Carlos Enrique Veerhoff (3 June 1926 in
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the Capital city, capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata ...
– 18 February 2011 in
Murnau) was an Argentine-born German
composer of
classical music.
Life and work
Carlos Enrique Veerhoff was born with his twin brother, Wolfgang Otto, as premature infants. Their father could only find a hospital with an incubator two days later, so that the birth date in the birth certificate is 5 June 1926, not the correct date of 3 June.
His father, Heinrich Veerhoff, was German and the head of an own company in Buenos Aires. His mother, Karla, was a violinist and the daughter of conductor
Karl Panzner
Karl Panzner (2 March 1866 – 7 December 1923) was a German conductor and musikdirektor in Düsseldorf.
Life
Born in Teplice, Panzner was the son of a merchant, who lived in Dresden since 1869. Panzner received private piano lessons in his ...
and singer Ida Panzner.
The Veerhoff family moved back to Germany in 1930 due to a job change by the father.
In 1933, the family moved on to South Africa. The countryside and the way of living in Africa had a great impact on the young Carlos Veerhoff, and these impressions found their way into several compositions of his later years. Another experience in South Africa was important for him as well: In 1935, the first South African airline was founded, and the young Carlos got the opportunity to take part at a pleasure flight.
Afterwards, he developed an enormous interest in flight engineering, which was only replaced later by music. But Carlos Veerhoff kept his love of natural science his whole life.
After the return of the Veerhoff family to Germany in 1935, Carlos started to attend orchestral and chamber music concerts. Also, the music played at home - his father was a good pianist and his mother a professional violinist - contributed to his future interest in classical music. This development culminated in Carlos deciding at the age of 15 to become a composer. At that time, he took his first lesson in composition theory, and in 1942 he became a student at the Musisches Gymnasium in
Frankfurt am Main
Frankfurt, officially Frankfurt am Main (; Hessian dialects, Hessian: , "Franks, Frank ford (crossing), ford on the Main (river), Main"), is the most populous city in the States of Germany, German state of Hesse. Its 791,000 inhabitants as o ...
.
After a six-day stint as a soldier in World War II in which he was injured, Carlos Veerhoff continued his composition studies at the
Universität der Künste Berlin
The Universität der Künste Berlin (UdK; also known in English as the Berlin University of the Arts), situated in Berlin, Germany, is the largest art school in Europe. It is a public art and design school, and one of the four research universit ...
with
Hermann Grabner and later privately with
Kurt Thomas and got piano lessons from
Walter Gieseking
Walter Wilhelm Gieseking (5 November 1895 – 26 October 1956) was a French-born German pianist and composer. Gieseking was renowned for his subtle touch, pedaling, and dynamic control—particularly in the music of Debussy and Ravel; he made int ...
. During an internment in
Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in ...
in 1946, he studied with
Walter Braunfels (composition) and
Günter Wand
Günter Wand (7 January 1912, in Elberfeld, Germany – 14 February 2002, in Ulmiz near Bern, Switzerland) was a German orchestra conductor and composer. Wand studied in Wuppertal, Allenstein and Detmold. At the Cologne Conservatory, he was a c ...
(conducting) at the
Hochschule für Musik und Tanz Köln
The Cologne University of Music ( is a music college in Cologne, Germany. Founded in 1850, it is Europe's largest academy of music.
History
The academy was founded by Ferdinand Hiller in 1850 as ''Conservatorium der Musik in Coeln''. In 1895 Ger ...
.
In 1947, Carlos Veerhoff moved to Argentina and taught music theory at the University of
San Miguel de Tucumán
San Miguel de Tucumán (; usually called simply Tucumán) is the capital and largest city of Tucumán Province, located in northern Argentina from Buenos Aires. It is the fifth-largest city of Argentina after Buenos Aires, Córdoba, Rosario and ...
at the Departemento Musical, which was newly founded by
Ernst von Dohnányi
Ernst von Dohnányi (Hungarian: ''Dohnányi Ernő'', ; 27 July 1877 – 9 February 1960) was a Hungarian composer, pianist and conductor. He used a German form of his name on most published compositions.
Biography
Dohnányi was born in Pozsony ...
. He also took conducting lessons from
Hermann Scherchen
Hermann Scherchen (21 June 1891 – 12 June 1966) was a German conductor.
Life
Scherchen was born in Berlin. Originally a violist, he played among the violas of the Bluthner Orchestra of Berlin while still in his teens. He conducted in Riga ...
in Buenos Aires during this period.
