Baltasar Gracián

Baltasar Gracián y Morales, S.J. (; 8 January 16016 December 1658), better known as Baltasar Gracián, was a Spanish Jesuit and baroque prose writer and philosopher. He was born in Belmonte, near Calatayud (Aragón). His writings were lauded by Schopenhauer and Nietzsche.

Biography

The son of a doctor, in his childhood Gracián lived with his uncle, who was a priest. He studied at a Jesuit school in 1621 and 1623 and theology in Zaragoza. He was ordained in 1627 and took his final vows in 1635.

He assumed the vows of the Jesuits in 1633 and dedicated himself to teaching in various Jesuit schools. He spent time in Huesca, where he befriended the local scholar Vincencio Juan de Lastanosa, who helped him achieve an important milestone in his intellectual upbringing. He acquired fame as a preacher, although some of his oratorical displays, such as reading a letter sent from Hell from the pulpit, were frowned upon by his superiors. He was named Rector of the Jesuit College of Tarragona and wrote works proposing models for courtly conduct such as ''El héroe'' (''The Hero''), ''El político'' (''The Politician''), and ''El discreto'' (''The Discreet One''). During the Spanish war, he was chaplain of the army that liberated Lérida in 1646.

In 1651, he published the first part of the ''El Criticón'' (''Faultfinder'') without the permission of his superiors, whom he disobeyed repeatedly. That attracted the Society's displeasure. Ignoring the reprimands, he published the second part of ''Criticón'' in 1657 asn so he was sanctioned and exiled to Graus in early 1658. Soon. Gracián wrote to apply for membership in another religious order. His demand was not met, but his sanction was eased off. In April 1658, he was sent to several minor positions under the College of Tarazona. His physical decline prevented him from attending the provincial congregation of Calatayud and on 6 December 1658 Gracián died in Tarazona, near Zaragoza in the Kingdom of Aragón.

Gracián is the most representative writer of the Spanish Baroque literary style known as ''Conceptismo'' (Conceptism), of which he was the most important theoretician; his ''Agudeza y arte de ingenio'' (''Wit and the Art of Inventiveness'') is at once a poetic, a rhetoric and an anthology of the conceptist style.

The Aragonese village in which he was born, Belmonte de Calatayud, changed its name to Belmonte de Gracián in his honour.

''El Criticón''

The three parts of the ''El Criticón'', published in 1651, 1653 and 1657, achieved fame in Europe, especially in German-speaking countries. It is, without a doubt, the author's masterpiece and one of the great works of the Siglo de Oro. It is a lengthy allegorical novel with philosophical overtones. It recalls the Byzantine style of novel in its many vicissitudes and in the numerous adventures to which the characters are subjected, as well as the picaresque novel in its satirical take on society, as evidenced in the long pilgrimage undertaken by the main characters, Critilo, the "critical man" who personifies disillusionment, and Andrenio, the "natural man" who represents innocence and primitive impulses. The author constantly exhibits a perspectivist technique that unfolds according to the criteria or points of view of both characters, but in an antithetical rather than plural way as in Miguel de Cervantes. The novel reveals a philosophy, pessimism, with which one of its greatest readers and admirers, the 19th century German philosopher Arthur Schopenhauer, identified.

The following is a summary of the ''El criticón'', reduced almost to the point of a sketch, of a complex work that demands detailed study.

Critilo, man of the world, is shipwrecked on the coast of the island of Santa Elena, where he meets Andrenio, the natural man, who has grown up completely ignorant of civilization. Together they undertake a long voyage to the Isle of Immortality, travelling the long and prickly road of life. In the first part, "En la primavera de la niñez" ("In the Spring of Childhood"), they join the royal court, where they suffer all manner of disappointments; in the second part, "En el otoño de la varonil edad" ("In the Autumn of the Age of Manliness"), they pass through Aragon, where they visit the house of Salastano (an anagram of the name of Gracián's friend Lastanosa), and travel to France, which the author calls the "wasteland of Hipocrinda", populated entirely by hypocrites and dunces, ending with a visit to a house of lunatics. In the third part, "En el invierno de la vejez" ("In the Winter of Old Age"), they arrive in Rome, where they encounter an academy where they meet the most inventive of men, arriving finally at the Isle of Immortality. He is intelligent and contributed greatly to the world. One of his most famous phrases is "Respect yourself if you would have others respect you."

''The Art of Worldly Wisdom''

Gracián's style, generically called conceptism, is characterized by ellipsis and the concentration of a maximum of significance in a minimum of form, an approach referred to in Spanish as ''agudeza'' (wit), and which is brought to its extreme in the ''Oráculo Manual y Arte de Prudencia'' (literally ''Manual Oracle and Art of Discretion'', commonly translated as ''The Art of Worldly Wisdom''), which is almost entirely composed of three hundred maxims with commentary. He constantly plays with words: each phrase becomes a puzzle, using the most diverse rhetorical devices.

Its appeal has endured: in 1992, Christopher Maurer's translation of this book remained 18 weeks (2 weeks in first place) in ''The Washington Posts list of Nonfiction General Best Sellers. It has sold nearly 200,000 copies.

Critical reception

The 1911 ''Encyclopædia Britannica'' wrote of Gracián that: "He has been excessively praised by Schopenhauer, whose appreciation of the author induced him to translate the ''Oráculo manual'', and he has been unduly depreciated by Ticknor and others. He is an acute thinker and observer, misled by his systematic misanthropy and by his fantastic literary theories".

