The "''Bulletin'' Debate" was a well-publicised dispute in '' The Bulletin'' magazine between two of Australia's best known writers and poets,

Henry Lawson Henry Archibald Hertzberg Lawson (17 June 1867 – 2 September 1922) was an Australian writer and bush poet. Along with his contemporary Banjo Paterson, Lawson is among the best-known Australian poets and fiction writers of the colonial perio ...

and

Banjo Paterson Andrew Barton "Banjo" Paterson, (17 February 18645 February 1941) was an Australian bush poet, journalist and author. He wrote many ballads and poems about Australian life, focusing particularly on the rural and outback areas, including the ...

. The debate took place via a series of poems about the merits of living in the Australian "bush", published from 1892 to 1893.

Origin

At the time, '' The Bulletin'' was a popular and influential publication, and often supported the typical national self-image held by many Australians, sometimes termed the "bush legend."Lawson and ''The Bulletin''
Henry Lawson: Australian Writer, Australian Government Culture and Recreation Portal, Accessed on 7 November 2006 Many Australian writers and poets, such as

, were based primarily in the city, and had a tendency to romanticise bush life. On 9 July 1892, Lawson published a poem in ''The Bulletin'' entitled "Borderland", later retitled " Up The Country". In this poem (beginning with the verse "I am back from up the country—very sorry that I went,—"), Lawson attacked the typical "romanticised" view of bush life.

Paterson's response

On 23 July 1892, Paterson published his reply to Lawson's poem, titled " In Defense of the Bush". While Lawson had accused writers such as Paterson of being "City Bushmen", Paterson countered by claiming that Lawson's view of the bushlife was full of doom and gloom. He finished his poem with the line "For the bush will never suit you, and you'll never suit the bush." Other Australian writers, such as

Edward Dyson Edward George Dyson (4 March 1865 – 22 August 1931), or 'Ted' Dyson, was an Australian journalist, poet, playwright and short story writer. He was the elder brother of illustrators Will Dyson (1880–1938) and Ambrose Dyson (1876–1913), w ...

, also later contributed to the debate. In 1939, Banjo Paterson recalled his thoughts about the ''Bulletin'' debate:

Henry Lawson was a man of remarkable insight in some things and of extraordinary simplicity in others. We were both looking for the same reef, if you get what I mean; but I had done my prospecting on horseback with my meals cooked for me, while Lawson has done his prospecting on foot and had had to cook for himself. Nobody realized this better than Lawson; and one day he suggested that we should write against each other, he putting the bush from his point of view, and I putting it from mine. "We ought to do pretty well out of it," he said. "We ought to be able to get in three or four sets of verses before they stop us." This suited me all right, for we were working on space, and the pay was very small ... so we slam-banged away at each other for weeks and weeks; not until they stopped us, but until we ran out of material ...

Cultural significance

The ''Bulletin'' Debate was followed closely by widespread readers of the publication, reinforcing "the Bush" as a significant part of Australia's national identity. There was never any clear "winner" to this debate. However, Paterson presented Australia with the desired image of its national identity, and his short story collections received spectacular sales. Despite their vastly differing perspectives on Australian bush life, both Lawson and Paterson are often mentioned alongside each other as Australia's most iconic and influential writers.

Criticisms

The Debate did not pass without receiving criticism in regards to its attempts to define Australia's national identity. One British reviewer of the 1890s declared:

The delusion these writers f 'The Bulletin' schoollabour under is trying to be too exclusively Australian, by which they come merely provincial. That a man's lot should be cast in the wilds of Australia is no reason that his whole inner life should be taken up with the glorification of shearers or the ridicule of jackaroos. And a genuine Australian poetry can only arise when such matters fall into their true place and assume their relatively small artistic importance.

Tony Moore, in his 1997 paper about bohemian culture, says:

The bohemian traits revered by 'The Bulletin' writers are almost a caricature of the Australian national type propagated by the journal: mateship and blokey bonding to the exclusion of family life; hostility to religion, personified by the Protestant wowser; ironic humour; a fondness for alcohol, pubs and gambling; pre-occupation with a free-wheeling Australian identity (overlaid with francophilia and Irish nationalism) invariably opposed to a conservative Englishness; and an occasional flirtation with political causes such as socialism and republicanism. The identification of the bohemian with male mateship remains a strong thread in the Australian tradition, but one contested by women like
Mary Gilmore Dame Mary Jean Gilmore (née Cameron; 16 August 18653 December 1962) was an Australian writer and journalist known for her prolific contributions to Australian literature and the broader national discourse. She wrote both prose and poetry. Gi ...
in the 1890s, Dulcie Deamer in the 1920s,
Joy Hester Joy St Clair Hester (21 August 1920 – 4 December 1960) was an Australian artist. She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism. Hester is best known ...
in the 1940s and
Germaine Greer Germaine Greer (; born 29 January 1939) is an Australian writer and public intellectual, regarded as one of the major voices of the radical feminist movement in the latter half of the 20th century. Specializing in English and women's literat ...
in the 1960s.Romancing the City: Australia's bohemian tradition
by Tony Moore, 1997. Accessed on 7 November 2006

Works involved in the debate

References