In 1950,
Ferenc Fricsay
Ferenc Fricsay (; 9 August 1914 – 20 February 1963) was a Hungarian conductor. From 1960 until his death, he was an Austrian citizen.
Biography
Fricsay was born in Budapest in 1914 and studied music under Béla Bartók, Zoltán Kodály, Ern ...
was looking for a composition by an Argentine composer for an upcoming concert in Buenos Aires. From a selection of compositions, he chose the "Musica concertante for chamber orchestra" by Carlos Veerhoff and later conducted the world premiere. Fricsay offered him a position as an assistant to him, so Carlos Veerhoff followed Fricsay to Berlin. But from his point of view, the atmosphere in Germany was anti-artistic, and he returned to Argentina just a year later.
In the following decades, Carlos Veerhoff created dozens of compositions, nearly all of which were performed. In many cases, renowned and acclaimed musicians performed the world premieres of his works:
Hans Rosbaud
Hans Rosbaud (22 July 1895 – 29 December 1962) was an Austrian conductor, particularly associated with the music of the twentieth century.
Biography
Rosbaud was born in Graz. As children, he and his brother Paul Rosbaud performed with their ...
("Mirages"),
Ruggiero Ricci
Ruggiero Ricci (24 July 1918 – 5 August 2012) was an American violinist known for performances and recordings of the works of Paganini.
Biography
He was born in San Bruno, California, the son of Italian immigrants who first named him Woodrow ...
(Violin concerto No. 1),
Bruno Maderna
Bruno Maderna (21 April 1920 – 13 November 1973) was an Italian conductor and composer.
Life
Maderna was born Bruno Grossato in Venice but later decided to take the name of his mother, Caterina Carolina Maderna.Interview with Maderna‘s thr ...
("Cantos"),
Stanislaw Skrowaczewski Stanislav and variants may refer to:
People
*Stanislav (given name), a Slavic given name with many spelling variations (Stanislaus, Stanislas, Stanisław, etc.)
Places
* Stanislav, a coastal village in Kherson, Ukraine
* Stanislaus County, Cal ...
("Gesänge auf dem Wege"),
Ladislav Kupkovic
Ladislav is a Czech, Slovak and Croatian variant of the Slavic name Vladislav. The female form of this name is Ladislava.
Folk etymology occasionally links ''Ladislav'' with the Slavic goddess Lada.
Spellings and variations
In Bulgarian ...
("Gesänge aus Samsara" and Symphony No. 4),
Homero Francesch
Homero Francesch (born 6 December 1947, Montevideo, Uruguay) is a Uruguay-born Swiss pianist.
Biography
Francesch took piano lessons with Santiago Baranda Reyes in Uruguay. In 1967, he was awarded a scholarship by the German Academic Exchange Ser ...
(Piano concerto No. 1),
Gerhard Oppitz
Gerhard Oppitz (born 5 February 1953, Frauenau) is a German classical pianist.
He studied with Paul Buck, Hugo Steurer and Wilhelm Kempff. In 1981 he was appointed professor at the Hochschule für Musik und Theater MünchenThomas Zehetmair
Thomas Zehetmair (born 23 November 1961) is an Austrian violinist and conductor.
Biography
Zehetmair was born in Salzburg, and studied at the Salzburg Mozarteum, where both of his parents taught. His festival debut was at age 16. He was in mast ...
(Violin concerto No. 2) or
Peter Sadlo (Percussion concerto No. 2).
Despite his success and the performances of his music, Carlos Veerhoff remained a musical outsider:
Carlos Veerhoff remained a composer in the German musical life who did not follow actual composition fashions. He called himself "clique-free" and paid this freedom with the fact that he was never offered a professorship and could not find a renowned publishing house for his compositions. Among the circle of influential German composers and critics he was never accepted as a real avant-gardist, because his advancement of the dodecaphony was unorthodox and beside all contemporary aspects always kept references to tradition.[Messmer, Franzpeter (2006): Musikalischer Weltbürger - Der Lebensweg Carlos Heinrich Veerhoffs. In: Komponisten in Bayern. Band 47: Carlos H. Veerhoff. Tutzing: Hans Schneider; S.28]
Due to his exclusion from the close music establishment in Germany, Carlos Veerhoff often went back to Argentina. Only from 1970 on did he permanently stay in Germany to his death. From 1988, he lived in Murnau,
Bavaria
Bavaria ( ; ), officially the Free State of Bavaria (german: Freistaat Bayern, link=no ), is a state in the south-east of Germany. With an area of , Bavaria is the largest German state by land area, comprising roughly a fifth of the total l ...
