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Shibaraku
''Shibaraku'' (暫, しばらく) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori''). {{citation needed, date=May 2017 The English translation of the title is akin to "Stop a Moment!" Originally staged by Ichikawa Danjūrō I in 1697 at the Nakamura-za, it was very popular, and quickly began to be included at the annual '' kaomise'' celebrations of each theatre in Edo. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by Danjūrō VII, and reworked again by Danjūrō IX at the end of that century. This version has been performed since then. A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunimasa - Taikan, The Actor Ichikawa Ebizo In A Shibaraku Role, 1796
was a Japanese ukiyo-e artist of the Utagawa school. He was originally from Aizu in Iwashiro Province and first worked in a dye shop after arriving in Edo (modern Tokyo). It was there that he was noticed by Utagawa Toyokuni, to whom he became apprenticed. Kunimasa is especially known for his ''yakusha-e'' portrait prints of kabuki actors, and for his ''bijin-ga'' pictures of beautiful women. Richard Douglas Lane, Richard Lane described his style as striving to "combine the intensity of Sharaku with the decorative pageantry of his master Utagawa Toyokuni, Toyokuni".Richard Douglas Lane, Lane, Richard (1978). ''Images of the Floating World''. Old Saybrook, CT: Konecky & Konecky. p. 152. Those who make such comparison often say he failed to achieve the level of Sharaku's intensity. Notes References * Richard Douglas Lane, Lane, Richard. (1978). ''Images from the Floating World, The Japanese Print''. Oxford: Oxford University Press. OCLC 5246796*Morse, Anne Nishimura (198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kuniyoshi
Utagawa Kuniyoshi ( ja, 歌川 国芳, ; January 1, 1798 – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on January 1, 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō I
was an early kabuki actor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the ''aragoto'' style of acting which came to be largely associated with Edo kabuki and with Danjūrō and his successors in the Ichikawa Danjūrō line. Like many actors, Danjūrō also dabbled in playwriting, which he did under the '' haimyō'' (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the '' mon'' of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their ''haimyō''. Lineage As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an '' otokodat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1697 Plays
Events January–March * January 8 – Thomas Aikenhead is hanged outside Edinburgh, becoming the last person in Great Britain to be executed for blasphemy. * January 11 – French writer Charles Perrault releases the book ''Histoires ou contes du temps passé'' (literally "Tales of Past Times", known in England as "Mother Goose tales") in Paris, a collection of popular fairy tales, including ''Cinderella'', ''Puss in Boots'', ''Red Riding Hood'', ''The Sleeping Beauty'' and ''Bluebeard''. * February 8 – The English infantry regiment of Arthur Chichester, 3rd Earl of Donegall is disbanded four years after it was first raised. * February 22 – Gerrit de Heere becomes the new Governor of Dutch Ceylon, succeeding Thomas van Rhee and administering the colony for almost six years until his death. * February 26 – Conquistador Martín de Ursúa y Arizmendi and 114 soldiers arrive at Lake Petén Itzá in what is now Guatemala and begin the Spanish conquest of Guatem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onnagata
(also ) are male actors who play female roles in kabuki theatre. History The modern all-male kabuki was originally known as ("male kabuki") to distinguish it from earlier forms. In the early 17th century, shortly after the emergence of the genre, many kabuki theaters had an all-female cast (), with women playing men's roles as necessary. ("adolescent-boy kabuki"), with a cast composed entirely of attractive young men playing both male and female roles, and frequently dealing in erotic themes, originated circa 1612. Both and (or ), actors specializing in adolescent female roles (and usually adolescents themselves), were the subject of much appreciation by both male and female patrons, and were often prostitutes. All-male casts became the norm after 1629, when women were banned from appearing in kabuki due to the prevalent prostitution of actresses and violent quarrels among patrons for the actresses' favors. This ban failed to stop the problems, since the young male () acto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura Shikan V , a railway station in Shimanto, Kōchi Prefecture, Japan
{{disambiguation, geo ...
