''Ascending and Descending'' is a lithograph print by the Dutch artist

M. C. Escher Maurits Cornelis Escher (; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically inspired woodcuts, lithographs, and mezzotints. Despite wide popular interest, Escher was for most of his life neglected in t ...

first printed in March 1960. The original print measures . The lithograph depicts a large building roofed by a never-ending staircase. Two lines of identically dressed men appear on the staircase, one line ascending while the other descends. Two figures sit apart from the people on the endless staircase: one in a secluded courtyard, the other on a lower set of stairs. While most two-dimensional artists use relative proportions to create an illusion of depth, Escher here and elsewhere uses conflicting proportions to create the visual paradox. ''Ascending and Descending'' was influenced by, and is an artistic implementation of, the

Penrose stairs The Penrose stairs or Penrose steps, also dubbed the impossible staircase, is an impossible object created by Oscar Reutersvärd in 1937 and later independently discovered and made popular by Lionel Penrose and his son Roger Penrose. A variation ...

, an

impossible object An impossible object (also known as an impossible figure or an undecidable figure) is a type of optical illusion that consists of a two-dimensional figure which is instantly and naturally understood as representing a projection of a three-di ...

;

Lionel Penrose Lionel Sharples Penrose, FRS (11 June 1898 – 12 May 1972) was an English psychiatrist, medical geneticist, paediatrician, mathematician and chess theorist, who carried out pioneering work on the genetics of intellectual disability. Penr ...

had first published his concept in the February 1958 issue of the ''

British Journal of Psychology The ''British Journal of Psychology'' is a quarterly peer-reviewed psychology journal. It was established in 1904 and is published by Wiley-Blackwell on behalf of the British Psychological Society. The editor-in-chief is Stefan R. Schweinberger ( ...

''. Escher developed the theme further in his print '' Waterfall'', which appeared in 1961. The two concentric processions on the stairs use enough people to emphasise the lack of vertical rise and fall. In addition, the shortness of the tunics worn by the people makes it clear that some are stepping up and some are stepping down. The structure is embedded in human activity. By showing an unaccountable ritual of what Escher calls an 'unknown' sect, Escher has added an air of mystery to the people who ascend and descend the stairs. Therefore, the stairs themselves tend to become incorporated into that mysterious appearance. There are 'free' people and Escher said of these: 'recalcitrant individuals refuse, for the time being, to take part in the exercise of treading the stairs. They have no use for it at all, but no doubt, sooner or later they will be brought to see the error of their non-conformity.' Escher suggests that not only the labours, but the very lives of these monk-like people are carried out in an inescapable, coercive and bizarre environment. Another possible source for the people's looks is the Dutch idiom ''monnikenwerk'' ("a monk's job"), which refers to a long and repetitive working activity with absolutely no practical purposes or results, and, by extension, to something completely useless. Two earlier Escher pictures that feature stairs are ''

House of Stairs ''House of Stairs'' is a lithograph print by the Dutch artist M. C. Escher first printed in November 1951. This print measures . It depicts the interior of a tall structure crisscrossed with stairs and doorways. A total of 46 '' wentelteefje'' ...

'' and '' Relativity''.

References

{{DEFAULTSORT:Ascending And Descending Works by M. C. Escher 1960 paintings Stairways Impossible objects