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The Apple Intermediate Codec is a high-quality 8-bit 4:2:0 video codec used mainly as a less processor-intensive way of working with long- GOP MPEG-2 footage such as HDV. It is recommended for use with all HD workflows in Final Cut Express, iMovie, and until Final Cut Pro version 5. The Apple Intermediate Codec abbreviated AIC (by users, Apple Engineers don't use the abbreviation) is designed by
Apple Inc. Apple Inc. is an American multinational technology company headquartered in Cupertino, California, United States. Apple is the largest technology company by revenue (totaling in 2021) and, as of June 2022, is the world's biggest company b ...
to be an intermediate format in an HDV and
AVCHD AVCHD (Advanced Video Coding High Definition) is a file-based format for the digital recording and playback of high-definition video. It is H.264 and Dolby AC-3 packaged into the MPEG transport stream, with a set of constraints designed around t ...
workflow. It features high performance and quality, being less processor intensive to work with than other editing formats. Unlike native
MPEG-2 MPEG-2 (a.k.a. H.222/H.262 as was defined by the ITU) is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression metho ...
based HDV - and similar to the standard-definition DV codec - the Apple Intermediate Codec does not use temporal compression, enabling every frame to be decoded immediately without decoding other frames. As a result of this, the Apple Intermediate Codec takes three to four times more space than HDV. The Apple Intermediate Codec is officially available only on the
Mac OS X macOS (; previously OS X and originally Mac OS X) is a Unix operating system developed and marketed by Apple Inc. since 2001. It is the primary operating system for Apple's Mac computers. Within the market of desktop and la ...
platform but can be read on other platforms such as
Windows Windows is a group of several proprietary graphical operating system families developed and marketed by Microsoft. Each family caters to a certain sector of the computing industry. For example, Windows NT for consumers, Windows Server for se ...
or
Linux Linux ( or ) is a family of open-source Unix-like operating systems based on the Linux kernel, an operating system kernel first released on September 17, 1991, by Linus Torvalds. Linux is typically packaged as a Linux distribution, whic ...
, using FFmpeg. All Mac OS X software which makes use of the
QuickTime QuickTime is an extensible multimedia framework developed by Apple Inc., capable of handling various formats of digital video, picture, sound, panoramic images, and interactivity. Created in 1991, the latest Mac version, QuickTime X, is ava ...
codec libraries - such as
Final Cut Studio Final Cut Studio is a discontinued professional video and audio production suite for Mac OS X from Apple Inc., and a direct competitor to Avid Media Composer in the high-end movie production industry. It was developed from 2005 to 2011. Three ...
, Final Cut Express, and
iMovie iMovie (known at times as iMovie HD) is a preinstalled video editing software, video editing application developed by Apple Inc. for macOS, iOS, and iPadOS devices. It was originally released in 1999 as a Mac OS 8 application bundled with the ...
- can use the Apple Intermediate codec. The Apple Intermediate Codec was used because it was less processor intensive; as the compression scheme did not need the next frame to be displayed. It's still used in the iLife package, specifically iMovie, but it is rarely used in Final Cut Pro as of Version 6 since it now uses the
ProRes Apple ProRes is a high quality, " visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K. It is the successor of the Apple Intermediate Codec and was introduc ...
codecs instead of the Apple Intermediate Codec, though some versions of Final Cut Pro (HD 4.5 through 5) and Final Cut Express use them regularly.


About HDV

HDV (High Definition Video) is a video format that allows you to record HD video in standard DV tape. Its compression scheme is called long-GOP MPEG2. HDV is an HD format created by a consortium of manufacturers including Sony, JVC, Canon, and Sharp. HDV allows you to record an hour of HD video on standard mini-DV videocassettes. You can connect an HDV camcorder to your computer via FireWire, so you can capture and output just as you would with a DV device. It uses Long-GOP MPEG2 compression to achieve a maximum data rate of 25mps, which is the same as normal DV video. This standard yields extremely High Definition images in shorter space. The term long refers to the fact that P- and B-frames are used between I-frame intervals. At the other end of the spectrum, the opposite of long-GOP MPEG is I-frame-only MPEG, in which only I-frames are used. Formats such as IMX use I-frame-only MPEG, which reduces temporal artifacts and improves editing performance. However, I-frame-only formats have a significantly higher data rate because each frame must store enough data to be completely self-contained. Therefore, although the decoding demands on your computer are decreased, there is a greater demand for scratch disk speed and capacity. 1080-line HDV media uses an open GOP structure, which means that B-frames in the MPEG stream can be reliant on frames in adjacent GOPs. 720-line HDV media uses a closed GOP structure, which means that each GOP is self-contained and does not rely on frames outside the GOP.


