Elaine Stritch

Elaine Stritch (February 2, 1925 – July 17, 2014) was an American actress, best known for her work on Broadway and later, television. She made her professional stage debut in 1944 and appeared in numerous stage plays, musicals, feature films and television series. Stritch was inducted into the American Theater Hall of Fame in 1995. She is often considered by critics as one of Broadway’s greatest female performers.

Stritch made her Broadway debut in the 1946 comedy ''Loco'' and went on to receive four Tony Award nominations: for the William Inge play ''Bus Stop'' (1956); the Noël Coward musical '' Sail Away'' (1962); the Stephen Sondheim musical ''Company'' (1970), which included her performance of the song " The Ladies Who Lunch"; and for the revival of the Edward Albee play '' A Delicate Balance'' (1996). Her one-woman show ''Elaine Stritch at Liberty'' won the 2002 Tony Award for Best Special Theatrical Event.

Stritch relocated to London in the 1970s and starred in several West End productions, including Tennessee Williams' '' Small Craft Warnings'' (1973) and Neil Simon's '' The Gingerbread Lady'' (1974). She also starred with Donald Sinden in the ITV sitcom '' Two's Company'' (1975–79), which earned her a 1979 BAFTA TV Award nomination. She won an Emmy Award in 1993 for her guest role on ''Law & Order'' and another for the 2004 television documentary of her one-woman show ''Elaine Stritch at Liberty''. From 2007 to 2012, she had a recurring role as Colleen Donaghy on the NBC sitcom ''30 Rock'', a role that won her much praise and popularity, as well as a third Emmy in 2007.

Early life

Stritch was born on February 2, 1925, in Detroit, Michigan, the youngest daughter of Mildred (née Jobe; 1893–1987), a homemaker, and George Joseph Stritch (1892–1987), an executive with B.F. Goodrich. She had two older sisters, Georgene and Sally. Her Catholic family was well-off. Her father was of Irish descent, while her mother had Welsh ancestry. Cardinal Samuel Stritch, Archbishop of Chicago from 1940 to 1958, was one of her cousins. She trained at the Dramatic Workshop of The New School in New York City under Erwin Piscator,"Elaine Stritch Biography"
tcm.com, accessed August 31, 2009 alongside Marlon Brando and Bea Arthur.

Career

Early stage career

Stritch made her stage debut in 1944. However, her Broadway debut was in ''Loco'' in 1946, directed by Jed Harris, followed soon after by ''Made in Heaven'' (as a replacement) and then ''Angel in the Wings'' (1947), a revue in which she performed comedy sketches and the song "Civilization".Elaine Stritch profile
, pbs.org, accessed May 22, 2012.

Stritch understudied Ethel Merman for ''Call Me Madam'', and, at the same time, appeared in the 1952 revival of '' Pal Joey'', singing "Zip". Stritch later starred in the national tour of ''Call Me Madam'', and appeared in a supporting role in the original Broadway production of William Inge's play ''Bus Stop''. In 1958 she originated the leading role of Maggie Harris in the musical ''Goldilocks''.

She starred in Noël Coward's '' Sail Away'' on Broadway in 1961. Stritch started in the show in a "relatively minor role and was only promoted over the title and given virtually all the best songs when it was reckoned that the leading lady...although excellent, was rather too operatic for a musical comedy". During out-of-town tryouts in Boston, Coward was "unsure about the dramatic talents" of one of the leads, opera singer Jean Fenn.Hoare, Philip
"Sail Away"
''Noel Coward: A Biography'', University of Chicago Press, 1998, , p. 472

Joe Layton suggested "What would happen if...we just eliminated enn'srole and gave everything to Stritch? The show was very old-fashioned, and the thing that was working was Elaine Stritch. Every time she went on stage hewas a sensation." The reconstructed 'Sail Away' opened on Broadway at the Broadhurst Theatre on October 3, 1961", with Stritch giving what Howard Taubman of The New York Times said "must be the performance of her career."

In 1966, she played Ruth Sherwood in the musical '' Wonderful Town'' at New York's City Center, and appeared in an Off Broadway revival of '' Private Lives'' in 1968.

