Cycle Of Compositions
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In
music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...
, a cycle can be several things. Acoustically, it is one complete vibration, the base unit of
Hertz The hertz (symbol: Hz) is the unit of frequency in the International System of Units (SI), often described as being equivalent to one event (or Cycle per second, cycle) per second. The hertz is an SI derived unit whose formal expression in ter ...
being one cycle per second. Theoretically, an
interval cycle In music, an interval cycle is a set (music), collection of pitch classes created from a sequence of the same interval class.Whittall, Arnold. 2008. ''The Cambridge Introduction to Serialism'', p. 273-74. New York: Cambridge University Press. (pbk) ...
is a collection of pitch classes created by a sequence of identical intervals. Cycles are also individual pieces of larger works, like the
movements Movement may refer to: Generic uses * Movement (clockwork), the internal mechanism of a timepiece * Movement (sign language), a hand movement when signing * Motion, commonly referred to as movement * Movement (music), a division of a larger c ...
in a suite, symphony sonata, or string quartet. This can range from settings of the Mass or a
song cycle A song cycle () is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in sequence, as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combinat ...
to an opera cycle. Another cycle is the complete performance of an individual composer's work in one genre. Harmonic cycles—repeated sequences of a harmonic progression—are at the root of many musical genres, such as the
twelve-bar blues The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly ba ...
. In compositions of this genre, the
chord progression In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from ...
may be repeated indefinitely, with melodic and lyrical variation forming the musical interest. The form
theme and variations In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with mu ...
is essentially of this type, but generally on a larger scale. Composition using a
tone row In music, a tone row or note row ( or '), also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets are sometime ...
is another example of a cycle of pitch material, although it may be more difficult to hear because the variations are more diverse.


Rhythmic cycles


Indian classical music

In
Indian classical music Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ...
, a specific rhythmic structure known as a tala is repeated through the length of the raga, and used as a basis for improvisation of the drum parts.


Music of Indonesia

In the
gamelan Gamelan (; ; , ; ) is the traditional musical ensemble, ensemble music of the Javanese people, Javanese, Sundanese people, Sundanese, and Balinese people, Balinese peoples of Indonesia, made up predominantly of percussion instrument, per ...
music of Indonesia, there are nested
gong A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and ...
cycles which determine the rhythmic framework of the piece. This sort of cycling is called
colotomy ''Colotomy'' is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. I ...
. In the same way as specific harmonic cycles determine the genre of many Western pieces (like the blues), gamelan pieces are classified according to their colotomic structures. Some other styles of music, such as
gagaku is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794–1185) arou ...
or
pi phat A ''piphat'' () is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of t ...
, have been analyzed colotomically.


Sub-Saharan African music traditions

Rhythm in Sub-Saharan Africa Sub-Saharan African music is characterised by a "strong rhythmic interest" that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as const ...
is typically generated by multiple cross-rhythmic cycles, in relation to a primary cycle of four main beats. This basic musical period has a bipartite structure; it comprises two rhythmically opposed
cells Cell most often refers to: * Cell (biology), the functional basic unit of life * Cellphone, a phone connected to a cellular network * Clandestine cell, a penetration-resistant form of a secret or outlawed organization * Electrochemical cell, a d ...
of two beats each. The four-beat cycle is a shorter period than in European music. This explains the stereotype of African music as "repetitive". The cycles have a beginning and an end, with the two joining. The lead instrument, or soloist, may temporarily contradict the primary cycle with
cross beat In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict found in polyr ...
s and larger phrases, but awareness of the cycle is ever-present.Kubik 2010, p. 41. In many sub-Saharan and Disapora musics, a
key pattern Key pattern is the generic term for an interlocking Geometry, geometric motif made from straight lines or bars that intersect to form Rectilinear polygon, rectilinear spiral shapes. According to Allen and Anderson, the negative space between the l ...
, typically played on a bell, establishes the basic cycle or
period Period may refer to: Common uses * Period (punctuation) * Era, a length or span of time *Menstruation, commonly referred to as a "period" Arts, entertainment, and media * Period (music), a concept in musical composition * Periodic sentence (o ...
.


