Sum And Difference Tones
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Sum And Difference Tones
A combination tone (also called resultant or subjective tone)Combination Tone
, ''Britannica.com''. Accessed September 2015.
is a phenomenon of an additional tone or tones that are artificially perceived when two real tones are sounded at the same time. Their discovery is credited to the violinist (although he was not the first, see ) and so they are also c ...
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Sum And Difference Tones A220
Sum most commonly means the total of two or more numbers added together; see addition. Sum can also refer to: Mathematics * Sum (category theory), the generic concept of summation in mathematics * Sum, the result of summation, the addition of a sequence of numbers * 3SUM, a term from computational complexity theory * Band sum, a way of connecting mathematical knots * Connected sum, a way of gluing manifolds * Digit sum, in number theory * Direct sum, a combination of algebraic objects ** Direct sum of groups ** Direct sum of modules ** Direct sum of permutations ** Direct sum of topological groups * Einstein summation, a way of contracting tensor indices * Empty sum, a sum with no terms * Indefinite sum, the inverse of a finite difference * Kronecker sum, an operation considered a kind of addition for matrices * Matrix addition, in linear algebra * Minkowski addition, a sum of two subsets of a vector space * Power sum symmetric polynomial, in commutative algebra * Prefix su ...
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Organ Pipe
An organ pipe is a sound-producing element of the pipe organ that resonates at a specific pitch when pressurized air (commonly referred to as ''wind'') is driven through it. Each pipe is tuned to a specific note of the musical scale. A set of organ pipes of similar timbre comprising the complete scale is known as a rank; one or more ranks constitutes a stop. Construction Materials Organ pipes are generally made out of either metal or wood. Very rarely, glass, porcelain, plastic, paper, Papier-mâché, or even stone pipes may be seen. A historical organ in the Philippines has pipes made exclusively of bamboo. Metal Metal pipes are usually made of lead; for increased rigidity it is alloyed with tin along with trace amounts of antimony and copper. The percentage of each metal in the alloy influences the characteristics of the resulting pipe. A high proportion of tin results in a slightly brighter colour (optical colour, not timbre). In addition, high amounts of tin give ...
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by pl ...
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Subharmonic
In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways. While the overtone series is based upon arithmetic multiplication of frequencies, resulting in a harmonic series, the undertone series is based on arithmetic division. Nattiez shows the undertone series on E, as Riemann (''Handbuch der Harmonielehre'', 10th ed., 1929, p. 4) and D'Indy (''Cours de composition musicale'', vol. I, 1912, p. 100) had done. Terminology The hybrid term ''subharmonic'' is used in music in a few different ways. In its pure sense, the term ''subharmonic'' refers strictly to any member of the subharmonic series (, , , , etc.). When the subharmonic series is used to refer to frequency relationships, it is written with f representing some highest known reference frequency (, , , , e ...
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Perfect Fifth
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant note is a perfect fifth above the tonic note. The perfect fifth is more consonant, or stable, than any other interval except the unison and the octave. It occurs above the root of all major and minor chords (triads) and their extensions. Until the late 19th century, it was often referred to by one of i ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass (music), compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and a pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound be ...
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833 Cents Scale
The 833 cents scale is a musical tuning and scale proposed by Heinz Bohlen based on combination tones, an interval of 833.09 cents, and, coincidentally, the Fibonacci sequence.Bohlen, Heinz (last updated 2012).An 833 Cents Scale: An experiment on harmony, ''Huygens-Fokker.org''. The golden ratio is \varphi = \frac = 1.6180339887\ldots., which as a musical interval is 833.09 cents (). In the 833 cents scale this interval is taken as an alternative to the octave as the interval of repetition,833 Cent Golden Scale (Bohlen)
, ''Xenharmonic Wiki''.
however the golden ratio is not regarded as an interval (notes 833.09 cents apart are not "the same" in the 833 ce ...
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John R
John R. (born John Richbourg, August 20, 1910 - February 15, 1986) was an American radio disc jockey who attained fame in the 1950s and 1960s for playing rhythm and blues music on Nashville radio station WLAC. He was also a notable record producer and artist manager. Richbourg was arguably the most popular and charismatic of the four announcers at WLAC who showcased popular African-American music in nightly programs from the late 1940s to the early 1970s. (The other three were Gene Nobles, Herman Grizzard, and Bill "Hoss" Allen.) Later rock music disc jockeys, such as Alan Freed and Wolfman Jack, mimicked Richbourg's practice of using speech that simulated African-American street language of the mid-twentieth century. Richbourg's highly stylized approach to on-air presentation of both music and advertising earned him popularity, but it also created identity confusion. Because Richbourg and fellow disc jockey Allen used African-American speech patterns, many listeners thoug ...
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Max V
Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * Commodore MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * ''Max'' (1994 film), a Canadian film by Charles Wilkinson * ''Max'' (2002 film), a film about Adolf Hitler * ''Max'' (2015 film), an American war drama film Games * '' Dancing Stage Max'', a 2005 game in the ''Dance Dance Revolution'' series * ...
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Bohlen–Pierce Scale
The Bohlen–Pierce scale (BP scale) is a musical tuning and scale, first described in the 1970s, that offers an alternative to the octave-repeating scales typical in Western and other musics, specifically the equal-tempered diatonic scale. The interval 3:1 (often called by a new name, ''tritave'') serves as the fundamental harmonic ratio, replacing the diatonic scale's 2:1 (the octave) with a perfect twelfth (an octave higher than a perfect fifth). For any pitch that is part of the BP scale, all pitches one or more tritaves higher or lower are part of the system as well, and are considered equivalent. The BP scale divides the tritave into 13 steps, either equal tempered (the most popular form), or in a justly tuned version. Compared with octave-repeating scales, the BP scale's intervals are more consonant with certain types of acoustic spectra. The scale was independently described by Heinz Bohlen, Kees van Prooijen and John R. Pierce. Pierce, who, with Max Mathews and ...
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Heinz Bohlen
Heinz P. Bohlen (26 June 1935 – 2 February 2016)Heinz Bohlen
, ''Bohlen-Pierce-Conference.org''.
was a microwave electronics and communications engineer. He designed and described numerous non- octave (alternative musical tunings and
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