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Telecine
Telecine ( or ), or TK, is the process of transferring film into video and is performed in a color suite. The term is also used to refer to the equipment used in this post-production process. Telecine enables a motion picture, captured originally on film stock, to be viewed with standard video equipment, such as television sets, video cassette recorders (VCR), DVD-Video, DVD, Blu-ray or computers. Initially, this allowed television broadcasters to produce programs using film, usually 16 mm film, 16-mm stock, but transmit them in the same format, and quality, as other forms of television production. Furthermore, telecine allows film producers, television producers and film distributors working in the film industry to release their productions on video and allows producers to use video production equipment to complete their filmmaking projects. Within the film industry, it is also referred to as a ''TK'', ''TC'' having already been used to designate timecode. Motion picture fil ...
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Color Suite
A color suite (also called a color bay, telecine suite, or color correction bay) is the control room for color grading video in a post-production environment. Technology and specifications The video source could be from: a telecine, a video tape recorder (VTR), a motion picture film scanner, virtual telecine or a direct-to-disk recording (DDR) or the older system called a film chain. A high end broadcast color suite may use a Da Vinci Systems or Pandora International color corrector. If a VTR is the source for the video the room is often called a ''tape to tape'' suite. Many suites are designed to operate as a telecine suite or a tape to tape suite by changing the configuration of the suite. The operator of the suite is usually called a ''Colorist''. If a telecine is the source this is called a ''Film to Tape'' operation. A color suite may use one video standard or be able to change configuration to a number of standards like: high-definition video, NTSC, or PAL or a DI ...
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Film Chain
A film chain or film island is a television – professional video camera with one or more projectors aligned into the photographic lens of the camera. With two or more projectors a system of front-surface mirrors that can pop-up are used in a multiplexer. These mirrors switch different projectors into the camera lens. The camera could be fed live to air for broadcasting through a vision mixer or recorded to a VTR for post-production or later broadcast. In most TV use this has been replaced by a telecine. Projectors The projectors often are: 16 mm film movie projector, a 35 mm slide projector and a 35 mm film movie projector. In low-end use the motion picture 35 mm projector would be replaced by a second 16 mm projector or 8 mm film, or Super 8 mm film or Single-8 projector. The multiplexer with the camera and projectors surrounding it would often be called a ''film island''. The optical or mag or magnetic strip soundtrack on the motion picture would ...
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Motion Picture Film Scanner
A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high-resolution digital intermediate files. A film scanner scans original film stock: negative or positive print or reversal/IP. Units may scan gauges from 8 mm to 70 mm (8 mm, Super 8, 9.5 mm, 16 mm, Super 16, 35 mm, Super 35, 65 mm and 70 mm) with very high resolution scanning at 2K, 4K, 8K, or 16K resolutions. (2K is approximately 2048×1080 pixels and 4K is approximately 4096×2160 pixels). Some models of film scanner are intermittent pull-down film scanners which scan each frame individually, locked down in a pin-registered film gate, taking roughly a second per frame. Continuous-scan film scanners, where the film frames are scanned as the film is continuously moved past the imaging pick up device, are typically evolved from earlier telecine mechanisms, and can act as such at lower resolutions. The scanner sca ...
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NTSC
NTSC (from National Television System Committee) is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. ''NTSC color'' is usually associated with the System M; this combination is sometimes called NTSC II. The only other broadcast television system to use NTSC color was the System J. Brazil used System M with PAL color. Vietnam, Cambodia and Laos used System M with SECAM color – Vietnam later started using PAL in the early 1990s. The NTSC/System M standard was used in most of the Americas (except Argentina, Brazil, Paraguay, and Uruguay), Myanmar, South Korea, Taiwan, Philippines, Japan, and some Pacific Isl ...
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Post-production
Post-production, also known simply as post, is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. The traditional first part of the post-production process, non-linear (analog) film editing, has mostly been replaced by digital or video editing software, which operates as a non-linear editing (NLE) system. The advantage of non-linear editing is the ability to edit scenes out of order, thereby making creative changes at will. This flexibility facilitates carefully shaping the film in a thoughtful, meaningful way for emotional effect. Once the production team is satisfied with the picture editing, the editing is said to be ''locked''. At this point the turnover process begins, in which the picture is prepared for lab and color finishing, and the sound is ''spotted'' and turned over to the composer and sound desi ...
