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Jean-Baptiste-Camille Corot ( , , ; July 16, 1796 – February 22, 1875), or simply Camille Corot, is a French
landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the ...
and
portrait painter Portrait Painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commission, for public and pr ...
as well as a
printmaker Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand proce ...
in
etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types ...
. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the
plein-air ''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting ...
innovations of
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
.


Biography


Early life and training

Jean-Baptiste-Camille Corot was born in Paris on July 16, 1796, in a house at 125 Rue du Bac, now demolished. His family were
bourgeois The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. ...
people—his father was a wig maker and his mother,
Marie-Françoise Corot Marie-Françoise Corot (1768–1851) was a French fashion designer (milliner), known as one of the most fashionable of her trade in the first decades of the 19th-century. She was the daughter of a Swiss merchant, married the French wig maker Lo ...
, a milliner—and unlike the experience of some of his artistic colleagues, throughout his life he never felt the want of money, as his parents made good investments and ran their businesses well. After his parents married, they bought the millinery shop where his mother had worked and his father gave up his career as a wigmaker to run the business side of the shop. The store was a famous destination for fashionable Parisians and earned the family an excellent income. Corot was the second of three children born to the family, who lived above their shop during those years.Tinterow, et al., p. 6 Corot received a scholarship to study at the
Lycée Pierre-Corneille The Lycée Pierre-Corneille (also known as the Lycée Corneille) is a state secondary school located in the city of Rouen, France. Originally founded by the Jesuits in 1593, the school was secularized following the 1905 French law on the Separa ...
in Rouen, but left after having scholastic difficulties and entered a boarding school. He "was not a brilliant student, and throughout his entire school career he did not get a single nomination for a prize, not even for the drawing classes." Unlike many masters who demonstrated early talent and inclinations toward art, before 1815 Corot showed no such interest. During those years he lived with the Sennegon family, whose patriarch was a friend of Corot's father and who spent much time with young Corot on nature walks. It was in this region that Corot made his first paintings after nature. At nineteen, Corot was a "big child, shy and awkward. He blushed when spoken to. Before the beautiful ladies who frequented his mother's salon, he was embarrassed and fled like a wild thing... Emotionally, he was an affectionate and well-behaved son, who adored his mother and trembled when his father spoke." When Corot's parents moved into a new residence in 1817, the 21-year-old Corot moved into the dormer-windowed room on the third floor, which became his first studio as well.Tinterow, et al., p. 8 With his father's help Corot apprenticed to a draper, but he hated commercial life and despised what he called "business tricks", yet he faithfully remained in the trade until he was 26, when his father consented to him adopting the profession of art. Later Corot stated, "I told my father that business and I were simply incompatible, and that I was getting a divorce." The business experience proved beneficial, however, by helping him develop an aesthetic sense through his exposure to the colors and textures of the fabrics. Perhaps out of boredom, he turned to oil painting around 1821 and began immediately with landscapes. Starting in 1822 after the death of his sister, Corot began receiving a yearly allowance of 1500 francs which adequately financed his new career, studio, materials, and travel for the rest of his life. He immediately rented a studio on quai Voltaire. During the period when Corot acquired the means to devote himself to art, landscape painting was on the upswing and generally divided into two camps: one―historical landscape by Neoclassicists in Southern Europe representing idealized views of real and fancied sites peopled with ancient, mythological, and biblical figures; and two―realistic landscape, more common in Northern Europe, which was largely faithful to actual topography, architecture, and flora, and which often showed figures of peasants. In both approaches, landscape artists would typically begin with outdoor sketching and preliminary painting, with finishing work done indoors. Highly influential upon French landscape artists in the early 19th century was the work of Englishmen
John Constable John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, th ...
and
J. M. W. Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbul ...
, who reinforced the trend in favor of Realism and away from Neoclassicism. For a short period between 1821 and 1822, Corot studied with
Achille Etna Michallon Achille Etna Michallon (1796–1822) was a French painter. Michallon was the son of the sculptor Claude Michallon and nephew of the sculptor Guillaume Francin. He studied under Jacques-Louis David and Pierre-Henri de Valenciennes. In 1817, Mic ...
, a landscape painter of Corot's age who was a protégé of the painter
Jacques-Louis David Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away f ...
and who was already a well-respected teacher. Michallon had a great influence on Corot's career. Corot's drawing lessons included tracing
lithograph Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...
s, copying three-dimensional forms, and making landscape sketches and paintings outdoors, especially in the forests of
Fontainebleau Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissemen ...
, the seaports along Normandy, and the villages west of Paris such as Ville-d'Avray (where his parents had a country house). Michallon also exposed him to the principles of the French Neoclassic tradition, as espoused in the famous treatise of theorist
Pierre-Henri de Valenciennes Pierre-Henri de Valenciennes (December 6, 1750 – February 16, 1819) was a French painter who was influential in elevating the status of ''En plein air'' (open-air painting). Life & work Valenciennes worked in Rome from 1778 to 1782, where he m ...
, and exemplified in the works of French Neoclassicists
Claude Lorrain Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in It ...
and
Nicolas Poussin Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for ...
, whose major aim was the representation of ideal Beauty in nature, linked with events in ancient times. Though this school was on the decline, it still held sway in the
Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon ( ...
, the foremost art exhibition in France attended by thousands at each event. Corot later stated, "I made my first landscape from nature...under the eye of this painter, whose only advice was to render with the greatest scrupulousness everything I saw before me. The lesson worked; since then I have always treasured precision." After Michallon's early death in 1822, Corot studied with Michallon's teacher, Jean-Victor Bertin, among the best known Neoclassic landscape painters in France, who had Corot draw copies of lithographs of botanical subjects to learn precise organic forms. Though holding Neoclassicists in the highest regard, Corot did not limit his training to their tradition of allegory set in imagined nature. His notebooks reveal precise renderings of tree trunks, rocks, and plants which show the influence of Northern realism. Throughout his career, Corot demonstrated an inclination to apply both traditions in his work, sometimes combining the two.


