Beit Ghazaleh
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Beit Ghazaleh (The Ġazaleh House; ) is one of the largest and better-preserved palaces from the Ottoman period in
Aleppo Aleppo is a city in Syria, which serves as the capital of the Aleppo Governorate, the most populous Governorates of Syria, governorate of Syria. With an estimated population of 2,098,000 residents it is Syria's largest city by urban area, and ...
. It was named after the Ghazaleh family that owned it for about two centuries. Since 1914, it was used as a public school and restored to host the Memory Museum of the city of
Aleppo Aleppo is a city in Syria, which serves as the capital of the Aleppo Governorate, the most populous Governorates of Syria, governorate of Syria. With an estimated population of 2,098,000 residents it is Syria's largest city by urban area, and ...
. Beit Ghazaleh is located in the
Al-Jdayde Al-Jdayde ( "The New Town", also transcribed as ''al-Jdeideh'', ''al-Judayda'', ''al-Jdeïdé,'' ''al-Jadida'' or ''al-Jdeydeh'') is a historic predominantly Christian neighbourhood of Aleppo. Noted for its winding narrow alleys, richly decorat ...
district of Aleppo. The structure has been damaged by warfare and earthquakes.


History: the origins of the Ġazaleh House in Aleppo

The house is located on the Western edge of a large
suburb A suburb (more broadly suburban area) is an area within a metropolitan area. They are oftentimes where most of a metropolitan areas jobs are located with some being predominantly residential. They can either be denser or less densely populated ...
inhabited by a multi-religious and multi-ethnic population. This neighbourhood to the North of the old city of Aleppo developed since the late Mameluke period. This area became the Christian quarter of Jdeideh which was organically clustered around its churches. Here lived the notables of Aleppo's Christian communities, notably the
Armenians Armenians (, ) are an ethnic group indigenous to the Armenian highlands of West Asia.Robert Hewsen, Hewsen, Robert H. "The Geography of Armenia" in ''The Armenian People From Ancient to Modern Times Volume I: The Dynastic Periods: From Antiq ...
who specialised in trade with India and Persia. The Ġazaleh House was built in front of two large Muslim
waqf A (; , plural ), also called a (, plural or ), or ''mortmain'' property, is an Alienation (property law), inalienable charitable financial endowment, endowment under Sharia, Islamic law. It typically involves donating a building, plot ...
s — created in 1583-90 and 1653 — and together they form the monumental heart of a lively mixed Christian-Muslim neighbourhood. Unique for its size and decor, Beit Ghazaleh embodies the wealth and power of the Christian community in 17th century Aleppo. The decorative panels of Beit Ghazaleh do not include human figure representations; made by local craftsmen, the panels display many painted inscriptions presenting a mix of popular sayings, mystic poetry and biblical psalms. This diversity of sources underlines the rich Arab culture and the
eclecticism Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories i ...
typical of Aleppo urban ''élites''.


A palace built around many courtyards

Throughout the centuries, the
mansion A mansion is a large dwelling house. The word itself derives through Old French from the Latin word ''mansio'' "dwelling", an abstract noun derived from the verb ''manere'' "to dwell". The English word ''manse'' originally defined a property l ...
's footprint expanded or contracted according to changing needs and fortunes. However, it always maintained a main central
courtyard A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary a ...
of 250m2. At its apex, the house covered an area of approximately 1,600m2, with 570m2 occupied by six courtyards. The actual size of the complex is practically invisible from the outside. The present entrance was opened in the 19th century on the main street on the house’s East side. This entrance leads to the principal courtyard, the focal centre and the main thoroughfare to the rest of the house.
Polychrome Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors. When looking at artworks and ...
marble tiles, forming a "carpet" in front of the ''iwan'', precede the great
fountain A fountain, from the Latin "fons" ( genitive "fontis"), meaning source or spring, is a decorative reservoir used for discharging water. It is also a structure that jets water into the air for a decorative or dramatic effect. Fountains were o ...
in the courtyard, with its games of water, stone basins and cascades. The fine wall decorations in the courtyard are said to have been carved by the Armenian sculptor Khachadur Bali a member of the Balyan family of Ottoman court architects.


The ''iwan''

A North-South axis cuts through the whole house underlining the importance of the ''
iwan An iwan (, , also as ''ivan'' or ''ivān''/''īvān'', , ) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projecting ...
'' from where it originates. This line divides the courtyard's paving, basin and garden into a precise geometry. The rest of the space is organized according to the needs of the household and the shape of the plot without concern for symmetry. All around the main courtyard, windows and doors punctuate the facades. Above these openings, the relative intricacy of the low relief decor surrounding them establishes the hierarchy of the rooms with the ''
iwan An iwan (, , also as ''ivan'' or ''ivān''/''īvān'', , ) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projecting ...
'' at its summit. The stone decor of the ''iwan'' facade and of its annexes likely dates from the mid-17th century. The painted wooden panels of the '' qubba'' and the surviving panels of the ''iwan'' are likely dated from the same period. The ''iwan'', first meant to provide comfort from the summer heat, is thus the "centre" of the house and plays an essential symbolic role representing the power of the master of Beit Ghazaleh.


Rooms around the central courtyard

The five rectangular rooms accessible from the courtyard were once decorated with woodwork that has now almost entirely disappeared. The sixth room to the West is a vast T-shaped ''qa'a'', indicative of wealth and power.


The North facade

Opposite the ''
iwan An iwan (, , also as ''ivan'' or ''ivān''/''īvān'', , ) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projecting ...
'', the North façade dates from the end of the 17th century. It is remarkable for its lavish decor, unique in Aleppo. In the centre, the '' ablaq'' emphasizes the strict symmetry of the facade, while the interior spaces do not follow the same organization. According to an inscription, the large room in the East Wing dates from 1691. Its rich interior decoration, partially refurbished in the 19th century, includes four distinct sets of inscriptions: * Psalm 91 of the Bible on the ceiling cornice; * Popular sayings on the cornice of the wooden panelling; * The fifteen transom panels above the openings reproduce a poem by Abû al-Fath al-Bustî addressing the themes of the condemnation of excess and unnecessary, reflections on human relationships, the need for God's help, and the need to be in control of one's body and improve one's heart and mind; * The inscriptions above the niches on the North side reproduce the verses of al-Mutanabbi on honour, wisdom and ignorance.


The floors

The floor of the ''iwan'', and of some other rooms, has retained its old split-level organization. The spaces where you stand and circulate, the corridors and the ''ataba-s'', are roughly at the same level as the courtyard. The rest of each room, covered with mats and rugs, is about 50 centimetres higher. The line of sight and the height of cushions determine the height of the sills and windows and thus the internal and external organization of the facades.


The hammam

The
hammam A hammam (), also often called a Turkish bath by Westerners, is a type of steam bath or a place of public bathing associated with the Islamic world. It is a prominent feature in the culture of the Muslim world and was inherited from the model ...
steam bath in the northwest corner is comparable to a public bath, but presents a simplified plan because the vast ' qâ‘a' served as a dressing room and resting space before and after bathing. Kitchens and other service quarters, stables, granaries and warehouses for provisions were likely situated to the North-east and South of the house, accessible from the alleys that surround the plot to the house's North and the South.


The West wing (the Qâ‘a)

The southwest corner of the courtyard, and the West wing, was completely rebuilt in 1737. It includes three key elements: a very large rectangular room with a fireplace, a large ' qâ‘a' and a hammam. The T-shaped 'qâ‘a' includes three ''iwan-s'' with wooden ceilings framing a ''ataba'' with a small octagonal basin in the centre, covered with a dome. The fourth facade of the ''ataba'' opens towards the central courtyard. Its interior decor includes stone tiles with geometric patterns and wooden panels painted with cups and fruit bouquets in vases. The 'qâ‘a' has two sets of inscriptions. The poem calligraphy on transoms (in praise of the Master of the House) begins with a discourse on wine. It ends with a dedication and the name of Jirjis along with a date of 1737. Inscriptions on the ceilings offer praise to the Virgin and include a poem of love typical of
Sufi Sufism ( or ) is a mysticism, mystic body of religious practice found within Islam which is characterized by a focus on Islamic Tazkiyah, purification, spirituality, ritualism, and Asceticism#Islam, asceticism. Practitioners of Sufism are r ...
mystic texts.


The 19th century additions

Significant changes were made to Beit Ghazaleh during the nineteenth century. Notably, rooms were added on the top of the North wing (dated 1880 by an inscription). A new Southern entrance to the impasse ''Chtammâ'' was built, dated 1304/1887. These major redevelopments were inspired by the appearance of consular apartments in the Aleppo urban
caravanserai A caravanserai (or caravansary; ) was an inn that provided lodging for travelers, merchants, and Caravan (travellers), caravans. They were present throughout much of the Islamic world. Depending on the region and period, they were called by a ...
s and by the architecture of embassies in the capital
Istanbul Istanbul is the List of largest cities and towns in Turkey, largest city in Turkey, constituting the country's economic, cultural, and historical heart. With Demographics of Istanbul, a population over , it is home to 18% of the Demographics ...
.


