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Wire Removal
Wire removal is a visual effects technique used to remove wires in films, where the wires are originally included as a safety precaution or to simulate flying in actors or miniatures. It uses a lot of rotomatting, a process of using splines in a program like After Effects or Nuke to extract a subject from a video, motion tracking, and painting over footage, which can be done in Photoshop, Boris Silhouette, or Nuke. Wire removal can be partly automated through various forms of keying, or each frame can be edited manually. First, the live action plates of actors or models suspended on wires are filmed in front of a green screen. Editors can then erase the wires frame by frame, without worrying about erasing the backdrop, which will be added later. This can be accomplished automatically with a computer. If the sequence is not filmed in front of a green-screen, or with a green wire a digital editor must hand-paint the lines out. This can be an arduous and time consuming task. Th ...
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Visual Effects
Visual effects (sometimes abbreviated as VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX. VFX involves the integration of live-action footage (which may include in-camera special effects) and generated-imagery (digital or optics, animals or creatures) which look realistic, but would be dangerous, expensive, impractical, time-consuming or impossible to capture on film. Visual effects using computer-generated imagery (CGI) have more recently become accessible to the independent filmmaker with the introduction of affordable and relatively easy-to-use animation and compositing software. History Early developments In 1857, Oscar Gustave Rejlander, Oscar Rejlander created the world's first "special effects" image by combining different sections of 32 negatives into ...
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Film
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ...
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Rigger (entertainment)
A rigger is a worker using equipment like ropes, booms, lifts, and hoists for a stage production, film, or television show. The term "rigger" originally referred to a person who attended to the rigging of a sailing ship. In the age of sail, trading followed seasonal patterns with ships leaving port at set times of the year to make the most of winds. When not at sea sailors would seek employment ashore. Their skill with ropes and booms found use in the theatre. The original canvas backdrops used in the theatre moved with ropes and pulleys, being developed from techniques used for sails. It is from these roots that modern fly systems emerged. This also gave rise to the tradition in British theatres of never whistling on stage because the riggers would use the same whistled instructions on stage as they did aboard ship. A misplaced whistle could be taken as an instruction to the riggers to change the set. The term rigger is still used for people backstage in theatres, the road ...
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Actor
An actor (masculine/gender-neutral), or actress (feminine), is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for Hypocrisy, hypocrite) also means, less often, "to answer" the Tragedy, tragic Greek chorus, chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of acting pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in an ...
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Scale Model
A scale model is a physical model that is geometrically similar to an object (known as the ''prototype''). Scale models are generally smaller than large prototypes such as vehicles, buildings, or people; but may be larger than small prototypes such as anatomical structures or subatomic particles. Models built to the same scale as the prototype are called '' mockups''. Scale models are used as tools in engineering design and testing, promotion and sales, filmmaking special effects, military strategy, and hobbies such as rail transport modeling, wargaming and racing; and as toys. Model building is also pursued as a hobby for the sake of artisanship. Scale models are constructed of plastic, wood, or metal. They are usually painted with enamel, lacquer, or acrylics. Model prototypes include all types of vehicles (railroad trains, cars, trucks, military vehicles, aircraft, and spacecraft), buildings, people, and science fiction themes (spaceships and robots). Methods M ...
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Keying (graphics)
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called "chroma key", "blue screen", "green screen" and other names. Today, most compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use. Basic procedure All compositing involves the replacement of selected parts of an image with other material, usually, but not always, from another image. In the digital method of compositing, software commands designate a narrowly defined color as the part of an image to be replaced. Then the software (e.g. Natron) replaces every pixel within the designated color range with a pixel from another image, aligned to appear as part of the original. For e ...
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Frame (film)
In filmmaking, video production, animation, and related fields, a frame is one of the many ''still images'' which compose the complete ''moving picture''. The term is derived from the historical development of film stock, in which the sequentially recorded single images look like a Picture frame, framed picture when examined individually. The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past. Overview When the moving picture is displayed, each frame is flashed on a screen for a short time (nowadays typically , , or of a second) and then immediately replaced by the next one. Persistence of vision blends the frames together, producing the Optical illusions, illusion of a moving image. The frame is also sometimes used as a unit of time, so that a momentary event might be said to last six ...