Stritch became known as a singer with a brassy, powerful voice. She was the original performer cast in the role of Joanne in Stephen Sondheim's ''Company'' (1970) on Broadway. After over a decade of successful runs in shows in New York, Stritch moved in 1972 to London, where she starred in the West End production of ''Company''. On tour and in stock, Stritch appeared in such musicals as '' No, No, Nanette'', ''The King and I'', '' I Married an Angel'', and in ''Mame'' as both Vera Charles (opposite Janet Blair) and Mame Dennis.

Television

Strich's earliest television appearances were in ''The Growing Paynes'' (1949) and the ''Goodyear Television Playhouse'' (1953–55). She also appeared on episodes of ''The Ed Sullivan Show'' in 1954. She was the first and original Trixie Norton in a ''Honeymooners'' sketch with Jackie Gleason, Art Carney and Pert Kelton. The character was originally a burlesque dancer, but the role was rewritten and recast after just one episode with the more wholesome looking Joyce Randolph playing the character as a housewife.

Stritch's other television credits included a number of dramatic programs in the 1950s and 1960s, including '' Studio One''. In the 1960 television season, Stritch appeared in the role of writer Ruth Sherwood in the CBS sitcom ''My Sister Eileen'', opposite Shirley Bonne as her younger sister, Eileen Sherwood, an aspiring actress. The sisters, natives of Ohio, live in a brownstone apartment in Greenwich Village. The one-season series aired opposite ''Hawaiian Eye'' on ABC and '' Perry Como's Kraft Music Hall'' on NBC.

In 1975, Stritch starred in the British LWT comedy series '' Two's Company'' opposite Donald Sinden. She played Dorothy McNab, an American writer living in London who was known for her lurid and sensationalist thriller novels. Sinden played Robert, her English butler, who disapproved of practically everything Dorothy did and the series derived its comedy from the inevitable culture clash between Robert's very British stiff-upper-lip attitude and Dorothy's devil-may-care New York view of life. ''Two's Company'' was exceptionally well received in Britain and ran for four series until 1979.Walker, Tim
"Donald Sinden's sadness at Elaine Stritch's death"
''The Telegraph'', July 19, 2014, retrieved February 28, 2017 In 1979, both Stritch and Sinden were nominated for a BAFTA TV Award for ''Two's Company'', in the category " Best Light Entertainment Performance", losing out to Ronnie Barker.

In 1980, Stritch starred in another series for LWT, '' Nobody's Perfect'' (the British version of '' Maude''—not to be confused with the 1980 American series of the same name, which aired in the UK as ''Hart of the Yard'') playing Bill Hooper alongside Richard Griffiths as her husband Sam. Unsatisfied with the Anglicised scripts, Stritch herself adapted the original American scripts for all but one of the fourteen episodes (Griffiths handled the remaining one).

Other British television appearances by Strich included Roald Dahl's '' Tales of the Unexpected''. Although she appeared several times in different roles, perhaps her most memorable appearance was in the story " William and Mary", in which she played the wife of a man who has cheated death by having his brain preserved. She appeared on BBC 1's children's series, ''Jackanory'', reading, among other stories, ''Charlie and the Chocolate Factory'' by Roald Dahl.

After returning to the United States, she appeared on ''The Edge of Night'' as vinegary nanny Mrs. DeGroot, then was cast as a regular on the short-lived ''The Ellen Burstyn Show'' in 1986. She appeared as the stern schoolteacher Mrs. McGee on three episodes of ''The Cosby Show'' (1989–90). She had a recurring role in ''Law & Order'' (1992, 1997) as Lanie Stieglitz. Other roles included Judge Grace Lema on '' Oz'' (1998); and Martha Albright (mother of Jane Curtin's character) on two episodes of ''3rd Rock From the Sun'' (1997, 2001), alongside her Broadway co-star George Grizzard, who played George Albright. On April 26, 2007, she began guest appearances on the NBC sitcom ''30 Rock'' as Colleen, the fearsome mother of Alec Baldwin's lead character, Jack Donaghy.