First trip to Italy

With his parents' support, Corot followed the well-established pattern of French painters who went to Italy to study the masters of the Italian Renaissance and to draw the crumbling monuments of Roman antiquity. A condition by his parents before leaving was that he paint a self-portrait for them, his first. Corot's stay in Italy from 1825 to 1828 was a highly formative and productive one, during which he completed over 200 drawings and 150 paintings. He worked and traveled with several young French painters also studying abroad who painted together and socialized at night in the cafes, critiquing each other and gossiping. Corot learned little from the Renaissance masters (though later he cited
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on ...
as his favorite painter) and spent most of his time around Rome and in the Italian countryside. The
Farnese Gardens The Farnese Gardens ( it, Orti Farnesiani sul Palatino), or "Gardens of Farnese upon the Palatine", are a garden in Rome, central Italy, created in 1550 on the northern portion of Palatine Hill, by Cardinal Alessandro Farnese. They were the fir ...
with its splendid views of the ancient ruins was a frequent destination, and he painted it at three different times of the day. The training was particularly valuable in gaining an understanding of the challenges of both the mid-range and panoramic perspective, and in effectively placing man-made structures in a natural setting. He also learned how to give buildings and rocks the effect of volume and solidity with proper light and shadow, while using a smooth and thin technique. Furthermore, placing suitable figures in a secular setting was a necessity of good landscape painting, to add human context and scale, and it was even more important in allegorical landscapes. To that end Corot worked on figure studies in native garb as well as nude. During winter, he spent time in a studio but returned to work outside as quickly as weather permitted. The intense light of Italy posed considerable challenges, "This sun gives off a light that makes me despair. It makes me feel the utter powerlessness of my palette."Tinterow, et al., p. 20 He learned to master the light and to paint the stones and sky in subtle and dramatic variation. It was not only Italian architecture and light which captured Corot's attention. The late-blooming Corot was entranced with Italian females as well: "They still have the most beautiful women in the world that I have met....their eyes, their shoulders, their hands are spectacular. In that, they surpass our women, but on the other hand, they are not their equals in grace and kindness...Myself, as a painter I prefer the Italian woman, but I lean toward the French woman when it comes to emotion." In spite of his strong attraction to women, he wrote of his commitment to painting: "I have only one goal in life that I want to pursue faithfully: to make landscapes. This firm resolution keeps me from a serious attachment. That is to say, in marriage...but my independent nature and my great need for serious study make me take the matter lightly."