, near
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
. His collection of papers is archived at the
Bayerische Staatsbibliothek
The Bavarian State Library (german: Bayerische Staatsbibliothek, abbreviated BSB, called ''Bibliotheca Regia Monacensis'' before 1919) in Munich is the central " Landesbibliothek", i. e. the state library of the Free State of Bavaria, the bigg ...
.
Compositions
Orchestral works
* op. 9: Symphony No. 1 "Sinfonica Panta Rhei" (1953/54, WP 14 September 1961)
* op. 15: Symphony No. 2 (1958, WP 1958)
* op. 22: Symphony No. 3 "Spirales" (1968, revised version 1971, WP 1968)
* op. 32: Symphony No. 4 (1972/73, WP 1979)
* op. 43: Symphony No. 5 for strings (1975)
* op. 70: Symphony No. 6 "Desiderata" for narrator, 3 soloists, choir and orchestra (1985/96, WP: 30. April 1997, Leipzig)
* op. 0: Musica concertante, for chamber orchestra (1950, WP 1950)
* op. 3: Sinfonische Inventionen, for orchestra (1951, WP 1952)
* op. 5: Movimiento Sinfonico, for orchestra (1952, WP 1955)
* op. 16: Mirages, for orchestra (1961, WP 1962)
* op. 18: Prolog, for orchestra (1956, WP 1966)
* op. 20: Gesänge auf dem Wege, for baritone and orchestra (1966, WP 1967)
* op. 21: Akróasis, for orchestra (1966, WP 1966)
* op. 26: Textur, for string orchestra (1970, WP 1971)
* op. 29: Sinotrauc, for orchestra (1972, WP 1972)
* op. 30: Torso, for orchestra (1972, WP 1972)
* op. 39: Dorefami, for orchestra (1974, WP 1981)
* op. 45: Concertino da camera (1978, WP 1979)
* op. 59: 5 Bagatellen for wind orchestra (1974)
Concertos
* op. 40: 1. Violin concerto (1976, WP 1977)
* op. 44: 1. Piano concerto (1978/79, WP 1979)
* op. 46: 1. Percussion concerto (1982, WP 1984)
* op. 55: Concerto for 2 violins and orchestra (1983, WP 1984)
* op. 63: Concerto for cello, double bass and orchestra (1990, WP 1990)
* op. 66: 2. Piano concerto (1989, WP 1990)
* op. 67: 2. Percussion concerto (1994, WP 1994)
* op. 69: 2. Violin concerto (1992, WP 1993)
* op. 72: 3. Piano concerto (2005, WP: 6. February 2009, Munich, Musica Viva)
Chamber music
* op. 1: 1. String quartet (1949, WP 1951)
* op. 7: Mosaicos, for piano (1952, WP 1954)
* op. 10: Sonant for violin solo (1956, Neufassung 1974, WP 1974)
* op. 11: Kaleidoskop, for piano (1953)
* op. 14: 1. Wind quintet for flute, oboe, clarinet, bassoon and horn (1961, WP 1961)
* op. 25: Dialogues 1, for saxophone and piano (1966, WP 1966)
* op. 27: 2. Wind quintet (1972, WP 1973)
* op. 33: 2. String quartet (1972, WP 1974)
* op. 37: 1. Brass quintet for 2 trumpets, horn, trombone and tuba (1975, WP 1975)
* op. 41: Nonett (1976, WP 1977)
* op. 47: Sonata for violin and piano (1982, WP 1983)
* op. 48: Divertimento per tre, for violin, double bass and clarinet (1979, WP 1980)
* op. 49: Sonant Nr.2 for cello and double bass (1982, WP 1982)
* op. 50: Moments Musicaux, for saxophone, accordion and percussion (1982, WP 1982)
* op. 52: 2. Brass quintet (1982, WP 1983)
* op. 53: Piano sonata (1985, WP 1988)
* op. 56: 1. String trio (1983, WP 1987)
* op. 58: 7 mal 1, for percussion solo (1987, WP 1987)
* op. 60: Ballade for accordion (1986, WP 1986)
* op. 61: Corimba for percussion (unfinished)
* op. 61: Dialogues 2, for viola and percussion (1986, WP 1987)
* op. 62: 2. String trio (1991, WP 1991)
* op. 64: Sobre la plata, for vibraphone, glockenspiel and crotales (unfinished)
* op. 65: Aphorismen for viola solo (1990, WP 1992)
* op. 68: Trio for horn, violin and piano (1992, WP 1992)
* op. 71: Sonata for viola and piano (1999, WP 2000)
Vocal music
* o. op.: Songs for high voice (1952, WP 1952)
* op. 2: Altdeutsche Lieder, for soprano and piano (1951, WP 1951)
* op. 4: Lieder vom Meer, for baritone and piano (1951, WP 1951)
* op. 6: Heitere Lieder, for baritone and piano (1951, WP 1952)
* op. 19: Cantos for high voice and 7 instruments on poems by
Hans Magnus Enzensberger
Hans Magnus Enzensberger (11 November 1929 – 24 November 2022) was a German author, poet, translator, and editor. He also wrote under the pseudonyms Andreas Thalmayr, Elisabeth Ambras, Linda Quilt and Giorgio Pellizzi. Enzensberger was regarde ...
