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Fausto Cercignani (; born March 21, 1941) is an Italian scholar, essayist and poet.


Biography

Born to Tuscan parents, Fausto Cercignani studied in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
, where he graduated in foreign languages and literatures with a dissertation dealing with English at
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
’s time. His career as a university professor was at first characterized by philological investigations in the fields of English studies and
Germanic studies Germanic philology is the philological study of the Germanic languages, particularly from a comparative or historical perspective. The beginnings of research into the Germanic languages began in the 16th century, with the discovery of literary te ...
. In 1983, after teaching at the Universities of Bergamo (1971–1974),
Parma Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, music, art, prosciutto (ham), cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second mos ...
(1974–1975), and Pisa (1975–1983), he returned to Milan and carried on his activity at the
University of Milan The University of Milan ( it, Università degli Studi di Milano; la, Universitas Studiorum Mediolanensis), known colloquially as UniMi or Statale, is a public research university in Milan, Italy. It is one of the largest universities in Europe ...
, where he intensified his researches on German literature, a field that he had been cultivating for years. Cercignani was awarded the Austrian Cross of Honour for Science and Art, 1st class in 1996.


The student of English

Cercignani’s philological interests have been mainly directed towards the
history of the English language English is a West Germanic language that originated from Ingvaeonic languages brought to Britain in the mid-5th to 7th centuries AD by Anglo-Saxon migrants from what is now northwest Germany, southern Denmark and the Netherlands. The Anglo-Sa ...
, with especial regard to the Elizabethan period. His articles on English pronunciation at
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
’s time (published in “Studia Neophilologica”, “English Studies” and other specialized journals) anticipate his major work ''Shakespeare's Works and Elizabethan Pronunciation'' (Oxford, 1981), which has been cited as «the best work available» on the subject. As «the foremost authority» on Elizabethan pronunciation, Cercignani is often cited on puns, rhymes, and spellings in the more recent editions of Shakespeare's works, in most reference works on Shakespeare, and in various publications dealing with linguistic and literary questions from a historical point of view.


The student of Germanic

Cercignani's philological interests have also been directed towards the historical
phonology Phonology is the branch of linguistics that studies how languages or dialects systematically organize their sounds or, for sign languages, their constituent parts of signs. The term can also refer specifically to the sound or sign system of a ...
of the
Germanic languages The Germanic languages are a branch of the Indo-European language family spoken natively by a population of about 515 million people mainly in Europe, North America, Oceania and Southern Africa. The most widely spoken Germanic language, E ...
and other aspects of
historical linguistics Historical linguistics, also termed diachronic linguistics, is the scientific study of language change over time. Principal concerns of historical linguistics include: # to describe and account for observed changes in particular languages # ...
. Specialized journals like “Zeitschrift für vergleichende Sprachforschung”, “Indogermanische Forschungen”, “Journal of English and Germanic Philology”, “Language”, “Beiträge zur Geschichte der deutschen Sprache und Literatur”, and “The Journal of Indo-European Studies” have published his articles on
Proto-Germanic Proto-Germanic (abbreviated PGmc; also called Common Germanic) is the reconstructed proto-language of the Germanic branch of the Indo-European languages. Proto-Germanic eventually developed from pre-Proto-Germanic into three Germanic bran ...
, Gothic, English and German. Some of these studies – e.g. ''Early 'umlaut' phenomena in the Germanic languages'', in “Language”, 56/1, 1980 – are frequently cited for alternative views on early linguistic changes (e.g. Germanic a-mutation). Cercignani's notable work on ''The Consonants of German: Synchrony and Diachrony'' (Milan, 1979) «offers both an original contribution to German phonology and a first-rate account of the state of the art».


