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Bitrate peeling is a technique used in Ogg Vorbis audio encoded
streams A stream is a continuous body of surface water flowing within the bed and banks of a channel. Depending on its location or certain characteristics, a stream may be referred to by a variety of local or regional names. Long, large stream ...
, wherein a stream can be
encoded In communications and information processing, code is a system of rules to convert information—such as a letter, word, sound, image, or gesture—into another form, sometimes shortened or secret, for communication through a communication ...
at one bitrate but can be served at that or any lower bitrate. The purpose is to provide access to the clip for people with slower
Internet The Internet (or internet) is the Global network, global system of interconnected computer networks that uses the Internet protocol suite (TCP/IP) to communicate between networks and devices. It is a internetworking, network of networks ...
connections, and yet still allow people with faster connections to enjoy the higher quality content. The server automatically chooses which stream to deliver to the user, depending on user's connection speed. , Ogg Vorbis bitrate peeling existed only as a concept as there was not yet an encoder capable of producing peelable datastream
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Difference from other technologies

The difference between SureStream and bitrate peeling is that SureStream is limited to only a handful of pre-defined bitrates, with significant difference between them, and SureStream encoded files are big because they contain all of the bitrates used, while bitrate peeling uses much smaller steps to change the available bitrate and quality, and only the highest bitrate is used to encode the file/stream, which results in smaller files on servers. A related technique to the SureStream approach is hierarchical modulation, used in broadcast, where severally different streams at different qualities (and bitrates) are all broadcast, with the higher quality stream used if possible, with the lower quality streams fallen back on if not.


Lossy and correction

A similar technology is to feature a combination of a lossy format and a lossless correction; this allows stripping the correction to easily obtain a lossy file. Such formats include
MPEG-4 SLS MPEG-4 SLS, or MPEG-4 Scalable to Lossless as per International Organization for Standardization, ISO/International Electrotechnical Commission, IEC 14496-3:2005/Amd 3:2006 (Scalable Lossless Coding), is an extension to the MPEG-4 Part 3 (MPEG-4 ...
(scalable to lossless),
WavPack WavPack is a free and open-source lossless audio compression format and application implementing the format. It is unique in the way that it supports hybrid audio compression alongside normal compression which is similar to how FLAC works. ...
, DTS-HD Master Audio and OptimFROG DualStream.


SureStream example

A SureStream encoded file is encoded at bitrates of 16 kbit/s, 32 kbit/s and 96 kbit/s. The file will be about the same in size as three separate files encoded at those bitrates and put together, or one file encoded at the sum of those bitrates, which is about 144 kbit/s (16 + 32 + 96). When a
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user has only about 28 kbit/s of bandwidth available, the Real server will serve the 16 kbit/s stream. If the dial-up connection is of higher quality, and maybe about 42 kbit/s is available, the server will automatically switch to the 32 kbit/s stream. A
DSL Digital subscriber line (DSL; originally digital subscriber loop) is a family of technologies that are used to transmit digital data over telephone lines. In telecommunications marketing, the term DSL is widely understood to mean asymmetric di ...
or
cable Cable may refer to: Mechanical * Nautical cable, an assembly of three or more ropes woven against the weave of the ropes, rendering it virtually waterproof * Wire rope, a type of rope that consists of several strands of metal wire laid into a hel ...
Internet user will be served the 96 kbit/s stream. This looks good, but even though the user with 28 kbit/s can use a higher bitrate / higher quality stream (maybe 22–24 kbit/s), such thing can't be done with SureStream, unless the encoded file contains such a bitrate. This is where Bitrate Peeling comes into play.


Bitrate peeling example

Contrary to SureStream, bitrate peeling requires only the highest bitrate to be used when encoding a file/stream, which is 96 kbit/s in this case. The obvious benefit is much smaller space on a server required by such a file. An additional feature of bitrate peeling is a much finer tuning of available bitrate/quality. If a dial-up user with 28 kbit/s available bandwidth connects to an Ogg Vorbis file/stream, the server will "peel" the original 96 kbit/s file/stream down to just below available bandwidth (in this case it would be around 20–24 kbit/s). This so-called peeling process is different from
transcoding Transcoding is the direct digital-to-digital conversion of one encoding to another, such as for video data files, audio files (e.g., MP3, WAV), or character encoding (e.g., UTF-8, ISO/IEC 8859). This is usually done in cases where a target ...
because transcoding uncompresses the file and recompresses it (a computing-intensive process), whereas the peeling process removes excess bits from the stream without more processing. Aside from the obvious space-saving advantage bitrate peeling allows for smaller steps in the delivery bitrate (the end user will see the file in the highest quality possible for their bandwidth). These benefits are only theoretical, as the only Vorbis peeler available is still in experimental state and produces file qualities inferior to what
transcoding Transcoding is the direct digital-to-digital conversion of one encoding to another, such as for video data files, audio files (e.g., MP3, WAV), or character encoding (e.g., UTF-8, ISO/IEC 8859). This is usually done in cases where a target ...
the higher bitrate file to a lower bitrate would.


Comparison with other progressive encodings

{{details, Lossy data compression#Downsampling / compressed representation scalability Bitrate peeling is theoretically possible, and is implemented in some other formats, notably
JPEG 2000 JPEG 2000 (JP2) is an image compression standard and coding system. It was developed from 1997 to 2000 by a Joint Photographic Experts Group committee chaired by Touradj Ebrahimi (later the JPEG president), with the intention of superseding their ...
,
JPEG JPEG ( , short for Joint Photographic Experts Group and sometimes retroactively referred to as JPEG 1) is a commonly used method of lossy compression for digital images, particularly for those images produced by digital photography. The degr ...
progressive encoding, and
Scalable Video Coding Scalable Video Coding (SVC) is a video compression standard developed jointly by the ITU-T and the ISO/IEC. The two organizations formed the ''Joint Video Team'' (JVT) to create the H.264/ MPEG-4 AVC standard (ITU-T Rec. H.264 , ISO/IEC 14496- ...
. The reason that it is not available in Ogg Vorbis is that current encoders do not organize the code-stream to have progressive accuracy, thus peelers cannot tell which data is more or less important. See also the Adam7 algorithm used in PNG interlacing.


See also

* Ogg bitstream format * Vorbis, a free audio compression
codec A codec is a computer hardware or software component that encodes or decodes a data stream or signal. ''Codec'' is a portmanteau of coder/decoder. In electronic communications, an endec is a device that acts as both an encoder and a decoder o ...
*
Streaming media Streaming media refers to multimedia delivered through a Computer network, network for playback using a Media player (disambiguation), media player. Media is transferred in a ''stream'' of Network packet, packets from a Server (computing), ...
*
audio file format An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or audio compression (data), compressed t ...
*
audio signal processing Audio signal processing is a subfield of signal processing that is concerned with the electronic manipulation of audio signals. Audio signals are electronic representations of sound waves—longitudinal waves which travel through air, consisting ...
*
audio storage Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of ...
*
codec A codec is a computer hardware or software component that encodes or decodes a data stream or signal. ''Codec'' is a portmanteau of coder/decoder. In electronic communications, an endec is a device that acts as both an encoder and a decoder o ...
*
data compression In information theory, data compression, source coding, or bit-rate reduction is the process of encoding information using fewer bits than the original representation. Any particular compression is either lossy or lossless. Lossless compressi ...


External links


Xiph.org Foundation

Xiph.org Bitrate Peeling Bounty

Ogg Vorbis site








Data compression Audio engineering