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Traditional Irish Singing
Traditional Irish singing is the singing of traditional songs in the native styles such as . Though some people consider to particularly refer to singing in the Irish language, the term "traditional singing" is more universally understood to encompass singing in any language, as well as lilting. Some of the characteristics of traditional Irish songs might be * Solo singing * Unaccompanied * Unamplified * The audience is focused on the singing In contrast, Irish ballad singing might be thought of as differing in several respects, even if it is also sometimes referred to as traditional. * Ballad singing is almost always accompanied by musical instruments. * It is most often a group activity, not solo singing. * It is performed typically in public areas, the singing is usually amplified, and the performance might be secondary (e.g., as background music in a pub). History The courtly love song genre came to Ireland from Norman France between the 13th and 15th centuries. Sourc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Sean-nós Singing
singing ( , ; Irish language, Irish for 'old style') is A cappella, unaccompanied, Irish traditional music, traditional Irish vocal music usually performed in the Irish language. singing usually involves very long melodic Phrase (music), phrases with highly Ornament (music), ornamented and melismatic melodic lines, differing greatly from Folk music, traditional folk singing elsewhere in Ireland, although there is significant regional variation within Ireland. songs cover a range of genres, from love song to lament to lullaby, traditionally with a strong focus on conveying the relevant emotion of the given song. The term , which simply means '[in the] old way', is a vague term that can also refer to Sean nós (other), various other traditional activities, musical and non-musical. The musician and academic Tomás Ó Canainn said: ...no aspect of Irish music can be fully understood without a deep appreciation of singing. It is the key which opens every lock. The o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Lilting
Lilting is a form of traditional singing common in the Goidelic speaking areas of Ireland, Scotland and the Isle of Man, though singing styles like it occur in many other countries. It goes under many names, and is sometimes referred to as ''diddling'' (generally in England and Scotland), ''mouth music'', ''jigging'', ''chin music'' or ''cheek music'', or in Scottish Gaelic, or (, 'mouth-singing') in Irish. The syllables sung do not require any one-to-one corresponding note, and in this way it resembles scat singing, and is distinguished from the singing of sol-fa or sargam. Features Lilting often accompanies dancing. Features such as rhythm and tone dominate in lilting and in the case of Irish lilting in particular, is intended to evoke the characteristic 'lilt' of traditional Irish music and specific instruments such as the Celtic harp. The lyrics thus are often meaningless or nonsensical. History The origins of lilting are unclear. It might have resulted in part fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Irish Ballad
The following are often-sung Irish folk ballads and folk songs. The songs are arranged by theme under the categories "Politics and soldiering" and "Non-political" and are not necessarily contemporary to the events to which they relate. Songs may fit into more than one category, but where possible, are grouped uniquely to where is most appropriate. Politics and soldiering Anti-war and anti-recruiting *"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. *"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues. *" Mrs. McGrath" – popular among the Irish Volunteers, 1916 *"The Saxon Shilling" – written by K. T. Buggy, 1840s *"Sergeant William Bailey" – written by Peadar Kearney, recorded by Dominic Behan and Maeve Mulvany Moore *" Johnny I Hardly Knew Ye" � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Courtly Love
Courtly love ( ; ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the High Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Cecil Sharp
Cecil James Sharp (22 November 1859 – 23 June 1924) was an English collector of folk songs, folk dances and instrumental music, as well as a lecturer, teacher, composer and musician. He was a key figure in the folk-song revival in England during the Edwardian period. According to Roud's ''Folk Song in England'', Sharp was the country's "single most important figure in the study of folk song and music". Sharp collected over four thousand folk songs, both in South-West England and the Southern Appalachian region of the United States. He published an extensive series of songbooks based on his fieldwork, often with piano arrangements, and wrote an influential theoretical work, ''English Folk Song: Some Conclusions''. He notated examples of English Morris dancing, and played an important role in the revival both of the Morris and English country dance. In 1911, he co-founded the English Folk Dance Society, which was later merged with the Folk-Song Society to form the English Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music during the 20th century. He was a musician, folklorist, archivist, writer, scholar, political activist, oral historian, and filmmaker. Lomax produced recordings, concerts, and radio shows in the U.S. and in England which played an important role in preserving folk music traditions in both countries and helped start both the American and British folk revivals of the 1940s, 1950s, and especially the early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later, alone and with others. Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independently i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Hamish Henderson