The student of German

Cercignani's literary interests have at first been directed towards the poetry of Karl Krolow, with essays published in “Germanisch-Romanische Monatsschrift”, “Literaturwissenschaftliches Jahrbuch”, and other journals (1984–1986). His study of
Christa Wolf Christa Wolf (; née Ihlenfeld; 18 March 1929 – 1 December 2011) was a German novelist and essayist.
Barbara Gard ...
’s earlier novels (''Existenz und Heldentum bei Christa Wolf. « Der geteilte Himmel» and « Kassandra»'', Würzburg, 1988) and subsequent essays on her later works have contributed to promote an awareness of the true essence of the narrative production of the East German writer, irrespective of her political and personal ups and downs. The emphasis placed by Cercignani on Christa Wolf’s heroism has opened the way to subsequent studies in this direction. The numerous other writers whose works Cercignani has subsequently studied include
Jens Peter Jacobsen Jens Peter Jacobsen (7 April 1847 – 30 April 1885) was a Danish novelist, poet, and scientist, in Denmark often just written as "J. P. Jacobsen". He began the naturalist movement in Danish literature and was a part of the Modern B ...
,
Georg Trakl Georg Trakl (3 February 1887 – 3 November 1914) was an Austrian poet and the brother of the pianist Grete Trakl. He is considered one of the most important Austrian Expressionists. He is perhaps best known for his poem " Grodek", which he wr ...
, Georg Büchner,
Arthur Schnitzler Arthur Schnitzler (15 May 1862 – 21 October 1931) was an Austrian author and dramatist. Biography Arthur Schnitzler was born at Praterstrasse 16, Leopoldstadt, Vienna, capital of the Austrian Empire (as of 1867, part of the dual monarchy ...
,
Johann Wolfgang von Goethe Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as t ...
, Gotthold Ephraim Lessing,
Wilhelm Heinrich Wackenroder Wilhelm Heinrich Wackenroder (13 July 1773 – 13 February 1798) was a German jurist and writer. With Ludwig Tieck and the Schlegel brothers, he has co-founded the German Romanticism. Life Wackenroder was born in Berlin. He was a close frien ...
,
Hugo von Hofmannsthal Hugo Laurenz August Hofmann von Hofmannsthal (; 1 February 1874 – 15 July 1929) was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist. Early life Hofmannsthal was born in Landstraße, Vienna, the son of an upper-cl ...
, Rainer Maria Rilke, Alban Berg, E.T.A. Hoffmann, Robert Musil, Novalis,
Joseph Roth Moses Joseph Roth (2 September 1894 – 27 May 1939) was an Austrian journalist and novelist, best known for his family saga '' Radetzky March'' (1932), about the decline and fall of the Austro-Hungarian Empire, his novel of Jewish life '' Job'' ...
,
Richard Beer-Hofmann Richard Beer-Hofmann (11 July 1866 in Vienna – 26 September 1945 in New York City) was an Austrian dramatist and poet. Beer-Hofmann was born to Jewish parents. His mother died within a week of his birth and after her death, he was adopted a ...
, Karl Kraus,
Franz Kafka Franz Kafka (3 July 1883 – 3 June 1924) was a German-speaking Bohemian novelist and short-story writer, widely regarded as one of the major figures of 20th-century literature. His work fuses elements of realism and the fantastic. It ...
, Thomas Mann, August Stramm,
Gerhart Hauptmann Gerhart Johann Robert Hauptmann (; 15 November 1862 – 6 June 1946) was a German dramatist and novelist. He is counted among the most important promoters of literary naturalism, though he integrated other styles into his work as well. He rece ...
, Reinhard Jirgl, Friedrich Schiller. Since 1992 Cercignani has been editor of the international periodical “Studia austriaca” (), a publication devoted to the culture and to the literature of
Austria Austria, , bar, Östareich officially the Republic of Austria, is a country in the southern part of Central Europe, lying in the Eastern Alps. It is a federation of nine states, one of which is the capital, Vienna, the most populous ...
, past and present. This yearbook is published in collaboration with the ''Austrian Cultural Forum in Milan'' (''Österreichisches Kulturforum Mailand''). Since 1994 he has been editor also of “Studia theodisca” (), a periodical that accepts international essays on the literature of German-speaking countries.


The poet

Cercignani’s poetry is collected in seven booklets and includes also poems published in the “Almanacco dello Specchio”, “Anterem”, and other periodicals. Discussing his production, one critic speaks of
orphic Orphism (more rarely Orphicism; grc, Ὀρφικά, Orphiká) is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus ...
poetry, but «hard and shiny like steel» and another remarks that Cercignani’s poems «achieve a maximum of concentration thanks to an acceleration of the thought or feeling which reconstructs physicality by means of abstraction». Fausto Cercignani has also experimented with the self-translation of his poems.


An adagio

::::::::::::''Adagio'' (2004) ::::::::::::If you talk to the shadows, ::::::::::::at least you know them well ::::::::::::and the words, all of them, ::::::::::::unfold themselves with ease ::::::::::::on muddled walls and streets, ::::::::::::when dusk comes on. ::::::::::::They do not speak of boundless skies, ::::::::::::of passing loves like silver clouds. ::::::::::::They speak of cheerless towns, unwound: ::::::::::::on hazy moors of muffled music. ::::::::::::And if you talk to them, ::::::::::::you’ll find yourself ::::::::::::rocked in a stream of notes, ::::::::::::as if the town were truly ::::::::::::a shrubby land of music sheets. ::::::::::::Which rustle, ::::::::::::while fingered by the breeze, ::::::::::::in the sluggish progression of the adagio.


