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Structural Film
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s. Overview The term was coined by P. Adams Sitney who noted that film artists had moved away from the complex and condensed forms of cinema practiced by such artists as Sidney Peterson and Stan Brakhage. "Structural film" artists pursued instead a more simplified, sometimes even predetermined art. The shape of the film was crucial, the content peripheral. This term should not be confused with the literary and philosophical term ''structuralism''. Characteristics Sitney identified four formal characteristics common in Structural films, but all four characteristics are not usually present in any single film: :* fixed camera position (an apparently fixed framing) :* flicker effect (strobing due to the intermittent nature of film) :* loop printing :* rephotography (off the screen) It h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Gehr
Ernie Gehr (born 1941)Manohla Dargis ''The New York Times'', November 11, 2011. Retrieved 2013-05-27. is an American experimental filmmaker closely associated with the Structural film movement of the 1970s. A self-taught artist, Gehr was inspired to begin making films in the 1960s after chancing upon a screening of a Stan Brakhage film. Gehr's film '' Serene Velocity'' (1970) has been selected for preservation in the United States National Film Registry. Gehr served as faculty at the San Francisco Art Institute. ''The New York Times'' described Gehr's work as "abstract, beautiful, mysterious, invigorating, utopian" saying he had "embraced heModernist cry, shunning mainstream narrative to make films in which bubbling grain, streaks of color and pulses of light are the main attraction." His film ''Essex Street Quartet'' (2004) was included in the exhibition "The Long Run" at The Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhatta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Image Film
A still image film, also called a picture movie, is a film that consists primarily or entirely of still images rather than moving images, forgoing the illusion of motion either for aesthetic or practical reasons. These films usually include a standard soundtrack, similar to what is found in typical sound films, complete with music, sound effects, dialogue or narration. They may also use various editing techniques found in traditional films, such as dissolves, zooms, and panning. History This filmmaking technique is more common in historical documentaries, where old photographs may provide the best documentation of certain events. Ken Burns is well known for having used it repeatedly in his films. It is less common in narrative films, but has been done occasionally. Such films are typically considered experimental or art films. Perhaps the best known narrative still image film is Chris Marker's 1962 film ''La Jetée'', which was the inspiration for the 1995 film ''12 Monkeys''. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-narrative Film
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment. Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational". Although many abstract films are clearly devoid of narrative elements, distinction between a narrative film and a non-narrative film can be rather vague and is often open for interpretation. Unconventional imagery, concepts and structuring can obscure the narrativity of a film. Terms such as ''absolute film'', ''cinéma pur'', ''true cinema'' and ''integral cinema'' have been used for non-narrative films that aimed to create a purer experience o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharon Lockhart
Sharon Lockhart (born 1964) is an American artist whose work considers social subjects primarily through motion film and still photography, often engaging with communities to create work as part of long-term projects. She received her BFA from the San Francisco Art Institute in 1991 and her MFA from Art Center College of Design in 1993. She has been a Radcliffe fellow, a Guggenheim fellow, and a Rockefeller fellow. Her films and photographic work have been widely exhibited at international film festivals and in museums, cultural institutions, and galleries around the world. She was an associate professor at the University of Southern California's Roski School of Fine Arts, resigning from the school in August 2015 in response to the continued administrative turmoil at Roski to take a position at the California Institute for the Arts. Lockhart lives and works in Los Angeles, California. Work ''Goshogaoka Girls Basketball Team'' (1998) For ''Goshogaoka Girls Basketball Team'', a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joyce Wieland
Joyce Wieland (June 30, 1930 – June 27, 1998) was a Canadian experimental filmmaker and mixed media artist. Wieland found success as a painter when she began her career in Toronto in the 1950s. In 1962, Wieland moved to New York City and expanded her career as an artist by including new materials and mixed media work. During that time, she also rose to prominence as an experimental filmmaker and soon, institutions such as the Museum of Modern Art in New York were showing her films. In 1971, Wieland's ''True Patriot Love'' exhibition was the first solo exhibition by a living Canadian female artist at the National Gallery of Canada. In 1982, Wieland received the honour of an Officer of the Order of Canada and in 1987, she was awarded the Toronto Arts Foundation's Visual Arts Award. She was also a member of the Royal Canadian Academy of Arts. Biography Early life and education Wieland was born on June 30, 1930 in Toronto, Ontario, Canada to British immigrant parents. Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Owen Land
