum in London in 1946. It was organised by the '' Council of Industrial Design'', later to become the ''Design Council''. Background ...
, of 1946 *
The Great Exhibition The Great Exhibition of the Works of Industry of All Nations, also known as the Great Exhibition or the Crystal Palace Exhibition (in reference to the temporary structure in which it was held), was an international exhibition which took pl ...
, of 1851 * World's fair *
List of world's fairs This is a list of international and colonial world's fairs, as well as a list of national exhibitions, a comprehensive chronological list of world's fairs (with notable permanent buildings built). 1790s * 1791 – Prague, Bohemia, Habsburg ...
* Saint Mungo Cup, football tournament in Glasgow held to coincide with the event


References


Further reading

* Atkinson, Harriet. ''The Festival of Britain: A land and its People'' (IB Tauris, 2012). * *Banham, Mary and Hillier, Bevis, ''A Tonic to the Nation: The Festival of Britain 1951'' (Thames & Hudson, 1976). * Casey, Andrew. "Ceramics at the Festival of Britain 1951: Selection and Objection." ''Journal of the Decorative Arts Society 1850-the Present'' 25 (2001): 74–86. * Clark, Adrian. ''British and Irish Art, 1945-1951: From War to Festival'' (Paul Holberton Pub, 2010). * Conekin, Becky. ''The Autobiography of a Nation: The 1951 Exhibition of Britain, Representing Britain in the Post-War World'' (Manchester UP, 2003). * Forgan, Sophie. "Festivals of science and the two cultures: science, design and display in the Festival of Britain, 1951." ''British Journal for the History of Science'' 31#2 (1998): 217–240.
online
* Goodden, Henrietta. ''The Lion and the Unicorn: symbolic architecture for the Festival of Britain 1951'' (Norwich, Unicorn Press, 2011), 144 pp. * Hillier, Bevis, and Mary Banham, eds. ''A Tonic to the Nation: The Festival of Britain: 1951'' (Thames and Hudson, 1976). * Hoon, Will. ''The 1951 Festival of Britain: A Living Legacy'' (Department of History of Art and Design, Manchester Metropolitan University, 1996). * Leventhal, F. M. "'A Tonic to the Nation': The Festival of Britain, 1951." ''Albion'' 27#3 (1995): 445–453
in JSTOR
* Lew, Nathaniel G. ''Tonic to the Nation: Making English Music in the Festival of Britain'' (Routledge, 2016). * Rennie, Paul, ''Festival of Britain 1951'' (London: Antique Collectors Club, Ltd., 2007). * Richardson, R. C. "Cultural Mapping in 1951: The Festival of Britain Regional Guidebooks" ''Literature & History'' 24#2 (2015) pp 53–72. * Turner, Barry. ''Beacon for change. How the 1951 Festival of Britain shaped the modern age'' (London, Aurum Press, 2011). * Weight, Richard. ''Patriots: National Identity in Britain, 1940–2000'' (London: Pan Macmillan, 2013), pp 193–208. * Wilton, Iain. "'A galaxy of sporting events': sport's role and significance in the Festival of Britain, 1951." ''Sport in History'' 36#4 (2016): 459–476.


External links

*
George Simner, "Festival of Britain", ''The Observer''


, e-learning module by the Design Council Archives
Festival of Britain
(Design Council Archive, University of Brighton)
The Festival of Britain

The Festival of Britain Society

The Festival of Britain – Exploring 20th century London

https://www.flickr.com/groups/southbankcentre/
(A Flickr group dedicated to pictures of the Southbank Centre) * http://www.southbankcentre.co.uk/festival-memories/see-your-memories (Memories of the Festival of Britain compiled by the Southbank Centre)

of a talk by Robert Anderson on the development of the Exhibition of Science as part of the Festival of Britain *
Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ...
Films: *
Festival In London (1951)
*
Brief City (1952)


* ttp://ornamentalpassions.blogspot.com/2010/10/219-oxford-street-w1.html 219 Oxford Street, with images of the Festivalbr>Collection of fabrics inspired by crystallography held by the Science Museum, London
wit
souvenir book from the Festival.
*Archive of the Festival of Britain held by th
Archives of Art and Design
Victoria and Albert Museum, London *Assorted film reports are available via the British Pathé website http://www.britishpathe.com/workspaces/rgoldthorpe/Festival-of-Britain {{Authority control Design 1951 in the United Kingdom 1951 in London World's fairs in London History of the London Borough of Lambeth British design exhibitions Arts festivals in the United Kingdom World's fairs in Glasgow National exhibitions