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Wyrd
Wyrd is a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny. The word is ancestral to Modern English ''weird'', whose meaning has drifted towards an adjectival use with a more general sense of "supernatural" or " uncanny", or simply "unexpected". The cognate term to ''wyrd'' in Old Norse is , with a similar meaning, but also personified as a deity: Urðr (anglicized as ), one of the Norns in Norse mythology. The word also appears in the name of the well where the Norns meet, Urðarbrunnr. Etymology The Old English term derives from a Proto-Germanic term . ''Wyrd'' has cognates in Old Saxon , Old High German , Old Norse , Dutch (to become), and German . The Proto-Indo-European root is meaning 'to twist', which is related to Latin ''vertere'' 'turning, rotating', and in Proto-Germanic is with a meaning 'to come to pass, to become, to be due'. The same root is also found in , with the notion of 'origin' or ' worth' both in the sense of 'con ...
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Norns
The Norns ( non, norn , plural: ) are deities in Norse mythology responsible for shaping the course of human destinies.'' Nordisk familjebok'' (1907) In the ''Völuspá'', the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from their sacred well to nourish the tree at the center of the cosmos and prevent it from rot.The article Nornor' in '' Nordisk familjebok'' (1913). These three Norns are described as powerful maiden giantesses ( Jotuns) whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in the ''Vafþrúðnismál''. Beside the three Norns tending Yggdrasill, pre-Christian Scandinavians attested to Norns who visit a newborn child in order to determine the person's future. These Norns could be malevolent or benevolent: the former causing tragic events in the world while the latter were kind and protective. Etymology The origin of the name ''norn'' is uncertain; it may derive fro ...
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Urðr
Urðr (Old Norse "fate"Orchard (1997:169).) is one of the Norns in Norse mythology. Along with Verðandi (possibly "happening" or "present"Orchard (1997:174).) and Skuld (possibly "debt" or "future"Orchard (1997:151).), Urðr makes up a trio of Norns that are described as deciding the fates of people. Urðr is attested in stanza 20 of the ''Poetic Edda'' poem ''Völuspá'' and the ''Prose Edda'' book ''Gylfaginning''. ''Urðr'' is together with the other Norns located at the well Urðarbrunnr beneath the world ash tree Yggdrasil of Asgard. They spin threads of life, cut marks in the pole figures and measure people's destinies, which shows the fate of all human beings and gods. Norns are always present when a child is born and decide its fate. The three Norns represent the past (Urðr), future (Skuld) and present (Verðandi). ''Urðr'' is commonly written as Urd or Urth. In some English translations, her name is glossed with the Old English form of ''urðr''; Wyrd. Attesta ...
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Three Witches
The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play ''Macbeth'' (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's ''Chronicles'' (1587), a history of England, Scotland and Ireland. Other possible sources, aside from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland's ''Daemonologie'', the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae. Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, set an o ...
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Weird Sisters
The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play ''Macbeth'' (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's ''Chronicles'' (1587), a history of England, Scotland and Ireland. Other possible sources, aside from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland's ''Daemonologie'', the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae. Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, s ...
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Urðr
Urðr (Old Norse "fate"Orchard (1997:169).) is one of the Norns in Norse mythology. Along with Verðandi (possibly "happening" or "present"Orchard (1997:174).) and Skuld (possibly "debt" or "future"Orchard (1997:151).), Urðr makes up a trio of Norns that are described as deciding the fates of people. Urðr is attested in stanza 20 of the ''Poetic Edda'' poem ''Völuspá'' and the ''Prose Edda'' book ''Gylfaginning''. ''Urðr'' is together with the other Norns located at the well Urðarbrunnr beneath the world ash tree Yggdrasil of Asgard. They spin threads of life, cut marks in the pole figures and measure people's destinies, which shows the fate of all human beings and gods. Norns are always present when a child is born and decide its fate. The three Norns represent the past (Urðr), future (Skuld) and present (Verðandi). ''Urðr'' is commonly written as Urd or Urth. In some English translations, her name is glossed with the Old English form of ''urðr''; Wyrd. Attesta ...
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Fate
Destiny, sometimes referred to as fate (from Latin ''fatum'' "decree, prediction, destiny, fate"), is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual. Fate Although often used interchangeably, the words ''fate'' and ''destiny'' have distinct connotations. *Traditional usage defines fate as a power or agency that predetermines and orders the course of events. Fate defines events as ordered or "inevitable" and unavoidable. This is a concept based on the belief that there is a fixed natural order to the universe, and in some conceptions, the cosmos. Classical and European mythology feature personified "fate spinners," known as the Moirai in Greek mythology, the Parcae in Roman mythology, and the Norns in Norse mythology. They determine the events of the world through the mystic spinning of threads that represent individual human fates. Fate is often conceived as being divinely inspired. *Fate is about ...
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Early Modern English
Early Modern English or Early New English (sometimes abbreviated EModE, EMnE, or ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century. Before and after the accession of James I to the English throne in 1603, the emerging English standard began to influence the spoken and written Middle Scots of Scotland. The grammatical and orthographical conventions of literary English in the late 16th century and the 17th century are still very influential on modern Standard English. Most modern readers of English can understand texts written in the late phase of Early Modern English, such as the ''King James Bible'' and the works of William Shakespeare, and they have greatly influenced Modern English. Texts from the earlier phase of Early Modern English, such as the late-15t ...
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Macbeth
''Macbeth'' (, full title ''The Tragedie of Macbeth'') is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, ''Macbeth'' most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy. A brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath ...
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Phonological History Of Scots
This is a presentation of the phonological history of the Scots language. Scots has its origins in Old English (OE) via early Northern Middle English; though loanwords from Old Norse and Romance sources are common, especially from ecclesiastical and legal Latin, Anglo-Norman and Middle French borrowings. Trade and immigration led to some borrowings from Middle Low German and Middle Dutch. Some vocabulary has been borrowed from Scotland's other language, Scottish Gaelic. Consonants Instance of between and a following or /r/ were lost or did not develop:A History of Scots to 1700, p. ci :OE ''æmerġe'' → Modern Scots ''emmers'' and English ''embers'' :OE ''þȳmel'' → Modern Scots ''thimmle'' and English ''thimble'' :OE ''timber'' → Modern Scots ''timmer'' and English ''timber'' Certain clusters were reduced: :A word-final reduced to Scottish National Dictionary, Introduction p. xxii except in some inflected forms (e.g. Modern Scots ''act'', ''expect'', ''strict'') ...
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Collocation
In corpus linguistics, a collocation is a series of words or terms that co-occur more often than would be expected by chance. In phraseology, a collocation is a type of compositional phraseme, meaning that it can be understood from the words that make it up. This contrasts with an idiom, where the meaning of the whole cannot be inferred from its parts, and may be completely unrelated. An example of a phraseological collocation is the expression ''strong tea''. While the same meaning could be conveyed by the roughly equivalent ''powerful tea'', this adjective does not modify ''tea'' frequently enough for English speakers to become accustomed to its co-occurrence and regard it as idiomatic or unmarked. (By way of counterexample, ''powerful'' is idiomatically preferred to ''strong'' when modifying a ''computer'' or a ''car''.) There are about six main types of collocations: adjective + noun, noun + noun (such as collective nouns), verb + noun, ...
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Johann Heinrich Füssli 019
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name '' Yochanan'' () in turn from its extended form (), meaning " Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym * Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire * Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman * Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer ...
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