Striving for the Salon

During the six-year period following his first Italian visit and his second, Corot focused on preparing large landscapes for presentation at the
Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon ( ...
. Several of his salon paintings were adaptations of his Italian oil sketches reworked in the studio by adding imagined, formal elements consistent with Neoclassical principles. An example of this was his first Salon entry, ''View at Narni'' (1827), where he took his quick, natural study of a ruin of a Roman aqueduct in dusty bright sun and transformed it into a falsely idyllic pastoral setting with giant shade trees and green lawns, a conversion meant to appeal to the Neoclassical jurors. Many critics have valued highly his plein-air Italian paintings for their "germ of Impressionism", their faithfulness to natural light, and their avoidance of academic values, even though they were intended as studies. Several decades later,
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
revolutionized art by a taking a similar approach—quick, spontaneous painting done in the out-of-doors; however, where the Impressionists used rapidly applied, un-mixed colors to capture light and mood, Corot usually mixed and blended his colors to get his dreamy effects. When out of the studio, Corot traveled throughout France, mirroring his Italian methods, and concentrated on rustic landscapes. He returned to the Normandy coast and to Rouen, the city he lived in as a youth. Corot also did some portraits of friends and relatives, and received his first commissions. His sensitive portrait of his niece, Laure Sennegon, dressed in powder blue, was one of his most successful and was later donated to the
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...
. He typically painted two copies of each family portrait, one for the subject and one for the family, and often made copies of his landscapes as well. In the spring of 1829, Corot came to
Barbizon Barbizon () is a commune (town) in the Seine-et-Marne department in north-central France. It is located near the Fontainebleau Forest. Demographics The inhabitants are called ''Barbizonais''. Art history The Barbizon school of painters is nam ...
to paint in the
Forest of Fontainebleau The forest of Fontainebleau (french: Forêt de Fontainebleau, or ''Forêt de Bière'', meaning "forest of heather") is a mixed deciduous forest lying southeast of Paris, France. It is located primarily in the arrondissement of Fontaineblea ...
; he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; his ''View of the Forest of Fontainebleau'' (now in the National Gallery in Washington) and, for the salon of 1831, another ''View of the Forest of Fontainebleau''. While there he met the members of the
Barbizon school The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name ...
;
Théodore Rousseau Étienne Pierre Théodore Rousseau (April 15, 1812December 22, 1867) was a French painter of the Barbizon school. Life Youth He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but soon displaye ...
,
Paul Huet Paul Huet (3 October 1803 – 8 January 1869) was a French painter and printmaker born in Paris. He studied under Gros and Guerin. He met the English painter Richard Parkes Bonington in the studio of Gros, where he studied irregularly from 1819 ...
,
Constant Troyon Constant Troyon (August 28, 1810 – February 21, 1865) was a French painter of the Barbizon school. In the early part of his career he painted mostly landscapes. It was only comparatively late in life that Troyon found his ''métier'' as a p ...
,
Jean-François Millet Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism ...
, and the young
Charles-François Daubigny Charles-François Daubigny ( , , ; 15 February 181719 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism. He was also a prolific printmaker, mostly in etch ...
. Corot exhibited one portrait and several landscapes at the Salon in 1831 and 1833. His reception by the critics at the Salon was cool and Corot decided to return to Italy, having failed to satisfy them with his Neoclassical themes.