(1965, WP 21. August 1966, Darmstadt)
* op. 24: Ut omnes unum sint, for bass and 4 winds (1975, WP 1989)
* op. 38: Ringelnatz-Duette, for soprano, alto and piano (1975, WP 1975)
* op. 51: Pater Noster, for chorus and orchestra (1985, WP 1988)
* op. 54: Alpha-Zeta Burleske for A-cappella-chorus (1986, WP 2002)
* op. 57: Allegretto Cabaretto, for voice, piano and percussion
Stage music
* ''Pavane royal'', ballet (1949/50)
* ''Targusis'' (Carlos H. Veerhoff), opera, op. 13 (1955–1958), withdrawn
* ''El porquerizo del rey'' (Hans Christian Andersen), ballet, op. 12 (1958–1962; WP 1963 Buenos Aires)
* ''Tanz des Lebens/Der letzte Gast'' (Fred Schneckenberger), puppet-opera, op. 17 (1962/63; WP 1963 Zürich)
* ''Die Goldene Maske'' (Carlos H Veerhoff), opera, op. 23 (1967/68)
* ''Es gibt noch Zebrastreifen'' (Edith Sartorius), miniature-opera, op. 28 (1971; WP 1973 Ulm)
* ''Die Manipulatoren'' (Carlos H Veerhoff), miniature-opera, op. 31 (1971), unfinished
* ''Dualis,'' ballet, op. 42 (1975/76; WP 1976 München)
* ''Der Grüne'' (Carlos H. Veerhoff), miniature-opera, op. 34 (1982), unfinished
* ''Der Schützling'' (Ephraim Kishon/Carlos H. Veerhoff), opera, op. 56 (1990)
* ''Mana'' (Carlos H. Veerhoff), opera, op.73 (2007)
* ''Gesänge aus Samsâra'' or ''Gesänge aus Sangsâra'' for soprano, tape, voices and orchestra, radio play, op.36 (1976, WP 6. November 1978, Stuttgart)
Notes
Further reading
* Franzpeter Messmer/
Thomas Schipperges/Verena Weidner/Günther Weiß: ''Carlos H. Veerhoff.'' (= ''Komponisten in Bayern Bd. 47'', hg. Alexander L. Suder), Verlag Hans Schneider, Tutzing 2006,
* Thomas Schipperges: ''Veerhoff, Carlos H.'' In ''
Komponisten der Gegenwart
The ''Komponisten der Gegenwart'' (KDG) is a music encyclopedia in German language about composers of the 20th and 21st century. It is a looseleaf service with information on currently about 900 composers.
Editors
Hanns-Werner Heister and Walt ...
'', edited by
Hanns-Werner Heister
Hanns-Werner Heister (born 14 June 1946) is a German musicologist.
Life and career
Born in Plochingen, (Baden-Württemberg), Heister studied musicology, German literature and linguistics in Tübingen, Frankfurt a. M. and Berlin, received his doc ...
and Walter-Wolfgang Sparrer, 10. Nachlieferung, text+kritik, Munich 1996
* Thomas Schipperges: ''Veerhoff, Carlos H.'' In ''Die Musik in Geschichte und Gegenwart(MGG).'' 2ne edition, vol. 16: ''Strat – Vil, Personenteil''. Bärenreiter-Verlag, Kassel und Stuttgart 2006, Sp. 1377–1379,
*Wilfried Wolfgang Bruchhaeuser (ed.): ''Komponisten der Gegenwart im Deutschen Komponisten-Verband.'' Verlag Deutscher Komponisten-Verband, Berlin 1985,
{{DEFAULTSORT:Veerhoff, Carlos
20th-century classical composers
1926 births
2011 deaths
Male classical composers
20th-century male musicians