Daniel Dezeuze (born 1942) is a French artist and a founding member of the French group of artists called Supports/Surfaces. This group (made up of Dezeuze, Claude Viallat, Patrick Saytour, Louis Cane, André-Pierre Arnal, Vincent Bioulès, Noêl Dolla, Jean-Pierre Pincemin, André Valensi, Marc Devade, Toni Grand, and Bernard Pagès) started to form in 1966. Their common concern was a desire to deconstruct painting in order to re-examine its history and question its nature. Colour is a fundamental question in many of their works. They frequently used non-traditional materials and referred to other non-western cultures.

Biography

Dezeuze was born in

Alès Alès (; oc, Alès) is a commune in the Gard department in the Occitanie region in southern France. It is one of the sub-prefectures of the department. It was formerly known as ''Alais''. Geography Alès lies north-northwest of Nîmes, o ...

, Gard. He studied

Spanish literature Spanish literature generally refers to literature ( Spanish poetry, prose, and drama) written in the Spanish language within the territory that presently constitutes the Kingdom of Spain. Its development coincides and frequently intersects wit ...

at the university in Montpellier while attending classes at the art college. After spending several years abroad (Spain, Mexico, Canada) he finished his doctorate in

Comparative Literature Comparative literature is an academic field dealing with the study of literature and cultural expression across linguistic, national, geographic, and disciplinary boundaries. Comparative literature "performs a role similar to that of the study ...

at the Sorbonne in Paris in 1970. Dezeuze's radical work from 1967 (Stretcher covered in plastic film) is in the collection of the

Centre Pompidou The Centre Pompidou (), more fully the Centre national d'art et de culture Georges-Pompidou ( en, National Georges Pompidou Centre of Art and Culture), also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of ...

in Paris and was shown at the Guggenheim Museum as part of the Exhibition of Masterpieces from the Centre Pompidou. His work over the years has been extremely varied in materials (wood, gauze, found objects, polyethylene etc.) and in tone, from the austere rigour of his flexible wooden ladders of the 1970s, to the ethereal lightness of his gauze pieces going on to the playfulness of his colourful Peintures qui perlent (Beading Paintings) which are painted wooden cubes and beads attached to a rigid framework. There are two main directions in his work: the first, his deconstruction of painting and its components (Ladders, Trellises, Cut Out Gauzes, Pavilions etc.) and the second, his creation of series of objects (Arms, Gathering Devices, and Receptacles) which evoke humanity's perennial activities. Dezeuze's drawings also can be grouped in these same two directions with the addition of his sensitive and delightful evocations of nature in his series La Vie Amoureuse des Plantes (subject of an exhibition at the Centre Pompidou in 1993), his numerous and colourful Butterflies and enigmatic Grotesques. His exhibitions have been numerous in France and abroad. He exhibited regularly at the Yvon Lambert Gallery in Paris from 1971 until 1991 and since that date at the Daniel Templon Gallery in Paris. Daniel Dezeuze also has a considerable body of written work. In 1971 he founded the review Peinture, cahiers théoriques with Louis Cane and Marc Devade with the help of the review Tel Quel. His theoretical articles from this review are included in the publication from the Ecole Nationale des Beaux-Arts de Paris of his writings. Also included are several interviews and a great part of his published poetry. Among his commissions must be included the mosaic floor in the Church of St. Laurent in Puy-en-Velay, his sculpture in the

Tuileries Gardens The Tuileries Garden (french: Jardin des Tuileries, ) is a public garden located between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in ...

, the optic fibre sculpture in the Toulouse subway and his redecoration, incorporating several of his works, of the Hôtel du Sully in Paris.

Selected exhibitions

*1998 Carré d'Art -musée d'Art contemporain, Nîmes *1999 Galerie Daniel Templon, Paris *2001 La Chaufferie et Musée d'Art moderne et Contemporain, Strasbourg *2002 Galerie Daniel Templon, Paris. Galerie John Dekkers, La Haye (Pays-Bas) *2003 Galerie Fernand Léger (Credac), Ivry-sur-Seine *FRAC Bourgogne, Dijon *Espace d'art contemporain du domaine départemental du Château d'O, Montpellier *2005 Espace d'art contemporain Gustave Fayet, Sérignan *2006 Armes et Scènes de guerre Château de Salses (66) dépôt permanent *2007 Galerie Hambursin-Boisanté, Montpellier. Casa de Francia, Mexico (Mexique). Granville Gallery (Normandie). Galerie Art Attitude Hervé Bize, Nancy *2008 Galerie Daniel Templon. Kringst-Ernst Gallery, Cologne. Musée Paul Valéry, Sète

External links

Official website of Daniel Dezeuze

Rencontre - Débat avec Daniel Dezeuze à Montpellier

References

{{DEFAULTSORT:Dezeuze, Daniel 1942 births Living people People from Alès 20th-century French painters 20th-century French male artists French male painters 21st-century French painters 21st-century French male artists French draughtsmen University of Paris alumni 20th-century French sculptors French male sculptors