(James) Hamish Scott Henderson (11 November 1919 – 9 March 2002) was a Scotland, Scottish poet, songwriter, communist, intellectual and soldier. Henderson was a catalyst for the folk revival in Scotland. He was also an accomplished folk song collector and discovered such notable performers as Jeannie Robertson, Flora MacNeil and Calum Johnston. Early life He was born in Blairgowrie and Rattray, Blairgowrie, Perthshire on the first Armistice Day 11 November 1919, to a single mother, Janet Henderson, a Queen's Nursing Institute Scotland, Queen's Nurse who had served in France, and was then working in the war hospital at Blair Castle. His father was the army officer James Scott (1874–1934). Henderson's name was recorded at registration as James, but he preferred the Scots form, Hamish. Henderson spent his early years in nearby Glen Shee and Dundee, and then moved to England with his mother. He attended Lendrick School in Bishopsteignton, a preparatory school (United Kingdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Pete Seeger
Peter Seeger (May 3, 1919 – January 27, 2014) was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s and had a string of hit records in the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthyism, McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest song, protest music in support of nuclear disarmament, international disarmament, civil rights, workers' rights, Counterculture of the 1960s, counterculture, environmentalism, environmental causes, and ending the Vietnam War. Among the prolific songwriter's best-known songs are "Where Have All the Flowers Gone?" (with additional lyrics by Joe Hickerson), "If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), "Kisses Sweeter than Wine" (also with Hays), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Ewan MacColl
James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was a British folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and " Dirty Old Town". MacColl collected hundreds of traditional folk songs, including the version of " Scarborough Fair" later popularised by Simon & Garfunkel, and released dozens of albums with A.L. Lloyd, Peggy Seeger and others, mostly of traditional folk songs. He also wrote many left-wing political songs, remaining a steadfast communist throughout his life and actively engaging in political activism. Early life and early career MacColl was born as James Henry Miller at 4 Andrew Street, in Broughton, Salford, England, on 25 January 1915 to Scottish parents, William Miller and Betsy (née Henry), both social ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
List Of Traditional Irish Singers
This is a list of notable traditional singers from Ireland. Some of the singers alphabetically listed below are known to have sung in both the Irish language, Irish and English language, English language and if so are listed in both sections below as well known singers of macaronic Irish songs. Singers (by language) Mainly English-language songs Men *Paddy Berry, a Comhaltas Ceoltóirí Éireann, CCÉ singer *Eddie Butcher of Magilligan, County Londonderry, singer, song collector and songwriter *Robert Cinnamond of County Antrim, Antrim, singer and song collector *Len Graham (singer), Len Graham, married to Pádraigín Ní Uallacháin, with whom he has recorded numerous albums *Con Greaney, from Limerick *Frank Harte, seminal collector and singer in the English language tradition *Joe Holmes (Irish Singer), Joe Holmes *Luke Kelly, from Dublin, best known for co-founding The Dubliners *Ronnie Drew, another founding member of The Dubliners *John Reilly (singer), John Reilly *Padd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Lilting
Lilting is a form of traditional singing common in the Goidelic speaking areas of Ireland, Scotland and the Isle of Man, though singing styles like it occur in many other countries. It goes under many names, and is sometimes referred to as ''diddling'' (generally in England and Scotland), ''mouth music'', ''jigging'', ''chin music'' or ''cheek music'', or in Scottish Gaelic, or (, 'mouth-singing') in Irish. The syllables sung do not require any one-to-one corresponding note, and in this way it resembles scat singing, and is distinguished from the singing of sol-fa or sargam. Features Lilting often accompanies dancing. Features such as rhythm and tone dominate in lilting and in the case of Irish lilting in particular, is intended to evoke the characteristic 'lilt' of traditional Irish music and specific instruments such as the Celtic harp. The lyrics thus are often meaningless or nonsensical. History The origins of lilting are unclear. It might have resulted in part fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Sean Nós (other)
refers to 'old style' Irish song and dance: * ''Sean-nós'' singing, Irish traditional song * ''Sean-nós'' dance, Irish traditional dance ** ''Sean-nós'' dance in the United States, Irish traditional singing and dancing in the "old style" in the U.S. {{DEFAULTSORT:Sean Nos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
