:''This article discusses the type itself: see links within it for specific instances of the type.'' The ''Crouching Venus'' is a

Hellenistic In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 3 ...

model of

Venus Venus is the second planet from the Sun. It is sometimes called Earth's "sister" or "twin" planet as it is almost as large and has a similar composition. As an interior planet to Earth, Venus (like Mercury) appears in Earth's sky never fa ...

surprised at her bath. Venus crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. To judge by the number of copies that have been excavated on

Roman Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter ...

sites in Italy and France, this variant on Venus seems to have been popular. A number of examples of the ''Crouching Venus'' in prominent collections have influenced modern sculptors since

Giambologna Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small ...

and have been drawn by artists since Martin Heemskerck, who made a drawing of the Farnese ''Crouching Venus'' that is now in

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's admin ...

Attribution

The model is often related to a corrupt passage in

Pliny the Elder Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ...

's '' Natural History'' (xxxvi.4), enumerating sculptures in the Temple of Jupiter Stator in the

Portico of Octavia The Porticus Octaviae (Portico of Octavia; it, Portico di Ottavia) is an ancient structure in Rome. The colonnaded walks of the portico enclosed the temples of Jupiter Stator and Juno Regina, as well as a library. The structure was used as a fis ...

, near the

Roman Forum The Roman Forum, also known by its Latin name Forum Romanum ( it, Foro Romano), is a rectangular forum (plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancie ...

; the text has been emended to a mention of ''Venerem lavantem sese Daedalsas, stantem Polycharmus'' ("Venus washing herself, of Daedalsas, nd another standing, of Polycharmus"), recording a sculpture of a Venus who was not standing, by the otherwise unknown Doidalses or Daedalsas.

Ancient examples

Such terse archival references and so many existing ancient versions make archival identification of the Roman copies insecure, though some include a water jar and/or an additional figure of

Eros In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earl ...

which make identification easier (e.g. th
Hermitage example
an
here
. The ''Crouching Venus'' was often paired with the other famous crouching sculpture of Antiquity, the ''

Arrotino The ''Arrotino'' (Italian - the "Blade-Sharpener"), or formerly the ''Scythian'', thought to be a figure from a group representing the '' Flaying of Marsyas'' is a Hellenistic-Roman sculpture ( Pergamene school) of a man crouching to sharpen a ...

''. *The Crouching Venus of the Medici collection, noted at

Villa Medici The Villa Medici () is a Mannerist villa and an architectural complex with a garden contiguous with the larger Borghese gardens, on the Pincian Hill next to Trinità dei Monti in Rome, Italy. The Villa Medici, founded by Ferdinando I de' Med ...

, Rome, is now at the

Uffizi The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ...

Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico ...

. It was engraved (with its restored sea-shell – see

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) by Paolo Alessandro Maffei, ''Raccolta di statue antiche e moderni...'', 1704 (plate XXVIII) *The Crouching Venus of the Farnese collection of marbles, restored with a small

who engages the goddess's attention, is now in the Museo Archeologico Nazionale, Naples. It was drawn by Martin Heemskerckbr>
*The :Image:Crouching Aphrodite Louvre Ma5.jpg, ''Crouching Venus'' of the Borghese collection, purchased in 1807 from Camillo Borghese, now in the Louvre. In the Borghese collection it had been freely restored as a Diana, holding her hunting bow in her right hand. *The Lely Venus (''main image, above'') is an Antonine marble that was in the Gonzaga collection, Mantua, where it was inventoried in the Gonzaga collection in 1627 and was remarked in England in 1631 as "the finest statue of all" and valued at 6000 ecus. It was purchased in 1627–28 from the Gonzagas for

Charles I of England Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after hi ...

, whose art collections were dispersed during the

Commonwealth A commonwealth is a traditional English term for a political community founded for the common good. Historically, it has been synonymous with "republic". The noun "commonwealth", meaning "public welfare, general good or advantage", dates from the ...

, when it was purchased by the painter and connoisseur Sir

Peter Lely Sir Peter Lely (14 September 1618 – 7 December 1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. Life Lely was born Pieter van der Faes to Dutch ...

. It passed once again into the Royal Collection in 1682 and is on loan to the

British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docu ...

br>
*The Crouching Venus excavated at Salona (modern Solin, Croatia, Solin near

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) in the second half of the 18th century was purchased for the

Vatican Museum The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of ...

s, where it was etched by Francesco, the son of

Giovanni Battista Piranesi Giovanni Battista (or Giambattista) Piranesi (; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian Classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheri ...

, then confiscated by the French under

Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader wh ...

but returned to the Vatican in 1816, where it remains. *The ''Vénus Accroupie'', is a 2nd-century crouching Venus from the collection of

Louis XIV , house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Ve ...

, now in the

Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...

