Swarabat
The Swarabat, Swarbat or Swaragat is a rare plucked string instrument of the classical Carnatic music genre of South India. It belongs to the chordophone, lute family of musical instruments, and is closely related to the ''veena'' and ''yazh'' instruments of the ancient South Asian orchestral ensemble. Etymology Although popularly known as Swarabat, its correct pronunciation is Swaragat. ''Swara'' from Sanskrit connotes a note in the successive steps of the octave, ''ghat'' refers to steps leading down towards a river, while ''bhat'' in the language means scholar. Construction Like its Carnatic cousin, the veena, it has frets, a feature that also distinguishes it from their ancestor, the Yazh harp (ancient veena). Part of the chordophonic lute family of instruments, the Swarabat body is made of wood on which a skin is stretched. On top of this skin, a bridge is placed upon which silk strings pass, which are plucked with a plectrum carved out of horn. There is a resonator and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lute In Life Scenes Of Buddha-2nd Century CE, Amravati
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the family of European lutes which were themselves influenced by Indian short-necked lutes in Gandhara which became the predecessor of the Islamic, the Sino-Japanese and the European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Palghat Parameswara Bhagavathar
Palghat Parameswara Bhagavathar (1815–1892) was a Carnatic music composer and musician born in Nurani, Kerala Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile ..., India. Swathi Thiurnal References Male Carnatic singers Carnatic singers Carna ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the Family (musical instruments), family of History of lute-family instruments, European lutes which were themselves influenced by India, Indian short-necked lutes in Gandhara which became the predecessor of the Islamic music, Islamic, the Sino-Japanese and the Early music, European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the Sound board (music), sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Raja Ravi Varma, Malabar Lady
Raja (; from , IAST ') is a noble or royal Sanskrit title historically used by some Indian rulers and monarchs and highest-ranking nobles. The title was historically used in the Indian subcontinent and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the ''Rigveda'', where a ' is a ruler, see for example the ', the "Battle of Ten Kings". The title has equivalent cognates in other Indo-European languages, notably the Latin Rex and the Celtic Rix. Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Nars ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Saraswati Veena
The Sarasvatī vīṇa (also spelled Saraswati veena) (, , , Malayalam: സരസ്വതി വീണ) is an ancient Indian plucked veena. It is named after the Hindu goddess Saraswati, who is usually depicted holding or playing the instrument. Also known as ''raghunatha veena,'' it is used mostly in Carnatic Indian classical music. There are several variations of the veena, which in its South Indian form is a member of the lute family. One who plays the veena is referred to as a ''vaiṇika''. The Saraswati veena is one of 4 major types of veena today. The others include chitra veena, vichitra veena and rudra veena. Out of these the rudra and vichitra veenas are used more often in Hindustani music, while the Saraswati veena and the chitra veena are used more frequently in the Carnatic music of South India. They can be used to play either traditional music or contemporary music. History The veena has a recorded history that dates back to approximately 1700 BCE. In anci ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pudukottai
Pudukkottai Municipal Corporation is the administrative headquarters of Pudukkottai district in the Indian state of Tamil Nadu. It is one of the oldest Heritage city located on the banks of the Vellar River. It has been ruled, at different times, by the Mutharaiyar dynasty, Cholas, Early Pandyas, and Thondaimans. It is situated about southwest of the state capital Chennai, southeast of Tiruchirappalli, and northeast of Madurai. Pudukkottai is sometimes called a cradle of archaeology. Being the district headquarters, Pudukkottai has district administrative offices, along with government educational institutes, colleges, and schools. Pudukkottai is a part of the Pudukkottai constituency and elects its member to the legislative assembly every five years. It is a part of the Lok Sabha constituency comprising Ramanathapuram, Sivaganga, Tiruchirappalli and Karur. Pudukkottai is administered by a selection-grade municipality established in 1912 as per the Municipal Corporati ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thondaman Dynasty
The Thondaman or Thondaiman was a dynasty ruled the region in and around Pudukkottai from the 17th to 20th century. The Pudukkottai Thondaiman dynasty was founded by Raghunatha Thondaiman, the brother-in-law of the then Raja of Ramnad, RaghunathaKilavan Setupati. The Pudukottai Samasthanam was under Thondaiman dynasty for one year even after Indian Independence. The Thondaiman dynasty had a special Valari regiment. History In 1686, the Ramnad kingdom was ruled by Raghunatha Kilavan Setupati, the Raja of Ramnad and the Pudukottai region was ruled by a chief called Pallavarayan. The Raja of Ramnad suspected the chief's loyalty to the Ramnad kingdom and believed that the chief would shift his allegiance to the ruler of Thanjavur. So the Raja of Ramnad ousted the chief and appointed his brother-in-law Ragunatha Raya Tondaman, the brother of his queen Kathayi Nachiar, as the new ruler of Pudukottai. Thondaiman, the son of Avadai Raghunatha Tondaiman, was earlier ruling T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thanjavur Nayak Kingdom
The Thanjavur Nayak dynasty (or Thanjavur Nayak kingdom) were the rulers of Thanjavur in the 15th and 17th centuries founded by Sevappa Nayaka. The Nayaks, who were Telugu Balijas,* * * * * * * * * were originally appointed as provincial governors by the Vijayanagara Emperor in the 15th century, who divided the territory into Nayak kingdoms which were Madurai, Thanjavur and Gingee. In the mid-15th century they became an independent kingdom, although they continued their alliance with the Vijayanagara Empire. The Thanjavur Nayaks were notable for their patronage of literature and the arts. Origins of Nayak rule With the end of the Chola Empire in 1279, Thanjavur was ruled by a branch of Chola dynasty, until the Vijayanagara Empire conquered all of southern India by the late 14th century. In 1532 CE, Achyuta Deva Raya, the brother and successor of Krishna Deva Raya of Vijayanagara Empire, granted Sevappa Nayak, the governor of Thanjavur, the permission to esta ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kingdom Of Travancore
The asterisk ( ), from Late Latin , from Ancient Greek , , "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star. Computer scientists and mathematicians often vocalize it as star (as, for example, in ''the A* search algorithm'' or ''C*-algebra''). An asterisk is usually five- or six-pointed in print and six- or eight-pointed when handwritten, though more complex forms exist. Its most common use is to call out a footnote. It is also often used to censor offensive words. In computer science, the asterisk is commonly used as a wildcard character, or to denote pointers, repetition, or multiplication. History The asterisk was already in use as a symbol in ice age cave paintings. There is also a two-thousand-year-old character used by Aristarchus of Samothrace called the , , which he used when proofreading Homeric poetry to mark lines that were duplicated. Origen is known to have also used the asteriskos ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harikatha
''Harikatha'' (Kannada: ಹರಿಕಥೆ : ''Harikathe''; Telugu: హరికథ : ''Harikatha;'' Marathi: हरीपाठ '': Haripatha'', ), also known as ''Harikatha Kaalakshepam'' in Telugu, Tamil and Malayalam(), is a form of Hindu traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian epic. The person telling the story through songs, music and narration is called a ''Haridasa''. Harikatha is a composite art form composed of storytelling, poetry, music, drama, dance, and philosophy most prevalent in Andhra Pradesh, Telangana, Maharashtra, Karnataka, Kerala and ancient Tamil Nadu. Any Hindu religious theme may be the subject for the ''Harikatha''. At its peak ''Harikatha'' was a popular medium of entertainment, which helped transmit cultural, educational and religious values to the masses. The main aim of ''Harikatha'' is to imbue truth and righteousness in the minds of people and sow the seed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |