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Brian Peter George St John le Baptiste de la Salle Eno (; born Brian Peter George Eno, 15 May 1948) is a British musician, composer,
record producer A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as ...
and visual artist best known for his contributions to ambient music and work in rock,
pop Pop or POP may refer to: Arts, entertainment, and media Music * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop!, a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * ''Pop'' ( ...
and electronica. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of
popular music Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Fu ...
's most influential and innovative figures. Born in
Suffolk Suffolk () is a ceremonial county of England in East Anglia. It borders Norfolk to the north, Cambridgeshire to the west and Essex to the south; the North Sea lies to the east. The county town is Ipswich; other important towns include ...
, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid 1960s, and then at Winchester School of Art. He joined glam rock group
Roxy Music Roxy Music are an English rock band formed in 1970 by Bryan Ferry—who became the band's lead vocalist and principal songwriter—and bassist Graham Simpson. The other longtime members are Phil Manzanera (guitar), Andy Mackay (saxophone ...
as its synthesiser player in 1971, recording two albums with the group before departing in 1973. Eno then released a number of solo pop albums beginning with '' Here Come the Warm Jets'' (1974) and, also in the mid-1970s, began exploring a minimalist direction on influential recordings such as '' Discreet Music'' (1975) and '' Ambient 1: Music for Airports'' (1978), coining the term "ambient music" with the latter. Alongside his solo work, Eno collaborated frequently with other musicians in the 1970s, including
Robert Fripp Robert Fripp (born 16 May 1946) is a British musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a sessio ...
,
Harmonia In Greek mythology, Harmonia (; grc, Ἁρμονία / harmoˈnia/, "harmony", "agreement") is the immortal goddess of harmony and concord. Her Roman counterpart is Concordia. Her Greek opposite is Eris, whose Roman counterpart is Discordi ...
,
Cluster may refer to: Science and technology Astronomy * Cluster (spacecraft), constellation of four European Space Agency spacecraft * Asteroid cluster, a small asteroid family * Cluster II (spacecraft), a European Space Agency mission to study th ...
, Harold Budd,
David Bowie David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the ...
, David Byrne and Judy Nylon. He also established himself as a sought-after producer, working on albums by John Cale, Jon Hassell, Laraaji,
Talking Heads Talking Heads were an American rock band formed in 1975 in New York City and active until 1991.Talki ...
, Ultravox, and Devo, as well as the no wave compilation '' No New York'' (1978). In subsequent decades, Eno continued to record solo albums and produce for other artists, most prominently U2 and Coldplay, alongside work with artists such as Daniel Lanois, Laurie Anderson, Grace Jones,
Slowdive Slowdive is a British rock band that formed in Reading, Berkshire, in 1989. The band consists of Rachel Goswell on vocals and guitar, Neil Halstead on vocals and guitar, Christian Savill on guitar, Nick Chaplin on bass and Simon Scott on ...
, Karl Hyde, James,
Kevin Shields Kevin Patrick Shields (born 21 May 1963) is an American-born Irish musician, singer-songwriter, composer, and producer, best known as the vocalist and guitarist of the band My Bloody Valentine. They became influential on the evolution of alter ...
, and Damon Albarn. Dating back to his time as a student, Eno has also worked in other media, including sound installations, film, and writing. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorisms intended to spur creative thinking. From the 1970s onwards, Eno's installations have included the sails of the Sydney Opera House in 2009 and the Lovell Telescope at Jodrell Bank in 2016. An advocate of a range of humanitarian causes, Eno writes on a variety of subjects and is a founding member of the Long Now Foundation. In 2019, Eno was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.


Early life

Brian Peter George Eno was born on 15 May 1948 in the village of Melton, Suffolk, the son of William Arnold Eno (1916–1988), a postal worker and clock and watch repairer, and Maria Alphonsine Eno (''née'' Buslot; 1922–2005), a Belgian national. Eno is the eldest of their three children; he has a brother,
Roger Roger is a given name, usually masculine, and a surname. The given name is derived from the Old French personal names ' and '. These names are of Germanic origin, derived from the elements ', ''χrōþi'' ("fame", "renown", "honour") and ', ' ( ...
, and sister Arlette. They have a half-sister, Rita, from their mother's previous relationship. The surname Eno is derived from the French Huguenot surname Hennot. In 1959, Eno attended St Joseph's College in Ipswich, a Catholic
grammar school A grammar school is one of several different types of school in the history of education in the United Kingdom and other English-speaking countries, originally a school teaching Latin, but more recently an academically oriented secondary school ...
of the De La Salle Brothers order. His
confirmation name In Christian denominations that practice infant baptism, confirmation is seen as the sealing of the covenant created in baptism. Those being confirmed are known as confirmands. For adults, it is an affirmation of belief. It involves laying on ...
is derived from the school, taking the name Brian Peter George St. John le Baptiste de la Salle Eno. In 1964, after earning four O-levels, including one in art and maths, Eno had developed an interest in art and music and had no interest in a "conventional job". He enrolled at the Ipswich School of Art, taking on the newly established Groundcourse foundation art degree established by new media artist Roy Ascott. Here, one of Eno's teachers was artist Tom Phillips, who became a lifelong friend and encouraged his musical ability. Phillips recalled the pair doing "piano tennis" in which, after collecting pianos, the two stripped and aligned them in a hall and struck them with tennis balls. In 1966, Eno studied for a diploma in Fine Arts at the Winchester School of Art, from which he graduated in 1969. At Winchester Eno once attended a lecture by future Who guitarist
Pete Townshend Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. Towns ...
, also a former student of Ascott's; he cites this as the moment when he realised he could make music without formal training. Whilst at school, Eno used a
tape recorder An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present ...
as a musical instrument and in 1964 he joined his first group, the Black Aces, a four-piece with Eno on drums that he formed with three friends he met at the youth club he visited in Melton. In late 1967, Eno pursued music once more, forming the Merchant Taylor's Simultaneous Cabinet, an avant-garde music, art, and performance trio with two Winchester undergraduates. This was followed by short stints in multiple avant-garde and college groups, including The Maxwell Demon and Dandelion and The War Damage which featured Eno as frontman who adapted a theatrical persona on stage and later played the guitar.