Mid-career

During his two return trips to Italy, he visited Northern Italy, Venice, and again the Roman countryside. In 1835, Corot created a sensation at the Salon with his biblical painting ''Agar dans le desert'' (Hagar in the Wilderness), which depicted Hagar, Sarah's handmaiden, and the child Ishmael, dying of thirst in the desert until saved by an angel. The background was likely derived from an Italian study.Tinterow, et al., p. 156 This time, Corot's unanticipated bold, fresh statement of the Neoclassical ideal succeeded with the critics by demonstrating "the harmony between the setting and the passion or suffering that the painter chooses to depict in it." He followed that up with other biblical and mythological subjects, but those paintings did not succeed as well, as the Salon critics found him wanting in comparisons with Poussin. In 1837, he painted his earliest surviving nude, ''The Nymph of the Seine''. Later, he advised his students "The study of the nude, you see, is the best lesson that a landscape painter can have. If someone knows how, without any tricks, to get down a figure, he is able to make a landscape; otherwise he can never do it." Through the 1840s, Corot continued to have his troubles with the critics (many of his works were flatly rejected for Salon exhibition), nor were many works purchased by the public. While recognition and acceptance by the establishment came slowly, by 1845
Baudelaire Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited fro ...
led a charge pronouncing Corot the leader in the "modern school of landscape painting". While some critics found Corot's colors "pale" and his work having "naive awkwardness", Baudelaire astutely responded, "M. Corot is more a harmonist than a colorist, and his compositions, which are always entirely free of pedantry, are seductive just because of their simplicity of color." In 1846, the French government decorated him with the cross of the
Légion d'honneur The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon ...
and in 1848 he was awarded a second-class medal at the Salon, but he received little state patronage as a result. His only commissioned work was a religious painting for a baptismal chapel painted in 1847, in the manner of the Renaissance masters. Though the establishment kept holding back, other painters acknowledged Corot's growing stature. In 1847, Delacroix noted in his journal, "Corot is a true artist. One has to see a painter in his own place to get an idea of his worth...Corot delves deeply into a subject: ideas come to him and he adds while working; it's the right approach."Tinterow, et al., p. 150 Upon Delacroix's recommendation, the painter Constant Dutilleux bought a Corot painting and began a long and rewarding relationship with the artist, bringing him friendship and patrons. Corot's public treatment dramatically improved after the Revolution of 1848, when he was admitted as a member of the Salon jury. He was promoted to an officer of the Salon in 1867. Having forsaken any long-term relationships with women, Corot remained very close to his parents even in his fifties. A contemporary said of him, "Corot is a man of principle, unconsciously Christian; he surrenders all his freedom to his mother...he has to beg her repeatedly to get permission to go out...for dinner every other Friday." Apart from his frequent travels, Corot remained closely tethered to his family until his parents died, then at last he gained the freedom to go as he pleased. That freedom allowed him to take on students for informal sessions, including the Jewish artists Édouard Brandon and future Impressionist
Camille Pissarro Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). ...
, who was briefly among them. Corot's vigor and perceptive advice impressed his students. Charles Daubigny stated, "He's a perfect Old Man Joy, this Father Corot. He is altogether a wonderful man, who mixes jokes in with his very good advice."Tinterow, et al., p. 271 Another student said of Corot, "the newspapers had so distorted Corot, putting Theocritus and Virgil in his hands, that I was quite surprised to find him knowing neither Greek nor Latin...His welcome is very open, very free, very amusing: he speaks or listens to you while hopping on one foot or on two; he sings snatches of opera in a very true voice", but he has a "shrewd, biting side carefully hidden behind his good nature." By the mid-1850s, Corot's increasingly impressionistic style began to get the recognition that fixed his place in French art. "M. Corot excels...in reproducing vegetation in its fresh beginnings; he marvelously renders the firstlings of the new world." From the 1850s on, Corot painted many landscape ''souvenirs'' and ''paysages'', dreamy imagined paintings of remembered locations from earlier visits painted with lightly and loosely dabbed strokes.