Loss, looting and destruction

During the nineteenth century, changes in the domestic lifestyle and the introduction of Western furniture ultimately led to aristocratic families abandoning houses such as Beit Ghazaleh. The transformation of the Ghazaleh House into a school was a factor for both its destruction and its preservation. While it allowed the preservation of the physical structure of the building, it also favoured the "disappearance" of many of its decorations. Sections of the house's exceptional wooden decorative panels were still in place prior to the Syrian civil war. By the time of its restoration in 2011, a number of pieces had been lost, dismembered or sold to individuals or to museums. Since then the Ghazaleh house, especially its
iwan An iwan (, , also as ''ivan'' or ''ivān''/''īvān'', , ) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projecting ...
, suffered catastrophic damage during the Syrian
civil war A civil war is a war between organized groups within the same Sovereign state, state (or country). The aim of one side may be to take control of the country or a region, to achieve independence for a region, or to change government policies.J ...
. The property was effected by various explosions from house-to-house combat. Prior to this, all the remaining wooden decorative panels, with the exception of a few ceilings, were looted. A file regarding the looting of the decorative panels was submitted "to
Interpol The International Criminal Police Organization – INTERPOL (abbreviated as ICPO–INTERPOL), commonly known as Interpol ( , ; stylized in allcaps), is an international organization that facilitates worldwide police cooperation and crime cont ...
and the
International Council of Museums The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ...
in the hope that the panels resurface on the art market and can be returned" to the museum.


Recent studies and restoration works

From 2007 to 2011, the Syrian Directorate-General of Antiquities and Museums (DGAM) conducted a major campaign of restoration to transform Beit Ghazaleh into a museum dedicated to the memory of the city of Aleppo. Restoration work notably concerned the renovation of part of the decorative panels by Damascene craftsmen.In parallel, descendants of the Ghazaleh family launched
scientific study of the House
This study, which began in 2009, includes a historical research on the neighbourhood and of the house, a stylistic analysis of its decorative elements, and a detailed architectural survey. The study aimed to establish a precise chronology of Beit Ghazaleh's evolution since its inception. A collaborative high precision survey of Beit Ghazaleh was completed in November 2017 by the DGAM and
UNESCO The United Nations Educational, Scientific and Cultural Organization (UNESCO ) is a List of specialized agencies of the United Nations, specialized agency of the United Nations (UN) with the aim of promoting world peace and International secur ...
to facilitate the further study, protection and emergency consolidation of its structure. Further reports have been issued regarding damage to the property and
looting Looting is the act of stealing, or the taking of goods by force, typically in the midst of a military, political, or other social crisis, such as war, natural disasters (where law and civil enforcement are temporarily ineffective), or rioting. ...
of its decorative panels. In January 2021 an application was submitted for Beit Ghazaleh to be added to the World Monuments Watch list. Emergency works to protect the structure were started later that year. Beit Ghazaleh was further damaged during the region's
earthquakes An earthquakealso called a quake, tremor, or tembloris the shaking of the Earth's surface resulting from a sudden release of energy in the lithosphere that creates seismic waves. Earthquakes can range in intensity, from those so weak they c ...
of February 2023. A number of remedial and restorative works have been undertaken since then.