Career


1970s

In 1969, after separating from his wife, Eno moved to London where his professional music career began. He became involved with the Scratch Orchestra and the Portsmouth Sinfonia; Eno's first appearance on a commercially released recording is the Deutsche Grammophon edition of ''The Great Learning'' (1971) by Cornelius Cardew and the Scratch Orchestra which features Eno as one of the voices on the track "Paragraph 7". Another early recording was the soundtrack to ''Berlin Horse'' (1970), a nine-minute avant-garde art film by Malcolm Le Grice. At one point, Eno had to earn money as paste-up assistant for the advertisement section of a local paper for three months. He quit and became an electronics dealer by buying old speakers and making new cabinets for them before selling them to friends. In 1971, Eno co-formed the glam and art rock band
Roxy Music Roxy Music are an English rock band formed in 1970 by Bryan Ferry—who became the band's lead vocalist and principal songwriter—and bassist Graham Simpson. The other longtime members are Phil Manzanera (guitar), Andy Mackay (saxophone ...
. He had a chance meeting with saxophonist
Andy Mackay Andrew Mackay (born 23 July 1946) is an English multi-instrumentalist, best known as a founding member (playing oboe and saxophone) of the art rock group Roxy Music. In addition, he has taught music and provided scores for television, while his ...
at a train station, which led to him joining the band. Eno later said: "If I'd walked ten yards further on the platform, or missed that train, or been in the next carriage, I probably would have been an art teacher now". Eno played on their first two albums, ''
Roxy Music Roxy Music are an English rock band formed in 1970 by Bryan Ferry—who became the band's lead vocalist and principal songwriter—and bassist Graham Simpson. The other longtime members are Phil Manzanera (guitar), Andy Mackay (saxophone ...
'' (1972) and '' For Your Pleasure'' (1973), and is credited as "Eno" with playing the VCS 3 synthesiser, tape effects, backing vocals, and co-producer. Initially Eno did not appear on stage at their live shows, but operated the group's mixing desk at the centre of the concert venue where he had a microphone to sing backup vocals. After the group secured a record deal, Eno joined them on stage playing the synthesiser and became known for his flamboyant costumes and makeup, partly stealing the spotlight from lead singer Bryan Ferry. After touring ''For Your Pleasure'' ended in mid-1973, Eno quit the band. He cited disagreements with Ferry and the frontman's insistence on being in command of the group, which affected Eno's ability to incorporate his own ideas. Almost immediately after his exit from Roxy Music, Eno embarked on his solo career. He released four albums of electronically inflected art pop: '' Here Come the Warm Jets'' (1973), '' Taking Tiger Mountain (By Strategy)'' (1974), '' Another Green World'' (1975), and '' Before and After Science'' (1977). ''Tiger Mountain'' contains the "Third Uncle" which became one of Eno's best-known songs, owing in part to its later cover by
Bauhaus The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 20 ...
and 801. Critic Dave Thompson writes that the song is "a near punk attack of riffing guitars and clattering percussion, 'Third Uncle' could, in other hands, be a heavy metal anthem, albeit one whose lyrical content would tongue-tie the most slavish air guitarist." During this period, Eno also played three dates with
Phil Manzanera Phillip Geoffrey Targett-Adams (born 31 January 1951), known professionally as Phil Manzanera, is an English guitarist, songwriter and record producer. He is the lead guitarist with Roxy Music, and was the lead guitarist with 801, and Quiet Su ...
in 801, a supergroup that performed more or less reworked selections from albums by Eno, Manzanera, and Quiet Sun, as well as covers of
The Beatles The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of al ...
and The Kinks. In 1973, King Crimson founder and guitarist
Robert Fripp Robert Fripp (born 16 May 1946) is a British musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a sessio ...
collaborated with Eno and his tape delay system to make experimental, ambient, and drone music. The result was '' (No Pussyfooting)'' (1973), released as their duo name of Fripp & Eno. Fripp subsequently referred to the tape delay recording method as Frippertronics. The pair followed their debut with a second album '' Evening Star'' (1975), and completed a European tour. Eno produced the albums ''The Portsmouth Sinfonia Plays the Popular Classics'' (1974) and ''Hallelujah! The Portsmouth Sinfonia Live at the Royal Albert Hall'' (1974) by the Portsmouth Sinfonia, both of which feature Eno playing the clarinet. He also deployed the orchestra's dissonant string section on ''Taking Tiger Mountain (By Strategy)''. Eno went on to work with several performers in the orchestra on his Obscure label, including Gavin Bryars and Michael Nyman. Later in 1974, Eno and Kevin Ayers contributed music for the experimental/
spoken word Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics o ...
album '' Lady June's Linguistic Leprosy'' (1974) by poet June Campbell Cramer.


Ambient music

Eno released a number of eclectic ambient electronic and acoustic albums. He coined the term "ambient music", which is designed to modify the listener's perception of the surrounding environment. In the liner notes accompanying '' Ambient 1: Music for Airports'', Eno wrote: "Ambient music must be able to accommodate many levels of listening attention without enforcing one in particular, it must be as ignorable as it is interesting." In January 1975 Eno was hit by a taxi while crossing the street and spent several weeks recuperating at home. His girlfriend brought him an old record of harp music, which he lay down to listen to. He realized that he had set the amplifier to a very low volume, and one channel of the stereo was not working, but he lacked the energy to get up and correct it. "This presented what was for me a new way of hearing music – as part of the ambience of the environment just as the colour of the light and sound of the rain were parts of the ambience." Eno's first work of ambient music was '' Discreet Music'' (1975), again created with an elaborate tape-delay methodology which he diagrammed on the back cover of the LP; it is considered the landmark album of the genre. This was followed by his ''Ambient'' series: '' Music for Airports (Ambient 1)'', '' The Plateaux of Mirror (Ambient 2)'' featuring Harold Budd on keyboard, '' Day of Radiance (Ambient 3)'' with American composer Laraaji playing zither and hammered dulcimer, and '' On Land (Ambient 4)'').


1980s

Eno provided a film score for
Herbert Vesely Herbert Vesely (31 March 1931 – 13 July 2002) was an Austrian film director and screenwriter. He directed 17 films between 1955 and 1988. Selected filmography * ' (1955) * ''The Bread of Those Early Years'' (1962) — (based on the nove ...
's '' Egon Schiele – Exzess und Bestrafung'' (1980), also known as ''Egon Schiele – Excess and Punishment''. The ambient-style score was an unusual choice for an historical piece, but it worked effectively with the film's themes of sexual obsession and death. Before Eno made '' On Land,'' Robert Quine played him
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ...
' " He Loved Him Madly" (1974). Eno stated in the liner notes for ''On Land,'' "Teo Macero's revolutionary production on that piece seemed to me to have the 'spacious' quality I was after, and like Federico Fellini's 1973 film ''Amarcord'', it too became a touchstone to which I returned frequently." In 1980 to 1981, during which time Eno travelled to
Ghana Ghana (; tw, Gaana, ee, Gana), officially the Republic of Ghana, is a country in West Africa. It abuts the Gulf of Guinea and the Atlantic Ocean to the south, sharing borders with Ivory Coast in the west, Burkina Faso in the north, and Tog ...
for a festival of West African music, he was collaborating with David Byrne of
Talking Heads Talking Heads were an American rock band formed in 1975 in New York City and active until 1991.Talki ...
. Their album '' My Life in the Bush of Ghosts'', was built around radio broadcasts Eno collected whilst living in the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ...
, along with sampled music recordings from around the world transposed over music predominantly inspired by African and
Middle East The Middle East ( ar, الشرق الأوسط, ISO 233: ) is a geopolitical region commonly encompassing Arabian Peninsula, Arabia (including the Arabian Peninsula and Bahrain), Anatolia, Asia Minor (Asian part of Turkey except Hatay Pro ...
ern rhythms. In 1983, Eno collaborated with his brother, Roger Eno, and Daniel Lanois on the album '' Apollo: Atmospheres and Soundtracks'' that had been commissioned by Al Reinert for his film '' For All Mankind'' (1989). Tracks from the album were subsequently used in several other films, including '' Trainspotting''.


1990s

In September 1992, Eno released ''
Nerve Net A nerve net consists of interconnected neurons lacking a brain or any form of cephalization. While organisms with bilateral body symmetry are normally associated with a condensation of neurons or, in more advanced forms, a central nervous syst ...
'', an album utilising heavily syncopated rhythms with contributions from several former collaborators including Fripp, Benmont Tench, Robert Quine and John Paul Jones. This album was a last-minute substitution for ''My Squelchy Life'', which contained more pop oriented material, with Eno on vocals. Several tracks from ''My Squelchy Life'' later appeared on 1993's retrospective box set ''Eno Box II: Vocals,'' and the entire album was eventually released in 2014 as part of an expanded re-release of ''Nerve Net.'' Eno also released '' The Shutov Assembly'' in 1992, recorded between 1985 and 1990. This album embraces atonality and abandons most conventional concepts of
modes Mode ( la, modus meaning "manner, tune, measure, due measure, rhythm, melody") may refer to: Arts and entertainment * '' MO''D''E (magazine)'', a defunct U.S. women's fashion magazine * ''Mode'' magazine, a fictional fashion magazine which is ...
,
scales Scale or scales may refer to: Mathematics * Scale (descriptive set theory), an object defined on a set of points * Scale (ratio), the ratio of a linear dimension of a model to the corresponding dimension of the original * Scale factor, a number w ...
and pitch. Emancipated from the constant attraction towards the tonic that underpins the Western tonal tradition, the gradually shifting music originally eschewed any conventional instrumentation, save for treated keyboards. During the 1990s, Eno worked increasingly with self-generating musical systems, the results of which he called generative music. This allows the listener to hear music that slowly unfolds in almost infinite non-repeating combinations of sound. In one instance of generative music, Eno calculated that it would take almost 10,000 years to hear the entire possibilities of one individual piece. Eno achieves this through the blending of several independent musical tracks of varying length. Each track features different musical elements and in some cases, silence. When each individual track concludes, it starts again re-configuring differently with the other tracks. He has presented this music in his own art and sound installations and those in collaboration with other artists, including '' I Dormienti (The Sleepers)'', '' Lightness: Music for the Marble Palace,'' '' Music for Civic Recovery Centre,'' '' The Quiet Room,'' and ''Music for Prague.'' In 1993, Eno worked with the Manchester rock band James to produce two albums, ''Laid'' and ''Wah Wah''. ''Laid'' was met with notable critical and commercial success both in the UK and the United States after its release in 1993. ''Wah Wah'', in comparison, received a more lukewarm response after its release in 1994. One of Eno's better-known collaborations was with the members of U2, Luciano Pavarotti and several other artists in a group called Passengers. They produced the 1995 album ''
Original Soundtracks 1 ''Original Soundtracks 1'' is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films (the excep ...
,'' which reached No. 76 on the US ''Billboard'' charts and No. 12 in the
UK Albums Chart The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts ...
. It featured a single, " Miss Sarajevo", which reached number 6 in the
UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s ...
. This collaboration is chronicled in Eno's book '' A Year with Swollen Appendices,'' a diary published in 1996. In 1996, Eno scored the six-part fantasy television series ''
Neverwhere ''Neverwhere'' is an urban fantasy television miniseries by Neil Gaiman that first aired in 1996 on BBC 2. The series is set in "London Below", a magical realm coexisting with the more familiar London, referred to as "London Above". It was de ...
''.