Later years

In the 1860s, Corot was still mixing peasant figures with mythological ones, mixing Neoclassicism with Realism, causing one critic to lament, "If M. Corot would kill, once and for all, the nymphs of his woods and replace them with peasants, I should like him beyond measure."Tinterow, et al., p. 266 In reality, in later life his human figures did increase and the nymphs did decrease, but even the human figures were often set in idyllic reveries. In later life, Corot's studio was filled with students, models, friends, collectors, and dealers who came and went under the tolerant eye of the master, causing him to quip, "Why is it that there are ten of you around me, and not one of you thinks to relight my pipe." Dealers snapped up his works and his prices were often above 4,000 francs per painting. With his success secured, Corot gave generously of his money and time. He became an elder of the artists' community and would use his influence to gain commissions for other artists. In 1871 he gave £2000 for the poor of Paris, under siege by the Prussians. (see: Franco-Prussian War) During the actual
Paris Commune The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defende ...
, he was at
Arras Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais department, which forms part of the region of Hauts-de-France; before the reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of ...
with Alfred Robaut. In 1872 he bought a house in Auvers as a gift for
Honoré Daumier Honoré-Victorin Daumier (; February 26, 1808February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second N ...
, who by then was blind, without resources, and homeless. In 1875, he donated 10,000 francs to the widow of
Millet Millets () are a highly varied group of small-seeded grasses, widely grown around the world as cereal crops or grains for fodder and human food. Most species generally referred to as millets belong to the tribe Paniceae, but some millets a ...
in support of her children. His charity was near proverbial. He also financially supported the upkeep of a day center for children on rue Vandrezanne in Paris. In later life, he remained a humble and modest man, apolitical and happy with his luck in life, and held close the belief that "men should not puff themselves up with pride, whether they are emperors adding this or that province to their empires or painter who gain a reputation." Despite great success and appreciation among artists, collectors, and the more generous critics, his many friends considered, nevertheless, that he was officially neglected, and in 1874, a short time before his death, they presented him with a gold medal. He died in Paris of a stomach disorder aged 78 and was buried at
Père Lachaise Cemetery Père Lachaise Cemetery (french: Cimetière du Père-Lachaise ; formerly , "East Cemetery") is the largest cemetery in Paris, France (). With more than 3.5 million visitors annually, it is the most visited necropolis in the world. Notable figure ...
. A number of followers called themselves Corot's pupils. The best known are
Camille Pissarro Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). ...
,
Eugène Boudin Eugène Louis Boudin (; 12 July 18248 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary ...
,
Berthe Morisot Berthe Marie Pauline Morisot (; January 14, 1841 – March 2, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. In 1864, Morisot exhibited for the first time in the highly e ...
,
Stanislas Lépine Stanislas Victor Edouard Lépine (October 3, 1835 – September 28, 1892) was a French painter who specialized in landscapes, especially views of the Seine. Biography Lépine was born in Caen. An important influence in his artistic formation w ...
,
Antoine Chintreuil Antoine Chintreuil (May 15, 1814 – August 8, 1873) was a French landscape art, landscape painter. He was among the starving artists who lived ''la vie de bohéme'' in Paris in the 1840s, as popularized by his friend and fellow Bohemianism, Bohem ...
,
François-Louis Français François-Louis Français (1814–1897), also known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Jean Gigoux ...
, Charles Le Roux, and Alexandre Defaux.