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Kinescope
Kinescope , shortened to kine , also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor. The process was pioneered during the 1940s for the preservation, re-broadcasting, and sale of television programs before the introduction of quadruplex videotape, which from 1956 eventually superseded the use of kinescopes for all of these purposes. Kinescopes were the only practical way to preserve live television broadcasts prior to videotape. Typically, the term can refer to the process itself, the equipment used for the procedure (a movie camera mounted in front of a video monitor, and synchronized to the monitor's scanning rate), or a film made using the process. Film recorders are similar, but record source material from a computer system instead of a television broadcast. A telecine is the inverse device, used to show film directly on television. The term originally refer ...
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Television Program
A television show, TV program (), or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via Terrestrial television, over-the-air, Satellite television, satellite, and cable television, cable, or Digital distribution, distributed digitally on Over-the-top media service, streaming platforms. This generally excludes breaking news or Television advertisement, advertisements that are aired between shows or between segments of a show. A regularly recurring show is called a television series, and an individual segment of such a series is called an episode. Content is produced either in-house on a television stage with multiple cameras or produced by contract with film production companies. Episodes are usually broadcast in annual sets, which are called seasons in North America and series in other regions. A one-off television show may be called a television special, while a short series of episodes is a miniseries. A t ...
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Broadcast Television
Broadcast television systems (or terrestrial television systems outside the US and Canada) are the encoding or formatting systems for the transmission and reception of terrestrial television signals. Analog television systems were standardized by the International Telecommunication Union (ITU) in 1961, with each system designated by a letter ( A- N) in combination with the color standard used ( NTSC, PAL or SECAM) - for example PAL-B, NTSC-M, etc.). These analog systems for TV broadcasting dominated until the 2000s. With the introduction of digital terrestrial television (DTT), they were replaced by four main systems in use around the world: ATSC, DVB, ISDB and DTMB. Analog television systems Every analog television system bar one began as a black-and-white system. Each country, faced with local political, technical, and economic issues, adopted a color television standard which was grafted onto an existing monochrome system such as CCIR System M, using gaps in the ...
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Spirit Datacine 4k Doors Open
Spirit(s) commonly refers to: * Liquor, a distilled alcoholic drink * Spirit (animating force), the non-corporeal essence of living things * Spirit (supernatural entity), an incorporeal or immaterial being Spirit(s) may also refer to: Liquids * Tincture, an extract of plant or animal material dissolved in ethanol * Cologne spirit, also known as drinking alcohol * Petroleum spirit (other) ** Motor spirit, a clear petroleum-derived flammable liquid that is used primarily as a fuel ** Petroleum ether, liquid hydrocarbon mixtures used chiefly as non-polar solvents ** White spirit or mineral spirits, a common organic solvent used in painting and decorating Philosophy, religion and folklore *Spirituality, pertaining to the soul or spirit *Holy Spirit, a divine force, manifestation of God in the Holy Trinity, or agent of divine action, according to Abrahamic Religions * Great Spirit, conception of a supreme being prevalent among some Native American and First Nations cult ...
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Video Tape
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram. Because video signals have a very high bandwidth, and stationary heads would require extremely high tape speeds, in most cases, a helical-scan video head rotates against the moving tape to record the data in two dimensions. Tape is a linear method of storing information and thus imposes delays to access a portion of the tape that is not already against the heads. The early 2000s saw the introduction and rise to prominence of high-quality random-access video recording media such as hard disks and flash memory. Since then, videotape has been increasingly relegated to archival and s ...
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Home Movies
A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film. The 1970s saw the advent of consumer camcorders that could record an hour or two of video on one relatively inexpensive videocassette which also had audio and did not need to be developed the way film did. This was followed by digital video cameras that recorded to flash memory, and most recently smartphones with video recording capability, made the creation of home movies easier and much more affordable to the average person. The technological boundaries between home-movie-making and professional movie-making are becoming increasingly blurred ...
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Field (video)
In video, a field is one of the many still images displayed sequentially to create the impression of motion on the screen. Normally, two fields comprise one video frame in what is known as 2:1 interlacing. 3:1, 4:1 and 5:1 interlacing also exist. When the fields are displayed on a video monitor, they are "interlaced" so the content of one field will be used on all of the odd-numbered lines on the screen, and the other field will be displayed on the even lines. Converting fields to a still frame image requires a process called deinterlacing, in which the missing lines are duplicated or interpolated to recreate the information that would have been contained in the discarded field. Since each field contains only half of the information of a full frame, however, deinterlaced images do not have the resolution of a full frame. Sometimes in interlaced video, a field is called a frame, which can lead to confusion. To increase the resolution of video images, new schemes have been creat ...
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