2000s

In 2004, Fripp and Eno recorded another ambient music collaboration album, '' The Equatorial Stars''. Eno returned in June 2005 with '' Another Day on Earth'', his first major album since '' Wrong Way Up'' (with John Cale) to prominently feature vocals (a trend he continued with '' Everything That Happens Will Happen Today''). The album differs from his 1970s solo work due to the impact of technological advances on musical production, evident in its semi-electronic production. In early 2006, Eno collaborated with David Byrne again, for the reissue of ''My Life in the Bush of Ghosts'' in celebration of the influential album's 25th anniversary. Eight previously unreleased tracks recorded during the initial sessions in 1980/81, were added to the album. An unusual interactive marketing strategy was employed for its re-release, the album's promotional website features the ability for anyone to officially and legally download the multi-tracks of two songs from the album, "A Secret Life" and "Help Me Somebody". This allowed listeners to remix and upload new mixes of these tracks to the website for others to listen and rate them. In late 2006, Eno released '' 77 Million Paintings'', a program of generative video and music specifically for home computers. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched. Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never hear the same arrangement twice. The second edition of "77 Million Paintings" featuring improved morphing and a further two layers of sound was released on 14 January 2008. In June 2007, when commissioned in the Yerba Buena Center for the Arts, San Francisco, California, Annabeth Robinson (AngryBeth Shortbread) recreated ''77 Million Paintings'' in
Second Life ''Second Life'' is an online multimedia platform that allows people to create an avatar for themselves and then interact with other users and user created content within a multi player online virtual world. Developed and owned by the San Fr ...
. The Nokia 8800 Sirocco Edition mobile phone, released in late 2006, features exclusive ringtones and sounds composed by Eno. Although he was previously uninterested in composing ringtones due to the limited sound palette of monophonic ringtones, phones at this point primarily used audio files. Between 8 January 2007 and 12 February 2007, ten units of Nokia 8800 Sirocco Brian Eno Signature Edition mobile phones, individually numbered and engraved with Eno's signature, were auctioned off. All proceeds went to two charities chosen by Eno: the Keiskamma AIDS treatment program and the World Land Trust. In 2007, Eno's music was featured in a movie adaption of Irvine Welsh's best-selling collection '' Ecstasy: Three Tales of Chemical Romance''. He also appeared playing keyboards in '' Voila'', Belinda Carlisle's solo album sung entirely in French. Also in 2007, Eno contributed a composition titled "Grafton Street" to Dido's third album, '' Safe Trip Home'', released in November 2008.Aizlewood, John
"In The Studio"
. '' Q Magazine''. October 2007.
In 2008, he released '' Everything That Happens Will Happen Today'' with David Byrne, designed the sound for the video game '' Spore'' and wrote a chapter to ''Sound Unbound: Sampling Digital Music and Culture'', edited by Paul D. Miller (a.k.a. DJ Spooky). In June 2009, Eno curated the Luminous Festival at Sydney Opera House, culminating in his first live appearance in many years. "Pure Scenius" consisted of three live improvised performances on the same day, featuring Eno, Australian improvisation trio The Necks, Karl Hyde from
Underworld The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underwo ...
, electronic artist Jon Hopkins and guitarist Leo Abrahams. Eno scored the music for Peter Jackson's film adaptation of ''
The Lovely Bones ''The Lovely Bones'' is a 2002 novel by American writer Alice Sebold. It is the story of a teenage girl who, after being raped and murdered, watches from her personal Heaven as her family and friends struggle to move on with their lives while she ...
'', released in December 2009.


2010s

Eno released another solo album on
Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a ...
in late 2010. '' Small Craft on a Milk Sea'', made in association with long-time collaborators Leo Abrahams and Jon Hopkins, was released on 2 November in the United States and 15 November in the UK. The album included five compositions that were adaptions of those tracks that Eno wrote for ''The Lovely Bones.'' He later released '' Drums Between the Bells'', a collaboration with poet Rick Holland, on 4 July 2011. In November 2012, Eno released ''
Lux The lux (symbol: lx) is the unit of illuminance, or luminous flux per unit area, in the International System of Units (SI). It is equal to one lumen per square metre. In photometry, this is used as a measure of the intensity, as perceived by ...
'', a 76-minute composition in four sections, through Warp. Eno worked with French–Algerian Raï singer Rachid Taha on Taha's '' Tékitoi'' (2004) and '' Zoom'' (2013) albums, contributing percussion, bass, brass and vocals. Eno also performed with Taha at the Stop the War Coalition concert in London in 2005. In April 2014, Eno sang on, co-wrote, and co-produced Damon Albarn's '' Heavy Seas of Love'', from his solo debut album Everyday Robots. In May 2014, Eno and Underworld's Karl Hyde released ''
Someday World ''Someday World'' is a collaboration album by British musician Brian Eno and Karl Hyde, of British electronic group Underworld, released on 5 May 2014. The album features a number of supporting musicians, including Coldplay's Will Champion, J ...
'', featuring various guest musicians: from Coldplay's Will Champion and Roxy Music's
Andy Mackay Andrew Mackay (born 23 July 1946) is an English multi-instrumentalist, best known as a founding member (playing oboe and saxophone) of the art rock group Roxy Music. In addition, he has taught music and provided scores for television, while his ...
to newer names such as 22-year-old Fred Gibson, who helped produce the record with Eno. Within weeks of that release, a second full-length album was announced titled '' High Life''. This was released on 30 June 2014. In January 2016, a new Eno ambient soundscape was premiered as part of Michael Benson's planetary photography exhibition "Otherworlds" in the Jerwood Gallery of London's Natural History Museum. In a statement Eno commented on the unnamed half-hour piece: '' The Ship'', an album with music from Eno's installation of the same name was released on 29 April 2016 on
Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a ...
. In September 2016, the Portuguese synthpop band The Gift, released a single entitled ''Love Without Violins''. As well as singing on the track, Eno co-wrote and produced it. The single was released on the band's own record label La Folie Records on 30 September. Eno's Reflection, an album of ambient, generative music, was released on Warp Records on 1 January. 2017. It was nominated for a Grammy Award for 2018's 60th Grammy awards ceremony. In April 2018, Eno released '' The Weight Of History / Only Once Away My Son'', a collaborative double A-side with
Kevin Shields Kevin Patrick Shields (born 21 May 1963) is an American-born Irish musician, singer-songwriter, composer, and producer, best known as the vocalist and guitarist of the band My Bloody Valentine. They became influential on the evolution of alter ...
, for
Record Store Day Record Store Day is an annual event inaugurated in 2007 and held on one Saturday (typically the third) every April and every Black Friday in November to "celebrate the culture of the independently owned record store". The day brings together fa ...
. In 2019, Eno participated in DAU, an immersive art and cultural installation in Paris by Russian film director Ilya Khrzhanovsky evoking life under Soviet authoritarian rule. Eno contributed six auditory ambiances.


2020s

In March 2020, Eno and his brother, Roger Eno, released their collaborative album ''Mixing Colours''. In October 2022, he released a mostly voice-based album called " Foreverandevernomore". Eno provided original music for Ben Lawrence's 2021 documentary ''Ithaka'' about John Shipton's battle to save his son, Julian Assange.


