Blažej Baláž (born 29 October 1958) is a Slovak contemporary artist. His practise as an artist is usually associated with political art, environmental, activist, mail-art and neo-conceptualism. After 1988 he began working with text as art, neo-conceptual and

post-conceptual Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work take some precedence over traditional ...

texts (intext, outtext).

Life and work

Baláž was born in Nevoľné,

Czechoslovakia Czechoslovakia ( ; Czech language, Czech and , ''Česko-Slovensko'') was a landlocked country in Central Europe, created in 1918, when it declared its independence from Austria-Hungary. In 1938, after the Munich Agreement, the Sudetenland beca ...

(today

Slovakia Slovakia, officially the Slovak Republic, is a landlocked country in Central Europe. It is bordered by Poland to the north, Ukraine to the east, Hungary to the south, Austria to the west, and the Czech Republic to the northwest. Slovakia's m ...

). He studied at the Academy of Fine Arts, Bratislava, and his Magister of Fine Arts degree received in 1983. Baláž has been the Head of Department of Fine Arts Education at the

University of Trnava The University of Trnava (in Trnava) () is based in Trnava, in western Slovakia. The university's presence in the town has historical antecedents as the University of Nagyszombat was operating there throughout the 17th and 18th century (present d ...

since 1999. He was a founder member of the artists group East of Eden (1998). Since 1979, he has been married to the artist Mária Balážová. He lives and works in

Trnava Trnava (, , ; , also known by other #Names and etymology, alternative names) is a city in western Slovakia, to the northeast of Bratislava, on the Trnávka river. It is the capital of the Trnava Region and the Trnava District. It is the seat o ...

. He has worked in the areas of political, environmental, activist and neo-conceptual art. His practice also comprises media painting, works on paper, performances, drawing, object, mail art and printmaking. He has shown work internationally in exhibitions including the Drawing 1990, Provo, USA (1990), Vth International Drawing Triennale,

Wrocław Wrocław is a city in southwestern Poland, and the capital of the Lower Silesian Voivodeship. It is the largest city and historical capital of the region of Silesia. It lies on the banks of the Oder River in the Silesian Lowlands of Central Eu ...

(1992), 12th International Biennale of Small Sculpture,

Murska Sobota Murska Sobota (, Slovenian abbreviation: ''MS'' ; ;''Radkersburg und Luttenberg'' (map, 1:75,000). 1894. Vienna: K.u.k. Militärgeographisches Institut. ) is a town in northeastern Slovenia. It is the centre of the City Municipality of Murska Sob ...

(1995), International Biennale of Graphic Arts,

Ljubljana {{Infobox settlement , name = Ljubljana , official_name = , settlement_type = Capital city , image_skyline = {{multiple image , border = infobox , perrow = 1/2/2/1 , total_widt ...

(1989, 1995, 1999), Object / Object.

Prague Prague ( ; ) is the capital and List of cities and towns in the Czech Republic, largest city of the Czech Republic and the historical capital of Bohemia. Prague, located on the Vltava River, has a population of about 1.4 million, while its P ...

, Czech Museum of Fine Arts (2001), Intertext / From the conceptual to postconceptual text, Ján Koniarek Gallery, Trnava (2009), Formats of Transformation 89 – 09 / Seven views on the new Czech and Slovak identity, House of Art, Brno (2009). Solo exhibitions (retrospective): Geld macht Kunst, Ján Koniarek Gallery, Trnava (2003), Blažej Baláž Texts 1988/2007, The East Slovak Gallery, Košice (2007), Museum of Fine Arts, Žilina (2007), SUCHARATOLEST House of Art, Bratislava (2009), WARTEZEIT, Slowakisches Institut Wien (2009), Post-Geo-Text (with Mária Balážová), Slowakisches Institut Berlin (2011). His works are held in the public collections of Slovak National Gallery,

Bratislava Bratislava (German: ''Pressburg'', Hungarian: ''Pozsony'') is the Capital city, capital and largest city of the Slovakia, Slovak Republic and the fourth largest of all List of cities and towns on the river Danube, cities on the river Danube. ...

National Gallery in Prague The National Gallery Prague (, NGP), formerly the National Gallery in Prague (), is a state-owned art gallery in Prague, which manages the largest collection of art in the Czech Republic and presents masterpieces of Czech and international fine a ...

(CZ), Muzeum Archidiecezjalne,

Katowice Katowice (, ) is the capital city of the Silesian Voivodeship in southern Poland and the central city of the Katowice urban area. As of 2021, Katowice has an official population of 286,960, and a resident population estimate of around 315,000. K ...

(PL), Fries Museum,

Leeuwarden Leeuwarden (; ; ; ) is a List of cities in the Netherlands by province, city and Municipalities of the Netherlands, municipality in Friesland, Netherlands, with a population of 127,073 (2023). It is the provincial capital and seat of the Provin ...