About MPEG compression

HD video requires significantly more data than SD video. A single HD video frame can require up to six times more data than an SD frame. To record such large images with such a low data rate, HDV uses long-GOP MPEG compression. MPEG compression reduces the data rate by removing redundant visual information, both on a per-frame basis and also across multiple frames. Note: HDV specifically employs MPEG-2 compression, but the concepts of long-GOP and I-frame-only compression discussed below apply to all versions of the MPEG standard: MPEG-1, MPEG-2, and MPEG-4 (including AVC/H.264). For the purposes of this general explanation, the term MPEG may refer to any of these formats.


About AVCHD

AVCHD is an HD video format jointly developed by Sony and Panasonic. AVCHD uses Advanced Video Coding (AVC) compression (also known as MPEG-4 part 10 or H.264) to achieve high-quality images and low data rates. AVCHD camcorders record on a variety of file-based media, including 80 mm DVDs, hard disks, and flash memory (such as Secure Digital cards and memory sticks). The AVCHD specification allows most SD and HD dimensions and frame rates, though each camcorder usually supports only a few formats. The AVCHD color sample ratio is 4:2:0, with 8 bits per sample. Audio can be recorded in 5.1-channel surround sound with Dolby Digital (AC-3) compression or up to 7.1-channel surround sound (uncompressed). Some camcorders, such as the Panasonic HDC-SD5 camcorder, use a two-channel built-in microphone.


Color recording method

Both MPEG-2 HDV, AVCHD and the Apple Intermediate Codec record a 4:2:0 component (Y´CBCR) digital video signal. Each sample (pixel) has a resolution of 8 bit. This is not much of a concern for editors as HDV and AVCHD records in a 4:2:0 color space anyway. In fact you may actually lose data if you decide to use 4:2:2 codecs like DVCPRO HD


Frame aspect ratios

MPEG-2 HDV and Apple Intermediate Codec feature a 16:9 widescreen aspect ratio for all resolutions. The 1080i format features 1080 lines (1440 pixels per line), interlaced, using non-square pixels to display a screen ratio of 16:9 (equivalent to 1920 x 1080). The 720p format features 720 lines (equivalent to 1280 x 720) with a progressive scan.


AVCHD factor

AVCHD AVCHD (Advanced Video Coding High Definition) is a file-based format for the digital recording and playback of high-definition video. It is H.264 and Dolby AC-3 packaged into the MPEG transport stream, with a set of constraints designed around t ...
uses H.264 for video compression and AAC for audio. This is even more processor intensive than HDV. So you also need to convert to the Apple Intermediate Codec if you plan to edit in Final Cut Pro.


Format details

{, class="wikitable" , - ! Codec !! Bitrate , - , MPEG-2 HDV 720p30 , , 2.5 MB/sec. (equivalent to 9 GB/hr.) , - , MPEG-2 HDV 1080i60/50 , , 3.3 MB/sec. (equivalent to 12 GB/hr.) , - , Apple Intermediate Codec HDV 720p30 , , approximately 7 MB/sec. (equivalent to approximately 25 GB/hr.) , - , Apple Intermediate Codec HDV 1080i50 , , approximately 12 MB/sec. (equivalent to approximately 42 GB/hr.) , - , Apple Intermediate Codec HDV 1080i60 , , approximately 14 MB/sec. (equivalent to approximately 49 GB/hr.) , -


References


About HDV - Final Cut Pro Studio Help



External links

* [https://web.archive.org/web/20110702082310/http://documentation.apple.com/en/finalcutpro/professionalformatsandworkflows/index.html#chapter=10%26section=6%26tasks=true Final Cut Pro 7 Professional Formats and Workflows: About the Apple Intermediate Codec]
Final Cut Pro 5: About HDV and the Apple Intermediate Codec

Final Cut Pro 7 Professional Formats and Workflows
Intermediate Codec Video codecs