Record producer

From the beginning of his solo career in 1973, Eno was in demand as a record producer. The first album with Eno credited as producer was '' Lucky Leif and the Longships'' by Robert Calvert. Eno's lengthy string of producer credits includes albums for
Talking Heads Talking Heads were an American rock band formed in 1975 in New York City and active until 1991.Talki ...
, U2, Devo, Ultravox and James. He also produced part of the 1993 album '' When I Was a Boy'' by
Jane Siberry Jane Siberry ( ; ; born 12 October 1955) is a Canadian singer-songwriter, known for such hits as " Mimi on the Beach", "I Muse Aloud", " One More Colour" and "Calling All Angels". She performed the theme song to the television series '' Maniac ...
. He won the best producer award at the 1994 and 1996 BRIT Awards. Eno describes himself as a "non-musician", using the term "treatments" to describe his modification of the sound of musical instruments, and to separate his role from that of the traditional instrumentalist. His skill in using the studio as a compositional tool led in part to his career as a producer. His methods were recognised at the time (mid-1970s) as unique, so much so that on Genesis's '' The Lamb Lies Down on Broadway'', he is credited with 'Enossification'; on Robert Wyatt's '' Ruth Is Stranger Than Richard'' with a ''Direct inject anti-jazz raygun'' and on John Cale's
Island An island (or isle) is an isolated piece of habitat that is surrounded by a dramatically different habitat, such as water. Very small islands such as emergent land features on atolls can be called islets, skerries, cays or keys. An isla ...
albums as simply being "Eno". Eno has contributed to recordings by artists as varied as Nico, Robert Calvert,
Genesis Genesis may refer to: Bible * Book of Genesis, the first book of the biblical scriptures of both Judaism and Christianity, describing the creation of the Earth and of mankind * Genesis creation narrative, the first several chapters of the Book of ...
,
David Bowie David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the ...
, and Zvuki Mu, in various capacities such as use of his studio/synthesiser/electronic treatments, vocals, guitar, bass guitar, and as just being 'Eno'. In 1984, he (amongst others) composed and performed the "Prophecy Theme" for the David Lynch film '' Dune''; the rest of the
soundtrack A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrac ...
was composed and performed by the group Toto. Eno produced performance artist Laurie Anderson's '' Bright Red'' album, and also composed for it. The work is avant-garde spoken word with haunting and magnifying sounds. Eno played on David Byrne's musical score for ''The Catherine Wheel'', a project commissioned by
Twyla Tharp Twyla Tharp (; born July 1, 1941) is an American dancer, choreographer, and author who lives and works in New York City. In 1966 she formed the company Twyla Tharp Dance. Her work often uses classical music, jazz, and contemporary pop music. Fr ...
to accompany her Broadway dance project of the same name. He worked with Bowie as a writer and musician on Bowie's influential 1977–79 ' Berlin Trilogy' of albums, '' Low, "Heroes"'' and '' Lodger'', on Bowie's later album '' Outside'', and on the song " I'm Afraid of Americans". Recorded in France and Germany, the spacey effects on ''Low'' were largely created by Eno, who played a portable EMS Synthi A synthesiser. Producer Tony Visconti used an Eventide Harmonizer to alter the sound of the drums, claiming that the audio processor "f–s with the fabric of time." After Bowie died in early 2016, Eno said that he and Bowie had been talking about taking ''Outside'', the last album they'd worked on together, "somewhere new", and expressed regret that they wouldn't be able to pursue the project. Eno co-produced '' The Unforgettable Fire'' (1984), '' The Joshua Tree'' (1987), '' Achtung Baby'' (1991), and '' All That You Can't Leave Behind'' (2000) for U2 with his frequent collaborator Daniel Lanois, and produced 1993's '' Zooropa'' with Mark "Flood" Ellis. In 1995, U2 and Eno joined forces to create the album ''
Original Soundtracks 1 ''Original Soundtracks 1'' is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films (the excep ...
'' under the group name Passengers; songs from which included " Your Blue Room" and " Miss Sarajevo". Even though films are listed and described for each song, all but three are bogus. Eno also produced '' Laid'' (1993), '' Wah Wah'' (1994) '' Millionaires'' (1999) and '' Pleased to Meet You'' (2001) for James, performing as an extra musician on all four. He is credited for "frequent interference and occasional co-production" on their 1997 album '' Whiplash''. Eno played on the 1986 album '' Measure for Measure'' by Australian band
Icehouse Icehouse or ice house may refer to: * Ice house (building), a building where ice is stored * Ice shanty, a shelter for ice fishing also known as an ''Icehouse'' * Ice skating rink, a facility for ice skating. * Ice hockey arena, an area where i ...
. He remixed two tracks for Depeche Mode, "
I Feel You "I Feel You" is a song by English electronic music band Depeche Mode, released on 15 February 1993 as their 27th UK single and the first single from their eighth studio album, ''Songs of Faith and Devotion'' (1993). The song peaked at number ei ...
" and " In Your Room", both single releases from the album ''
Songs of Faith and Devotion ''Songs of Faith and Devotion'' is the eighth studio album by English electronic music band Depeche Mode. It was first released on 22 March 1993 in the United Kingdom by Mute Records and a day later in the United States by Sire Records and Rep ...
'' in 1993. In 1995, Eno provided one of several remixes of " Protection" by Massive Attack (originally from their ''Protection (Massive Attack album), Protection'' album) for release as a single. In 2007, he produced the fourth studio album by Coldplay, ''Viva la Vida or Death and All His Friends'', released in 2008. Also in 2008, he worked with Grace Jones on her album ''Hurricane (Grace Jones album), Hurricane'', credited for "production consultation" and as a member of the band, playing keyboards, treatments and background vocals. He worked on the twelfth studio album by U2, again with Lanois, titled ''No Line on the Horizon''. It was recorded in Morocco, the South of France and Dublin and released in Europe on 27 February 2009. In 2011, Eno and Coldplay reunited and Eno contributed "enoxification" and additional composition on Coldplay's fifth studio album ''Mylo Xyloto'', released on 24 October of that year.


The Microsoft Sound

In 1994, Microsoft designers Mark Malamud and Erik Gavriluk approached Eno to compose music for the Windows 95 project. The result was the six-second Booting, start-up music-sound of the Windows 95 operating system,
The Microsoft Sound
. In an interview with Joel Selvin in the ''San Francisco Chronicle'' he said Eno shed further light on the composition of the sound on the BBC Radio 4 show ''The Museum of Curiosity'', admitting that he created it using a Macintosh computer, stating "I wrote it on a Mac. I've never used a Personal computer, PC in my life; I don't like them."


Video work

Eno has spoken of an early and ongoing interest in exploring light in a similar way to his work with sound. He started experimenting with the medium of video in 1978. Eno describes the first video camera he received, which would initially become his main tool for creating ambient video and light installations: "One afternoon while I was working in the studio with
Talking Heads Talking Heads were an American rock band formed in 1975 in New York City and active until 1991.Talki ...
, the roadie from Foreigner (band), Foreigner, working in an adjacent studio, came in and asked whether anyone wanted to buy some video equipment. I'd never really thought much about video, and found most 'video art' completely unmemorable, but the prospect of actually owning a video camera was, at that time, quite exotic." The Panasonic industrial camera Eno received had significant design flaws preventing the camera from sitting upright without the assistance of a tripod. This led to his works being filmed in vertical format, requiring the television set to be flipped on its side to view it in the proper orientation. The pieces Eno produced with this method, such as ''Mistaken Memories of Mediaeval Manhattan'' (1980) and ''Thursday Afternoon'' (1984) (accompanied by the album of the same title), were labelled as 'Video Paintings.' He explained the genre title in the music magazine NME: "I was delighted to find this other way of using video because at last here's video which draws from another source, which is painting ... I call them 'video paintings' because if you say to people 'I make videos', they think of Sting's new rock video or some really boring, grimy 'Video Art'. It's just a way of saying, 'I make videos that don't move very fast." These works presented Eno with the opportunity to expand his ambient aesthetic into a visual form, manipulating the medium of video to produce something not present in the normal television experience. His video works were shown around the world in exhibitions in New York and Tokyo, as well as released on the compilation 14 Video Paintings in 2005. Eno continued his video experimentation through the 80s, 90s and 2000s, leading to further experimentation with the television as a malleable light source and informing his generative works such as 77 Million Paintings in 2006.


