Breakdowns (comics)

''Breakdowns'' is a collected volume of underground comic strips by American cartoonist Art Spiegelman. The book is made up of strips dating to before Spiegelman started planning his graphic novel ''Maus'', but includes the strip "Maus" which presaged the graphic novel, and "Prisoner on the Hell Planet" which is reproduced in ''Maus''. The original edition of 1977 is subtitled ''From Maus to Now''; the expanded 2008 edition is subtitled ''Portrait of the Artist as a Young %@&*!''.

Overview

The original 1977 edition was made up of short, experimental strips, some of which were autobiographical, made between 1972 and 1977. At that stage in his career, Spiegelman was more interested in the formal elements of the comics medium than in its content or storytelling aspects. He experimented with and explored the relation of panels to each other on the page, pictorial manipulation, and how far one could take a story formally before it became incoherent. He parodied and paid homage to his cartoon heroes, notably Chester Gould's ''Dick Tracy'', '' Rex Morgan, M.D.'', and Winsor McCay's '' Dream of the Rarebit Fiend''.

The cover depicts Spiegelman drinking a bottle of India ink over repeated variants of the same image. The title is written in shaky block letters, implying both visual and psychological breakdowns.

''Portrait of the Artist as a Young %@&*!'' (2008)

The expanded 2008 edition made use of a swirl or squiggle motif. The seemingly tossed-off squiggle is used in a variety of contexts. It is first introduced as the expression of surprise of the character on the cover slipping on a copy of the first edition of ''Breakdowns'' (rather than a clichéd banana peel). At other times it is used to represent the artist himself, or the squiggles he makes as a youth learning to draw.

Spiegelman depicts himself in the vest that has become synonymous with his image since ''Maus'', in contrast to his appearance in the comics from the original ''Breakdowns''.

Publication history

''Breakdowns'' was originally published in an edition that sold less than 3000 copies in 1977 by Belier Press as ''Breakdowns: From Maus to Now'', collecting strips that had appeared between 1972 and 1977 in various underground publications, including ''Arcade'', which Spiegelman had co-edited. Unusually for American comics at the time, it was published in hardcover.

It was republished in an expanded edition by Pantheon Books in 2008 and retitled ''Breakdowns: Portrait of the Artist as a Young %@&*!'', with a new introductory comic and long afterword which nearly double the length of the original book. When Spiegelman had been working on ''In the Shadow of No Towers'', a book with many of the formal concerns of ''Breakdowns'', his editor at Pantheon Books, Dan Frank, approached him to reprint ''Breakdowns''.

Style and analysis

Spiegelman visually relates the story of a boy who bullied him and spat on his mother in his youth, echoing with irony the well-known Charles Atlas advertisements such as "The Insult that Made a Man out of Mac" that ran in comic books. He fills the dialog balloons with text from Viktor Shklovsky's essay "Art as Technique".

Reception and legacy

The volume failed to capture a wide audience. Spiegelman says this indifference was the impetus to take on ''Maus''.

References

Works cited

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External links

Review
at The Guardian's website

Review
by Paul Gravett at The Independent's website

{{Underground comix works

Comics by Art Spiegelman
1977 graphic novels
1977 comics debuts
Underground comix
Autobiographical comics
Metafictional comics
Comics about comics
Short comics
Satirical comics
Parody comics