Art and technique

Corot is a pivotal figure in landscape painting. His work simultaneously references the Neo-Classical tradition and anticipates the
plein-air ''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting ...
innovations of
Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...
. Of him
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
exclaimed in 1897, "There is only one master here—Corot. We are nothing compared to him, nothing." His contributions to
figure painting A figure painting is a work of fine art in any of the Painting#Painting media, painting media with the primary subject being the human figure, whether clothed or Nude (art), nude. Figure painting may also refer to the activity of creating such ...
are hardly less important;
Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is espec ...
preferred his figures to his
landscapes A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p ...
, and the classical figures of
Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...
pay overt homage to Corot's influence. Historians have divided his work into periods, but the points of division are often vague, as he often completed a picture years after he began it. In his early period, he painted traditionally and "tight"—with minute exactness, clear outlines, thin brushwork, and with absolute definition of objects throughout, with a monochromatic underpainting or
ébauche ( loanword from French, meaning blank, outline or sketch) is a term used in art to denote the first preliminary underpainting or quick sketch in oils for an oil painting. Horology, clockmaking and watchmaking appropriated the term ébauche to r ...
. After he reached his 50th year, his methods changed to focus on breadth of tone and an approach to poetic power conveyed with thicker application of paint; and about 20 years later, from about 1865 onwards, his manner of painting became more lyrical, affected with a more impressionistic touch. In part, this evolution in expression can be seen as marking the transition from the plein-air paintings of his youth, shot through with warm natural light, to the studio-created landscapes of his late maturity, enveloped in uniform tones of silver. In his final 10 years he became the "Père (Father) Corot" of Parisian artistic circles, where he was regarded with personal affection, and acknowledged as one of the five or six greatest landscape painters the world had seen, along with
Meindert Hobbema Meindert Lubbertszoon Hobbema (bapt. 31 October 1638 – 7 December 1709) was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, '' The Avenue at Middelharnis'' (1689, National Galle ...
,
Claude Lorrain Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in It ...
, J.M.W. Turner and
John Constable John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, th ...
. In his long and productive life, he painted over 3,000 paintings. Though often credited as a precursor of Impressionist practice, Corot approached his landscapes more traditionally than is usually believed. Compared to the Impressionists who came later, Corot's palette is restrained, dominated with browns and blacks ("forbidden colors" among the Impressionists), along with dark and silvery green. Though appearing at times to be rapid and spontaneous, usually his strokes were controlled and careful, and his compositions well-thought out and generally rendered as simply and concisely as possible, heightening the poetic effect of the imagery. As he stated, "I noticed that everything that was done correctly on the first attempt was more true, and the forms more beautiful." Corot's approach to his subjects was similarly traditional. Although he was a major proponent of plein-air studies, he was essentially a studio painter and few of his finished landscapes were completed before the motif. For most of his life, Corot would spend his summers travelling and collecting studies and sketches, and his winters finishing more polished, market-ready works. For example, the title of his ''Bathers of the Borromean Isles'' (1865–70) refers to Lake Maggiore in Italy, despite the fact that Corot had not been to Italy in 20 years. His emphasis on drawing images from the imagination and memory rather than direct observation was in line with the tastes of the Salon jurors, of which he was a member. In the 1860s, Corot became interested in photography, taking photos himself and becoming acquainted with many early photographers, which had the effect of suppressing his painting palette even more in sympathy with the monochromic tones of photographs. This had the result of making his paintings even less dramatic but somewhat more poetic, a result which caused some critics to cite a monotony in his later work. Théophile Thoré wrote that Corot "has only a single octave, extremely limited and in a minor key; a musician would say. He knows scarcely more than a single time of day, the morning, and a single color, pale grey." Corot responded:
What there is to see in painting, or rather what I am looking for, is the form, the whole, the value of the tones...That is why for me the color comes after, because I love more than anything else the overall effect, the harmony of the tones, while color gives you a kind of shock that I don’t like. Perhaps it is the excess of this principal that makes people say I have leaden tones.
In his aversion to shocking color, Corot sharply diverged from the up-and-coming Impressionists, who embraced experimentation with vivid hues. In addition to his landscapes (so popular was the late style that there exist numerous forgeries), Corot produced a number of prized figure pictures. While the subjects were sometimes placed in
pastoral A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depict ...
settings, these were mostly studio pieces, drawn from the live model with both specificity and subtlety. Like his landscapes, they are characterized by a contemplative lyricism, with his late paintings ''L’Algérienne'' (Algerian Woman) and ''La Jeune Grecque'' (The Greek Girl) being fine examples. Corot painted about fifty portraits, mostly of family and friends. He also painted thirteen reclining nudes, with his ''Les Repos'' (1860) strikingly similar in pose to
Ingres Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the a ...
famous ''Le Grande Odalisque'' (1814), but Corot's female is instead a rustic bacchante. In perhaps his last figure painting, ''Lady in Blue'' (1874), Corot achieves an effect reminiscent of
Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is espec ...
, soft yet expressive. In all cases of his figure painting, the color is restrained and is remarkable for its strength and purity. Corot also executed many etchings and pencil sketches. Some of the sketches used a system of visual symbols—circles representing areas of light and squares representing shadow. He also experimented with the
cliché verre Cliché verre, also known as the glass print technique, is a type of "semiphotographic" printmaking. An image is created by various means on a transparent surface, such as glass, thin paper or film, and then placed on light sensitive paper in a ...
process—a hybrid of photography and engraving. Starting in the 1830s, Corot also painted decorative panels and walls in the homes of friends, aided by his students. Corot summed up his approach to art around 1860: "I interpret with my art as much as with my eye." The works of Corot are housed in museums in France and the Netherlands, Britain, North America and Russia.


Forgeries

The strong market for Corot's works and his relatively easy-to-imitate late painting style resulted in a huge production of Corot forgeries between 1870 and 1939.
René Huyghe René Huyghe (3 May 1906 – 5 February 1997) was a French writer on the history, psychology and philosophy of art. He was also a curator at the Louvre's department of paintings (from 1930), a professor at the Collège de France and from 1960 a ...
famously quipped that "Corot painted three thousand canvases, ten thousand of which have been sold in America". Although this is a humorous exaggeration, thousands of forgeries have been amassed, with the Jousseaume collection alone containing 2,414 such works. Adding to the problem was Corot's lax attitude which encouraged copying and forgery. He allowed his students to copy his works and to even borrow the works for later return, he would touch up and sign student and collector copies, and he would loan works to professional copiers and to rental agencies. According to Corot cataloguist Etienne Moreau-Nélaton, at one copying studio "The master's complacent brush authenticated these replicas with a few personal and decisive retouchings. When he was no longer there to finish his "doubles", they went on producing them without him." The cataloging of Corot's works in an attempt to separate the copies from the originals backfired when forgers used the publications as guides to expand and refine their bogus paintings.