Generative music

Eno gives the example of wind chimes. He says that these systems and the creation of them have been a focus of his since he was a student: "I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders." Initially Eno began to experiment with tape loops to create generative music systems. With the advent of CDs he developed systems to make music of indeterminate duration using several discs of material that he'd specifically recorded so that they would work together musically when driven by random playback. In 1995, he began working with the company Intermorphic to create generative music through utilising programmed algorithms. The collaboration with Intermorphic led Eno to release ''Generative Music 1'' - which requires Intermorphic's ''Koan Player'' software for PC. The Koan software made it possible for generative music to be experienced in the domestic environment for the first time.


''Generative Music 1''

In 1996, Eno collaborated in developing the SSEYO Koan (program), Koan generative music software system (by Pete Cole and Tim Cole of Intermorphic) that he used in composing ''Generative Music 1''—only playable on the Koan generative music system. Further music releases using Koan software include: ''Wander'' (2001) and ''Dark Symphony'' (2007)—both include works by Eno, and those of other artists (including SSEYO's Tim Cole).


Released excerpts

Eno started to release excerpts of results from his 'generative music' systems as early as 1975 with the album ''Discreet Music''. Then again in 1978 with ''Music for Airports'': The list below consists of albums, soundtracks and downloadable files that contain excerpts from some of Eno's generative music explorations: * 1970 – ''Berlin Horse'' [Film Short] * 1975 – '' Discreet Music'' * 1975 – '' Evening Star'' (Fripp & Eno) * 1978 – '' Ambient 1: Music for Airports'' * 1981 – ''Mistaken Memories of Mediaeval Manhattan'' [Installation Video] * 1982 – ''Ambient 4: On Land'' * 1983 – '' Apollo: Atmospheres and Soundtracks'' (Eno, Lanois & R Eno) * 1983 – ''Music for Films II'' (Eno, Lanois & R Eno) [exclusive to ''Working Backwards'' Box Set] * 1984 – ''Thursday Afternoon'' [Installation Video] * 1985 – ''Thursday Afternoon'' * 1988 – ''Music for Films III'' (Various Artists) * 1989 – ''Textures'' (Eno, Lanois & R Eno) * 1992 – '' The Shutov Assembly'' * 1993 – ''Neroli_(album), Neroli (Thinking Music Part IV)'' * 1994 – ''Glitterbug'' [Original Soundtrack] * 1996 – ''Neverwhere'' [BBC TV Mini-Series Soundtrack] * 1997 – ''Contra 1.2'' * 1997 – ''Lightness'' * 1998 – ''Music for Prague'' * 1999 – '' I Dormienti'' * 1999 – ''Kite Stories'' * 2000 – '' Music for Civic Recovery Centre'' * 2001 – ''Compact Forest Proposal'' * 2003 – ''Curiosities – Volume I'' * 2004 – ''Curiosities – Volume II'' * 2012 – ''
Lux The lux (symbol: lx) is the unit of illuminance, or luminous flux per unit area, in the International System of Units (SI). It is equal to one lumen per square metre. In photometry, this is used as a measure of the intensity, as perceived by ...
'' * 2013 – ''CAM'' [Web – the book ''Brian Eno: Visual Music'' includes a download code] * 2014 – ''The Shutov Bonus Material'' [''Shutov Assembly'' reissue bonus CD] * 2014 – ''New Space Music'' [''Neroli'' reissue bonus CD] * 2016 – '' The Ship'' * 2016 – '' Reflection'' * 2017 – ''Sisters'' [Web Download] * 2018 – ''Music for Installations'' [Box Set] Several of the released excerpts (listed above) originated as, or are derivative of, soundtracks Eno created for art installations. Most notably ''The Shutov Assembly'' (view The Shutov Assembly#Overview, breakdown of Album's sources), ''Contra 1.2'' thru to ''Compact Forest Proposal'', ''Lux'', ''CAM'', and ''The Ship''.


Installations

Eno has created installations combining artworks and sound that have shown across the world since 1979, beginning with 2 Fifth Avenue and White Fence, in the Kitchen Centre, New York, NY. Typically Eno's installations feature light as a medium explored in multi-screen configurations, and music that is created to blur the boundaries between itself and its surroundings: "There is a sharp distinction between "music" and "noise", just as there is a distinction between the musician and the audience. I like blurring those distinctions – I like to work with all the complex sounds on the way out to the horizon, to pure noise, like the hum of London." With each installation Eno's music and artworks interrogate the visitors' perception of space and time within a seductive, immersive environment. Since his experiments with sound as an art student using reel to reel tape recorders, - and in art employing the medium of light, Eno has utilised breakthroughs in technology to develop 'processes rather than final objects', processes that in themselves have to "jolt your senses," have "got to be seductive." Once set in motion these processes produce potentially un-ending and continuous, non-repeating music and artworks that Eno, though the artist, could not have imagined; and with them he creates the slowly unfolding immersive environments of his installations. David A. Ross writes in the programme notes to Matrix 44 in 1981: "In a series of painterly video installations first shown in 1979, Eno explored the notion of environmental ambiance. Eno proposes a use for music and video that is antithetical to behavior control-oriented "Muzak" in that it induces and invites the viewer to enter a meditative, detached state, rather than serve as an operant conditioner for work-force efficiency. His underlying strategy is to create works which provide natural levels of variety and redundancy which bring attention to, rather than mimic, essential characteristics of the natural environment. Eno echoes Matisse's stated desire that his art serve as an armchair for the weary businessman." Early installations benefitted from breakthroughs in video technology that inspired Eno to use the TV screen as a monitor and enabled him to experiment with the opposite of the fast-moving narratives typical of TV to create evolving images with an almost imperceptible rate of change. "2 Fifth Avenue", ("a linear four-screen installation with music from Music For Airports") resulted from Eno shooting "the view from his apartment window: without ... intervention," recording "what was in front of the camera for an unspecified period of time ... In a simple but crude form of experimental post production, the colour controls of the monitors on which the work was shown were adjusted to wash out the picture, producing a high-contrast black and white image in which colour appeared only in the darkest areas. ... Eno manipulated colour as though painting, observing: 'video for me is a way of configuring light, just as painting is a way of configuring paint.'" From the outset, Eno's video works, were "more in the sphere of paintings than of cinema".My Light Years Brian Eno accompanying essay to 77 Million Paintings. 2006 HNDVD 1521 The author and artist John Coulthart called Mistaken Memories of Medieval Manhattan (1980–81), which incorporated music from Ambient 4: On Land, "The first ambient film." He explains: "Eno filmed several static views of New York and its drifting cloudscape from his thirteenth-floor apartment in 1980–81. The low-grade equipment ... give[s] the images a hazy, impressionistic quality. Lack of a tripod meant filming with the camera lying on its side so the tape had to be re-viewed with a television monitor also turned on its side." And turning the TV on its side, says David A. Ross, "recontextualize[d] the television set, and ... subliminally shift[ed] the way the video image represents recognizable realities ... Natural phenomena like rain look quite different in this orientation; less familiar but curiously more real." Thursday Afternoon was a return to using figurative form, for Eno had by now begun "to think that I could use my TVs as light sources rather than as image sources. ... TV was actually the most controllable light source that had ever been invented – because you could precisely specify the movement and behaviour of several million points of coloured light on a surface. The fact that this prodigious possibility had almost exclusively been used to reproduce figurative images in the service of narratives pointed to evolution of the medium from the theatre and cinema. What I thought was that this machine, which pumped out highly controllable light, was actually the first synthesiser, and that its use as an imager-retailer represented a subset of its possible range." Turning the TV on its back, Eno played video colour fields of differing lengths of time that would slowly re-combine in different configurations. Placing ziggurats (3 dimensional constructions) of different lengths and sizes on top of the screens that defined each separate colour field, these served to project the internal light source upward. "The light from it was tangible as though caught in a cloud of vapour. Its slowly changing hues and striking colour collisions were addictive. We sat watching for ages, transfixed by this totally new experience of light as a physical presence." Calling these light sculptures Crystals (first shown in Boston in 1983), Eno further developed them for the Pictures of Venice exhibition at Gabriella Cardazzo's Cavallino Gallery (Venice,1985). Placing plexiglass on top of the structures he found that these further diffused the light so the shapes outlined through this surface appeared to be described differently in the slowly changing fields of light. By positioning sound sources in different places and different heights in the exhibition room Eno intended that the music would be something listened to from the inside rather than the outside. For the I Dormienti show in 1999 that featured sculptures of sleeping figures by Mimmo Paladino in the middle of the circular room, Eno placed speakers in each of the 12 tunnels running from it. Envisioning the speakers themselves as instruments, led to Eno's 'speaker flowers' becoming a feature of many installations, including at the Museo dell' Ara Pacis (Rome, 2008), again with Mimmo Paladino and 'Speaker Flowers and Lightboxes' at Castello Svevo in Trani (Italy 2017). Re-imagining the speaker as a flower with a voice that could be heard as it moved in the breeze, he made 'bunches' of them, "sculptural objects [that] ... consist of tiny chassis speakers attached to tall metal stands that sway in response to the sound they emit." The first version of these were shown at the Stedelijk Museum in Amsterdam(1984). Since '' On Land'' (1982), Eno has sought to blur the boundaries between music and non-music and incorporates environmental sounds into his work. He treats synthesised and recorded sounds for specific effects. In the antithesis of 20th century shock art, Eno's works create environments that are: "Envisioned as extensions of everyday life while offering a refuge from its stresses." Creating a space to reflect was a stated aim in Eno's Quiet Club series of installations that have shown across the world, and include Music for Civic Recovery Centre at the David Toop curated Sonic Boom festival at the Hayward Gallery in 2000. The Quiet Club series (1986-2001) grew from Eno's site-specific installations that included the Place series (1985-1989). These also featured light sculptures and audio with the addition of conventional materials, such as "tree trunks, fish bowls, ladders, rocks". Eno used these in unconventional ways to create new and unexpected experiences and modes of engagements, offering an extension of and refuge from, everyday life. The continually flowing non-repeating music and art of Eno's installations militate against habituation to the work and maintain the visitors' engagement with it. "One of the things I enjoy about my shows is...lots of people sitting quietly watching something that has no story, few recognisable images and changes very slowly. It's somewhere between the experience of painting, cinema, music and meditation...I dispute the assumption that everyone's attention span is getting shorter: I find people are begging for experiences that are longer and slower, less "dramatic" and more sensual." Tanya Zimbardo writing on New Urban Spaces Series 4. "Compact Forest Proposal" for SF MOMA (2001) confirms: "During the first presentation of this work, as part of the exhibition 010101: Art in Technological Times at SFMOMA in 2001, visitors often spent considerable time in this dreamlike space." In Eno's work, both art and music are released from their normal constraints. The music set up to randomly reconfigure is modal and abstract rather than tonal, and so the listener is freed from expectations set up by Western tonal harmonic conventions. The artworks in their continual slowly shifting combinations of colour (and in the case of 77 Million Paintings image re-configurations) themselves offer a continually engaging immersive experience through their unfolding fields of light.


