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The Debate between tree and reed ( CSL 5.3.4) is a work of Sumerian literature belonging to the genre of disputations poem. It was written on clay tablets and dates to the
Third Dynasty of Ur The Third Dynasty of Ur or Ur III was a Sumerian dynasty based in the city of Ur in the 22nd and 21st centuries BC ( middle chronology). For a short period they were the preeminent power in Mesopotamia and their realm is sometimes referred to by ...
(ca. mid-3rd millennium BC). The text was reconstructed by M. Civil in the 1960s from 24 manuscripts but it is currently the least studied of the disputation poems and a full translation has not yet been published. Some other Sumerian disputations include the dispute between bird and fish, cattle and grain, and Summer and Winter.


Synopsis

The poem begins with a cosmogonic prologue describing the copulation between Heaven ( An) and Earth ( Ki). Earth gives birth to vegetation, and for the purpose of the poem, this prominently includes Tree and Reed. Though they are first in harmony, a disputation begins between the two as they enter into a shrine. Reed, who fails to respect the proper order of things, steps in front of Tree, causing the latter to be infuriated. The prologue covers the first 49 lines, after which the disputation proceeds for another two hundred lines. It is divided into four speeches: Tree speaking (lines 50–91), Reed speaking (96–137), Tree speaking again (144–191), Reed speaking again (197–228). The adjudication scene (230–254) begins with Tree invoking the judgement of
Shulgi Shulgi ( dšul-gi,(died c. 2046 BC) formerly read as Dungi) of Ur was the second king of the Third Dynasty of Ur. He reigned for 48 years, from (Middle Chronology). His accomplishments include the completion of construction of the Great ...
(a king), who declares that Tree has prevailed over Reed. The poem also mentions the king Puzrish-Dagan, suggesting its composition during his time.


Partial translation

The following translation of the introductory cosmogonic section of the Disputation, containing only the first 10 lines, is taken from Lisman 2013. The first 25 lines were published by Van Dijk in 1965 but a translation of the entire text has still not been made.
1 The large surface of the earth introduced herself; then she has embellished herself as with a ''bardul''-garment. 2 The vast earth has filled her exterior with precious metals and lapis lazuli. 3 With diorite, nir-stone, cornelian, and suduaga she has adorned herself. 4 The earth, the fragrant vegetation, covered herself with attractiveness. She stood in her magnificence. 5 The pure earth, the virgin earth, has beautified herself for the holy An. 6 An, the exalted heaven, had intercourse with the vast earth. 7 He poured the seed of the hero's Tree and Reed into her womb. 8 The whole earth, the fecund cow, took the good seed of An under her care. 9 The earth, life-giving vegetation, innerly happy, devoted herself to the production of it (''i.e. the vegetation''). 10 The earth, full of joy, bore abundance, while juice and syrup gave out their smell.


Historical context

In Mesopotamian disputation literature, debates between trees is a recurring theme. In Akkadian disputations, examples include the '' Tamarisk and Palm'', '' Palm and Vine'', and '' Series of the Poplar''. A much later example from
Aesop Aesop ( ; , ; c. 620–564 BCE; formerly rendered as Æsop) was a Greeks, Greek wikt:fabulist, fabulist and Oral storytelling, storyteller credited with a number of fables now collectively known as ''Aesop's Fables''. Although his existence re ...
's fables is '' The Oak and the Reed''.


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* * * * * * * * {{Cite book , last=West , first=M.L. , url=https://books.google.com/books?id=vHdCAgAAQBAJ&dq=aesop%20oak%20and%20reed%20sumerian%20tree%20and%20reed&pg=PA421 , title=Hellenica: Volume III: Philosophy, Music and Metre, Literary Byways, Varia , date=2013 , publisher=Oxford University Press, isbn=978-0-19-960503-3 Clay tablets Comparative mythology Creation myths Mesopotamian myths Religious cosmologies Sumerian disputations