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Terribilità
Terribilità, the modern Italian spelling, or terribiltà, as Michelangelo's 16th century contemporaries tended to spell it, is a quality ascribed to his art that provokes terror, awe, or a sense of the sublime in the viewer. It is perhaps especially applied to his sculptures, such as his figures of David (Michelangelo), ''David'' or in Moses (Michelangelo), ''Moses''. Pope Julius II was apparently the first to describe Michelangelo as a ''uomo terribile'' ("terror-inducing man"), apparently describing his difficult character as much as his art. This ''terribilità'' also references the Neoplatonism, neoplatonics of humanists such as Marsilio Ficino, who had known Michelangelo in his youth. Michelangelo's friend and collaborator Sebastiano del Piombo reported in a letter to him of 15 October 1520 on a private audience with Pope Leo X. After praising Michelangelo's work, the pope continued "But he is ''terribile'', as you see; one cannot deal with him". Sebastiano responded "that ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ...
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David (Michelangelo)
''David'' is a masterpiece of Italian Renaissance sculpture in marble created from 1501 to 1504 by Michelangelo. With a height of , the ''David'' was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond. ''David'' was originally commissioned as one of a series of statues of twelve prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in the public square in front of the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. In 1873, the statue was moved to the Galleria dell'Accademia, Florence. In 1910 a replica was installed at the original site on the public square. The biblical figure David was a favoured subject in the art of Florence. Because of the nature of the figure it represented, the statue soon came to symbolize the defence of civil liberties embodied in the 1494 constit ...
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Moses (Michelangelo)
''Moses'' ( ; ) is a sculpture by the Italian High Renaissance artist Michelangelo, housed in the Basilica of San Pietro in Vincoli in Rome. Commissioned in 1505 by Pope Julius II for Tomb of Pope Julius II, his tomb, it depicts the Bible, biblical figure Moses with horned Moses, horns on his head, based on a description in chapter 34 of Book of Exodus, Exodus in the Vulgate, the Latin translation of the Bible used at that time. Some scholars believe the use of horns may often hold an antisemitic implication, while others hold that it is simply a convention based on the translation error. Sigmund Freud's interpretations of the statue from 1916 are particularly well-known. Some interpretations of the sculpture including Freud note a demotic force, but also as a beautiful figure, with an emotional intensity as God's word is revealed. The delicacy of some of the features such as Moses' flowing hair are seen as a remarkable technical achievement, but Freud argues that Michelangelo goes ...
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Pope Julius II
Pope Julius II (; ; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death, in February 1513. Nicknamed the Warrior Pope, the Battle Pope or the Fearsome Pope, it is often speculated that he had chosen his papal name not in honor of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased their power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guard for his personal protection and commanded a su ...
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Neoplatonism
Neoplatonism is a version of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a series of thinkers. Among the common ideas it maintains is monism, the doctrine that all of reality can be derived from a single principle, "the One". Neoplatonism began with Ammonius Saccas and his student Plotinus (c.  204/5 – 271 AD) and stretched to the sixth century. After Plotinus there were three distinct periods in the history of neoplatonism: the work of his student Porphyry (third to early fourth century); that of Iamblichus (third to fourth century); and the period in the fifth and sixth centuries, when the academies in Alexandria and Athens flourished. Neoplatonism had an enduring influence on the subsequent history of Western philosophy and religion. In the Middle Ages, Neoplatonic ideas were studied and discussed by Christian, Jewish, and Muslim thinkers. ...
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Marsilio Ficino
Marsilio Ficino (; Latin name: ; 19 October 1433 – 1 October 1499) was an Italian scholar and Catholic priest who was one of the most influential humanist philosophers of the early Italian Renaissance. He was an astrologer, a reviver of Neoplatonism in touch with the major academics of his day, and the first translator of Plato's complete extant works into Latin. His Florentine Academy, an attempt to revive Plato's Academy, influenced the direction and tenor of the Italian Renaissance and the development of European philosophy. Early life Ficino was born at Figline Valdarno. His father, Diotifeci d'Agnolo, was a physician under the patronage of Cosimo de' Medici, who took the young man into his household and became the lifelong patron of Marsilio, who was made tutor to his grandson, Lorenzo de' Medici. Giovanni Pico della Mirandola, the Italian humanist philosopher and scholar, was another of his students. Career and thought Platonic Academy During the sessions at ...
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Sebastiano Del Piombo
Sebastiano del Piombo (; – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods, famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a very ...
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Pope Leo X
Pope Leo X (; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521. Born into the prominent political and banking Medici family of Florence, Giovanni was the second son of Lorenzo de' Medici, ruler of the Florentine Republic, and was elevated to the cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly war that succeeded in securing his nephew Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances. In Protestant circles, Leo is associated with granting indulgences for those who donated to reconstruct St. Peter's Basilica, a practice that was soon challenged by M ...
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Casa Buonarroti
Casa Buonarroti is a museum in Florence, Italy that is situated on property owned by the sculptor Michelangelo that he left to his nephew, Leonardo Buonarroti. The complex of buildings was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. Its collections include two of Michelangelo's earliest marble sculptures, the '' Madonna of the Stairs'' and the '' Battle of the Centaurs''. A ten-thousand book library includes the family archive and some of Michelangelo's letters and drawings. The Galleria is decorated with paintings commissioned by Buonarroti the Younger and was created by Artemisia Gentileschi and other early seventeenth-century Italian artists. History On 3 March 1508, Michelangelo, who had moved temporarily to Rome three years earlier to work on the Tomb of Pope Julius II, bought four adjoining buildings in Florence at the corner of via Ghibellina and via Santa Maria (now via Buonarroti), just north of the Basili ...
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History Of Art
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetics, aesthetic visual form. Visual arts, Visual art can be classified in art#Forms, genres, media, and styles, diverse ways, such as separating fine arts from applied arts; inclusively focusing on human creativity; or focusing on different media such as architecture, sculpture, painting, film, photography, and graphic arts. In recent years, technological advances have led to video art, Digital art, computer art, performance art, animation, television, and Video game, videogames. The history of art is often told as a chronology of masterpieces created during each civilization. It can thus be framed as a story of high culture, epitomized by the Wonders of the World. On the other hand, vernacular art expressions can also be integrated into art h ...
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