77 Million Paintings

Developments in computer technology meant that the experience of Eno's unending non-repeatable generative art and music was no longer only possible in the public spaces of his exhibitions. With software developer and programmer Jake Dowie, Eno created a generative art/music installation '' 77 Million Paintings'' for the domestic environment. Developed for both PC and Mac, the process is explained by Nick Robertson in the accompanying booklet. "One way to approach this idea is to imagine that you have a large box full of painted components and you are allowed to blindly take out between one and four of these at any time and overlay them to make a complete painting. The selection of the elements and their duration in the painting is variable and arbitrarily determined…" Painting by Numbers, Nick Robertson, 77 Million Paintings HNDVD 1521 Most (nearly all) of the visual 'elements' were hand-painted by Eno onto glass slides, creating an organic heart to the work. Some of the slides had formed his earlier ''Natural Selections'' exhibition projected onto the windows of the Triennale di Milano, Triennale in Milan. (1990). This exhibition marked the beginning of Eno's site specific installations that re-defined spaces on a large scale. For the Triennale exhibition, Eno with Rolf Engel and Roland Blum at Atelier Markgraph, used new technology by Dataton that could be programmed to control the fade up and out times of the light sources. But, unlike the software developed for ''77 Million'', this was clumsy and limited the practical realisation of Eno's vision. With the computer programmed to randomly select a combination of up to four images of different durations, the on screen painting continually reconfigures as each image slowly dissolves whilst another appears. The painting will be different for every viewer in every situation, uniquely defining each moment. Eno likens his role in creating this piece to one of a gardener planting seeds. And like a gardener he watches to see how they grow, waiting to see if further intervention is necessary. In the liner notes Nick Robertson explains: "Every user will buy exactly the same pack of 'seeds' but they will all grow in different ways and into distinct paintings, the vast majority of which, the artist himself has not even seen. …The original in art is no longer solely bound up in the physical object, but rather in the way the piece lives and grows." Although designed for the domestic environment, ''77 Million Paintings'' has been (and continues to be) exhibited in multi-screen installations across the world. It has also been projected onto architectural structures, including the sails of the Sydney Opera House (2009), Carioca Aqueduct (the Arcos di Lapa) Brazil (2012) and the giant Lovell Telescope at the Jodrell Bank Observatory (2016). During an exhibition at Fabrica Brighton, (2010) the orthopaedic surgeon Robin Turner noticed the calming effect the work had on the visitors. Turner asked Eno to provide a version for the Montefiore hospital in Hove. Since then ''77 Million'' and Eno's latest "Light Boxes" have been commissioned for use in hospitals.


Montefiore Hospital Installations

In 2013, Eno created two permanent light and sound installations at Montefiore Hospital in Hove, East Sussex, England. In the hospital's reception area "77 Million Paintings for Montefiore" consists of eight plasma monitors mounted on the wall in a diagonally radiating flower-like pattern. They display an evolving collage of coloured patterns and shapes whilst Eno's generative ambient music plays discreetly in the background. The other aptly named "Quiet Room for Montefiore" (available for patients, visitors and staff) is a space set apart for meditative reflection. It is a moderately sized room with three large panels displaying dissolves of subtle colours in patterns that are reminiscent of Mondrian paintings. The environment brings Eno's ambient music into focus and facilitates the visitors' cognitive drift, freeing them to contemplate or relax.


''Spore''

Eno composed most of the music for the Electronic Arts video game '' Spore'' (2008), assisted by his long-term collaborator, the musician and programmer Peter Chilvers (musician), Peter Chilvers. Much of the music is generative and responsive to the player's position within the game.


iOS apps

Inspired by possibilities presented to Eno and Chilvers whilst working together on the generative soundtrack for the video game ''Spore'' (2008), the two began to release generative music in the App Store (iOS), Apple App format. They set up the website generativemusic.com and created generative music applications for the iPhone, iPod Touch, and iPad: * Bloom (software), ''Bloom'' (2008) * ''Trope'' (2009) * ''Scape'' (2012) * ''Reflection'' (2016) In 2009, Chilvers and Sandra O'Neill also created an App entitled ''Air'' (released through generativemusic.com as well)—based on concepts developed by Eno in his ''Ambient 1: Music for Airports'' album.


Reflection

The generative version of ''Reflection'' is the fourth iOS App created by Brian Eno and Peter Chilvers: of generativemusic.com. Unlike other Apps they released ''Reflection'' provides no real options other than Play/Pause – later, in its initial update, Airplay and Sleep Timer options were added. As Apple had started increasing prices for Apps sold in UK, they lowered its price. For those who'd bought the app at a higher price, Eno and Chilvers provided links to a free download of a four track album called 'Sisters' (each track with a 15:14 duration). The following appears on the app's Apple iTunes page: Previous to the updates for the App, the iTunes page used the following from Eno. The version of ''Reflection'' available on the fixed formats (CD, Vinyl and download File) consists of two (joined) excerpts from the ''Reflection'' app. This was revealed in Brian's interview with Philip Sherburne:


Artworks: Light Boxes

Eno's "light boxes" utilise advances in Light-emitting diode, LED technology that has enabled him to re-imagine his ziggurat light paintings - and early light boxes as featured in ''Kite Stories'' (1999) - for the domestic environment. The light boxes feature slowly changing combinations of colour fields that draw attention differently to the shapes outlined by delineating structures within. As the paintings slowly evolve each passing moment is defined differently, drawing the viewer's focus into the present moment. The writer and cultural essayist Michael Bracewell (writer), Michael Bracewell writes that the viewer "is also encouraged to engage with a generative sensor/aesthetic experience that reflects the ever-changing moods and randomness of life itself". He likens Eno's art to "Matisse or Rothko at their most enfolding." First shown commercially at the Paul Stolper Gallery in London (forming the ''Light Music'' exhibition in 2016 that included lenticular paintings by Eno), light boxes have been shown across the world. They remain in permanent display in both private and public spaces. Recognised for their therapeutic contemplative benefits, Eno's light paintings have been commissioned for specially dedicated places of reflection including in Chelsea and Westminster hospital, the Montefiore Hospital in Hove and a three and a half metre lightbox for the sanctuary room in the Macmillan Horizon Centre in Brighton.


