Astley's Amphitheatre

Astley's Amphitheatre was a performance venue in London opened by Philip Astley in 1773, considered the first modern circus ring. It was burned and rebuilt several times, and went through many owners and managers. Despite no trace of the theatre remaining today, a memorial plaque was unveiled in 1951 at its site at 225 Westminster Bridge Road.

History

The Amphitheatre opened in 1773. The structure was burned down in 1794, then rebuilt in less than seven months before being destroyed by fire again in 1803. The Amphitheatre was again rebuilt, this time in the style of rival Charles Hughes's Royal Circus with lavish decorations and reputedly the largest stage in London. With increasing prosperity and rebuilding after successive fires, it grew to become Astley's Royal Amphitheatre and this was the home of the circus. The location of the theatre was Westminster Bridge Road in Lambeth.

The theatre continued to be popular long after Astley's death in 1814. His brother John succeeded him until he retired three years later, handing over to his partner Davis. This led to a renaming from 'Astley's' to 'Davis's' Amphitheatre. William Batty (1801–1868), perhaps best known as the owner of Batty's Hippodrome, acquired Astley's from Andrew Ducrow (1793–1842) in 1841, after the building sustained its third fire, causing Ducrow to suffer a mental breakdown and die in early 1842. Batty rebuilt the Amphitheatre entirely on his own resources and ran Astley's until 1853. During his tenure, Pablo Fanque, the black circus equestrian and circus owner made his London debut at Astley's in 1847. William Cooke leased the building in 1853 and ran Astley's until 1860.

In 1863 the Amphitheatre was turned into the Theatre Royal by Dion Boucicault, however it resulted in failure and left Boucicault heavily in debt. Edward Tyrrel Smith succeeded Boucicault and provided Adah Isaacs Menken with her first London appearance in '' Mazeppa'' to "overflowing houses".Diamond, Michael
''Victorian Sensation, Or, the Spectacular, the Shocking, and the Scandalous in Nineteenth-Century Britain''
Anthem Press, 2003, p. 270. Its final owner was "Lord" George Sanger, who bought it for £11,000 in 1871 and ran it as Sanger's Amphitheatre for over 20 years. This theatre was demolished in 1893.

Building structure and design

After the Amphitheatre was rebuilt again after the third fire, it was said to be very grand. The external walls were 148 feet long which was larger than anything else at the time in London. The interior of the Amphitheatre was designed with a proscenium stage surrounded by boxes and galleries for spectators. The general structure of the interior was octagonal. The pit used for the entertainers and riders became a standardised 43 feet in diameter, with the circular enclosure surrounded by a painted four foot barrier. Astley's original circus was 62 ft (~19 m) in diameter, and later he settled it at 42 ft (~13 m), which has been an international standard for circuses since.

In popular culture

Jane Austen's 1815 novel '' Emma'' credits a visit to Astley's for bringing about the reconciliation and engagement of Robert Martin and Harriet Smith.

Charles Dickens wrote a short story titled ''Astley's'' in his 1836 book, ''Sketches by Boz''. Sketches by Boz
at Internet Archive. Retrieved 2011-4-13. He describes an evening at Astley's in chapter 39 of ''The Old Curiosity Shop'', and the circus is also mentioned in '' Hard Times'' (Book 3 chapter 7) and ''Bleak House''.

Tracy Chevalier's 2007 novel ''Burning Bright'' is set at Astley's in 1792–93.

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See also

* Astley's Amphitheatre (Dublin)
* Amphithéâtre d'Astley (Paris)
* Hippodrama, a theatrical performance involving horses

References

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Astley's Amphitheatre
Former theatres in London
Former buildings and structures in the London Borough of Lambeth
Theatres completed in 1773
Buildings and structures demolished in 1893