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Vessel Rattle
Struck idiophones is one of the categories of idiophones (that is, any musical instrument that creates sound primarily by the instrument as a whole vibrating—without the use of strings or membranes) that are found in the Hornbostel-Sachs system of musical instrument classification. Struck idiophones are categorised as 11 in the Hornbostel-Sachs system. There are two main categories of struck idiophones, directly (111) and indirectly (112) struck. According to Sachs, Directly struck (111) Directly struck idiophones produce sound resulting from a direct action of the performer as opposed to the indirectly struck idiophones. The player strikes the instrument with a direct action, either by hand or by mechanical intermediate devices, beaters, keyboards, or by pulling ropes, etc. It is definitive that the player can apply clearly defined individual strokes and that the instrument itself is equipped for this kind of percussion. There are two main categories of directly struck idi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clash Cymbals
Clash cymbals (also called concert cymbals, orchestral cymbals, or crash cymbals) are cymbals played in matched pairs by holding one cymbal in each hand and striking the two together. To differentiate this type of cymbal from a suspended cymbal, they are also called hand cymbals. Terminology In musical scores, clash cymbals are normally indicated as ''cymbals'' or sometimes simply ''C.C.'' If another type of cymbal, for example a suspended cymbal, is required in an orchestral score, then for historical reasons this is often also indicated ''cymbals''. Some composers and arrangers use the plural ''cymbals'' or ''crash cymbals'' to indicate clash cymbals, with the singular ''cymbal'' to indicate a suspended cymbal. Composers will often condense the clash cymbals and a suspended cymbal into the same part. There are a number of techniques used to indicate which is desired. Whenever ''with stick'' or ''with mallet'' is written, a suspended cymbal is used. A return to clash cymbals c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimbaphone
The marimbaphone (not to be confused with the similarly named marimba) is an obsolete tuned percussion instrument, developed by the J.C. Deagan Company of Chicago, Illinois, U.S. in the early 20th century. The marimbaphone had either shallow steel or wooden bars arranged chromatically with a tube resonator under each bar. Its timbre was similar to the celesta, and it was used mainly by marimba bands and as a solo instrument by stage artists. In addition to being played with mallets in the conventional way (as in the playing of a marimba or vibraphone), the marimbaphone was designed so that its bars could be rotated from a horizontal position to a vertical position, allowing them to more easily be played with a bow. To further facilitate bowing, the ends of its bars were concave rather than flat. A single marimbaphone could be played by more than one performer, allowing both techniques to be used simultaneously. Although the instrument has been comparatively little used in art mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luntang
The luntang is a type of Philippine xylophone of the Maguindanaon people, strung vertically, with five horizontal logs hung in ascending order arranged by pitch. The Maguindanaon refer to this instrument as a luntang while the Yakan call it a kwintangan kayo. The cylindrical logs are beaten at the edge to create sounds and can be played either solo or with two people on either side. Among the Maguindanaon, the luntang is used only for self-entertainment purposes, to keep farmers awake while at the same time keeping the birds away from the fields. Commonly used for long-distance communication some times ago by the Maguindanaon, the Yakan have taken its use a step further: using it for social interactions between sexes as well. See also *Xylophone The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kulintang A Kayo
The ''kulintang a kayo'' (literally, “wooden kulintang”) is a Philippine xylophone of the Maguindanaon people with eight tuned slabs strung horizontally atop a padded wooden antangan (rack). Made of hand-carved soft wood such as ''bayug'' (genus Pterospermum) or more likely ''tamnag'' (genus unknown), the kulintang a kayo is rarely found except in Maguindanaon households which have a strong kulintang musical heritage. Traditionally, this homemade instrument was used for self-entertainment purposes inside the house, so that beginning musicians could practice kulintang pieces before performing them on the full-sized metal kulintang sets. Only recently have these instruments been used as part of a wooden kulintang ensemble. This ancient instrument is considered to have existed in the Philippines before the importation of metal gongs from China China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's List of countries and depen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glasspiel
Ernst Florens Friedrich Chladni (, , ; 30 November 1756 – 3 April 1827) was a German physicist and musician. His most important work, for which he is sometimes labeled as the father of acoustics, included research on vibrating plates and the calculation of the speed of sound for different gases. He also undertook pioneering work in the study of meteorites and is regarded by some as the father of meteoritics. Early life Although Chladni was born in Wittenberg in Saxony, his family originated from Kremnica, then part of the Kingdom of Hungary and today a mining town in central Slovakia. Chladni has therefore been identified as German, Hungarian and Slovak. Chladni came from an educated family of academics and learned men. Chladni's great-grandfather, the Lutheran clergyman Georg Chladni (1637–1692), had left Kremnica in 1673 during the Counter Reformation. Chladni's grandfather, Martin Chladni (1669–1725), was also a Lutheran theologian and, in 1710, became p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass Marimba
The glass marimba is a type of idiophone also known as a vitrephone or crystallophone. Marimba translates to "a xylophone-like instrument" from an African language, probably Bantu. The glass keys are made of either hard glass (plate glass) or soft glass ( stained glass). The keys are resonated with either a single open top box or individual resonators for each key. Mallets used to play the marimba can be constructed using a compressed silicone ball (bouncy ball) attached to one end of a wooden or synthetic dowel. These mallets bring out the purest sound from glass marimba. Other types of mallets are used for different effects. The tuning system of a glass marimba can be whatever is desired. Glass marimbas are utilised by the Brazilian percussion ensemble, Uakti. Construction Glass marimba can be constructed in a variety of ways. How one resonates the keys governs the construction method and design. Resonation can be accomplished using a single resonator which all the keys re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glasschord
The glasschord ( French: fortepiano à cordes de verre) is a struck crystallophone resembling the celesta, invented circa 1785 by physicist M. Beyer of Paris. It creates sound by using cloth covered wooden hammers to strike glass tubes laid on a cloth strip, with no dampeners. The instrument has a range of three octaves, in various models from c' to c'', f' to f'', and g' to g''. The instrument was largely inspired by the glass harmonica created by Benjamin Franklin, and was given the name ''glasschord'' by him. On 6 July 1785, Thomas Jefferson that Franklin carried a version of the instrument with him, describing it as a sticcado. Beyer originally presented the instrument on 19 January 1785, in a presentation at the French Academy of Sciences, while the instrument still was nameless, with the instrument being publicised in the Journal de Paris The ''Journal de Paris'' (1777–1840) was the first daily French newspaper.(7 October 2014)The first French daily: Journal de Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