Selected works


English studies

* ''Shakespeare's Works and Elizabethan Pronunciation'', Oxford, University Press (Clarendon Press), 1981. * ''English Rhymes and Pronunciation in the Mid-Seventeenth Century'', in “English Studies”, 56/6, 1975, pp. 513–518. * ''The Development of */k/ and */sk/ in Old English'', in “Journal of English and Germanic Philology”, 82/3, 1983, pp. 313–323. * ''On the alleged existence of a vowel /y:/ in early Modern English'', in “English Language and Linguistics”, 26/2, 2022, pp. 263–277
online


Germanic studies

* ''The Consonants of German: Synchrony and Diachrony''. Milano, Cisalpino, 1979. * ''The Development of the Gothic Short/Lax Subsystem'', in “Zeitschrift für vergleichende Sprachforschung”, 93/2, 1979, pp. 272–278. * ''Early «Umlaut» Phenomena in the Germanic Languages'', in “Language”, 56/1, 1980, pp. 126–136. * ''Zum hochdeutschen Konsonantismus. Phonologische Analyse und phonologischer Wandel'' (On High German Consonantism. Phonological Analysis and Phonological Change), in “Beiträge zur Geschichte der deutschen Sprache und Literatur”, 105/1, 1983, pp. 1–13. * ''The Elaboration of the Gothic Alphabet and Orthography'', in “Indogermanische Forschungen”, 93, 1988, pp. 168–185. * ''Saggi linguistici e filologici. Germanico, gotico, inglese e tedesco'' (Linguistic and Philological Essays. Germanic, Gothic, English, and German), Alessandria, Edizioni dell'Orso, 1992. * ''The development of the Old High German umlauted vowels and the reflex of New High German /ɛ:/ in Present Standard German'', in “Linguistik online”, 113/1, 2022, pp. 45–57
online
* ''On the Germanic and Old High German distance assimilation changes'', in “Linguistik online”, 116/4, 2022, pp. 41–59
online


German studies


Books

* F. Cercignani, ''Existenz und Heldentum bei Christa Wolf. «Der geteilte Himmel» und «Kassandra»'' (Existence and Heroism in Christa Wolf. «Divided Heaven» and «Cassandra»), Würzburg, Königshausen & Neumann, 1988. * F. Cercignani, ''Memoria e reminiscenze. Nietzsche, Büchner, Hölderlin e i poemetti in prosa di Trakl'' (Memory and Reminiscences. Nietzsche, Büchner, Hölderlin and Trakl's Prose Poems), Torino, Genesi Editrice, 1989. * F. Cercignani (editor), ''Studia trakliana. Georg Trakl 1887-1987'', Milano, Cisalpino, 1989. * F. Cercignani (editor), ''Studia büchneriana. Georg Büchner 1988'', Milano, Cisalpino, 1990. * F. Cercignani (editor), ''Studia schnitzleriana'' (Arthur Schnitzler 1991), Alessandria, Edizioni dell'Orso, 1991. * F. Cercignani - E. Mariano (editors), ''Vincenzo Errante. La traduzione di poesia ieri e oggi'' (Vincenzo Errante. On Translating Poetry, in the Past and in the Present), Milano, Cisalpino, 1993. * F. Cercignani (editor), ''Novalis'', Milano, CUEM, 2002.