(NL), Jan Koniarek Gallery,

, East Slovakian Gallery

Košice Košice is the largest city in eastern Slovakia. It is situated on the river Hornád at the eastern reaches of the Slovak Ore Mountains, near the border with Hungary. With a population of approximately 230,000, Košice is the second-largest cit ...

, City Gallery, Bratislava, Central Slovakian Gallery, Banská Bystrica.

Cycle Treptomachia

Baláž's works brings the new possibilities at the field of post-conceptual and neo-conceptual text. The exhibition is divided in three segments, all of them are connected by the specific and authentic search of the possibilities in the conceptual Macaronic language. The first is created from the neo-conceptual horizontal/vertical texts, a part of Treptomachia, (WARTEZEIT, 2006, WARTERAUM, 2006 and How to domesticate the English language, 2006). The internal orientation of artworks, the search of art itself, the search of language and text brings the cracking of syntactic/semantic wholeness of graphems. The metatexts of initial prototext are distinguished by the colors (oil on canvas, 300 x 200 cm). In this regard Baláž's eff ort culminates by the diptych TREPTOMACHIA.EN-A / How to domesticate the English language and TREPTOMACHIA.DE-B / How to domesticate the German language (2006). Both are depicted on big-size canvas, within which the only dominating word with partial messages is replaced with newly defined optical language with tens of words. The colour decomposition of the grapheme creates a symptomatic background for language overlapping and the contamination, which creates the supreme moment of the author's Babylonian crossroads. Another, the second segment, black and white acryl-paintings enriches the former one, the artworks are created on principle of the structuralist analysis of text. It is a variant, which is called and named by author and curator the intext. By the segmentation of text the author discovers several lexis. These have a different lexical origin, five West-European, five East-European, and „dead“ language of Medieval Esperanto – Latin. Despite the cold artificiality of works, this segment has also the hidden sociocritical context, which is oscillated between phenomenons West and East, art and politics. The third segment is the most open and subjective. These horizontal texts are named by its author as the simultaneous texts. It is a different alternative in the post-conceptual Makaronian text, the melange is created by harmony of the initial and derivative text. Its ironic and attacking character replaces a cold aspect of the first two segments. Vajanský's Suchá ratolesť (an ironic parallel of failing elits) is floundered by streams, the subject is named by the author as east rat in the age of 20-years of wandering a la democrazy, with a more complicated ambivalent reading. The fragility of ground – paper our artworks, width 10 mraises the openness of statement, ODRBMADEMOKRATICKY, 2008 crew me over democratically is predominative.

Awards

* 1987 Honorable Mention, Biennale of Slovak Graphic Art IX, Banská Bystrica * 1987 3rd Prize for Printmaking, Competition of Slovakian Fine Artists, Bratislava * 1989 Purchase Prize, 9è Mini Print Internacional, Cadaqués (E) * 1989 1st Prize for Painting, Competition of West-Slovakian Fine Artists, Trenčín * 1990 Award of Excellence, 6th International Miniature Print Biennale, Seoul (South Korea) * 1995 Award of The Masaryk's Academy of Arts, Prague (CZ) * 1996 Prize Ex Aequo, Biennale of Slovak Graphic Art XIII, Banská Bystrica * 2005 The Jury's Award, Biennale of small graphics GRAFIX, Břeclav (CZ) * 2005 Award of The City Banská Bystrica, Triennial of Slovak Graphic Art XVI, Banská Bystrica * 2008 Award of The City Trnava * 2014 Prize of the Czech Union of Visual Artists of the Czech Republic, 9th International Biennial of Drawing Plzeň (CZ) * 2016 Special Award by the Jury - Osten Biennial of Drawing 2016, Skopje (MK)

Collections

* Slovak National Gallery, Bratislava * Galéria mesta Bratislavy, Bratislava * East-Slovakian Gallery, Košice * Central Slovakian Gallery, Banská Bystrica * J. Koniarek Gallery, Trnava * M. A. Bazovský Gallery, Trenčín *

National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current di ...

, Prague (CZ) * Moravská galerie, Brno (CZ) * Osten Museum of Drawing, Skopje (MK) * Muzeum Archidiecezjalne, Katowice (PL) * Miejska Galeria Sztuki, Łódź (PL) * Cremona Civic Museum, Prints Cabinet (I) * Friske Museum, Leeuwarden (N)

Books, catalogues

* VALOCH, J. – VARTECKÁ, A. 2003. Blažej Baláž. Trnava : Trnava University, East of Eden, 132 p. (In English and Slovak) * BESKID, V. – GAJDOŠ, R. 2007. Blažej Baláž : Texts 1988 /2007. Trnava : East of Eden, Trnava University, 48 p. (In English and Slovak) * BALÁŽ, B. 2009. The Texts of the Texts. Trnava : Trnava University, 30 p. * ORIŠKOVÁ, M. – GAJDOŠ, R. – BALÁŽ, B. 2016. Blažej Baláž – My Way. Trnava : Typi Universitatis Tyrnaviensis, 202 p.

