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Telecompressor
A telecompressor or focal reducer is an optical element used to reduce focal length, increase lens speed, and in some instances improve optical transfer function (OTF) performance. It is also widely known under the name “Speed Booster”, which is the commercial name of a line of telecompressors by the manufacturer Metabones. Popular applications include photography, videography, and astrophotography. In astrophotography, these qualities are most desirable when taking pictures of nearby large objects, such as nebulae. The effects and uses of the telecompressor are largely opposite to those of the teleconverter or Barlow lens. A combined system of a lens and a focal reducer has smaller back focus than the lens alone; this places restrictions on lenses and cameras that focal reducer might be used with. Lens adapters that include telecompressors are useful with digital mirrorless cameras. By combining a telecompressor within a lens adapter, mirrorless cameras can use the lenses of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikon E Series
The Nikon E series, co-developed with Fujifilm, are autofocus 1.3 megapixel professional grade quasi- full frame ( 35mm) Nikon F-mount digital single lens reflex cameras (DSLR) manufactured by Nikon since 1995. The E series included the ''Nikon E2/E2S'', ''Nikon E2N/E2NS'' and the ''Nikon E3/E3S''. The S-variants are identical except they had triple the frame rate and a larger buffer. Its unique optical system bundles the light of the full-frame lenses to the small 2/3 inch CCD sensor. That gives approximately 4 stops more light at the small sensor, therefore delivering an exceptional (for that time) minimum sensitivity of 800 and maximum 3200 ISO, which remains usable for press and news use. Technology The Nikon E2/E2S and E2N/E2NS use a Nikon F4 subsystem, the E3/E3S uses a Nikon F100 subsystem. Optical system The E series uses a unique additional optical system that enables the small sensor to capture the field of view of a 35mm film, with a crop factor of 1. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teleconverter
A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enlarges the central 12×18 mm part of an image to the size of 24×36 mm in the standard 35 mm film format. Teleconverters are typically made in 1.4×, 1.7×, 2× and 3× variants, with 1.4× and 2× being the most common. A 2× teleconverter doubles the apparent focal length of a given lens. Teleconverters also decrease the intensity of the light that reaches the film plane (or sensor) by the square of its magnification. A 2× teleconverter reduces the light to 1/4, doubles the focal ratio and halves the resolution of the master lens it is connected to. This, however, does not necessarily halve the resolution of the digital image. A closely related device reduces the focal length. It is generally marketed under the name spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teleconverter
A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enlarges the central 12×18 mm part of an image to the size of 24×36 mm in the standard 35 mm film format. Teleconverters are typically made in 1.4×, 1.7×, 2× and 3× variants, with 1.4× and 2× being the most common. A 2× teleconverter doubles the apparent focal length of a given lens. Teleconverters also decrease the intensity of the light that reaches the film plane (or sensor) by the square of its magnification. A 2× teleconverter reduces the light to 1/4, doubles the focal ratio and halves the resolution of the master lens it is connected to. This, however, does not necessarily halve the resolution of the digital image. A closely related device reduces the focal length. It is generally marketed under the name spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minolta RD-175
The Minolta RD-175 was an early digital SLR, introduced in 1995. Minolta combined an existing SLR with a three way splitter and three separate CCD image sensors, giving 1.75 megapixel (MP) resolution. The base of the DSLR was the Minolta Maxxum 500si Super (the Dynax 500si Super in Europe and as Alpha 303si Super in Asia). Agfa produced a version of the RD-175 retailed as the Agfa ActionCam. The RD-175 was also notable as the first consumer digital camera to be used professionally, being used to create the full-motion claymation adventure video game '' The Neverhood''. Technology Since state of the art CCD resolution at the time was not sufficient for Minolta, the light entering the central 12 mm × 16 mm area of the RD-175's focal plane was compressed by 0.4x relay optics behind the focal plane, similar to the optical reduction system used in the Nikon E series. The light bundled on the smaller sensor area increased the effective sensitivity ( ISO) by stops. Then the li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telescope
A telescope is a device used to observe distant objects by their emission, absorption, or reflection of electromagnetic radiation. Originally meaning only an optical instrument using lenses, curved mirrors, or a combination of both to observe distant objects, the word ''telescope'' now refers to a wide range of instruments capable of detecting different regions of the electromagnetic spectrum, and in some cases other types of detectors. The first known practical telescopes were refracting telescopes with glass lenses and were invented in the Netherlands at the beginning of the 17th century. They were used for both terrestrial applications and astronomy. The reflecting telescope, which uses mirrors to collect and focus light, was invented within a few decades of the first refracting telescope. In the 20th century, many new types of telescopes were invented, including radio telescopes in the 1930s and infrared telescopes in the 1960s. Etymology The word ''telescope'' w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crop Factor
