Uke Of Edinburgh's Flagship
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Uke Of Edinburgh's Flagship
Uke or UKE may refer to: People * Billy "Uke" Carpenter, American musician * Billy "Uke" Scott (1923–2004), British musician * Uke Clanton (1898–1960), American baseball player * Ukë Rugova, Kosovar politician * Sıtkı Üke (1876–1941), Turkish general and politician Places * Uke Island, Japan * Uke, Nigeria Ukrainians * UKE: The Untold Story of Hockey Legends, 2020 Ukrainian film about Ukrainian National Hockey League players * Uke, a.k.a. Ukrainian, a person identified with nationality of Ukraine Other uses * Uke (martial arts), role in training ** Uke, a submissive role in a relationship between males in yaoi or shōnen-ai media, derived from the martial arts term * Ukulele, a musical instrument ** ''Mighty Uke'', a 2010 documentary film about the ukulele * Üké, Uke, or Ükä Tibetan, a term for the most widely understood dialect of Tibetan languages * Uke Mochi, a goddess of food in the Shinto religion of Japan * University Medical Center Hamburg-Eppendor ...
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Billy "Uke" Carpenter
William Arnold Costello (February 2, 1898 – October 9, 1971), commonly known as "Red Pepper Sam", was an American actor and the original voice of ''Popeye, Popeye the Sailor'' in animated cartoons. Life and career Costello was born on February 2, 1898, in Rhode Island to William E. and Susan B. (née Steere) Costello. In addition to voice acting, he worked as a vaudeville performer under the name "Red Pepper Sam". In the early 1930s, he also played drums with the Fred Waring Orchestra. Costello had worked with the Fleischer Studios as the voice of Gus the Gorilla on the Betty Boop radio show, and they felt that the raspy voice he had used for that character would work for a series of cartoons based on Popeye (created by E.C. Segar) they were planning. He was cast to provide the voice for the first Popeye cartoon, 1933's ''Popeye the Sailor''. Costello then appeared in the next 24 Popeye shorts before he was fired by the Fleischers, allegedly over "bad behavior". Although ...
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Uke (martial Arts)
() is in Japanese martial arts the person who "receives" a technique. The exact role of ''uke'' varies between the different arts and often within the art itself depending on the situation. For instance, in aikido, judo kata, and bujinkan ninjutsu, ''uke'' initiates an attack against their partner, who then defends, whereas in competition judo, there is no designated ''uke''. An ''uke'' typically partners with a partner or nominal opponent. The latter person may be referred to by any of several terms, again depending on the art or situation. They include , , and . ''Ukemi'' The action of ''uke'' is called "taking ." Literally translated as "receiving body", it is the art of knowing how to respond correctly to an attack and often incorporates skills to allow one to do so safely. These skills can include moves similar to tumbling and are often used as a valid exercise in itself. In aikido and judo training for instance, many classes begin with ''ukemi'' training as conditioni ...
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Uke Mochi
, commonly known as , the daughter of the Shinto deities Izanagi and Izanami, is a goddess of food in the Shinto religion of Japan. In some differing interpretations, Ukemochi is referred to as both male and female. When shown in other forms, Ukemochi takes the shape of a fox. Ōgetsu-hime is married to Hayamato (羽山戸神, Hayamato-no-kami), who is the son of Toshigami through his wife Amechikarumizu-hime (天知迦流美豆比売) in the ''Kojiki,'' making Hayamato her great-grandnephew through her brother Ōyamatsumi. In some legends, Ukemochi is also married to Inari and in others, she is Inari. According to the ''Kojiki,'' after Susanoo was banished from heaven, he asked Ōgetsu-hime to give him food, and she did so by producing various food items from her nose, mouth and rectum. Thinking that she had poisoned the food by doing this, Susanoo killed her. After she died, silkworms grew from her head, rice seeds grew from her eyes, millet grew from her ear, red beans grew from ...
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Tibetan Languages
The Tibetic languages form a well-defined group of languages descending from Old Tibetan.Tournadre, Nicolas. 2014. "The Tibetic languages and their classification." In ''Trans-Himalayan linguistics, historical and descriptive linguistics of the Himalayan area''. Berlin: Mouton de Gruyter. According to Nicolas Tournadre, there are 50 Tibetic languages, which branch into more than 200 dialects, which could be grouped into eight Dialect continuum, dialect continua. These Tibetic languages are spoken in Tibet, Ladakh, Baltistan, Aksai Chin, Nepal, and in India in Himachal Pradesh, and Uttarakhand. Classical Tibetan is the major literary language, particularly for its use in Tibetan Buddhism, Tibetan Buddhist scriptures and literature. Tibetan languages are spoken by some 6 million people, not all of whom are Tibetan people, Tibetan.preprint With the worldwide spread of Tibetan Buddhism, the Tibetan language has also spread into the western world and can be found in many Buddhist texts ...
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picture info

Üké
Lhasa Tibetan or Standard Tibetan is a standardized dialect of Tibetan spoken by the people of Lhasa, the capital of the Tibetan Autonomous Region. It is an official language of the Tibet Autonomous Region. In the traditional "three-branched" classification of the Tibetic languages, the Lhasa dialect belongs to the Central Tibetan branch (the other two being Khams Tibetan and Amdo Tibetan). In terms of mutual intelligibility, speakers of Khams Tibetan are able to communicate at a basic level with Lhasa Tibetan, while Amdo speakers cannot. Both Lhasa Tibetan and Khams Tibetan evolved to become tonal and do not preserve the word-initial consonant clusters, which makes them very far from Classical Tibetan, especially when compared to the more conservative Amdo Tibetan. Registers Like many languages, Lhasa Tibetan has a variety of language registers: * ( Wylie: , literally "demotic language"): the vernacular speech. * ( Wylie: , "honorifics or deference, courtesy"): the forma ...
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Mighty Uke
''Mighty Uke: The Amazing Comeback of a Musical Underdog'' (released 2010) is a documentary film about the ukulele. It combines graphics, photographs, interviews and performance footage to tell the story of the ukulele and its recent resurgence in popularity. Production * Tony Coleman - Producer, Director, Editor * Margaret Meagher - Writer, Producer, Graphic Designer * Ron Mann - Executive Producer Summary ''Mighty Uke'' follows the history of the ukulele's popularity from its earliest days in the court of Hawaiian King David Kalākaua through the ‘lost’ years, then its first revival on early radio and the stages of vaudeville; then through several decades in the shadows again as jazz flourished until the days of early television and revival again with stars such as Arthur Godfrey. It again fell out of popularity as rock dominated popular music, but in the 21st Century is experiencing its third revival. In addition to the musical capacities of the small instrument, the f ...
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Ukulele
The ukulele ( ; ); also called a uke (informally), is a member of the lute (ancient guitar) family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes: soprano, concert, tenor, and baritone. Ukuleles generally have four nylon strings tuned to GCEA. They have 16–22 frets depending on the size. History Developed in the 1880s, the ukulele is based on several small, guitar-like instruments of Portuguese origin, the , and , introduced to the Hawaiian Islands by Portuguese immigrants from Madeira, the Azores, and Cape Verde. Three immigrants in particular, Madeiran cabinet makers Manuel Nunes, José do Espírito Santo, and Augusto Dias, are generally credited as the first ukulele makers. Two weeks after they disembarked from the SS ''Ravenscrag'' in late August 1879, the '' Hawaiian Gazette'' reported that "Madeira Islanders recently arriv ...
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