Obscure Records

Eno started the Obscure Records label in Britain in 1975 to release works by lesser-known composers. The first group of three releases included his own composition, '' Discreet Music'', and the now-famous ''The Sinking of the Titanic (Bryars), The Sinking of the Titanic'' (1969) and ''Jesus' Blood Never Failed Me Yet'' (1971) by Gavin Bryars. The second side of ''Discreet Music'' consisted of several versions of German Baroque music, baroque composer Johann Pachelbel's ''Canon in D, Canon'', the composition which Eno had previously chosen to precede Roxy Music's appearances on stage and to which he applied various algorithmic transformations, rendering it almost unrecognisable. Side one consisted of a tape loop system for generating music from relatively sparse input. These tapes had previously been used as backgrounds in some of his collaborations with Robert Fripp, most notably on '' Evening Star''. Ten albums were released on Obscure, including works by John Adams (composer), John Adams, Michael Nyman, and John Cage.


Other work

In 1995, Eno travelled with Edinburgh University's Professor Nigel Osborne to Bosnia in the aftermath of the Bosnian War, to work with war-traumatised children, many of whom had been orphaned in the conflict. Osborne and Eno led music therapy projects run by War Child (charity), War Child in Mostar, at the Pavarotti centre, Bosnia 1995. Eno appeared as Father Brian Eno at the "It's Great Being a Priest!" convention, in "Going to America", the final episode of the television sitcom ''Father Ted'', which originally aired on 1 May 1998 on Channel 4. In March 2008, Eno collaborated with the Italian artist Mimmo Paladino on a show of the latter's works with Eno's soundscapes at Ara Pacis in Rome, and in 2011, he joined Stephen Deazley and Edinburgh University music lecturer Martin Parker in an ''Icebreaker'' concert at Glasgow City Halls, heralded as a "long-awaited clash". In 2013, Eno sold limited edition prints of artwork from his 2012 album ''
Lux The lux (symbol: lx) is the unit of illuminance, or luminous flux per unit area, in the International System of Units (SI). It is equal to one lumen per square metre. In photometry, this is used as a measure of the intensity, as perceived by ...
'' from his website. In 2016, Eno was added to Edinburgh University's roll of honour and in 2017, he delivered the Andrew Carnegie Lecture at the university. Eno continues to be active in other artistic fields. His sound installations have been exhibited in many prestigious venues around the world, including the Walker Art Center, Minneapolis; Contemporary Arts Museum Houston; New Museum of Contemporary Art, New York; Vancouver Art Gallery, Stedelijk Museum, Amsterdam, Centre Pompidou, Paris, Institute of Contemporary Arts, London, Baltic Centre for Contemporary Art, Baltic Art Centre, Gateshead, and the Sydney Biennale, Sydney, São Paulo Art Biennial, São Paulo, Josep Tarradellas Barcelona–El Prat Airport, and Venice Biennale, Venice Biennials. In 2020-2021 Eno is working with a group of developers on audio-video conferencing software and service that addresses issues of corporate video conferencing software (like Zoom Video Communications, Zoom) when used for other purposes.


Awards and honors

Asteroid 81948 Eno, discovered by Marc Buie at Cerro Tololo Inter-American Observatory, Cerro Tololo in 2000, was named in his honor. The official was published by the Minor Planet Center on 18 May 2019 (). In 2019, he was awarded Starmus Festival's Stephen Hawking Medal for Science Communication for Music & Arts.


Influence and legacy

Eno is frequently referred to as one of popular music's most influential artists. Producer and film composer Jon Brion has said: "I think he's the most influential artist since the Beatles." Critic Jason Ankeny at ''AllMusic'' argues that Eno "forever altered the ways in which music is approached, composed, performed, and perceived, and everything from punk rock, punk to techno to new age music, new age bears his unmistakable influence." Eno has spread his techniques and theories primarily through his production; his distinctive style informed a number of projects in which he has been involved, including Bowie's "Berlin Trilogy" (helping to popularize minimalism (music), minimalism) and the albums he produced for Talking Heads (incorporating, on Eno's advice, African music and polyrhythms), Devo, and other groups. Eno's first collaboration with David Byrne, 1981's ''My Life in the Bush of Ghosts'', utilised music sampling, sampling techniques and broke ground by incorporating world music into popular Western music forms. Eno and Peter Schmidt (artist), Peter Schmidt's Oblique Strategies have been used by many bands, and Eno's production style has proven influential in several general respects: "his recording techniques have helped change the way that modern musicians;– particularly electronic musicians;– view the studio. No longer is it just a passive medium through which they communicate their ideas but itself a new instrument with seemingly endless possibilities." According to ''Vinyl Me, Please'' writer Jack Riedy, Eno's peak as an artist coincided with the album era – a period in popular music during which the album surpassed the single as the dominant recorded-music format – "and Eno took full advantage of the format to pursue all his musical ideas on wax." Whilst inspired by the ideas of minimalist composers including John Cage, Terry Riley and Erik Satie,Richardson, Mark
"Pitchfork: Interviews: Brian Eno"
Pitchfork.com. 1 November 2010. Retrieved 9 November 2010.
Eno coined the term ambient music to describe his own work and defined the term. The Ambient Music Guide states that he has brought from "relative obscurity into the popular consciousness" fundamental ideas about ambient music, including "the idea of modern music as subtle atmosphere, as chill-out, as impressionistic, as something that creates space for quiet reflection or relaxation." His groundbreaking work in electronic music has been said to have brought widespread attention to and innovations in the role of electronic technology in recording. Pink Floyd keyboardist Richard Wright (musician), Rick Wright said he "often eulogised" Eno's abilities. Eno's "unconventional studio predilections", in common with those of Peter Gabriel, were an influence on the recording of "In the Air Tonight", the single which launched the solo career of Eno's former drummer Phil Collins. Collins said he "learned a lot" from working with Eno. Both Half Man Half Biscuit (in the song "Eno Collaboration" on the EP of the Eno Collaboration, same name) and MGMT have written songs about Eno. LCD Soundsystem has frequently cited Eno as a key influence. The Icelandic singer Björk also credited Eno as a major influence. Mora sti Fotia (Babies on Fire), one of the most influential Greek rock bands, was named after Eno's song "Baby's on Fire" from the 1973 album ''Here Come the Warm Jets''. In 2011, Belgian people, Belgian academics from the Royal Museum for Central Africa named a species of List of Corinnidae species, Afrotropical spider ''Pseudocorinna brianeno'' in his honour. In September 2016, asked by the website Just Six Degrees to name a currently influential artist, Eno cited the conceptual, video and installation artist Jeremy Deller as a source of current inspiration: "Deller's work is often technically very ambitious, involving organising large groups of volunteers and helpers, but he himself is almost invisible in the end result. I'm inspired by this quietly subversive way of being an artist, setting up situations and then letting them play out. To me it's a form of social generative art where the 'generators' are people and their experiences, and where the role of the artist is to create a context within which they collide and create."


