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''Bucket and cone'' refer to twin attributes that are frequently held in the hands of
winged genie Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displa ...
s depicted in the
art of Mesopotamia The art of Mesopotamia has survived in the record from early hunter-gatherer societies (8th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian Empire, Akkadian, Babylonian and Assyrian empires. These empires were later replace ...
, and within the context of
Ancient Mesopotamian religion Ancient Mesopotamian religion encompasses the religious beliefs (concerning the gods, creation and the cosmos, the origin of man, and so forth) and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and B ...
. The
iconography Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct fro ...
is particularly frequent in art from the
Neo-Assyrian Empire The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history. Beginning with the accession of Adad-nirari II in 911 BC, the Neo-Assyrian Empire grew to dominate the ancient Near East and parts of South Caucasus, Nort ...
, and especially
Assyrian palace reliefs Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopot ...
from this period. In some instances, only the bucket is held and the other hand is held up in what may be a
blessing In religion, a blessing (also used to refer to bestowing of such) is the impartation of something with doctrines of grace, grace, Sacred, holiness, spiritual Redemption (theology), redemption, or Will of God, divine will. Etymology and Germani ...
gesture. To a lesser degree such images were also depicted in images from the
Neo-Sumerian Empire The Third Dynasty of Ur or Ur III was a Sumerian dynasty based in the city of Ur in the 22nd and 21st centuries BC (middle chronology). For a short period they were the preeminent power in Mesopotamia and their realm is sometimes referred to by ...
,
Old Assyrian Empire The Old Assyrian period was the second stage of Assyrian history, covering the history of the city of Assur from its rise as an independent city-state under Puzur-Ashur I 2025 BC to the foundation of a larger Assyrian territorial state after th ...
,
Babylonian Empire Babylonia (; , ) was an ancient Akkadian-speaking state and cultural area based in the city of Babylon in central-southern Mesopotamia (present-day Iraq and parts of Kuwait, Syria and Iran). It emerged as an Akkadian-populated but Amorite-ru ...
, and
Middle Assyrian Empire The Middle Assyrian Empire was the third stage of Assyrian history, covering the history of Assyria from the accession of Ashur-uballit I 1363 BC and the rise of Assyria as a territorial kingdom to the death of Ashur-dan II in 912 BC. ...
.


Context

These objects are often displayed in association with a stylised tree, before floral decorations, guardian figures, the king and / or his attendants and open doorways or portals. The cone was apparently held up in the right hand, the bucket held hanging downwards in the left hand of the figure, which is almost always that of a
winged genie Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displa ...
or an animal-headed
demon A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in folklore, mythology, religion, occultism, and literature; these beliefs are reflected in Media (communication), media including f ...
or mythical composite (similar to the demon antagonist
Anzû Anzû, also known as dZû and Imdugud ( Sumerian: '' ''), is a demon in several Mesopotamian religions. He was conceived by the cosmic freshwater ocean '' Abzu'' and mother Earth ''Mami'', or as son of Siris. In Babylonian myths Anzû was depi ...
, though not necessarily with the same malicious connotations); only very occasionally might these attributes be borne by a fully human figure.


Identity

As to the identity of the twin objects, the "cone" is generally recognised as a
Turkish pine ''Pinus brutia'', commonly known as the Turkish pine and Calabrian pine, is a species of pine native to the eastern Mediterranean region. The bulk of its range is in Turkey, but certain varieties are naturalized as far east as Afghanistan. It is ...
cone (''
Pinus brutia ''Pinus brutia'', commonly known as the Turkish pine and Calabrian pine, is a species of pine native to the eastern Mediterranean region. The bulk of its range is in Turkey, but certain varieties are naturalized as far east as Afghanistan. It is ...
''), common in Assyria. Other common identifications suggest the male
inflorescence In botany, an inflorescence is a group or cluster of flowers arranged on a plant's Plant stem, stem that is composed of a main branch or a system of branches. An inflorescence is categorized on the basis of the arrangement of flowers on a mai ...
of the
date palm ''Phoenix dactylifera'', commonly known as the date palm, is a flowering-plant species in the palm family Arecaceae, cultivated for its edible sweet #Fruits, fruit called dates. The species is widely cultivated across North Africa, northern A ...
(''
Phoenix dactylifera ''Phoenix dactylifera'', commonly known as the date palm, is a flowering-plant species in the palm family Arecaceae, cultivated for its edible sweet #Fruits, fruit called dates. The species is widely cultivated across North Africa, northern A ...
''), or a
clay Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolinite, ). Most pure clay minerals are white or light-coloured, but natural clays show a variety of colours from impuriti ...
imitation of one or the other. The bucket was presumably either leather, metal, or
basketry Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets ...
, and is thought to have held either
holy water Holy water is water that has been blessed by a member of the clergy or a religious figure, or derived from a well or spring considered holy. The use for cleansing prior to a baptism and spiritual cleansing is common in several religions, from ...
or
pollen Pollen is a powdery substance produced by most types of flowers of seed plants for the purpose of sexual reproduction. It consists of pollen grains (highly reduced Gametophyte#Heterospory, microgametophytes), which produce male gametes (sperm ...
, or perhaps both.


Uses

Although fully explanatory texts regarding these objects are exceedingly rare, from written record it does seem highly likely that they were together employed in rituals of purification, as revealed by their Akkadian (also called ''Assyrian'', ''Babylonian'') names: ''Banduddû'' ("bucket") and ''mullilu'' ("purifier"). In this case the fir cone would be dipped in the bucket of water before being shaken in order to sprinkle water that ritually purified a person or object. Alternatively the close association of the objects with depictions of stylised trees has led to the suggestion that it depicts fertilisation. In this case the pollen from the male flower of the date palm would be being shaken onto the tree.


References

{{commons category, position=left Assyrian art and architecture Ritual purification Sculpture of the ancient Near East Religious iconography Visual motifs