The Memphis Horns
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The Memphis Horns
The Memphis Horns were an American horn section, made famous by their many appearances on Stax Records. The duo consisted of Wayne Jackson (November 24, 1941 – June 21, 2016) on trumpet and Andrew Love (November 21, 1941 - April 12, 2012) on tenor saxophone. An "offshoot of the Mar-Keys", they continued to work together for over 30 years. They lent their sound to 83 gold and platinum awards and over one-hundred high charting records, including Otis Redding's " Sitting On The Dock of the Bay", Al Green's " Let's Stay Together", and Elvis Presley's "Suspicious Minds". Career Formation Before the formation of the Memphis Horns, the co-founders worked in other projects. Jackson, while in high school, was a member of the Mar-Keys, a group that would become part of the house band for Stax Records during the 1960s. Meanwhile, Love was playing the saxophone in his father's church, and his school bands. He joined the house band in 1965, after completing his post secondary education ...
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Stax Records
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records. Stax was influential in the creation of Southern soul and Memphis soul music. Stax also released gospel, funk, and blues recordings. Renowned for its output of blues music, the label was founded by two siblings and business partners, Jim Stewart and his sister Estelle Axton (STewart/AXton = Stax). It featured several popular ethnically integrated bands (including the label's house band, Booker T. & the M.G.'s) and a racially integrated team of staff and artists unprecedented in that time of racial strife and tension in Memphis and the South. According to ethnomusicologist Rob Bowman, the label's use of "one studio, one equipment set-up, the same set of musicians and a small group of songwriters led to a readily identifiable sound. It was a soun ...
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Neil Young
Neil Percival Young (born November 12, 1945) is a Canadian-American singer and songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining Buffalo Springfield with Stephen Stills, Richie Furay and others. Since the beginning of his solo career with his backing band Crazy Horse, he has released many critically acclaimed and important albums, such as ''Everybody Knows This Is Nowhere'', ''After the Gold Rush'', '' Harvest'', '' On the Beach'' and ''Rust Never Sleeps''. He was a part-time member of Crosby, Stills, Nash & Young. His guitar work, deeply personal lyrics and signature high tenor singing voice define his long career. Young also plays piano and harmonica on many albums, which frequently combine folk, rock, country and other musical genres. His often distorted electric guitar playing, especially with Crazy Horse, earned him the nickname " Godfather of Grunge" and led to his 1995 album '' Mirror Ball'' with Pear ...
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FAME Studios
FAME (Florence Alabama Music Enterprises) Studios is a recording studio located at 603 East Avalon Avenue in Muscle Shoals, Alabama, an area of northern Alabama known as the Shoals. Though small and distant from the main recording locations of the American music industry, FAME has produced many hit records and was instrumental in what came to be known as the Muscle Shoals sound. It was started in the 1950s by Rick Hall, known as the Founder of Muscle Shoals Music. The studio, owned by Hall until his death in 2018, is still actively operating. It was added to the Alabama Register of Landmarks and Heritage on December 15, 1997, and was listed on the National Register of Historic Places in 2016. The 2013 award-winning documentary '' Muscle Shoals'' features Rick Hall, the Muscle Shoals Rhythm Section (also called The Swampers), and the Muscle Shoals sound originally popularized by FAME. History Early history FAME (standing for Florence Alabama Music Enterprises) was founded by Ri ...
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American Sound Studio
The American Sound Studio was a recording studio located in Memphis, Tennessee which operated from 1964 to 1972. Founded by Chips Moman, the studio at 827 Thomas Street came to be known as American North, and the studio at 2272 Deadrick Street came to be known as American East or the Annex. More than one hundred hit songs were recorded at these studios, with backing provided by the studio musicians " The Memphis Boys", also known as the "827 Thomas Street Band". Artists who recorded at American Sound Studio included Elvis Presley, Joe Tex, Wilson Pickett, Bobby Womack, Joe Simon, Merrilee Rush, Aretha Franklin, Oscar Toney Jr., Neil Diamond, Dusty Springfield, B. J. Thomas, Petula Clark, Roy Hamilton, and The Box Tops. History American Sound Studio was started in 1964 at 827 Thomas Street in North Memphis by producer Chips Moman and Don Crews. Between 1967 and 1971 approximately 120 hit songs were produced, and listed in the top 100 of ''Billboard'', at the American Sound St ...
