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The Berlin Foundry Cup (german: Erzgießerei-Schale) is a
red-figure Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure va ...
''
kylix In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot a ...
'' (drinking cup) from the early 5th century BC. It is the
name vase In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is co ...
of the
Attic An attic (sometimes referred to as a ''loft'') is a space found directly below the pitched roof of a house or other building; an attic may also be called a ''sky parlor'' or a garret. Because attics fill the space between the ceiling of the ...
vase painter known conventionally as the Foundry Painter. Its most striking feature is the exterior depiction of activities in an
Athenian Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates a ...
bronze Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such ...
workshop or
foundry A foundry is a factory that produces metal castings. Metals are cast into shapes by melting them into a liquid, pouring the metal into a mold, and removing the mold material after the metal has solidified as it cools. The most common metals pr ...
. It is an important source on ancient Greek metal-working technology.


The cup

The interior image (or tondo) of the cup has a direct connection with metalwork. It depicts
Hephaistos Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Bu ...
, the god of crafts, including smiths, handing the goddess
Thetis Thetis (; grc-gre, Θέτις ), is a figure from Greek mythology with varying mythological roles. She mainly appears as a sea nymph, a goddess of water, or one of the 50 Nereids, daughters of the ancient sea god Nereus. When described as ...
armour and weaponry for her son Achilles, who is fighting in the
Trojan War In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has ...
. Achilles is going to use them to avenge his slain friend
Patroclus In Greek mythology, as recorded in Homer's ''Iliad'', Patroclus (pronunciation variable but generally ; grc, Πάτροκλος, Pátroklos, glory of the father) was a childhood friend, close wartime companion, and the presumed (by some later a ...
. The scene is described in
Homer Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the '' Iliad'' and the '' Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of ...
's ''
Iliad The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyss ...
''. Like other scenes connected with the Trojan War, it is a common motif on Greek vases. In contrast, the exterior image is unusual. It depicts a bronze workshop. The production of a variety of bronze statues is shown at different stages. At the centre of one side (''side A''), the statue of a warrior, larger than life-sized, stands within a wooden
scaffolding Scaffolding, also called scaffold or staging, is a temporary structure used to support a work crew and materials to aid in the construction, maintenance and repair of buildings, bridges and all other man-made structures. Scaffolds are widely used ...
. His body his protected by a circular
shield A shield is a piece of personal armour held in the hand, which may or may not be strapped to the wrist or forearm. Shields are used to intercept specific attacks, whether from close-ranged weaponry or projectiles such as arrows, by means of a ...
held in his left hand; his right hand is about to thrust a raised
spear A spear is a pole weapon consisting of a shaft, usually of wood, with a pointed head. The head may be simply the sharpened end of the shaft itself, as is the case with fire hardened spears, or it may be made of a more durable material fastene ...
. Unusually, the cheek-guards of the
helmet A helmet is a form of protective gear worn to protect the head. More specifically, a helmet complements the skull in protecting the human brain. Ceremonial or symbolic helmets (e.g., a policeman's helmet in the United Kingdom) without protec ...
are folded upwards; the painter probably used this to depict the statue's face more clearly. The statue appears to be in the final stages of production, since two workers, one of them marked as a smith by his characteristic
leather Leather is a strong, flexible and durable material obtained from the tanning, or chemical treatment, of animal skins and hides to prevent decay. The most common leathers come from cattle, sheep, goats, equine animals, buffalo, pigs and hogs ...
cap, are smoothing or polishing its surface. They are flanked on each side by a man leaning on a crook and watching the workmen. They appear to neither represent additional workmen, nor the owners of the workshop, but rather random passers-by on the way to or from the '' palaistra''. They were probably going to (or just did) engage in athletic activity, as indicated by the sports-related items (an
oil An oil is any nonpolar chemical substance that is composed primarily of hydrocarbons and is hydrophobic (does not mix with water) & lipophilic (mixes with other oils). Oils are usually flammable and surface active. Most oils are unsaturated ...
flask and a
strigil The strigil ( el, στλεγγίς, translit=stlengis, probably a loanword from Pre-Greek substrate) is a tool for the cleansing of the body by scraping off dirt, perspiration, and oil that was applied before bathing in Ancient Greek and Roman cul ...
) suspended behind them. On the opposite side (''side B''), a second statue is being made. It appears to be that of an
athlete An athlete (also sportsman or sportswoman) is a person who competes in one or more sports that involve physical strength, speed, or endurance. Athletes may be professionals or amateurs. Most professional athletes have particularly well-develo ...
. The statue, still headless, is lying on a sand or clay support; a workman is holding one of its arms, carefully manipulating it with a hammer. The statue's head lies at his feet. A line between the statue's arm and hand indicates that the two parts are not fully joined yet. The
