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The Assembly
The Assembly were a British synth-pop project formed in 1983 in Basildon, England, by Vince Clarke (songwriting, keyboards, backing vocals) and Eric Radcliffe (songwriting, production). Feargal Sharkey was hired as a guest vocalist for the A-side of the group's only single, "Never Never". Clarke and Radcliffe had planned to use a different singer on each track the group recorded, but the group disbanded after the release of " Never Never", and no other vocalists were employed by the duo. Band history Clarke founded The Assembly shortly after disbanding Yazoo (featuring vocalist Alison Moyet), upon completion and distribution of Yazoo's 1983 album, '' You and Me Both''. The Assembly marked the most involved phase of Clarke's long-term professional relationship with sound engineer Radcliffe, who had contributed significant influences to the recordings of Clarke's previous bands, Depeche Mode and Yazoo. However, the Assembly project never became a full-fledged band and resul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basildon
Basildon ( ) is the largest town in the borough of Basildon, within the county of Essex, England. It has a population of 107,123. In 1931 the parish had a population of 1159. It lies east of Central London, south of the city of Chelmsford and west of Southend-on-Sea. Nearby smaller towns include Billericay to the north-west, Wickford to the north-east and South Benfleet to the south-east. It was created as a new town after World War II in 1948, to accommodate the London population overspill from the conglomeration of four small villages, namely Pitsea, Laindon, Basildon (the most central of the four) and Vange. The local government district of Basildon, which was formed in 1974 and received borough status in 2010, encapsulates a larger area than the town itself; the two neighbouring towns of Billericay and Wickford, as well as rural villages and smaller settlements set among the surrounding countryside, fall within its borders. Basildon Town is one of the most densely p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alison Moyet
Geneviève Alison Jane Ballard ( ; born 18 June 1961) is an English singer noted for her powerful bluesy contralto voice. She came to prominence as half of the duo Yazoo (also known as Yaz), but has since mainly worked as a solo artist. Her worldwide album sales have reached a certified 23 million, with over two million singles sold. All nine of her studio albums and three compilation albums have charted in the top 30 of the UK Albums Chart, with two of them reaching number one. She has also achieved nine top 30 singles and six top 10 hits on the UK Singles Chart. Her most recent album, her ninth, '' Other'', was released 16 June 2017. Early life Geneviève Alison Jane Moyet was born in Billericay, Essex, to a French father and English mother. She grew up in the nearby town of Basildon, where she attended Janet Duke Junior School and then Nicholas Comprehensive at secondary level. She was involved in a number of punk rock, pub rock and blues bands in the South East E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Undertones
The Undertones are a rock band formed in Derry, Northern Ireland in 1974. From 1975 to 1983, the Undertones consisted of Feargal Sharkey (vocals), John O'Neill (rhythm guitar, vocals), Damian O'Neill (lead guitar, vocals), Michael Bradley (bass, vocals) and Billy Doherty (drums). Much of the earlier Undertones material drew influence from punk rock and new wave; the Undertones also incorporated elements of rock, glam rock and post-punk into material released after 1979, before citing soul and Motown as the influence for the material released upon their final album. The Undertones released thirteen singles and four studio albums between 1978 and 1983 before Sharkey announced his intention to leave the band in May 1983, citing musical differences as the reason for the break up. Despite the backdrop of the Troubles in Derry and across Northern Ireland, the vast majority (though not all) of the material the Undertones released focused not upon the political climate, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clem Clempson
David "Clem" Clempson (born 5 September 1949) is an English rock guitarist who has played as a member in a number of bands including Colosseum and Humble Pie. Career Clempson began his career in the late 1960s with the power trio, Bakerloo (originally The Bakerloo Blues Line), playing blues-rock. In 1969, he joined Colosseum, until they disbanded in 1971. After Colosseum's split he went on to join Humble Pie in 1971, replacing Peter Frampton. When the band split in 1975 he and Greg Ridley joined drummer Cozy Powell to form Strange Brew. During this period, Clempson auditioned for Deep Purple but lost to Tommy Bolin. Although he played in Marriott's All Stars, he opted in 1980 not to join the reformed Humble Pie, choosing instead Jack Bruce & Friends. In 1977, Clempson formed the short lived band Rough Diamond with former Uriah Heep singer David Byron. In 1994, Clempson re-joined Colosseum reunion version of the band, and he continued performing with the band until their fare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Session Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, '' Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie ask ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio *Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective *Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