. In a variation, her right arm is raised behind her hea

*The '' :Image:Crouching Venus Louvre Ma2240.jpg, Crouching Venus of Vienne'', 1st or 2nd-century CE, considered one of the finest Roman marbles of this type, was excavated in 1828 at Sainte-Colombe, on the right bank of the Rhône, part of the ancient city of

Vienne Vienne (; Poitevin-Saintongeais: ''Viéne'') is a landlocked department in the French region of Nouvelle-Aquitaine. It takes its name from the river Vienne. It had a population of 438,435 in 2019.Cézanne drew it and adapted it for one of the figures in his '' Grande Baigneuses'' (Philadelphia). The remains of a small hand on her back show that this was one of the versions that included a little Eros *A Crouching Venus that was excavated at that quarry of antiquities,

Hadrian's Villa Hadrian's Villa ( it, Villa Adriana) is a UNESCO World Heritage Site comprising the ruins and archaeological remains of a large villa complex built c. AD 120 by Roman Emperor Hadrian at Tivoli outside Rome. The site is owned by the Republic o ...

at Tivoli, in the 1920s, is accounted among the finest of the Roman versions (Haskell and Penny 1981:323). It is conserved in essentially unrestored condition in the Museo Nazionale delle Terme, Rome. *A small marble Crouching Aphrodite of the 1st century BCE, discovered in

Rhodes Rhodes (; el, Ρόδος , translit=Ródos ) is the largest and the historical capital of the Dodecanese islands of Greece. Administratively, the island forms a separate municipality within the Rhodes regional unit, which is part of the So ...

and conserved in the Rhodes Archaeological Museum, is a variant of the pose in which – instead of attempting to cover up modestly – Venus lifts her hair in her fingers to dry it, looks out at the viewer and openly displays her breasts. The type is sometimes distinguished as the ''Crouching Aphrodite of Rhodes''. Small ancient bronzes of the ''Crouching Venus'' have survived. One, found in Syria, and formerly in the collection of Joseph Durighello, was sold by the Galerie Georges Petit, Paris.

Appreciation in the Renaissance

The early interpretation of the figure, as Venus at her birth, about to be carried ashore — a type of

Venus Anadyomene Venus Anadyomene (from Greek, "Venus Rising From the Sea") is one of the iconic representations of the goddess Venus (mythology), Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Natural History ( ...

— encouraged the restoration of a shell upon which she crouches, in which form the Medici sculpture was engraved by Paolo Alessandro Maffei, ''Raccolta di statue antiche e moderni...'', 1704 (plate XXVIII)

Versions since the Renaissance

Several versions of the Crouching Venus issued from the atelier of

and his heir Antonio Susini; among examples of Susini's bronze reduction, one from the collection of Louis XIV is conserved in the Holburne Museum of Art, Bath, while another, in the collection of Prince Carl Eusebius von Liechtenstein by 1658, remains in the Liechtenstein collection,

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. *A famous variant in marble was delivered by Antoine Coysevox in 1686 for the

Château de Marly The Château de Marly was a French royal residence located in what is now Marly-le-Roi, the commune on the northern edge of the royal park. This was situated west of the palace and garden complex at Versailles. Marly-le-Roi is the town that deve ...

; Coysevox, who set his Venus on a

tortoise Tortoises () are reptiles of the family Testudinidae of the order Testudines (Latin: ''tortoise''). Like other turtles, tortoises have a shell to protect from predation and other threats. The shell in tortoises is generally hard, and like othe ...

rather than a shell,A precedent for this connection of Venus with a tortoise can be seen in Alciato's ''Emblematum liber'', 1531 and many subsequent editions. was so exultant in his success that he inscribed the name of

Phidias Phidias or Pheidias (; grc, Φειδίας, ''Pheidias''; 480 – 430 BC) was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the st ...

Greek Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor ...

as well as his own. The sculpture pleased the

king King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king. *In the context of prehistory, antiquity and contemporary indigenous peoples, the t ...

to the extent that a bronze version was cast. Today the Marly marble is at the

and the Marly bronze is at the Château de Versailles. *A marble copy (1762) by Tommaso Solari was part of the garden statuary surrounding the

Caserta Palace The Royal Palace of Caserta ( it, Reggia di Caserta ) is a former royal residence in Caserta, southern Italy, constructed by the House of Bourbon-Two Sicilies as their main residence as kings of Naples. It is the largest palace erected in Europe ...

, near Naples (Haskell and Penny 1981:323). *

Jean-Baptiste Carpeaux Jean-Baptiste Carpeaux (11 May 1827 – 12 October 1875) was a French sculptor and painter during the Second Empire under Napoleon III. Life Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude. Carpeaux ...

's ''Crouching Flora'' (ca 1873), in the Museu Calouste Gulbenkian, Lisbon, reinterprets the familiar pose.

Notes

References

*Haskell, Francis and Nicholas Penny, 1981. ''Taste and the Antique: The Lure of Classical Sculpture 1500–1900.'' (Yale University Press).

External links

Kauernde Aphrodite
Documentary photos Hellenistic-style Roman sculptures