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Royal Studios
Royal Studios is a recording studio located in Memphis, Tennessee, United States. Established in 1956, it is one of the oldest continuously operated music recording studios in the world. It is widely known for producer, recording artist and owner, Willie Mitchell, and notable productions of Al Green, Chuck Berry, John Mayer, Buddy Guy, My Morning Jacket, Robert Cray, De La Soul, Otis Rush, Keith Richards, Solomon Burke, The Bo-Keys, Bobby Blue Bland, Ann Peebles, Ike & Tina Turner, Tom Jones, Anthony Hamilton, Rod Stewart, Paul Rodgers, Cody Chesnutt, Sam Moore as well as the ''Barnyard'' and ''Soul Men'' soundtracks. The studio is operated by the family of Willie Mitchell with son Lawrence "Boo" Mitchell serving as manager/engineer, son Archie Mitchell serving as an engineer and daughter Oona Mitchell serving as administrator. Establishment Royal Studios was founded in 1956 in Memphis, Tennessee, as the operating studio of Hi Records. The original structure was used as a mo ...
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Suspicious Minds
"Suspicious Minds" is a 1968 song written and first recorded by American songwriter Mark James. After this recording failed commercially, it was cut by Elvis Presley with producer Chips Moman, becoming a No. 1 song in 1969, and one of the most memorable hits of Presley's career. The song The song is about a mistrusting and dysfunctional relationship, and the need of the characters to overcome their issues in order to maintain it. Written in 1968 by Mark James, who was also co-writer of " Always on My Mind" (which Presley would later record), the song was first recorded and released by James on Scepter Records in 1968. Chips Moman had asked James to come to Memphis to write songs for American Sound Studio. At the time, James was residing in Houston. He had written three songs that became No.1 hits in the Southern United States. American Sound Studio was gaining a reputation in the industry, as the Box Tops had just recorded " The Letter" there, so James relocated to Memph ...
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Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ...
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Let's Stay Together (Al Green Song)
"Let's Stay Together" is a song by American singer Al Green from his 1972 album of the same name. It was produced and recorded by Willie Mitchell, and mixed by Mitchell and Terry Manning. Released as a single in 1971, "Let's Stay Together" reached number 1 on the ''Billboard'' Hot 100, and remained on the chart for 16 weeks and also topped ''Billboard'''s R&B chart for nine weeks. ''Billboard'' ranked it as the number 11 song of 1972. It was ranked the 60th greatest song of all time by ''Rolling Stone'' magazine on their 2004 list of the 500 Greatest Songs of All Time, and has been covered by numerous other performers, most notably Tina Turner. It was selected by the Library of Congress as a 2010 addition to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant". The song went on to claim the number 1 position on the ''Billboard'' Year-End chart as an R&B song for 1972. Charts Weekly charts ...
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(Sittin' On) The Dock Of The Bay
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. It was recorded by Redding twice in 1967, including once just three days before his death in a plane crash on December 10, 1967. The song was released on Stax Records' Volt label in 1968, becoming the first ever posthumous single to top the charts in the US. It reached number 3 on the UK Singles Chart. Redding started writing the lyrics to the song in August 1967, while sitting on a rented houseboat in Sausalito, California. He completed the song in Memphis with the help of Cropper, who was a Stax producer and the guitarist for Booker T. & the M.G.'s. The song features whistling and sounds of waves crashing on a shore. Origins While on tour with the Bar-Kays in August 1967, Redding had grown in popularity, and was inundated with fans at his hotel in downtown San Francisco. Rock concert impresario Bill Graham offered Redding a respite to stay at his houseboat at Wa ...
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The Mar-Keys
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound. Career Early success with "Last Night" (1961) The group began as The Royal Spades while its members were in high school. They tried to get a record made for the local Satellite Records (the forerunner of Stax), unsuccessfully, even though the label was owned by the mother and uncle of the group's tenor sax player, Charles "Packy" Axton. When the band eventually made a record, Axton's mother, Estelle Axton, convinced them to change their name, and they became "The Mar-Keys". However, the live lineup of the Mar-Keys was not always the same as the band heard on the recordings. Their first and most famous recording was the organ- and saxophone-driven single " Last Night", a number three hit nationally in the US in 1961. It sold over one million co ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ...
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