Stritch was reportedly considered for the role of Dorothy Zbornak on ''The Golden Girls'' but, as she related in her show ''Elaine Stritch at Liberty'', she "blew her audition". The role was cast with Beatrice Arthur. She was seen on ''One Life to Live'' (1993), replacing fellow stage legend Eileen Heckart as Wilma Bern. In 1996, she appeared on an episode of ''Late Show with David Letterman'' as a woman who believes host David Letterman is her pool boy.Evans, Bradford
"Here’s Elaine Stritch Yelling at Her Pool Boy David Letterman in a Classic Clip"
''Vulture'', July 17, 2014, retrieved February 19, 2022

Film roles

Stritch appeared in more films in her later years than the early part of her career. In an interview in 1988, it was noted that "Making movies is challenging to Stritch since she considers herself a novice." She said: "I'm fascinated with it. And I want to do more of them." She was asked why she waited so long to make movies since she apparently enjoys it so much. "You do a movie for, like, three months and then you're finished. You do a part in a play and it's like going into a roomful of audiences for a year."Willistein, Pau
"Stage Star Elaine Stritch Wrapped Up In A New Career"
, mcall.com, December 3, 1988.

Early in her career, she appeared in ''Three Violent People'' (1956) starring Charlton Heston, as the hotel proprietor pal of Anne Baxter, and then co-starred opposite Rock Hudson and Jennifer Jones in the David O. Selznick remake of ''A Farewell to Arms'' (1957) as Hudson's nurse. In ''The Perfect Furlough'', she co-starred opposite Tony Curtis and Janet Leigh. She had a showy role as the lesbian proprietor of a bar in the cult film ''Who Killed Teddy Bear?'' (1965), which starred Sal Mineo. She played a "tough-as-nails" nurse in the remake of '' The Spiral Staircase'' (1975) and was praised for her performance in ''Providence'' (1977).

When she returned to the United States in the mid-1980s from London, Woody Allen cast her as the former movie star mother in his drama ''September'' (1987). ''People'' magazine called her performance "acclaimed" and wrote "Though the movie has received mixed reviews, Stritch's roaring presence, like Godzilla in a stalled elevator, can't be ignored." Allen later cast her in his comedy '' Small Time Crooks'' (2000) in which she played a "snobby socialite". Rex Reed wrote of her performance: "Elaine Stritch can still stop you in your tracks with a meaningless, drop-dead one-liner (which is all she gets here)."

She joined the ensemble of '' Cocoon: The Return'' (1988) as an apartment manager who helps widowed Jack Gilford get over his wife's death. Among her co-stars were former ''Goldilocks'' co-star Don Ameche and Gwen Verdon. She appeared in ''Out to Sea'' (1997) as Dyan Cannon's wise-cracking mother and "danced up a storm" with the other characters. She played Winona Ryder's loving grandmother in the film '' Autumn in New York'' (2000).

Stritch had a rare co-starring role in the comedy '' Screwed'' (2000), playing Miss Crock, who becomes the intended victim of a kidnapping by her disgruntled butler ( Norm Macdonald). She appeared in the comedy '' Monster in Law'' (2005) starring Jennifer Lopez and Jane Fonda, playing Fonda's mother-in-law.

BBC Radio

In 1982, Stritch appeared on an edition of the long-running BBC Radio comedy series '' Just a Minute'' alongside Kenneth Williams, Clement Freud and Barry Cryer. The show was described by long-time chairman Nicholas Parsons as being among the most memorable because of the way Stritch stretched the show's rules. She described Kenneth Williams as capable of making "one word into a three-act play".

Later stage work

After her husband, John Bay, died from brain cancer in 1982, Stritch returned to America, and after a further lull in her career and struggles with alcoholism, Stritch began performing again. She appeared in a one-night only concert of ''Company'' in 1993 and as Parthy in a Broadway revival of the musical ''Show Boat'' in 1994.

In 1996 she played Claire in a revival of Edward Albee's '' A Delicate Balance'', with ''Variety'' writing: "Equally marvelous is Stritch, with a meatier role than her recent foray as Parthy in Show Boat''.' To watch her succumb to the vast amounts of alcohol Claire ingests, folding and refolding her legs, slipping – no, oozing – onto the floor, her face crumpling like a paper bag, is to witness a different but equally winning kind of thespian expertise. It's a master class up there."

