
César Vezzani (8 August 1888 – 11 November 1951) was a French/Corsican operatic
tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors i ...
who became a leading exponent of French ''
grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
'' through several decades. (Some sources give his date of birth as 1886.)
Career
César Vezzani was born in
Bastia
Bastia (, , , ; co, Bastìa ) is a communes of France, commune in the Departments of France, department of Haute-Corse, Corsica, France. It is located in the northeast of the island of Corsica at the base of Cap Corse. It also has the second-hi ...
in
Corsica; his father died shortly before his birth. Soon after 1900 his family moved to Toulon on the French mainland, but little is known about his early musical training. In 1908 he went to Paris to study singing and was taught by the Corsican soprano
Agnès Borgo (1879 - 1958). He then made his operatic début at the
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienn ...
in 1911 in the title-role of ''Richard Coeur-de-Lion'' by
Grétry. He continued singing there in such works as ''Dinorah'' by
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le d ...
and
Erlanger's ''La sorcière'', as well as Italian operas such as ''
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dr ...
'' and ''
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 Cavalleria rusticana (short story), short story of ...
''.
In 1913 Vezzani and Agnès Borgo were married, and they had one daughter. (They later divorced in 1919, and Vezzani had two subsequent marriages.) Vezzani and Borgo were contracted to sing in the USA (including Boston) in 1914/1915 but were prevented by the outbreak of the First World War. Vezzani was called up and was wounded in action. He resumed his singing career during the later years of the war, but most of his subsequent engagements were in provincial opera houses, especially in the south of France, though he also sang in Brussels. He returned to the Opéra-Comique in Paris in 1921/1922 and probably appeared there again during the 1920s, but he never sang at the
Paris Opéra. The ringing and heroic quality of his voice made him an ideal choice for certain heavy and dramatic tenor parts, but he never abandoned some of the more lyrical roles of the French repertoire.
During World War II Vezzani spent time in North Africa, singing frequently in Algiers. He continued as principal tenor in Toulon until 1948 when he suffered a stroke which left him paralyzed. He returned to Bastia, but now without an income he spent the last three years of his life in some poverty and assisted by the generosity of friends. He died in hospital in Marseille and was buried in Bastia, where a street is named after him.
Recordings
The potential of Vezzani's outstanding voice for recording was quickly recognised, and from 1912 to 1914 he made a series of recordings for French Odéon, including excerpts from ''
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who ...
''. ''
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dr ...
'', and ''
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''T ...
''. Then from 1923 until the early 1930s he recorded for French
HMV in arias from many of his favourite roles, including Reyer's
''Sigurd'', Halévy's ''
La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835.
Composition history
''La Juive'' was one o ...
'', and Meyerbeer's ''
L'Africaine''. There was also a complete recording of Gounod's
''Faust'' in 1930 with
Mireille Berthon and
Marcel Journet. It is unclear whether and when Vezzani sang Wagner on stage, but he recorded a number of pieces from ''
Lohengrin
Lohengrin () is a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans to rescue a maiden who can never ask his identity. His story, which first appears in Wolf ...
'' and
''The Ring''. In total he recorded over 170 sides. Most of these were originally released only in France, but there have been several selections transferred to CD, and a systematic reissue of his recordings has been launched by
Marston Records
Marston Records is an independent American record label. The label specializes in the remastering and reissuing of very early and rare recordings. It was founded in 1997 by Ward Marston and Scott Kessler.
Releases on Marston Records
Collecti ...
.
Reputation
Critics have shown universal recognition of the exceptional quality of Vezzani's voice, though they have sometimes expressed reservations about the subtlety of his approach, which was generally robust.
His recording of
''Faust'' has occasioned the following comments: "Vezzani is a noble representative of that vanished breed, the French ''
spinto'' tenor... Unforced lyricism was not Vezzani's greatest strength...
utwhere ringing excitement is called for, his only equals are
Caruso and, more recently,
Franco Corelli
Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was ce ...
." Referring to his recording of excerpts from ''
Roméo et Juliette'', another critic has said: "He was a real
''ténor de force'' and still singing well at sixty. There is little nuance here, but the voice is healthy and brilliant, somehow typically Corsican." Reflecting on the fact that Vezzani's career did not take him to the world's major opera houses, another has said: "He seems to be one of those whose gifts exceeded his attainments."
[John Steane, in]
Grove Music Online
; ed. by L. Macy; article on César Vezzani (accessed 22 February 2007). The generous attention that he received from recording companies allows later generations to form their own judgments.
References
External links
History of the Tenor - Sound Clips and Narration
{{DEFAULTSORT:Vezzani, Cesar
1880s births
1951 deaths
French operatic tenors
People from Bastia
20th-century French male opera singers