Mixed cycles

Different types of musical cycles can overlap. One example is
isorhythm Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a ''talea'', in at least one voice part throughout a composition. ''Taleae'' are typically applied to one or more melodic patterns o ...
, the medieval practice of using melodic and rhythmic cycles in one or two voices. There is a certain sequence of pitch material (known as the ''color'') and a separate sequence of rhythmic values (known as the ''talea''), which has a different length. If the lengths of the two cycles are
relatively prime In number theory, two integers and are coprime, relatively prime or mutually prime if the only positive integer that is a divisor of both of them is 1. Consequently, any prime number that divides does not divide , and vice versa. This is equiv ...
, a complex melody will emerge. Most compositions using this technique end when the two cycles coincide. A similar process is used in
serial music In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also ...
, although the number of different overlapping cycles can be quite large, and encode a wide variety of musical parameters, such as dynamics, articulation,
timbre In music, timbre (), also known as tone color or tone quality (from psychoacoustics), is the perceived sound of a musical note, sound or tone. Timbre distinguishes sounds according to their source, such as choir voices and musical instrument ...
,
register Register or registration may refer to: Arts, entertainment, and media Music * Register (music), the relative "height" or range of a note, melody, part, instrument, etc. * ''Register'', a 2017 album by Travis Miller * Registration (organ), ...
, and so forth.


Opera cycles

An opera cycle is a set of individual thematically-linked operas, sharing characters, settings, or plot elements, designed to be performed as a unified, larger work, typically spanning several nights. * Richard Wagner's ''
Ring Cycle (''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the . The compos ...
'' consists of four individual
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
s. *
Giacomo Puccini Giacomo Puccini (22 December 1858 29 November 1924) was an Italian composer known primarily for List of compositions by Giacomo Puccini#Operas, his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he ...
's ''
Il tabarro ''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given ...
'', ''
Suor Angelica ''Suor Angelica'' (''Sister Angelica'') is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as ''Il trittico'' (''The Triptych''). It received its wor ...
'', and ''
Gianni Schicchi () is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccin ...
'' form a set of three one-act operas, intended to be performed together and collectively titled ''
Il trittico ''Il trittico'' (''The Triptych'') is the title of a collection of three one-act operas, '' Il tabarro'', '' Suor Angelica'', and '' Gianni Schicchi'', by Giacomo Puccini. The work received its world premiere at the Metropolitan Opera on 14 Decem ...
''. *
Germaine Tailleferre Germaine Tailleferre (; born Marcelle Germaine Taillefesse; 19 April 18927 November 1983) was a French composer and the only female member of the group of composers known as ''Les Six''. Biography Marcelle Germaine Taillefesse was born at Saint- ...
's ''
Du style galant au style méchant ''Du style galant au style méchant'' is an opera cycle written for radio by composer Germaine Tailleferre and librettist Denise Centore. The cycle consistes of five short one act French language chamber operas, each one written to parody a diff ...
'' is made up of four chamber operas which parody a different operatic form or style * Robert Ashley's ''Perfect Lives'', ''Atalanta'', and ''Now Eleanor's Idea'' form a trilogy. * R. Murray Schafer's '' Patria'' is composed of twelve separate works, which he classifies as "
music theater Music theatre is a performance genre that emerged over the course of the 20th century, in opposition to more conventional genres like opera and musical theatre. The term came to prominence in the 1960s and 1970s to describe an Avant-garde music, a ...
". * Karlheinz Stockhausen's ''
Licht 275px, Karlheinz Stockhausens grave with the score to LICHT . ''Licht'' (Light), subtitled "Die sieben Tage der Woche" (The Seven Days of the Week), is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The compose ...
'' consists of seven individual operas named after the days of the week.


See also

*''
Aus den sieben Tagen ''Aus den sieben Tagen'' (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as " Intuitive music"—music produced primarily from the ...
'' *
Circle of fifths In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the se ...
*
Cyclic form Cyclic form is a technique of musical construction, involving multiple sections or movements, in which a theme, melody, or thematic material occurs in more than one movement as a unifying device. Sometimes a theme may occur at the beginning and ...
*''
Für kommende Zeiten ''Für kommende Zeiten'' (For Times to Come) is a collection of seventeen text compositions by Karlheinz Stockhausen, composed between August 1968 and July 1970. It is a successor to the similar collection titled ''Aus den sieben Tagen'', written ...
'' *'' Klang'' * Symphonic cycle * ''
Zyklus ''Zyklus für einen Schlagzeuger'' (English: Cycle for a Percussionist) is a composition by Karlheinz Stockhausen, assigned Number 9 in the composer's catalog of works. It was composed in 1959 at the request of Wolfgang Steinecke as a test piece ...
''


References

{{DEFAULTSORT:Cycle (Music) Musical techniques Musical form