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Sampledelia
Sampledelia (also called sampledelica) is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, such as trip hop, jungle, post-rock, and plunderphonics. Characteristics Sampledelia describes a variety of styles which involve the use of samplers to manipulate and play back appropriated sounds, often drawn from outside familiar contexts or from foreign sources. Common techniques include chopping, looping, or time-stretching, the use of found sounds, and a focus on timbre. Artists frequently join musical fragments from different sources and eras, emphasizing rhythm, noise, and repetition over conventional melodic and harmonic development. The 1990s also saw co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopped And Screwed
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and deejaying. It developed in the Houston hip hop scene in the early 1990s by DJ Screw. The screwed technique involves slowing the tempo of a song down to 60 and 70 quarter-note beats per minute and applying techniques such as skipping beats, record scratching, stop-time and affecting portions of the original composition to create a "chopped-up" version of the song. History 1990: Creation Preceding the late 1990s, most Southern hip hop was upbeat and fast, like Miami bass and Memphis, which was inspired by Afrika Bambaataa & the Soulsonic Force with their groundbreaking track " Planet Rock". Unlike its southern musical counterparts Houston's rap style has consistently remained slower, even in the beginning of Houston hip hop, as can be heard on the earliest Houston based group Geto Boys records from the mid to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chopped And Screwed
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and deejaying. It developed in the Houston hip hop scene in the early 1990s by DJ Screw. The screwed technique involves slowing the tempo of a song down to 60 and 70 quarter-note beats per minute and applying techniques such as skipping beats, record scratching, stop-time and affecting portions of the original composition to create a "chopped-up" version of the song. History 1990: Creation Preceding the late 1990s, most Southern hip hop was upbeat and fast, like Miami bass and Memphis, which was inspired by Afrika Bambaataa & the Soulsonic Force with their groundbreaking track " Planet Rock". Unlike its southern musical counterparts Houston's rap style has consistently remained slower, even in the beginning of Houston hip hop, as can be heard on the earliest Houston based group Geto Boys records from the mid to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme. While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to periodic sounds,(Moravcsik, 114)(Rajagopal, ) it is especially prominent in specific styles. Repetition A literal repetition of a musical passage is often indicated by the use of a repeat sign, or the instructions da capo or dal segno. Theodor W. Adorno criticized repetition and popular music as being psychotic and infantile. In contrast, Richard Middleton (1990) argues that "while repetition is a feature of ''all'' music, of any sort, a high level of repetition may be a specific mark of 'the popular'" and that this allows an, "enabling" of "an inclusive rather than exclusive audience"(Middleton 1990, p. 139). "There is no universal norm or convention" for the amount or type of repetition, "all music contains repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plunderphonics
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his ''Grayfolded'' album. Plunderphonics can be considered a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity. Although the concept of plunderphonics is seemingly broad, in practice there are many common themes used in what is normally called plunderphonic music. This includes heavy sampling of educational films of the 1950s, news reports, radio shows, or anything with trained vocal announcers. Oswald's contributions to this genre rarely used these materials, the exception being his rap-like 1975 track "Power." The process of sampling other sources is found in various genres (notably hip-h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle Music
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/ happy hardcore, whilst tracks with dark-themed samples and industrial style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Time Stretching And Pitch Scaling
Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording. These processes are often used to match the pitches and tempos of two pre-recorded clips for mixing when the clips cannot be reperformed or resampled. Time stretching is often used to adjust radio commercials and the audio of television advertisements to fit exactly into the 30 or 60 seconds available. It can be used to conform longer material to a designated time slot, such as a 1-hour broadcast. Resampling The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft, Native Instruments, Splice and Output. Loops are supplied in either MIDI or Audio file formats such as WAV, REX2, AIFF and MP3. Musicians ''play'' loops by triggering the start of the musical sequence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Sound
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. Use in classical and experimental music The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen, although it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are credited on many tracks. The ambient music movement which followed Eno's lead has also made use of such sounds, with notable exponents being performers such as Future Sound of London and Autechre, and natural sounds have also been incorporated into many pieces of new-age music. Also other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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