Nietzsche wrote of the ''Oráculo'', "Europe has never produced anything finer or more complicated in matters of moral subtlety," and Schopenhauer, who translated it into German, considered the book "Absolutely unique... a book made for constant use... a companion for life" for "those who wish to prosper in the great world." A translation of the ''Oráculo manual'' from the Spanish by Joseph Jacobs (London: Macmillan and Co., Limited), first published in 1892, was a huge commercial success, with many reprintings over the years (most recently by Shambala). Jacobs's translation is alleged to have been read by Winston Churchill, seven years later, on the ship taking him to the Boer Wars.

In Paris, in 1924, a revision and reprint of the translation into French by Abraham-Nicolas Amelot de La Houssaie, with a preface by André Rouveyre, attracted a wide readership there, and was admired by André Gide. A new translation by Christopher Maurer (New York: Doubleday) became a national bestseller in the U.S. in 199

and the English edition, which sold almost 200,000 copies, was translated into Finnish, Chinese, Japanese, Portuguese, and many other languages.

Works

* ''El héroe'' (1637, ''The Hero''), a criticism of Niccolò Machiavelli, Machiavelli, drawing a portrait of the ideal Christian leader.
* ''El político Don Fernando el Católico'' (1640, ''The Politician King Ferdinand the Catholic''), presents his ideal image of the politician.
* ''Arte de ingenio'' (1642, revised as ''Agudeza y arte de ingenio'' in 1648), an essay on literature and aesthetics.
* ''El discreto'' (1646, ''The Complete Gentleman''), described the qualities which make the sophisticated man of the world.
* ''Oráculo Manual y Arte de Prudencia'' (1647), translated as '' The Art of Worldly Wisdom'' (by Joseph Jacobs, 1892), ''The Oracle, a Manual of the Art of Discretion'' (by L.B. Walton), ''Practical Wisdom for Perilous Times'' (in selections by J. Leonard Kaye), or ''The Science of Success and the Art of Prudence'', his most famous book, some 300 aphorisms with comments.
* ''El Criticón'' (1651–1657), a novel, translated first part as ''The Critic'' by Sir Paul Rycaut in 1681.

The only publication which bears Gracián's name is ''El Comulgatorio'' (1655); his more important books were issued under the pseudonym of Lorenzo Gracián (a supposititious brother of the writer) or under the anagram of Gracía de Marlones. Gracián was punished for publishing without his superior's permission ''El Criticón'' (in which Defoe is alleged to have found the germ of ''Robinson Crusoe''), but no objection was taken to its substance.

Notes

References

* Endnotes:
** See Karl Borinski, ''Baltasar Gracián und die Hofliteratur in Deutschland'' (Halle, 1894);
** Benedetto Croce, ''I Trattatisti Italiani del "concettismo" e Baltasar Gracián'' (Napoli, 1899);
** Narciso José Liñán y Heredia, ''Baltasar Gracián'' (Madrid, 1902). Schopenhauer and Joseph Jacobs have respectively translated the ''Oráculo manual'' into German and English.
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Further reading

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* Jiménez Moreno, Luis «Presencia de Baltasar Gracián en filósofos alemanes: Schopenhauer y Nietzsche». Baltasar Gracián. Selección de estudios, investigación actual y documentación, Barcelona. J. Ayala (ed.). 1993 (Anthropos 37, 1993). 125–138.
* Maravall, José A. «Antropología y política en el pensamiento de Gracián». «Un mito platónico en Gracián». Estudios de historia del pensamiento español. Madrid: Cultura Hispánica, 1984. 333–373. 375–383.
* Muratta Bunsen, Eduardo. «Gracián y el concepto de prudencia». Los conceptos de Gracián. Sebastian Neumeister (ed.). Berlin: Verlag Walter Frey, 2010. 69–98.
* Neumeister, Sebastian. «Gracián filósofo». Estado actual de los estudios sobre el Siglo de Oro. M. García Martín (ed.). Salamanca, Universidad de Salamanca, 1993. 735–739.
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* Pelegrín, Benito. ''Éthique et esthétique du baroque. L'espace jésuitique de Baltasar Gracián'', Arles, Actes Sud/Hubert Nyssen, 1985.
* Romera-Navarro, Miguel. ''Estudios sobre Gracián'', Austin, University of Texas Press, 1950.
* Sobejano, Gonzalo. «Gracián y la prosa de ideas». Historia y crítica de la literatura española. Francisco Rico (ed.). Barcelona: Crítica, 1983. 904–970.
* Wilmat, Karl Dean. ''The philosophy of education of Baltasar Gracián'', (Dissertation at the University of Kansas), Lawrence, 1979, 346.

External links

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Gracián, Baltasar
in ''The Columbia Encyclopedia'', Sixth Edition, 2001.
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"Gracián and the psychoanalysis"
features a portrait.
*An in progress academi
translation of El Arte de Prudencia

{{DEFAULTSORT:Gracian Y Morales, Baltasar
1601 births
1658 deaths
17th-century Spanish Jesuits
17th-century Spanish philosophers
17th-century Spanish writers
Baroque writers
Jesuit philosophers
People from Comunidad de Calatayud
Philosophers of pessimism
Roman Catholic writers
Spanish Baroque people
Spanish Golden Age
Spanish male writers
Spanish writers