George Landow (1944 – June 8, 2011), also known as Owen Land, was a painter, writer, photographer and experimental filmmaker. He also worked under the pen names Orphan Morphan and Apollo Jize. According to the film historian Mark Webber, Land made some of his first films as a teenager and his later films, made mostly during the 1960s and 1970s, are some of the first examples of the "structural film" movement. Land's films usually involve word play and have been described by Webber as having humor and wit that separates his films from the "boring" world of avant-garde cinema. His work is also known to parody the experimental and "structural film" movement, as featured in his 1975 film ''Wide Angle Saxon''. His style of filmmaking is also inspired by Bertolt Brecht, educational films, advertising and television, and employs devices used by such in his films to destroy any sense of "reality", as exhibited in ''What's Wrong With this Picture 1'' and '' Remedial Reading Comprehensio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Kren
Kurt Kren (born 20 September 1929; died 23 June 1998 in Vienna) was an Austrian avant-garde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted, although this accounts for only a part of his career, and he later returned to the Structural roots of his third film ''3/60: Bäume Im Herbst''. Although not a seminal Structural film, ''31/75: Asyl'' is arguably one of the more satisfying films of the movement. Biography Kren was born in 1929 in Vienna, Austria to a Jewish father and German mother. From 1939 until the end of World War II Kren lived in Rotterdam, where he was sent with one of the Children's Transports. In 1947 Kren returned to Vienna, and his father provided him a job at the National Bank, where he was also an employee. He began his film career in the early 1950s, creating experimental short 8mm films. In 1957 he moved to the 16mm format. In 1966, Kren participated along with artists like Yoko Ono, Wolf Vostel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birgit Hein
Birgit Hein (born 6 August 1942) is a Germans, German film director, film producer, producer, performance artist, Professor, university professor, and screenwriting, screenwriter who has made experimental films since 1960s, with her then husband Wilhem Heim.Foster, p.176 Biography Hein was born in Berlin in 1942. With her structural films (since 1966), performances, documentary film essays and film study publications, she is considered one of the decisive pioneers of German underground and experimental films. In 1964, she married Wilhelm Hein (Separated in 1988, divorced in 1995), with whom she collaborated on several experimental film projects. In 1968, she co-founded XSCREEN, an exhibition space in Cologne. In 1993, Hein won the German Film Critics Association Best Experimental Film Award for her film ''Die Unheimlichen Frauen''. Hein studied art history and theater studies at the University of Cologne in the early 1960s. From 1966 to 1988 she worked with Wilhelm Hein producing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Criterion Channel
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bette Gordon
Bette Gordon (born June 22, 1950) is an American filmmaker and professor at Columbia University School of the Arts. She is best known for her films ''Variety'' (1983) and ''Handsome Harry'' (2009) both of which received critical acclaim in North America and abroad. Personal life Gordon began making films in the mid-1970s in the Midwestern United States, including in Chicago, Illinois and Madison, Wisconsin. These short films were experimental, dealing with movement through place, sexuality, culture, and structure. She cites French New Wave filmmaker Jean-Luc Godard as a major inspiration to her as an artist and a filmmaker saying, "Having grown up through the '70s, I could not have found a more appropriate mentor. His radical approach to the use of sound and image helped shape me as much as the questions he asked the viewer to consider, most importantly, the relationship between truth and fiction." She also lists Wong Kar Wai's ''In the Mood for Love'', R.W. Fassbinder, John C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Benning (film Director)
James Benning (born 1942) is an American independent filmmaker and educator. Over the course of his 40-year career Benning has made over twenty-five feature-length films that have shown in many different venues across the world. Since 1987, he has taught at California Institute of the Arts (CalArts). He is known as a minimalist filmmaker. Early life and education James Benning was born 1942 in Milwaukee, Wisconsin. Benning played baseball for the first twenty years of his life. He earned an undergraduate and master's degree in mathematics at the University of Wisconsin–Milwaukee, which he attended on a baseball scholarship. Benning experienced a political awakening and racial consciousness during the late 1960s, participating in civil rights protests led by Father James Groppi in segregated Milwaukee. Benning dropped out of graduate school to forfeit his military deferment since his friends, who were mostly not in school, were being drafted and dying in Vietnam. Benning i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