Sources and further reading

* Sauvaget, Jean (1941
''Alep. essai sur le développement d'une grande ville syrienne, des origines au milieu du XIXe siècle.''
Paris, Librairie orientaliste Paul Geuthner, texte et album. * David, Jean-Claude et François Cristofoli (2019
Alep, la maison Ghazalé. Histoire et devenirs
Edition
Parentheses
176 p. *David, Jean-Claude (2018
La guerre d’Alep 2012-2016. Destruction de la maison Ghazalé
(1/2), ''ArchéOrient - Le Blog'', 9 mars 2018; David, Jean-Claude (1982) ''Le waqf d'Ipchir Pacha à Alep (1063/1653), étude d'urbanisme historique.'
IFPO
Damas, collection PIFD; David, Jean-Claude,
The Battle of Aleppo (2012–2016): Destruction of the Ghazala House (Beit Ghazaleh)
', Syrian Heritage Archive of the Museum for Islamic Art/ Berlin State Museum, Undated * Collectif 1989, (1989) ''L’habitat traditionnel dans les pays musulmans autour de la Méditerranée, I. L’héritage architectural: formes et fonctions'', Le Caire
IFAO
* RC Heritage (2011–15) Beit Ghazaleh (maison du XVIIè s.) à Alep Syrie étude historique et architecturale , historical and architectural analysi
[working document]
* Publications mentioning the Ġazaleh House and family : David Jean-Claude, Degeorge Gérard ''(2009
Palais et demeures d'Orient - XVIe-XIXe siècle
', Actes Sud / Imprimerie Nationale; Al-Homsi Fayez (1983) ''Old Aleppo'', Damascus: Ministry of Culture and National Heritage Publishing, p. 127-128, Mansel Philip (2016
Aleppo Rise and Fall of Syria's Great Merchant City
IB Tauris, pp. 28–29, 44, 6pl; Masters, Bruce (1999
Aleppo: the Ottoman Empire's caravan city
in Edham, E., Goffman, D. and Masters, B., ''The Ottoman City between East and West: Aleppo, Izmir, and Istanbul.'' New York: Cambridge University Press, p. 58; Julia Gonnella (1996
''Ein christlich-orientalisches Wohnhaus des 17. Jahrhunderts aus Aleppo (Syrien). Das 'Aleppo-Zimmer' im Museum für Islamische Kunst'', Staatliche Museen zu Berlin - Preußischer Kulturbesitz.
Mainz: P. von Zabern, p. 76; Hemeier, Birthe & Sabrine, Isber eds. (2021)
Kulturraub - Fallbeispiele aus Syrien, Irak, Jemen, Ägypten und Libyen
', Reimer Verlag, pp. 31–46; Dorothea Duda (1971) Innenarchitektur syrischer Stadthäuser des 16. bis 18. Jahrhunderts. Die Sammlung Henri Pharaon in Beirut (Beiruter Texte und Studien, 12) Wiesbaden (Steiner); Fedden, Robin (1956) Syria: a historical appreciation. London, Hale. p. 36; Samné, George (1928
Le Process Gazale : Correspondance d'Orient
: revue économique, politique & littéraire / directeurs: Bibliothèque nationale de France (gallica.bnf.fr): .n.pp. 241–5. * Photographic archives: Aga Khan Trust for Culture and the Aga Khan Documentation Center at MIT,
Bayt Ghazala
'; MIT Libraries,
Ghazale House
'; Aga Khan Visual Archive,
Ghazala House
'; Photographs from
Brandhorst & Bremer
', 2001. * Since 2011 numerous initiatives have been launched to protect Aleppo's unique heritage. Those that specifically mention the Ġazaleh House include:
Safeguarding Syrian Cultural Heritage
' (programme UNESCO),
Blue Shield
' International; Heritage For Peace, Protection of Cultural Heritage During Armed Conflict,
The Aleppo No Strike List
'.


Gallery

File:11 Beit Gazaleh RCh 2010 DSC 2156.jpg, Stonework on the north facade of the Ġazaleh House File:1 Beit Gazaleh RCh 2010 DSC 1798.jpg, The central courtyard of Beit Ghazaleh (2010) File:Beit Gazaleh RCh 2011 Gazelle DSC 0295.jpg, The 'Gazelles' of the Ġazaleh House, panels as seen in the Pharaon Collection ( Mouwad Museum) of Beyrouth in 2011. File:Beit Ghazaleh Dec 2016.jpg, The courtyard of Beit Ghazaleh (December 2016) File:7 Beit Gazaleh RCh 2010 DSC 1784.jpg, The qoubba's wooden panels of the Ġazaleh House (now missing) File:Façade Maison Ghazaleh Alep Sera.jpg, The entrance of Beit Ghazaleh in Aleppo's
Al-Jdayde Al-Jdayde ( "The New Town", also transcribed as ''al-Jdeideh'', ''al-Judayda'', ''al-Jdeïdé,'' ''al-Jadida'' or ''al-Jdeydeh'') is a historic predominantly Christian neighbourhood of Aleppo. Noted for its winding narrow alleys, richly decorat ...
district (2010) File:Beit Ghazaleh Alep Dec 2017.jpg, Beit Ghazaleh Qa'a -- its fine decorations were looted before the building was hit by multiple explosions (2017)


References

{{Aleppo landmarks Buildings and structures in Aleppo Houses completed in the 17th century Museums in Syria Palaces in Syria Ottoman palaces Architecture in Syria Jdeydeh quarter