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Chroma Key
Chroma key compositing, or chroma keying, is a Visual effects, visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on colour hues (colorfulness, chroma range). The technique has been used in many fields to background subtraction, remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour separation overlay (CSO; primarily by the BBC), or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backg ...
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Industrial Light And Magic
Industrial Light & Magic (ILM) is an American Film, motion picture visual effects, computer animation and stereo conversion digital studio founded by George Lucas on May 26, 1975. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original ''Star Wars (film), Star Wars'', now the fourth episode of the Skywalker Saga. ILM originated in Van Nuys, California, then later moved to San Rafael, California, San Rafael in 1978, and since 2005 it has been based at the Letterman Digital Arts Center in the Presidio of San Francisco. In 2012, The Walt Disney Company acquired ILM as part of its purchase of Lucasfilm. As of , Industrial Light & Magic has won 15 Academy Awards for Academy Award for Best Visual Effects, Best Visual Effects. History Lucas wanted his 1977 film ''Star Wars (film), Star Wars'' to include visual effects that had never been seen on film before. After discovering that the in-house effects de ...
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Howard The Duck (film)
''Howard the Duck'' (released in the United Kingdom as ''Howard... A New Breed of Hero'') is a 1986 American Superhero film, superhero Science fiction comedy, comedy film directed by Willard Huyck and starring Lea Thompson, Jeffrey Jones, and Tim Robbins. Based on the Marvel Comics character Howard the Duck, the film was produced by Gloria Katz and written by Huyck and Katz, with George Lucas as executive producer. The screenplay was originally intended to be an animated film, but the film adaptation became live-action because of a contractual obligation. While several TV adaptations of Marvel characters were aired, this was the first theatrical release since the ''Captain America (serial), Captain America'' serial of 1944. Lucas proposed adapting the comic book following the production of ''American Graffiti'' (1973). After multiple production difficulties and mixed response to test screenings, ''Howard the Duck'' was released in theaters on August 1, 1986. Upon its release, the ...
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1986 In Film
The following is an overview of events in 1986 in film, including the highest-grossing films, award ceremonies and festivals, a list of films released and notable births and deaths. Five popular films ('' Hey There, It's Yogi Bear!'', '' Sleeping Beauty'', '' The Many Adventures of Winnie the Pooh'', '' Song of the South'' and '' Lady and the Tramp'') were re-released in theaters. Highest-grossing films (U.S.) The top ten 1986 released films by box office gross in North America are as follows: Events * January 7 - Lawrence Gordon resigns as president and chief operating officer of the Fox Entertainment Group, citing poor health * February 3 - Pixar Animation Studios is founded by Edwin Catmull and Alvy Ray Smith. * April - Guy McElwaine resigns as head of Columbia Pictures. * April 26 - Actor Arnold Schwarzenegger marries television journalist Maria Shriver. * June - First Midnight Sun Film Festival in Sodankylä, Finnish Lapland. *July 2 - '' The Great Mouse Detect ...
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Back To The Future Part II
''Back to the Future Part II'' is a 1989 American science fiction film directed by Robert Zemeckis from a screenplay by Bob Gale; both wrote the story. It is a sequel to the 1985 film ''Back to the Future'' and the second installment in the Back to the Future (franchise), ''Back to the Future'' franchise. The film stars Michael J. Fox, Christopher Lloyd, Lea Thompson and Thomas F. Wilson, with Elisabeth Shue (replacing Claudia Wells) and Jeffrey Weissman (replacing Crispin Glover) in supporting roles. It follows Marty McFly (Fox) and his friend Emmett Brown, Doctor Emmett "Doc" Brown (Lloyd) as they travel from 1985 to 2015 to prevent the former's son from tarnishing their family's future. When their arch-nemesis Biff Tannen (Wilson) steals the DeLorean time machine and uses it to alter history for his benefit, the duo must return to 1955 to set things right. The film was produced on a $40 million budget and was filmed Back to back film production, back to back with its sequel '' ...
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