fetch (folklore)

A fetch is a supernatural double or an apparition of a living person. The sighting of a fetch is regarded as an omen, usually for impending death.

Description

The fetch is described as an exact, spectral double of a living human, whose appearance is regarded as ominous. A sighting of a fetch is generally taken as a portent of its exemplar's looming death, though John and Michael Banim report that if the double appears in the morning rather than the evening, it is instead a sign of a long life in store. As such, it is similar to the Germanic doppelgänger and to some conceptions of the British wraith. Francis Grose associated the term with Northern England in his 1787 ''Provincial Glossary''.

Origins and etymology

The etymology of ''fetch'' is obscure and the origin of the term is unknown. It may derive from the verb "fetch"; the compound "fetch-life", evidently referring to a psychopomp who "fetches" the souls of the dying, is attested in Richard Stanyhurst's 1583 translation of the ''Aeneid'' and the first edition of the ''Oxford English Dictionary'' suggested this usage may indicate the origin of the term ''fetch''.

Accounts of the origin of ''fetch'' are complicated by a word ''faecce'', found in two textually-related Old English glossaries, the Corpus Glossary and the First Cleopatra Glossary.Neville, pp. 106–107. ''Faecce'' could in theory be an Old English form of modern English ''fetch''. In the glossaries, ''faecce'' is given as a lemma (a word to be glossed); given that most such words in these glossaries are in Latin, it ought to be a Latin word, but no such Latin word is known, leading some scholars to suggest it may be Old Irish. Since it is glossed with the Old English word '' mære'', which denotes female supernatural being associated with causing illness and nightmares, it could be the origin of the Hiberno-English ''fetch''. Recent research has not arrived at a consensus on this question.

Portents of death not dissimilar to later fetch traditions are found in early Irish literature and are associated with the Old Irish term '' fáith'' ("seer"): Fedelm issues prophecies of death in '' Táin Bó Cuailnge''; Cormac Connloinges sees a sinister vision of a woman washing bloody chariot wheels in ''Bruiden Da Choca''; a hag prophecies the death of Conaire in '' Togail Bruidne Da Derga''; and in ''Cath Maige Tuired'', the Mórrigán likewise prophesies death. Similar ideas are also found in the Old Norse idea of the '' fylgja'' and these are relevant to understanding Irish tradition because of the importance of the Vikings in Ireland. The ''fylgja'', which in Norse mythology denoted an alter ego, usually in animal form, connected to a person's fate. Unlike the Irish concept, the ''fylgja'' is almost always female. On these grounds, William Sayers has argued that the term ''fetch'' originated as a Hiberno-English form of Irish ''fáith''.

Appearances in literature

Corresponding to its contemporary prominence in "national superstitions", the fetch appeared in Irish literature starting in early 19th century. "The fetch superstition" is the topic of John and Michael Banim's Gothic story "The Fetches" from their 1825 work ''Tales by the O'Hara Family'' and Walter Scott used the term in his '' Letters on Demonology and Witchcraft'', published in 1830, in a brief reference to "his ... fetch or wraith, or double-ganger".

Patrick Kennedy's 1866 folklore collection ''Legendary Fiction of the Irish Celts'' includes a brief account of "The Doctor's Fetch", in which a fetch's appearance signals death for the titular doctor. More recently, "The Fetch" is the malevolent narrator of Patrick McCabe's 2010 novel ''The Stray Sod Country'', wherein it temporarily inhabits the bodies of the residents of a small Irish town, causing them to commit both psychological and physical harm to themselves and others.

Robert Aickman's 1980 collection of "strange stories" ''Intrusions: Strange Tales'' contains his story "The Fetch". In it, the eponymous "fetch" (actually described as a Scottish Cailleach or "carlin" (hag)) is a portent of impending death for the Leith family, leaving a trail of loch water behind her. The story has most recently been anthologised in a reprint collection of Aickman's work titled ''The Wine-Dark Sea'' (London: Faber, 2014).

In ''Dead Heat'' by Patricia Briggs, Charles and Anna encounter a fetch pretending to be a preschooler named Amethyst. Charles recites a riddle and the fetch answers "A fetch! A fetch! A fetch!" Amethyst then disappears and a bundle of sticks falls to the ground. Ribbons "tied the sticks in a semblance of a human figure, arms and legs and head. There was a scrap of hair banded top and bottom and shoved into the body of the thing".

Appearances in popular culture

*An adapted version of a fetch appears in the ''Dungeons & Dragons'' role-playing game in the '' Monstrous Compendium Dragonlance Appendix''.
*A fetch appears in the Season 15 Doctor Who story Image of the Fendahl (1977) set in the fictional village of Fetchborough, and Fetch Priory, both named after the apparition.
*The term Fetch appears in Season 2 of Motherland: Fort Salem
*The term appears in book two of the All Souls Trilogy
*In The X-Files episode Elegy, Fox Mulder mentions the concept of a fetch.
*''The Spiderwick Chronicles'', based on the children's fantasy books by Tony DiTerlizzi and Holly Black, chronicles the adventures of the Grace children who move from New York to Spiderwick Mansion in Michigan. One character, Calliope, played by Alyvia Alyn Lind, is a Fetch.
* In the October Daye series by Seanan McGuire, the heroine's Fetch is one of the main characters.

Notes

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{{DEFAULTSORT:Fetch (Folklore)
Irish ghosts
Doppelgängers