In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. In the case of digital cameras, the imaging device would be a digital sensor. The most commonly used definition of crop factor is the ratio of a 35 mm frame's diagonal (43.3 mm) to the diagonal of the image sensor in question; that is, CF=diag35mm / diagsensor. Given the same 3:2 aspect ratio as 35mm's 36 mm × 24 mm area, this is equivalent to the ratio of heights or ratio of widths; the ratio of sensor areas is the square of the crop factor. The crop factor is sometimes used to compare the field of view and image quality of different cameras with the same lens. The crop factor is sometimes referred to as the focal length multiplier ("Film") since multiplying a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Image Circle
The image circle is the cross section of the cone of light transmitted by a lens or series of lenses onto the image plane. When this light strikes a perpendicular target such as photographic film or a digital camera sensor, it forms a circle of light – the image circle. Various sensor aspect ratios may be used which all fit inside the same image circle, 3:2, 4:3, 16:9, etc. A lens to be used on a camera that provides movements must have an image circle larger than the size of the image format (Adams 1980, 54). To avoid vignetting, a photographer using a view camera must ensure that the area remains within the image circle (Adams 1980, 56–57; 151–52; 157–61); a tilt/shift lens or perspective-control lens used on a small- or medium-format camera usually has mechanical limitations that keep the frame area within the image circle. See also *Film format *Image sensor format In digital photography, the image sensor format is the shape and size of the image sensor. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Image Sensor Format
In digital photography, the image sensor format is the shape and size of the image sensor. The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras. Sensor size is often expressed as optical format in inches. Other measures are also used; see table of sensor formats and sizes below. Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop. The format size ratio (relative to the 35 mm film format) is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lens (optics)
A lens is a transmissive optical device which focuses or disperses a light beam by means of refraction. A simple lens consists of a single piece of transparent material, while a compound lens consists of several simple lenses (''elements''), usually arranged along a common axis. Lenses are made from materials such as glass or plastic, and are ground and polished or molded to a desired shape. A lens can focus light to form an image, unlike a prism, which refracts light without focusing. Devices that similarly focus or disperse waves and radiation other than visible light are also called lenses, such as microwave lenses, electron lenses, acoustic lenses, or explosive lenses. Lenses are used in various imaging devices like telescopes, binoculars and cameras. They are also used as visual aids in glasses to correct defects of vision such as myopia and hypermetropia. History The word '' lens'' comes from '' lēns'', the Latin name of the lentil (a seed of a len ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varifocal Lens
A varifocal lens is a camera lens with variable focal length in which focus changes as focal length (and magnification) changes, as compared to a '' parfocal'' ("true") zoom lens, which remains in focus as the lens zooms (focal length and magnification change). Many so-called "zoom" lenses, particularly in the case of fixed-lens cameras, are actually varifocal lenses, which give lens designers more flexibility in optical design trade-offs (focal length range, maximum aperture, size, weight, cost) than parfocal zoom. These are practical because of autofocus, and because the camera processor can automatically adjust the lens to keep it in focus while changing focal length ("zooming") making it suitable for still photography where a change in magnification of the subject, as demonstrated below is not a problem. The change in the subject size is a significant problem in video and true parfocal designs are needed for higher quality video work. Varifocal lenses can be used for image dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catadioptric
A catadioptric optical system is one where refraction and reflection are combined in an optical system, usually via lenses (dioptrics) and curved mirrors ( catoptrics). Catadioptric combinations are used in focusing systems such as searchlights, headlamps, early lighthouse focusing systems, optical telescopes, microscopes, and telephoto lenses. Other optical systems that use lenses and mirrors are also referred to as "catadioptric", such as surveillance catadioptric sensors. Early catadioptric systems Catadioptric combinations have been used for many early optical systems. In the 1820s, Augustin-Jean Fresnel developed several catadioptric lighthouse reflectors. Léon Foucault developed a catadioptric microscope in 1859 to counteract aberrations of using a lens to image objects at high power. In 1876 a French engineer, A. Mangin, invented what has come to be called the Mangin mirror, a concave glass reflector with the silver surface on the rear side of the glass. The two surface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