In popular culture

Two of Corot's works are featured and play an important role in the plot of the 2008 French film '' L'Heure d'été'' (English title ''Summer Hour''). The film was produced by the
Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French a ...
, and the two works were lent by the museum for the making of the film. There is a street named Rue Corot on Île des Sœurs,
Quebec Quebec ( ; )According to the Canadian government, ''Québec'' (with the acute accent) is the official name in Canadian French and ''Quebec'' (without the accent) is the province's official name in Canadian English is one of the thirte ...
, named for the artist. In Arthur Conan Doyle’s 1890 novel ''
The Sign of the Four ''The Sign of the Four'' (1890), also called ''The Sign of Four'', is the second novel featuring Sherlock Holmes by British writer Sir Arthur Conan Doyle. Doyle wrote four novels and 56 short stories featuring the fictional detective. Plot ...
'' Thaddeus Sholto has an unknown work of Corot on display.


Selected works

* ''
The Bridge at Narni ''The Bridge at Narni'' (french: Le pont de Narni) is an 1826 painting of the Ponte d'Augusto at Narni by French artist Jean-Baptiste-Camille Corot. The painting is on display at the Musée du Louvre in Paris. It was painted in September 1826 ...
'' (1826),
Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
* '' Venise, La Piazetta'' (1835),
Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
* ''Le Baptême du Christ'' (1845–1847), Paris, Eglise Saint-Nicolas-du-Chardonnet * ''Une Matinée, la Danse des Nymphes'' (1850),
Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French a ...
* '' Le concert champêtre'' (1857),
Musée Condé The Musée Condé – in English, the Condé Museum – is a French museum located inside the Château de Chantilly in Chantilly, Oise, 40 km north of Paris. In 1897, Henri d'Orléans, Duke of Aumale, son of Louis Philippe I, bequeathed the ...
, Chantilly * ''Macbeth and the Witches'' (1859), Wallace Collection * ''Baigneuses au Bord d'un Lac'' (1861), private collection * ''Orpheus Leading Eurydice from the Underworld'' (1861),
The Museum of Fine Arts, Houston The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Build ...
* ''Meadow by the Swamp'',
National Museum of Serbia The National Museum of Serbia ( sr, / ) is the largest and oldest museum in Belgrade, Serbia. It is located in the central zone of Belgrade on a square plot between the Republic Square, formerly Theatre Square, and three streets: Čika Ljubina ...
* ''Vist of Castel Sant'Angelo'',
National Museum of Decorative Arts, Buenos Aires The National Museum of Decorative Arts is an art museum in Recoleta, Buenos Aires, Argentina. History The museum has its origins in a marriage in 1897 between two prominent members of turn-of-the-century Argentine high society: Matías Errazúri ...
* '' Souvenir de Mortefontaine'' (1864),
Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
* ''L'Arbre brisé'' (1865) * ''
Ville d'Avray Ville-d'Avray () is a commune in the western suburbs of Paris, France. It is located from the centre of Paris. The commune is part of the arrondissement of Boulogne-Billancourt in the Hauts-de-Seine department. In 2019, it had a population of ...
'' (1867),
National Gallery of Art The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of ch ...
* '' A Woman Reading'' (1869),
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
,
New York New York most commonly refers to: * New York City, the most populous city in the United States, located in the state of New York * New York (state), a state in the northeastern United States New York may also refer to: Film and television * '' ...
* ''Nymphes et Faunes'' (before 1870),
Birmingham Museum of Art The Birmingham Museum of Art is a museum in Birmingham, Alabama. It has one of the most extensive collections of artwork in the Southeastern United States, with more than 24,000 paintings, sculptures, prints, drawings, and decorative arts repres ...
, Alabama * '' L'Albanese'' (1872) * ''Pastorale—Souvenir d'Italie'' (1873),
Glasgow Art Gallery Kelvingrove Art Gallery and Museum is a museum and art gallery in Glasgow, Scotland. It reopened in 2006 after a three-year refurbishment and since then has been one of Scotland's most popular visitor attractions. The museum has 22 galleries, h ...
* ''Biblis'' (1875) * '' Stream with a White Horse'',
Toledo Museum of Art The Toledo Museum of Art is an internationally known art museum located in the Old West End neighborhood of Toledo, Ohio. It houses a collection of more than 30,000 objects. With 45 galleries, it covers 280,000 square feet and is currently in th ...
* ''
Landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the ...
'' (unknown), Bass-Dwyer Collection