Personal life

Eno has married twice. In March 1967, at the age of 18, Eno married Sarah Grenville. The couple had a daughter, Hannah Louise (b. 1967), before their divorce. In 1988, Eno married his then-manager Anthea Norman-Taylor. They have two daughters, Irial Violet (b. 1990) and Darla Joy (b. 1991). In an interview with Michael Bonner, published in the May 2020 issue of ''Uncut (magazine), Uncut'', Eno referred to Ray Hearn as his current manager, and also referred to his girlfriend. Eno has referred to himself as "kind of an evangelical atheist" but has also professed an interest in religion. In 1996, Eno and others started the Long Now Foundation to educate the public about the very long-term future of society and to encourage long-term thinking in the exploration of enduring solutions to global issues. In 2005, through the Long Now foundation's Long Bets, he won a $500 bet by challenging someone who predicted a Democrat would be president of the United States in 2005. In 1991, Eno appeared on BBC Radio 4's ''Desert Island Discs''. His chosen book was ''Contingency, Irony, and Solidarity'' by Richard Rorty and his luxury item was a radio telescope.


Politics

In 2007, Eno joined the Liberal Democrats (UK), Liberal Democrats as youth adviser under Nick Clegg. In 2017, Eno signed an open letter as a member of the Labour Party (UK), Labour Party and has stated that voting for the Liberal Democrats is "voting Tory without admitting it". In August 2015, he endorsed Jeremy Corbyn's 2015 Jeremy Corbyn Labour Party leadership campaign, campaign in the 2015 Labour Party leadership election (UK), Labour Party leadership election. He said at a rally in Camden Town Hall: "I don't think electability really is the most important thing. What's important is that someone changes the conversation and moves us off this small-minded agenda." He later wrote in ''The Guardian'': "He's [Corbyn] been doing this with courage and integrity and with very little publicity. This already distinguishes him from at least half the people in Westminster, whose strongest motivation seems to have been to get elected, whatever it takes." In 2006, Eno was one of more than 100 artists and writers who signed an open letter calling for an international Economic and political boycotts of Israel, boycott of Israeli political and cultural institutions. and in January 2009 he spoke out against Gaza War (2008–09), Israel's military action on the Gaza Strip by writing an opinion for ''CounterPunch'' and participating in a large-scale protest in London. In 2014, Eno again protested publicly against what he called a "one-sided exercise in ethnic cleansing" and a "war [with] no moral justification," in reference to the 2014 Israel–Gaza conflict, 2014 military operation of Israel into Gaza. He was also a co-signatory, along with Archbishop Desmond Tutu, Noam Chomsky, Alice Walker and others, to a letter published in ''The Guardian'' that labelled the conflict as an "inhumane and illegal act of military aggression" and called for "a comprehensive and legally binding military embargo on Israel, similar to that imposed on South Africa during apartheid." In 2013, Eno became a patron of Videre Est Credere (Latin for "to see is to believe"), a UK human rights charity. Videre describes itself as "give[ing] local activists the equipment, training and support needed to safely capture compelling video evidence of human rights violations. This captured footage is verified, analysed and then distributed to those who can create change." He participates alongside movie producers Uri Fruchtmann and Terry Gilliam – along with executive director of Greenpeace UK John Sauven. Eno was appointed President of Stop the War Coalition in 2017. He has had a long involvement with the organisation since it was set up in 2001. He is also a trustee of the environmental law firm ClientEarth, Somerset House, and the Institute for Innovation and Public Purpose, set up by Mariana Mazzucato. Eno opposes Brexit, United Kingdom's withdrawal from the European Union. Following the 2016 United Kingdom European Union membership referendum, June 2016 referendum result when the British public voted to leave, Eno was among a group of British musicians who signed a letter to the Prime Minister Theresa May calling for a Proposed referendum on the Brexit withdrawal agreement, second referendum. In November 2019, along with other public figures, Eno signed a letter supporting Labour Party leader Jeremy Corbyn describing him as "a beacon of hope in the struggle against emergent far-right nationalism, xenophobia and racism in much of the democratic world" and endorsed him for in the 2019 United Kingdom general election, 2019 UK general election. In December 2019, along with 42 other leading cultural figures, he signed a letter endorsing the Labour Party under Corbyn's leadership in the 2019 general election. The letter stated that "Labour's election manifesto under Jeremy Corbyn's leadership offers a transformative plan that prioritises the needs of people and the planet over private profit and the vested interests of a few." Brian Eno is an early and prominent member of Democracy in Europe Movement 2025 (DiEM25) where he contributes, issues statements, and takes part in media events and discussions.


Selected discography

This is an incomplete list. Solo studio albums * '' Here Come the Warm Jets'' (1974),
Island An island (or isle) is an isolated piece of habitat that is surrounded by a dramatically different habitat, such as water. Very small islands such as emergent land features on atolls can be called islets, skerries, cays or keys. An isla ...
* '' Taking Tiger Mountain (By Strategy)'' (1974), Island * '' Another Green World'' (1975), Island * '' Discreet Music'' (1975), Obscure Records, Obscure * '' Before and After Science'' (1977), Polydor Records, Polydor * '' Ambient 1: Music for Airports'' (1978), Polydor * ''Music for Films'' (1978), Polydor * ''Ambient 4: On Land'' (1982), E.G. Records, EG * '' Apollo: Atmospheres and Soundtracks'' (1983), E.G. * ''Thursday Afternoon'' (1985), E.G. * ''
Nerve Net A nerve net consists of interconnected neurons lacking a brain or any form of cephalization. While organisms with bilateral body symmetry are normally associated with a condensation of neurons or, in more advanced forms, a central nervous syst ...
'' (1992), Opal, All Saints Records, All Saints * '' The Shutov Assembly'' (1992), Opal, All Saints Records, All Saints * ''Neroli (album), Neroli'' (1993), All Saints Records, All Saints * ''Headcandy'' (1994), BMG * ''The Drop (album), The Drop'' (1997), All Saints Records, All Saints * '' Another Day on Earth'' (2005), Hannibal Records, Hannibal * '' Small Craft on a Milk Sea'' (2010)
Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a ...
(with Leo Abrahams and Jon Hopkins) * ''
Lux The lux (symbol: lx) is the unit of illuminance, or luminous flux per unit area, in the International System of Units (SI). It is equal to one lumen per square metre. In photometry, this is used as a measure of the intensity, as perceived by ...
'' (2012),
Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a ...
* '' The Ship'' (2016),
Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a ...
* '' Reflection'' (2017),
Warp Warp, warped or warping may refer to: Arts and entertainment Books and comics * WaRP Graphics, an alternative comics publisher * ''Warp'' (First Comics), comic book series published by First Comics based on the play ''Warp!'' * Warp (comics), a ...
* ''ForeverAndEverNoMore'' (2022), Verve/UMC Ambient installation albums * ''Extracts from Music for White Cube, London 1997'' (1997), Opal * '' Lightness: Music for the Marble Palace'' (1997), Opal * '' I Dormienti'' (1999), Opal * ''Kite Stories'' (1999), Opal * '' Music for Civic Recovery Centre'' (2000), Opal * ''Compact Forest Proposal'' (2001), Opal * ''January 07003: Bell Studies for the Clock of the Long Now'' (2003), Opal * ''Making Space'' (2010), Opal


See also

*List of ambient music artists


Bibliography

BERNARD Olivier, ''Brian Eno. Le Magicien du son'', Rosières-en-Haye, Camion Blanc, 2022, 706 p.


Footnotes


References


Sources

*


Further reading

* * * * * * * * *


External links


Eno's work in sound and light, past and present
* *
Paul Morley interviews Eno
in The Guardian, 17 January 2010
Interview
with Brian Eno from The Guardian, 19 May 2006
Brian Eno: The Philosophy of Surrender
interview November 2008 * *

{{DEFAULTSORT:Eno, Brian Brian Eno, 1948 births 20th-century English painters 21st-century English painters 801 (band) members Alumni of the University of Southampton Ambient composers Ambient musicians Aphorists Art pop musicians Art rock musicians Astralwerks artists Brit Award winners E.G. Records artists English agnostics English anti-war activists English anti–Iraq War activists English atheists English contemporary artists English electronic musicians English experimental musicians English male composers English male painters English people of Belgian descent English record producers Former Roman Catholics Glam rock musicians Grammy Award winners Island Records artists Living people Minimalist composers People educated at St Joseph's College, Ipswich People from Woodbridge, Suffolk Polydor Records artists Progressive pop musicians Roxy Music members Virgin Records artists Warp (record label) artists British world music musicians Labour Party (UK) people Hansa Records artists Rykodisc artists Warner Records artists All Saints Records artists