Nakamura may refer to: Places *Nakamura, Kōchi, a former city in Kōchi Prefecture, Japan *Nakamura-ku, Nagoya, a ward in Nagoya city in Aichi Prefecture, Japan People *Nakamura (surname), a list of people with the surname Other uses *Nakamura stable, a stable of sumo wrestlers *Nakamura Station is a passenger railway station located in the city of Shimanto, Kōchi Prefecture, Japan. It is operated by the third-sector Tosa Kuroshio Railway, whose headquarters is located in the station building. The station is numbered "TK-40". Lines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mie (pose)
The ''mie'' ( or , ), a powerful and emotional pose struckAlthough in English a pose is usually said to be "struck", in Japanese, the ''mie'' is said to be "cut" (, ''mie wo kiru''). by an actor, who then freezes for a moment, is a distinctive element of ''aragoto'' Kabuki performance. ''Mie'' means 'appearance' or 'visible' in Japanese, and one of the primary purposes of this convention is to draw attention to a particularly important or powerful portion of the performance. It is meant to show a character's emotions at their peak, and can often be a very powerful pose. The actor's eyes are opened as wide as possible; if the character is meant to seem agitated or angry, the actor will cross his eyes. In Japanese, the ''mie'' pose is said to be "cut" by the actor (, ''mie wo kiru''). Audience members will shout out (kakegoe) words of praise and the actor's name at specific times before and after the pose is struck. The practice of ''mie'' is said to have originated with Ichikawa D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haka
Haka (; plural ''haka'', in both Māori and English) are a variety of ceremonial performance art in Māori culture. It is often performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted or chanted accompaniment. Haka are performed to welcome distinguished guests, or to acknowledge great achievements, occasions, or funerals. Haka have been traditionally performed by both men and women and for a variety of social functions within Māori culture. Kapa haka groups are common in schools. The main Māori performing arts competition, Te Matatini, takes place every two years. New Zealand sports teams' practice of performing a haka before their international matches has made haka more widely known around the world. This tradition began with the 1888–89 New Zealand Native football team tour and has been carried on by the New Zealand rugby union team (known as the All Blacks) since 1905. Although popularly associated with the traditional ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gosannen War
The Gosannen War (後三年合戦, ''gosannen kassen''), also known as the Later Three-Year War, was fought in the late 1080s in Japan's Mutsu Province on the island of Honshū. History The Gosannen War was part of a long struggle for power within the warrior clans of the time. The ''Gosannen kassen'' arose because of a series of quarrels within the Kiyohara clan (sometimes referred to as "Kiyowara"). The long-standing disturbances were intractable. When Minamoto no Yoshiie, who became Governor of Mutsu province in 1083, tried to calm the fighting which continued between Kiyohara no Masahira, Iehira, and Narihira. Negotiations were not successful; and so Yoshiie used his own forces to stop the fighting. He was helped by Fujiwara no Kiyohira. In the end, Iehira and Narihira were killed. During the Siege of Kanezawa, 1086–1089, Yoshiie avoided an ambush by noticing a flock of birds take flight from a forest. In art Much of the war is depicted in an '' e-maki'' narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō IX
was one of the most successful and famous Kabuki actors of the Meiji period (1868–1912). Ninth in the line of actors to hold the name Ichikawa Danjūrō, he is depicted in countless ''ukiyo-e'' actor prints (''yakusha-e''), and is widely credited with ensuring Kabuki stayed vibrant and strong as Japan struggled with modernization and Westernization. According to one scholar, Ichikawa Danjūrō, the ninth, was the torch-bearer of Kabuki during the long reign of the Emperor Mutsuhito, known as the Meiji era, which endured for forty-five years (1868–1912). Danjūrō, the ninth, was the bridge that spanned the sudden gulf which yawned between the traditional past and the uncertain and changing modern world. He may be regarded as the saviour of Kabuki during a period when it might have suffered shipwreck, had there not been a man of genius at the helm to guide the craft through the troubled waters.Kincaid, Zoë (1925). Kabuki, the Popular Stage of Japan. London: Macmillan & C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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