Essays

* ''Dunkel, Grün und Paradies. Karl Krolows lyrische Anfänge in «Hochgelobtes gutes Leben»'' (Dark, Green, and Paradise. Karl Krolow's Lyrical Beginnings in «Highly Praised Good Life»), in “Germanisch-Romanische Monatsschrift”, 36/1, 1986, pp. 59–78. * ''Zwischen irdischem Nichts und machtlosem Himmel. Karl Krolows «Gedichte» 1948: Enttäuschung und Verwirrung'' (Between Earthly Nought and a Powerless Heaven. Karl Krolow's «Poems» 1948: Disappointment and Bewilderment), in “Literaturwissenschaftliches Jahrbuch”, 27, 1986, pp. 197–217. * ''Il «Faust» goethiano. Forma e sostanza'' (Goethe's «Faust». Form and Substance), in ''Il «Faust» di Goethe. Antologia critica'' (Goethe's «Faust». A Critical Anthology), edited by F. Cercignani and E. Ganni, Milano, Led, 1993, pp. 21–38. * ''«Nathan il saggio» e il Settecento tedesco'' («Nathan the Wise» and the German Eighteenth Century), in “ACME”, 47/1, 1994, pp. 107–124. * ''Sul «Wozzeck» di Alban Berg'' (On Alban Berg's «Wozzeck»), in ''Studia austriaca V'', Milano, Edizioni Minute, 1997, pp. 169–190. * ''E. T. A. Hoffmann, Italien und die romantische Auffassung der Musik'' (E. T. A. Hoffmann, Italy and the Romantic Conception of Music), in ''Das Land der Sehnsucht. E. T. A. Hoffmann und Italien'' (The Land of Yearning. E. T. A. Hoffmann and Italy), edited by S. M. Moraldo, Heidelberg, Winter, 2002, pp. 191–201. * ''Per una rilettura di «Salomè». Il dramma di Oscar Wilde e il libretto di Richard Strauss'' (For a Reappraisal of «Salome». Oscar Wilde's Drama and Richard Strauss's Libretto), in ''Studia theodisca IX'', Milano, CUEM, 2002, pp. 171–192. * ''Georg Büchner. Empatia e prospettivismo'' (Georg Büchner. Empathy and Perspectivism), in ''Il cacciatore di silenzi. Studi dedicati a Ferruccio Masini'' (The Hunter of Silences. Studies in Honour of Ferruccio Masini), vol. II, edited by P. Chiarini, Roma, Istituto Italiano di Studi Germanici, 2003, pp. 237–258. * ''‘Poesia filosofica’ o ‘filosofia poetica’? Con alcune osservazioni su Schiller'' (‘Philosophical Poetry’ or ‘Poetical Philosophy’? With some remarks on Schiller), in ''La poesia filosofica'' (Philosophical Poetry), edited by A. Costazza, Milano, Cisalpino, 2007, pp. 163–170. * ''Inganno e autoinganno. Il campagnolo di Kafka'' (Deception and Self-Deception. Kafka's Landman), in ''Studia austriaca XVIII'', Milano, PGreco, 2010, pp. 51–64. * ''Hofmannsthal fra teatro e filosofia. Con particolare riguardo a «L’uomo difficile»'' (Hofmannsthal between Theatre and Philosophy. With special regard to «The Difficult Man»), in ''La filosofia a teatro'' (Philosophy in the Theatre), edited by A. Costazza, Milano, Cisalpino, 2010, pp. 369–385.


Poetry

* ''Fiore siglato'' (Initialled Flower), Firenze 1988. * ''Fisicità svanite'' (Vanished Physicalities), Torino 1988 - First Prize "Città di Moncalieri 1989". * ''Omaggio a Shakespeare'' (Homage to Shakespeare), Ten Poems, introduced by R. Mussapi, in “Almanacco dello Specchio”, n. 13 (1989). * Various texts in “Anterem”, nn. 40 (1989), 42 (1991), 44 (1992), 46 (1993) e 47 (1993). * ''Vene di trasparenza'' (Veins of Transparence), Verona 1990. * ''Nella grafia di un’ombra'' (In the Graphs of a Shadow), Alessandria 1991. * ''Pulviscoli rigati'' (Scars on Dust Clouds), Napoli 1992. * ''Stelle di brina'' (Stars of White Frost), Milano 1993. * ''Reticoli svagati'' (Dreamy Reticles), Milano 1996. * ''Shakespearean Fancies'' (e-book), 2012
Amazon/Kindle
an
iBookStore/iTunes
* ''Scritture. Poesie edite e inedite'' (Compositions. Published and Unpublished Poems), Torino 2015.


Short stories

* ''Five Women'' (e-book), 2013
Amazon/Kindle


Awards

Österreichisches Ehrenkreuz für Wissenschaft und Kunst I. KlasseÖsterreichisches Ehrenkreuz für Wissenschaft und Kunst I. Klasse, Wien, 1996
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(
Austrian Decoration for Science and Art The Austrian Decoration for Science and Art (german: Österreichisches Ehrenzeichen für Wissenschaft und Kunst) is a state decoration of the Republic of Austria and forms part of the Austrian national honours system. History The "Austrian ...
),
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
, 1996.


References


External links


“Studia austriaca” and “Studia theodisca”


{{DEFAULTSORT:Cercignani, Fausto 1941 births Living people Shakespearean scholars People from Cagliari Italian essayists Italian poets Italian male poets University of Milan alumni University of Milan faculty University of Bergamo faculty University of Parma faculty University of Pisa faculty Recipients of the Austrian Cross of Honour for Science and Art, 1st class Male essayists