References

* ž.u.m. (= URRA MUENA, Ž.).1992. Blažej Baláž. In Saur Allgemeines Künstler – Lexikon, band 6. Mϋnchen, Leipzig: K.G.Saur. (D) * BARTOŠOVÁ, Z. 1995. Blažej Baláž. In 12th International Biennial of Small Sculpture. Murska Sobota: Galerija Murska Sobota, p. 158-159 (SL) * GERŽOVÁ, J. 1999. Junk art. In Dictionary of World and Slovak Fine Art in the 2nd half of the 20th century. Bratislava : Kruh súčasného umenia Profil, p. 285 * VRBANOVÁ, A. 2000. New Form in Graphic Art. In RUSINOVÁ, Z. et al. 2000. Art of the 20th century. Bratislava : Slovak National Gallery, p. 114-116 * VALOCH, J. 2001. The Connotation of Powdered Painting. In Ateliér, vol.14, no.6, 22.3.2001, p. 9, Prague (CZ) * BESKID, V. 2003. Geld macht Kunst. Macht Kunst Geld? In Profil, vol. X, no.2/2003, p. 128-131 * ADAM, R. – ROBERTSON, C. 2007. Intaglio. London : Thames & Hudson, p. 29 (UK) * BÖHMEROVÁ, Z. – JANČÁR, I. 2007. Slovak Graphics of the 20th Century. Bratislava : City Gallery, 2007, p. 195, 285, 304, 312 * BARTOŠOVÁ, Z. 2007. 20th Century. In Art in Slovakia / Summary History of Pictures. Bratislava. Bratislava : Slovart, p. 224 * GAJDOŠ, R. 2008. The projection of linguistic thinking to contemporary fine arts.. In SCHNEIDER, J. – KRAUSOVA, L. 2008 (eds). Intermediality: Word – image – sound. Olomouc : University of J. E. Palacký, 334 p. . 223-229(CZ) * VALOCH, J. 2009. Venice In-Between Geometry and Concept. Ateliér, vol.22, no.18, p. 4, 10.9.2009 (CZ) * GERŽOVÁ, B. 2009. From plaster to chewing gum – Author's techniques, Nitra : Nitra Gallery, p. 5, 9, 44, 45 * BESKID, V. 2009. From a Political Space toward a Public One. In KOWOLOWSKI, F. (ed.) 2009. Formats of Transformation 89 – 09 / Seven views on the new Czech and Slovak identity. Brno : House of Art, p. 14 – 17, 200 (CZ) * KNÍŽÁK, M. – VLČEK, T. (eds.). 2009. 909 / Art from the Turn of the Millennium in the National Gallery in Prague 1990 - 2009. Prague - National Gallery, p. 362 (CZ) * GAJDOŠ, R. 2010. Conceptual Text / Genesis and Metamorphosis. Trnava : Typi Universitatis Tyrnaviensis and Veda, p. 11, 12, 76, 87, 89, 99, 101, 104, 105, 128 (SK) * BESKID, V. 2012. Rónaiová's Cuts by Social Art. In Veronika Rónaiová's Social Investigation 2. Trnava : Typi Universitatis Tyrnaviensis, p. 6-7 * GAJDOŠ, R. 2012. In Veronika Rónaiová's Social Investigation 2. Trnava : Typi Universitatis Tyrnaviensis, p. 10, 13 * GREGOROVÁ, L. 2012. In. BURAN, D. (ed.). 2012. Blood. Bratislava : Slovak National Gallery, p. 86-87 * BESKID, V. 2012. The image of painting in the „Picture du nouveau“. In ObraSKovo nanovo / Contemporary Slovak Painting. Poprad : Tatranská Gallery, p. 15 * MICHÁLEK, O. 2016. Magie otisku. Grafické techniky a technologie tisku. Brno : Barrister & Principal, s. 246, 248, 249 * GAJDOŠ, R. 2016. In Opposite Direction. In Protocollum 2016/2017. Berlin : Dickersbach Kunstverlag, p. 94-97

External links

* * http://www.artfacts.net/en/artist/blazej-balaz-165810/profile.html * http://www.kunstaspekte.de/index.php?k=8735&action=webpages * http://www.artgallery.sk/pouzivatel.php?ArtGallery_Session=f82e20a9e6d69f7b28890e45fd3bd3f1&getPouzivatel=764 * http://www.osobnosti.sk/index.php?os=zivotopis&ID=59280&mainkat=4 * https://web.archive.org/web/20080617073554/http://pdfweb.truni.sk/fak/katedry/kpvu/bbalaz/index.html * http://www.gjk.sk/en/exhibition/archive-of-expositions/2009/intertext/ * https://web.archive.org/web/20080918075827/http://www.pgu.sk/archive/2007/balaz.htm {{DEFAULTSORT:Balaz, Blazej 1958 births Living people People from Žiar nad Hronom District 20th-century Slovak painters Conceptual artists Postmodern artists Contemporary painters Post-conceptual artists