Saxhorns
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Saxhorns
The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a characteristic mellow tone quality and blends well with other brass. The saxhorn family The saxhorns form a family of seven brass instruments (although at one point ten different sizes seem to have existed). Designed for band use, they are pitched alternately in E and B, like the saxophone group. Modern saxhorns still manufactured and in use: *B soprano saxhorn: flugelhorn *E alto/tenor saxhorn: alto/tenor horn *B baritone saxhorn: baritone horn *The B bass, E bass, and B contrabass saxhorns are basically the same as the modern euphonium, E bass tuba, and BB contrabass tuba, respectively. Historically, much confusion exists as to the nomenclature of the various instruments in different languages. The following table lists the me ...
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Adolphe Sax
Antoine-Joseph "Adolphe" Sax (; 6 November 1814 – 4 February 1894) was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the flute and clarinet. Early life Antoine-Joseph Sax was born on 6 November 1814 in Dinant, in what is now Belgium, to Charles-Joseph Sax and his wife Marie-Joseph (Masson). While his given name was Antoine-Joseph, he was referred to as Adolphe from childhood. His father and mother were instrument designers themselves, who made several changes to the design of the French horn. Adolphe began to make his own instruments at an early age, entering two of his flutes and a clarinet into a competition at the age of 15. He subsequently studied performance on those two instruments as well as voice at the Royal Conservatory of Brussels. Sax faced many brushes with death. As a child, he once fell from a height of three floors, hit his head on a stone an ...
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Distin
The Distin family was an ensemble of British musicians in the 19th century who performed on brass instruments, and from 1845 promoted the saxhorn. One of them, Henry Distin, later became a noted brass instrument manufacturer in the United Kingdom and United States. John Distin, early career John Distin (1798–1863) was born in Plympton, and began his musical career with the South Devon Militia, and from 1814 in the Grenadier Guards. He was known as a soloist in his early teens: the melodrama ''The Miller and his Men'' by Henry Bishop, which contained a trumpet obbligato based on Distin's style, dates from 1813. In the Guards, he was taken to be a virtuoso of the keyed bugle, and came to notice in Paris after the battle of Waterloo. The development by Halary of the ophicleides is put down to a request from Grand Duke Konstantin Pavlovich of Russia, who had there heard Distin play the keyed bugle for the Grenadier Guards. Distin in 1821 joined the band of George IV, in which he ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Conservatoire
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can also ...
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ...
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Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score on 12 April 1858. Berlioz had a keen affection for literature, and he had ...
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Concert Band
A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, and occasionally including the harp, double bass, or bass guitar. On rare occasions, additional, non-traditional instruments may be added to such ensembles such as piano, synthesizer, or electric guitar. Concert band music generally includes original wind compositions, concert marches, transcriptions of orchestral arrangements, light music, and popular music. Though the concert band does have similar instrumentation to the marching band, a marching band's main purpose is to perform while marching. In contrast, a concert band strictly performs as a stationary ensemble. Origins The origins of concert band can be traced back to the French Revolution, in which large bands would often gather for patriotic festivals and ...
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Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ...
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Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ...
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Cecil Forsyth
Cecil Forsyth (30 November 1870, in Greenwich – 7 December 1941, New York City) was an English composer and musicologist.Colles, H.C. 'Cecil Forsyth' in ''Grove Music Online'' (2001) He studied at the University of Edinburgh and at the Royal College of Music (with Charles Villiers Stanford and Hubert Parry), and played viola in various London orchestras. In 1914 he moved to the US and took up a position at the music publishers H.W. Gray, who also became his publisher. He continued to compose and secure performances in the US, though mostly with choral societies and glee clubs. He died in New York in 1941. Without the composer present to promote it, his music lost traction in the UK and was largely forgotten. As a composer he was best known for his G minor Viola Concerto, premiered at the Proms in 1903 with Émile Férir as soloist, and repeated in 1904 and 1906. According to Lewis Foreman, it is "possibly the first full blown concerto for viola by a British composer". (York Bo ...
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