The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of

Joseph of Arimathea Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion. The historical location of Arimathea is uncertain, although it has been identified with several ...

and

Nicodemus Nicodemus (; grc-gre, Νικόδημος, Nikódēmos) was a Pharisee and a member of the Sanhedrin mentioned in three places in the Gospel of John: * He first visits Jesus one night to discuss Jesus' teachings (). * The second time Nicodemu ...

taking Christ down from the cross after his

crucifixion Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthagi ...

(). In

Byzantine art Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted u ...

the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th

Station of the Cross The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of his crucifixion and accompanying prayers. The stations grew out of imita ...

, and is also the sixth of the Seven Sorrows of the

Blessed Virgin Mary Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother ...

. Other figures not mentioned in the

Gospel Gospel originally meant the Christian message (" the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words a ...

s who are often included in depictions of this subject include

John the Evangelist John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given ...

, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and

Mary Magdalene Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion and resurre ...

. The Gospels mention an undefined number of women as watching the crucifixion, including

The Three Marys The Three Marys (also spelled Maries) are women mentioned in the canonical gospels' narratives of the crucifixion and resurrection of Jesus, several of whom were, or have been considered by Christian tradition, to have been named Mary (the most c ...

, ( Mary Salome being mentioned in ), and also that the Virgin Mary and Mary Magdalene saw the burial (). These and further women and unnamed male helpers are often shown.G. Schiller, ''Iconography of Christian Art'', Vol. II, 1972 (English trans from German), Lund Humphries, London, p.164,

Development of the image

Jacopo Pontormo - Deposition - WGA18113 (cropped)

Even in early depictions the details and posing of the composition, and especially the position of Christ's body, are varied. The scene was usually included in medieval cycles of the Life or the

Passion of Christ In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" m ...

, between the

Crucifixion Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthagi ...

and the ''

Entombment of Christ The burial of Jesus refers to the entombment of the body of Jesus after crucifixion, before the eve of the sabbath described in the New Testament. According to the canonical gospel narratives, he was placed in a tomb by a councillor of the san ...

''. The ''

Lamentation of Christ The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by m ...

'', or ''

Pietà The Pietà (; meaning " pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific for ...

'', showing the body of Christ held by Mary, may intervene between these two, and is common as an individual image, especially in

sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable ...

. The ''Bearing of the body'', showing Christ's body being carried to his tomb, and the ''Anointing of Christ's body'', showing the body laid flat on the top of the tomb or a similarly shaped "anointing-stone" are other scenes that may be shown. This last is especially important in Orthodox art, where it is shown on the Epitaphios. With the Renaissance the subject became popular for

altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...

s, partly because of the challenges of the composition, and the suitability of its vertical shape. The

Mannerist Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ita ...

version of Rosso Fiorentino is usually regarded as his most important work, and

Pontormo Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound sty ...

's altarpiece is perhaps his most ambitious work. The subject was painted several times by both

Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...

and

Rembrandt Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally cons ...

, who repeated one of his paintings (now in Munich) in a large print, his only one to be mainly

engraved Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an i ...

, as well as making two other

etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...

s of the subject.

Selected examples

*''

Deposition of Christ The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after hi ...

'', (c. 1433) by

Fra Angelico Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Pengu ...

, in the National Museum of

San Marco San Marco is one of the six sestieri of Venice, lying in the heart of the city as the main place of Venice. San Marco also includes the island of San Giorgio Maggiore. Although the district includes Saint Mark's Square, that was never admin ...

Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico ...

. *''

Descent from the Cross The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after hi ...

'' (c. 1435) by

Rogier van der Weyden Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly ...

, in

Museo del Prado The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from th ...

Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...

). * ''Deposition from the Cross'',

Filippino Lippi Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tu ...

, completed circa 1506, by

Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. E ...

, in the ''Galleria dell'Accademia di Firenze'' (Gallery of the Academy of Florence). * ''Deposition from the Cross'' (1521) by Rosso Fiorentino in Pinacoteca of Volterra. *''

Deposition from the Cross The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after hi ...

'' (1528) by

at Capponi Chapel of church of Santa Felicita,

. *''

'' (1545) by

Bronzino Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or red ...

in the

Palazzo Vecchio The Palazzo Vecchio ( "Old Palace") is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's ''David'' statue, and the gallery of statues in the adjacent Loggia dei Lanzi. Originally ...

, Florence. * ''The Descent from the Cross'' (1612–14), by

, at the

Cathedral of Our Lady, Antwerp The Cathedral of Our Lady ( nl, Onze-Lieve-Vrouwekathedraal) is a Roman Catholic cathedral in Antwerp, Belgium. Today's see of the Diocese of Antwerp started in 1352 and, although the first stage of construction was ended in 1521, has never been ...

*''

Descent From The Cross The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after hi ...

'' (1995–1996), by David Folley, now at the Jesus Chapel, St. Andrew's Church, Wickford,

Essex Essex () is a Ceremonial counties of England, county in the East of England. One of the home counties, it borders Suffolk and Cambridgeshire to the north, the North Sea to the east, Hertfordshire to the west, Kent across the estuary of the Riv ...

Gallery

File:SAAM-1929.6.81 2.jpg, Descent from the Cross, 14th century, oil on wood, Italy File:Descent from the Cross, Daniel of Uranc، 1463.jpg, Descent from the Cross. Armenian manuscript. Daniel of Uranc gospel, 1463. File:Descent from the Cross, Novgorod school (late 15th c., Tretyakov gallery).jpg, Descent from the Cross, 15th century icon File:Rembrandt Harmensz. van Rijn 071.jpg,

. '' The Descent from the Cross''. 1633. File:Stylianos Stavrakis Descent from the Cross.png, Descent from the Cross (Stavrakis) 1729-1786 File:Edward Stott Memorial Window.jpg, Edward Stott Memorial Window by

Robert Anning Bell Robert Anning Bell (14 April 1863 – 27 November 1933) was an English artist and designer. Early life Robert Anning Bell was born in London on 14 April 1863, the son of Robert George Bell, a cheesemonger, and Mary Charlotte Knight. He studied ...

(1919)

References

External links

* {{Authority control Christian iconography Crucifixion of Jesus Iconography of Jesus Stations of the Cross Passion of Jesus in art by theme

Development of the image

Selected examples

Gallery

See also

References

External links