''Elaine Stritch at Liberty''

Her one-woman show ''Elaine Stritch at Liberty'', a summation of her life and career, premiered at New York's Public Theater, running from November 7 to December 30, 2001. It then ran on Broadway at the Neil Simon Theatre from February 21 to May 27, 2002, and then, also in 2002, at London's Old Vic Theatre.
''Newsweek'' noted:

''A Little Night Music''

Stritch appeared in the Broadway revival of the Sondheim-Wheeler musical ''A Little Night Music'' from July 2010 to January 2011, succeeding Angela Lansbury in the role of Madame Armfeldt, the mother who remembers her life as a courtesan in the song "Liaisons". The AP reviewer of the musical (with the two new leads) wrote "Devotees of Stritch, who earned her Sondheim stripes singing, memorably, 'The Ladies Who Lunch' in ''Company'' 40 years ago, will revel in how the actress, who earned a huge ovation before her very first line at a recent preview, brings her famously salty, acerbic style to the role of Madame Armfeldt."

The theatre critic for ''The Toronto Star'' wrote:

Cabaret

Stritch performed a cabaret act in New York City at the Cafe Carlyle in the Carlyle Hotel, where she was a resident from 2005 until she left New York in 2013. Her first show at the Carlyle was titled "At Home at the Carlyle". ''The New York Times'' reviewer wrote:

Between musical numbers, Stritch told stories from the world of stage and screen, tales from her everyday life and personal glimpses of her private tragedies and triumphs. She performed at the Cafe Carlyle in early 2010 and in fall 2011 in ''At Home at the Carlyle: Elaine Stritch Singin' Sondheim...One Song at a Time''.

Personal life

Strich was married to the actor John Bay from 1973 until his death in 1982. He was part of the family that owns the Bay's English Muffins company, and Stritch sent English muffins as gifts to friends. Said John Kenley: "Every Christmas, she still sends me English muffins." When she was based in London, Stritch and her husband lived at the Savoy Hotel.

She was good friends with gossip columnist Liz Smith, with whom she shared a birthday (February 2).

In March 2013, Stritch announced she was leaving New York and relocating to Birmingham, Michigan, close to where she grew up.

Stritch was candid about her alcoholism. She took her first drink at 14 and began using it as a crutch before performances to vanquish her stage fright and insecurities. Her drinking worsened after Bay's death, and she sought help after experiencing problems with the effects of alcoholism, including the onset of diabetes. ''Elaine Stritch at Liberty'' discusses the topic at length.

Death

Stritch died in her sleep at the age of 89 at her home in Birmingham, Michigan, on July 17, 2014. She suffered from diabetes and had stomach cancer. At the time of her death, only three months after having had surgery for the disease, cancer was not cited as an immediate cause of her death. Her body was buried at Memorial Park Cemetery, Cook County, Illinois.

Acting credits

Theatre

Sources: FilmReference.com; Internet Broadway Database; TCM

* ''Bobino'' (1944) (The New School)
* '' The Private Life of the Master Race'' (1945) (City College of New York)
* ''Woman Bites Dog'' (1946) (Philadelphia)
* '' What Every Woman Knows'' (1946) (Westport Country Playhouse)
* ''Loco'' (1946) (Broadway)
* ''Made in Heaven'' (1947) (Broadway) (replacement for Jane Middleton)
* ''Angel in the Wings'' (1947) (Broadway)
* ''The Shape of Things'' (1947) (East Hampton, New York)
* '' The Little Foxes'' (1947) (Off-Broadway)
* ''Three Indelicate Ladies'' (1947) (New Haven, Connecticut)
* ''Texas Li'l Darling'' (1949) (Westport Country Playhouse)
* ''Yes, M'Lord'' (1949) (Broadway)
* ''Call Me Madam'' (1950) (Broadway standby for Ethel Merman and as the leading lady on the US National Tour)
* ''Anything Goes'' (1950) (Lambertville, New Jersey

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