Gallery

File:Jean-Baptiste-Camille Corot - View from the Farnese Gardens, Rome - Google Art Project.jpg, ''View from the Farnese Gardens''. 1826,
The Phillips Collection The Phillips Collection is an art museum founded by Duncan Phillips and Marjorie Acker Phillips in 1921 as the Phillips Memorial Gallery located in the Dupont Circle neighborhood of Washington, D.C. Phillips was the grandson of James H. Laughlin ...
File:Jean-Baptiste-Camille Corot 006.jpg, ''
The Bridge at Narni ''The Bridge at Narni'' (french: Le pont de Narni) is an 1826 painting of the Ponte d'Augusto at Narni by French artist Jean-Baptiste-Camille Corot. The painting is on display at the Musée du Louvre in Paris. It was painted in September 1826 ...
''. 1826,
Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
File:Corot - Morning in Venice - Pushkin.jpeg, '' Morning in Venice''. 1834,
Pushkin Museum The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just oppo ...
File:Hagar in the Wilderness MET DT2013.jpg, '' Hagar in the Wilderness''. 1835,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
File:Jean Baptiste Camille - Portrait of Mariette Gambay.jpg, '' Portrait of Mariette Gambay'' (“''La Songerie de Mariette''”). 1869–1870,
Pushkin Museum The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just oppo ...
File:Jean-Baptiste-Camille Corot 046.jpg, '' Stormy Weather, Pas de Calais''. c. 1870,
Pushkin Museum The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just oppo ...
File:'Diana Bathing' by Jean-Baptiste-Camille Corot, 1873-74, Pushkin Museum.JPG, ''Diana Bathing''. 1873–1874,
Pushkin Museum The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just oppo ...
File:Jean-Baptiste-Camille Corot - Silenus - 73.42.2 - Minneapolis Institute of Arts.jpg, ''Silenus''. 1838,
Minneapolis Institute of Art The Minneapolis Institute of Art (Mia) is an arts museum located in Minneapolis, Minnesota, United States. Home to more than 90,000 works of art representing 5,000 years of world history, Mia is one of the largest art museums in the United State ...
File:Repose by Jean-Baptiste-Camille Corot, 1860, reworked c. 1865-1870 - Corcoran Gallery of Art - DSC01293.JPG, ''Repose''. National Gallery of Art,
National Gallery of Art The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of ch ...
File:Sibylle MET DT883.jpg, ''
Sibylle Sibylle is a given name. It may refer to: * Anna Sibylle of Hanau-Lichtenberg (1542–1580), eldest surviving daughter of Count Philipp IV and Countess Eleonore of Fürstenberg *Duchess Magdalene Sibylle of Prussia (1586–1659), Electress of Saxon ...
'', circa 1870,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...


See also

* Effets de soir *
History of painting The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and ...
*
List of Orientalist artists This is an incomplete list of artists who have produced works on Orientalist subjects, drawn from the Islamic world or other parts of Asia. Many artists listed on this page worked in many genres, and Orientalist subjects may not have formed a m ...
*
Orientalism In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist p ...
*
Western painting The history of Western painting represents a continuous, though disrupted, tradition from classical antiquity, antiquity until the present time. Until the mid-19th century it was primarily concerned with Representational art, representational ...


Notes and references


Notes


References

* * * * *


External links

*
jean-baptiste-camille-corot.org
– More than 600 works by Jean-Baptiste-Camille Corot


Jean-Baptiste-Camille Corot
at the
WebMuseum The WebMuseum, formerly known as the WebLouvre, was founded by Nicolas Pioch in France in 1994, while he was a student. It is one of the earliest examples of a virtual museum. The site won the 1994 Best of the Web award for the "Best Use of Mul ...
.
The Lyrical Landscape
Rehs Galleries' exhibition of works by Jean B.C. Corot. * {{DEFAULTSORT:Corot, Jean-Baptiste-Camille 1796 births 1875 deaths Painters from Paris 19th-century French painters French male painters French printmakers French Realist painters Landscape artists Burials at Père Lachaise Cemetery Officiers of the Légion d'honneur Orientalist painters Lycée Pierre-Corneille alumni 19th-century French male artists