Élégie Pour Cor Et Piano
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Élégie Pour Cor Et Piano
''Élégie pour cor et piano'' – Elegy for horn and piano – FP 168 is a short, one-movement work by the French composer Francis Poulenc, written in memory of the horn player Dennis Brain, who died in 1957. It was first performed in January 1958. Background and premiere Poulenc had a profound admiration for the British horn player Dennis Brain. When the latter died in a car crash in 1957, aged 36, Poulenc composed the Élégie as a tribute. Unsure of the capabilities of the solo instrument, he sought the advice of the horn player Georges Barboteu before completing the piece. The Élégie was premiered by the BBC in a broadcast on 17 February 1958, played by Brain's former Philharmonia colleague Neill Sanders, with the composer at the piano."Poulenc's Elegy for Dennis Brain", ''The Times'', 8 February 1958, p. 3 Structure The work typically takes between nine and ten minutes in performance. It is unique in Poulenc's oeuvre in opening with a 12-note tone row. Although Poulen ...
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List Of Compositions By Francis Poulenc
This is a list of works written by the French composer Francis Poulenc (1899–1963). As a pianist, Poulenc composed many pieces for his own instrument in his piano music and chamber music. He wrote works for orchestra including several concertos, also three operas, two ballets, incidental music for plays and film music. He composed songs ('' mélodies''), often on texts by contemporary authors. His religious music includes the Mass in G major, the Stabat Mater and Gloria. Overview The composer had written a catalogue of his works in 1921, which is reproduced in Schmidt's book. According to this list, the first noted piece was in 1914 ''Processional pour la crémation d'un mandarin'' for piano, now lost or destroyed. Poulenc completed his last work, his Oboe Sonata, in 1962. Piano, chamber music and songs As a professional pianist, Poulenc wrote many pieces for his own instrument. He was a prolific writer of works of chamber music, often with piano, and some works for two ...
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Cantabile
In music, ''cantabile'' , an Italian word, means literally "singable" or "songlike". In instrumental music, it is a particular style of playing designed to imitate the human voice. For 18th-century composers, ''cantabile'' is often synonymous with "cantando" (singing) and indicates a measured tempo and flexible, legato playing. For later composers, particularly in piano music, ''cantabile'' is the drawing out of one particular musical line against the accompaniment (compare counterpoint). Felix Mendelssohn's six books of '' Songs Without Words'' are short lyrical piano pieces with song-like melodies written between 1829 and 1845. A modern example is an instrumental by Harry James & His Orchestra, called "Trumpet Blues and Cantabile". A cantabile movement, or simply a "cantabile", is the first half of a double aria, followed by a cabaletta. The cantabile movement would be slower and more free-form to contrast with the structured and generally faster cabaletta. Louis Spohr Loui ...
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Compositions By Francis Poulenc
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungarian ...
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Julius Drake
The gens Julia (''gēns Iūlia'', ) was one of the most prominent patrician families in ancient Rome. Members of the gens attained the highest dignities of the state in the earliest times of the Republic. The first of the family to obtain the consulship was Gaius Julius Iulus in 489 BC. The gens is perhaps best known, however, for Gaius Julius Caesar, the dictator and grand uncle of the emperor Augustus, through whom the name was passed to the so-called Julio-Claudian dynasty of the first century AD. The Julius became very common in imperial times, as the descendants of persons enrolled as citizens under the early emperors began to make their mark in history.''Dictionary of Greek and Roman Biography and Mythology'', vol. II, pp. 642, 643. Origin The Julii were of Alban origin, mentioned as one of the leading Alban houses, which Tullus Hostilius removed to Rome upon the destruction of Alba Longa. The Julii also existed at an early period at Bovillae, evidenced by a v ...
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Richard Watkins
Richard Watkins (born 1962) is a horn player. He performs as a concerto soloist and chamber music player. He was Principal Horn of the Philharmonia Orchestra from 1985 to 1996, a position he relinquished to devote more time to his solo career. He has appeared as soloist in the Royal Festival Hall, at the Barbican Centre and abroad with conductors such as Carlo Maria Giulini, Wolfgang Sawallisch, Leonard Slatkin, Giuseppe Sinopoli, Andrew Davis and Gennadi Rozhdestvensky. He is in great demand as a chamber musician and recitalist and has worked closely with pianists such as Barry Douglas, Peter Donohoe, Pascal Rogé, Barry Scott and Martin Roscoe. He is a member of the Nash Ensemble. His recordings include Sir Malcolm Arnold's two horn concertos for the Conifer Classics label, to great critical acclaim, and Mozart's '' Sinfonia Concertante'' with the Philharmonia and Giuseppe Sinopoli for Deutsche Grammophon; other recordings include the Mozart Horn Concertos with Richa ...