soldering Soldering (; ) is a process in which two or more items are joined by melting and putting a filler metal (solder) into the joint, the filler metal having a lower melting point than the adjoining metal. Unlike welding, soldering does not invol ...
to join them (in reality it would have been an
alloy An alloy is a mixture of chemical elements of which at least one is a metal. Unlike chemical compounds with metallic bases, an alloy will retain all the properties of a metal in the resulting material, such as electrical conductivity, ductility, ...
of
lead Lead is a chemical element with the symbol Pb (from the Latin ) and atomic number 82. It is a heavy metal that is denser than most common materials. Lead is soft and malleable, and also has a relatively low melting point. When freshly cut, l ...
, antimony and
tin Tin is a chemical element with the symbol Sn (from la, stannum) and atomic number 50. Tin is a silvery-coloured metal. Tin is soft enough to be cut with little force and a bar of tin can be bent by hand with little effort. When bent, t ...
with a low
melting point The melting point (or, rarely, liquefaction point) of a substance is the temperature at which it changes state from solid to liquid. At the melting point the solid and liquid phase exist in equilibrium. The melting point of a substance depends ...
) is probably being prepared in the furnace. Behind the furnace, a youth is manipulating a
bellows A bellows or pair of bellows is a device constructed to furnish a strong blast of air. The simplest type consists of a flexible bag comprising a pair of rigid boards with handles joined by flexible leather sides enclosing an approximately airtigh ...
to kindle the fire; in front of it, a seated workman appears to be heating a metal rod. Metal workshops existed in the Athenian potters' quarter, the
Kerameikos Kerameikos (, ) also known by its Latinized form Ceramicus, is an area of Athens, Greece, located to the northwest of the Acropolis, which includes an extensive area both within and outside the ancient city walls, on both sides of the Dipylon G ...
. Thus, it is likely that the Foundry Painter's depiction of the workshop is based on personal observation. Some details, such as the furnace, are, however, depicted in a way that differs from the known
archaeological Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscap ...
evidence. This is probably simply because certain adjustments of reality were necessary to effectively paint or compose the scene. At least some of the depicted workmen appear to be
slaves Slavery and enslavement are both the state and the condition of being a slave—someone forbidden to quit one's service for an enslaver, and who is treated by the enslaver as property. Slavery typically involves slaves being made to perf ...
. For example, the man in front of the oven is crouched in such a way that his
genitals A sex organ (or reproductive organ) is any part of an animal or plant that is involved in sexual reproduction. The reproductive organs together constitute the reproductive system. In animals, the testis in the male, and the ovary in the female, a ...
are visible, a style of depiction normally limited to
satyr In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exa ...
s and slaves. There are three ''kalos'' inscriptions on the vase: On the interior ''O PAIS KALOS'' (''the boy is beautiful''), on exterior side A ''DIOGENES KALOS NAICHI'' (''Diogenes is beautiful, too'') and on exterior side B ''O PAIS KALOS NAICHI'' (''this boy is beautiful, too''). Apart from a few damaged areas on the interior figure of Thetis, the vase is in an excellent state of preservation. It is
Late Archaic Late may refer to: * LATE, an acronym which could stand for: ** Limbic-predominant age-related TDP-43 encephalopathy, a proposed form of dementia ** Local-authority trading enterprise, a New Zealand business law ** Local average treatment effect, ...
in style, and dates to ''circa'' 490/480 BC. Its diameter is 30.5 cm. Originally, such cups were used at the
symposium In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was acc ...
. The Foundry cup had been exported to Etruria and was discovered in
Vulci Vulci or Volci ( Etruscan: ''Velch'' or ''Velx'', depending on the romanization used) was a rich Etruscan city in what is now northern Lazio, central Italy. As George Dennis wrote, "Vulci is a city whose very name... was scarcely remembered, ...
, probably in a
grave A grave is a location where a dead body (typically that of a human, although sometimes that of an animal) is buried or interred after a funeral. Graves are usually located in special areas set aside for the purpose of burial, such as gravey ...
. In 1837 it was acquired for the
Antikensammlung The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeologic ...
at Berlin, Germany. Currently, it is on display in section 15 (''"Die Götter Griechenlands"'' - "The Gods of Greece") of the
Altes Museum The Altes Museum (English: ''Old Museum'') is a listed building on the Museum Island in the historic centre of Berlin. Built from 1825 to 1830 by order of King Frederick William III of Prussia according to plans by Karl Friedrich Schinkel, it is ...
.Inventory number F 2294


See also

*
Bronze sculpture Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs, and small statuettes and figurines, as well as bronze elements ...
*
Lost-wax casting Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) i ...


Bibliography

* Gerhard Zimmer: ''Trinkschale. Namensgebendes Werk des Erzgießerei-Malers'', in: Andreas Scholl (ed.): ''Die Antikensammlung: Altes Museum. Pergamonmuseum'', von Zabern, Mainz 2007, p. 68f., * Gerhard Zimmer: ''Antike Werkstattbilder'', Mann, Berlin 1982 (Bilderheft der Staatlichen Museen Preussischer Kulturbesitz, Heft 42)


References


External links


Berlin F 2294
{{coord, 52.519, N, 13.398, E, display=title, source:dewiki Individual ancient Greek vases Ancient Greek sculpture 5th-century BC works Archaeological discoveries in Italy