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Triple Time
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 ( compound) in the upper figure of the time signature, with , , and being the most common examples. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of usually indicates compound duple metre, and similarly usually indicates compound quadruple metre. Shown below are a simple and a compound triple drum pattern. \new Staff \new Staff Stylistic differences In popular music, the metre is most often quadruple,Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . but this does not mean that triple metre does not appear. It features in a good amount of music by artists such as The Chipmunks, Louis Armstrong or Bob Dylan. In jazz, this and other more adventurous metres have become more common since Dave Brubeck's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Out (album)
''Time Out'' is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as , and . The album is a subtle blend of cool and West Coast jazz. The album peaked at No. 2 on the ''Billboard'' pop albums chart, and was the first jazz album to sell a million copies. The single "Take Five" off the album was also the first jazz single to sell one million copies. By 1963, the record had sold 500,000 units, and in 2011 it was certified double platinum by the RIAA, signifying over two million records sold. The album was inducted in the Grammy Hall of Fame in 2009. The album was selected, in 2005, for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Background The album was intended as an experim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swiss Psalm
The "Swiss Psalm" (german: Schweizerpsalm, italic=no / "Trittst im Morgenrot daher..."; french: Cantique suisse, italic=no, ; it, Salmo svizzero, italic=no, ; rm, Psalm Svizzer, italic=no, ) is the national anthem of Switzerland. It was composed in 1841, by Alberich Zwyssig (1808–1854). Since then, it has been frequently sung at patriotic events. The Federal Council declined, however, on numerous occasions to accept the psalm as the official anthem. This was because the council wanted the people to express their say on what they wanted as a national anthem. From 1961 to 1981, it provisionally replaced "" ("When You Call, My Country"; French ""; Italian "", Romansh ""), the anthem by Johann Rudolf Wyss (1743–1818) that was set to the melody of "God Save the King". On 1 April 1981, the Swiss Psalm was declared the official Swiss national anthem. In 2014, the organized a public competition and unofficial vote to change the lyrics of the national anthem. History The Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Save The King
"God Save the King" is the national and/or royal anthem of the United Kingdom, most of the Commonwealth realms, their territories, and the British Crown Dependencies. The author of the tune is unknown and it may originate in plainchant, but an attribution to the composer John Bull is sometimes made. "God Save the King" is the ''de facto'' national anthem of the United Kingdom and one of two national anthems used by New Zealand since 1977, as well as for several of the UK's territories that have their own additional local anthem. It is also the royal anthem—played specifically in the presence of the monarch—of the aforementioned countries, in addition to Australia (since 1984), Canada (since 1980), Belize (since 1981), Antigua and Barbuda (since 1981), The Bahamas (since 1973), and most other Commonwealth realms. In countries not part of the British Empire, the tune of "God Save the King" has provided the basis for various patriotic songs, though still generally conn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Anthem Of Austria
The national anthem of Austria (), also known by its incipit "" (; ), was adopted in 1946. The melody, originally attributed to Wolfgang Amadeus Mozart but now disputed among various composers (most probably by ), was matched with a text by Paula von Preradović the following year. History Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the ''Freimaurerkantate'', Köchel catalogue, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a "" ("Let us with joined hands"). To this melody the Austrian national anthem is sung. Today, Mozart's authorship is regarded as dubious and the song is attributed to (either solely or co-authored with Mozart) or Paul Wranitzky. Before the World War II Anschluss, Austria's state anthem was "Sei gesegnet ohne Ende", set to the tune of Joseph Haydn, Haydn's "Gott erhalte Franz den Kaiser", the state anthem of imperial Austria since 1797. The curre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka
The mazurka ( Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarabande
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Favorite Things (song)
"My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical ''The Sound of Music.'' In the original Broadway production, this song was introduced by Mary Martin playing Maria and Patricia Neway playing Mother Abbess. Julie Andrews, who played Maria in the 1965 film version of the musical, had previously sung it on the 1961 Christmas special for '' The Garry Moore Show''. In 2004 the movie version of the song finished at No. 64 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Other notable versions John Coltrane played a fourteen-minute version in E minor as the title track of an album recorded in October 1960 and released in March 1961. It became a jazz classic and a signature song for Coltrane in concert, also appearing on '' Newport '63'' in 1963. In 1964, Jack Jones became the first of many artists to include the song on a Christmas album. Herb Alpert and the Tijuana Brass released a version in 1969 as a single from their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific American
''Scientific American'', informally abbreviated ''SciAm'' or sometimes ''SA'', is an American popular science magazine. Many famous scientists, including Albert Einstein and Nikola Tesla, have contributed articles to it. In print since 1845, it is the oldest continuously published magazine in the United States. ''Scientific American'' is owned by Springer Nature, which in turn is a subsidiary of Holtzbrinck Publishing Group. History ''Scientific American'' was founded by inventor and publisher Rufus Porter in 1845 as a four-page weekly newspaper. The first issue of the large format newspaper was released August 28, 1845. Throughout its early years, much emphasis was placed on reports of what was going on at the U.S. Patent Office. It also reported on a broad range of inventions including perpetual motion machines, an 1860 device for buoying vessels by Abraham Lincoln, and the universal joint which now can be found in nearly every automobile manufactured. Current issues includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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