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Éric Le Sage
Éric Le Sage (born 15 June 1964 in Aix-en-Provence) is a contemporary French classical pianist. Biography After he finished his studies at the Conservatoire de Paris, Le Sage went to London to improve by Maria Curcio. Éric Le Sage is best known for his interpretations of romantic music, Schumann, but also for recording the complete piano music of Francis Poulenc. His curiosity for the unknown works led him to play more than twenty rare concertos by Dvořák, Schoenberg, Stravinsky, Britten and others. Lesage is a guest of renowned groups such as the Orchestre philharmonique de Radio France, the Royal Scottish National Orchestra or the Dresden Philharmonic. Prizes He was the winner of the Porto International Piano Competition in 1985, of the Robert Schumann International Competition for Pianists and Singers at Zwickau in 1989 and of the Leeds competition in 1990. In 2000 and 2001, he obtained the ''grand prix du disque'' of the Académie Charles Cros, a Victoire ...
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Alexandre Tharaud
Alexandre Tharaud (born 9 December 1968) is a French pianist. He is active on the concert stage and has released a large and diverse discography. Life and career Born in Paris, Tharaud discovered the music scene through his mother who was a dance teacher at the Opéra de Paris, and his father, an amateur director and singer of operettas. Tharaud thus appeared as a child in theatres around northern France, where the family spent many weekends.''Télérama'', n° 3083 du 11 février 2009, p. 14. Propos recueillis par Bernard Mérigaud His grandfather was a violinist in Paris in the 1920s and 1930s. At the initiative of his parents, Alexandre started his piano studies at the age of five, and he entered Conservatory of the 14th Arrondissement, where his teacher was Carmen Taccon-Devenat, a student of Marguerite Long. He entered the Conservatoire de Paris at the age of 14 where he won first prize for piano in the class of Germaine Mounier when he was 17 years old. With Theodor Para ...
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Hervé Joulain
Hervé Joulain (born 1966) is a French horn player. Biography Born in Saint-Romans-lès-Melle (Deux-Sèvres), Joulain was Premier French horn super-soloist of the Orchestre philharmonique de Radio France under the direction of Marek Janowski. From the age of 20, Joulain played under the direction of Leonard Bernstein, Zubin Mehta, Daniel Barenboim, Pierre Boulez, Lorin Maazel, Armin Jordan, Seiji Ozawa, Riccardo Muti, Carlo Maria Giulini. Ten years later, he was promoted to the same position at the Orchestre national de France conducted by Charles Dutoit. Today, he has joined Lorin Maazel as first horn at the Filarmonica Toscanini in Parme. Joulain is also a member of the wind octet of the Opéra Bastille with whom he regularly travels abroad. He has already recorded about twenty CDs.Discography
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Lucien Thévet
Lucien Thévet (June 3, 1914 June 30, 2007) was a twentieth-century French horn player and teacher in France. Early life and education Lucien Thévet's father, Eugène Thévet, an amateur musician who played the cornet, introduced his son starting at age six to various wind instruments, but the horn became Lucien's preference. He soon began performing as a soloist with local musical groups, along with his father, in particular with the Beauvais Philharmonic Society. In 1933, he entered the Paris Conservatory in the horn class of Fernand Reine and, in 1937, received First Prize for Horn in the class of Louis-Édouard Vuillermoz. Career Thévet's professional career began in May 1937 with the Paris Radio Symphony Orchestra (renamed the Orchestre Philharmonique de Radio France in 1964) when he won the audition for first horn, a position he held until 1941. Starting in 1938, he became principal horn of the Paris Conservatoire Orchestra (l'Orchestre de la Société des Concerts du C ...
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WorldCat
WorldCat is a union catalog that itemizes the collections of tens of thousands of institutions (mostly libraries), in many countries, that are current or past members of the OCLC global cooperative. It is operated by OCLC, Inc. Many of the OCLC member libraries collectively maintain WorldCat's database, the world's largest bibliographic database. The database includes other information sources in addition to member library collections. OCLC makes WorldCat itself available free to libraries, but the catalog is the foundation for other subscription OCLC services (such as resource sharing and collection management). WorldCat is used by librarians for cataloging and research and by the general public. , WorldCat contained over 540 million bibliographic records in 483 languages, representing over 3 billion physical and digital library assets, and the WorldCat persons dataset ( mined from WorldCat) included over 100 million people. History OCLC was founded in 1967 under the lea ...
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Big Ben
Big Ben is the nickname for the Great Bell of the Great Clock of Westminster, at the north end of the Palace of Westminster in London, England, and the name is frequently extended to refer also to the clock and the clock tower. The official name of the tower in which Big Ben is located was originally the Clock Tower, but it was renamed Elizabeth Tower in 2012 to mark the Diamond Jubilee of Elizabeth II. The tower was designed by Augustus Pugin in a neo-Gothic style. When completed in 1859, its clock was the largest and most accurate four-faced striking and chiming clock in the world. The tower stands tall, and the climb from ground level to the belfry is 334 steps. Its base is square, measuring on each side. Dials of the clock are in diameter. All four nations of the UK are represented on the tower on shields featuring a rose for England, thistle for Scotland, shamrock for Ireland, and leek for Wales. On 31 May 2009, celebrations were held to mark the tower's 150th ...
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Dialogues Of The Carmelites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, through Raymond-Léopold Bruckberger and the scenario writer ...
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