|
Straight Photography
Pure photography or straight photography refers to photography that attempts to depict a scene or subject in sharp focus and detail, in accordance with the qualities that distinguish photography from other visual media, particularly painting. Originating as early as 1904, the term was used by critic Sadakichi Hartmann in the magazine '' Camera Work'', and later promoted by its editor, Alfred Stieglitz, as a more pure form of photography than Pictorialism. Once popularized by Stieglitz and other notable photographers, such as Paul Strand, it later became a hallmark of Western photographers, such as Edward Weston, Ansel Adams and others. Although taken by some to mean lack of manipulation, straight photographers in fact applied many common darkroom techniques to enhance the appearance of their prints. Rather than factual accuracy, the term came to imply a specific aesthetic typified by higher contrast and rich tonality, sharp focus, aversion to cropping, and a Modernism-inspired ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photography
Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who operates a camera to capture or take Photograph, photographs is called a photographer, while the captured image, also known as a photograph, is the result produced by the camera. Typically, a lens is used to focus (optics), focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed Exposure (photography), exposure. With an electronic image sensor, this produces an Charge-coupled device, electrical charge at each pixel, which is Image processing, electro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charis Wilson
Helen Charis Wilson (; May 5, 1914November 20, 2009) was an American model and writer, most widely known as a subject of Edward Weston's photographs. Early life Charis Wilson was born in San Francisco, California, the daughter of Harry Leon Wilson and Helen Charis Cooke Wilson. Her father wrote popular fiction, including the bestselling novel ''Ruggles of Red Gap'', which was later made into a movie. Income from his writing provided a relatively high standard of living for the time, and in 1910 he built a 12-room house in Carmel Highlands. Two years later, when he was 45, he married Cooke, who grew up in Carmel-by-the-Sea. She was 16. Prior to meeting Wilson, Cooke had worked as a well known model and actress. Their first child, Leon, was born in 1913 and was followed a year later by their daughter, whom they named after her mother. Wilson dropped her first name as a young girl and became known as Charis, which means 'Grace' in Greek. Her family's relative wealth and status ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictorialism
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus (some more so than others), is printed in one or more colors other than black-and-white (ranging from warm brown to deep blue) and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination. Pictorialism as a movement thrived from about 1885 to 1915, although it was still being promoted by some as late as the 1940s. It began in response to claims that a photograph was nothin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group F/64
Group or f.64 was a group founded by seven American 20th-century San Francisco Bay Area List of photographers, photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialism, pictorialist photographic style that had dominated much of the early 20th century, but moreover, they wanted to promote a new modernism, modernist aesthetic that was based on precisely exposed images of natural forms and found objects. Background The late 1920s and early 1930s were a time of substantial social and economic uncertainty in the United States. The United States was suffering through the Great Depression, and people were seeking some respite from their everyday hardships. The American West was seen as the base for future economic recovery because of massive public works projects like the Hoover Dam. The public sought out news and images o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterculture
A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores.Eric Donald Hirsch. ''The Dictionary of Cultural Literacy''. Houghton Mifflin. . (1993) p. 419. "Members of a cultural protest that began in the U.S. In the 1960s and Europe before fading in the 1970s... fundamentally a cultural rather than a political protest." A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era. When oppositional forces reach critical mass, countercultures can trigger dramatic cultural changes. Countercultures differ from subcultures. Prominent examples of countercultures in the Western world include the Levellers (1645–1650), Bohemianism (1850–1910), the more fragmentary counterculture of the Beat Generation (1944–1964), and the globalized counterculture of the 1960s which in the United States consisted prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Charlot
Louis Henri Jean Charlot (February 8, 1898 – March 20, 1979) was a French-born American painter and illustrator, active mainly in Mexico and the United States. Life Charlot was born in Paris. His father, Henri, owned an import-export business and was a Russian-born émigré, albeit one who supported the Bolshevik cause. His mother Anna was an artist. His mother's family originated from Mexico City; his grandfather was a French-Indian mestizo. His great-grandfather had immigrated to Mexico in the 1820s shortly after the country's independence from Spain, and married a woman who was half-Aztec. From an early age Charlot was fascinated with the Mexican manuscripts and art in the collection of his great uncle Eugene, and by the pre-Columbian artefacts of a neighbor and family friend, Désiré Charnay, who was a well-known archaeologist. As a teenager, he began learning Nahuatl. He studied art in Paris before serving in the French Army during World War I. In 1920, his scale drawi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris Graves
Morris Cole Graves (August 28, 1910 – May 5, 2001) was an American painter. He was one of the earliest Modern artists from the Pacific Northwest to achieve national and international acclaim. His style, referred to by some reviewers as Mysticism, used the muted tones of the Northwest environment, Asian aesthetics and philosophy, and a personal iconography of birds, flowers, chalices, and other images to explore the nature of consciousness. An article in a 1953 issue of Life (magazine), ''Life'' magazine cemented Graves' reputation as a major figure of the Northwest School (art), 'Northwest School' of artists. He lived and worked mostly in Western Washington, but spent considerable time traveling and living in Europe and Asia, and spent the last several years of his life in Loleta, California. Early years Morris Cole Graves was born August 28, 1910, in Fox, Oregon, Fox Valley, Oregon, where his family had moved about a year before his birth, from Seattle, Washington (state), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgia O'Keeffe
Georgia Totto O'Keeffe (November 15, 1887 March 6, 1986) was an American Modernism, modernist painter and drafter, draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived. From 1905, when O'Keeffe began her studies at the School of the Art Institute of Chicago, until about 1920, she studied art or earned money as a commercial illustrator or a teacher to pay for further education. Influenced by Arthur Wesley Dow, O'Keeffe began to develop her unique style beginning with her watercolors from her studies at the O'Keeffe at the University of Virginia, 1912–1914, University of Virginia and more dramatically in the charcoal drawings that she produced in 1915 that led t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Newhall
Nancy Wynne Newhall (May 9, 1908 – July 7, 1974) was an American photography critic. She is best known for writing the text to accompany photographs by Ansel Adams and Edward Weston, but was also a widely published writer on photography, conservation, and American culture. Biography Newhall was born Nancy Wynne in Lynn, Massachusetts, and attended Smith College in that state. She married Beaumont Newhall, the curator of photography at the Museum of Modern Art in New York City, and substituted for him in that role during his military service in World War II. During the 1940s she wrote essays on popular art and culture for small magazines and journals, in which she called for a society more attuned to art, and particularly to visual art. Newhall was always more interested in a popular audience than an academic one; in a 1940 essay, she explores the possibilities of the new medium of television for popularizing the visual arts, suggesting techniques for teaching art and photo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumont Newhall
Beaumont Newhall (June 22, 1908 – February 26, 1993) was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book, ''The History of Photography'', remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photographic history. Early life and education Beaumont Newhall was born in Lynn, Massachusetts, United States, on June 22, 1908. He was the son of Herbert W. Newhall and Alice Lillia Davis. Some of his earliest childhood memories revolved around photography. He recalled watching his mother in her darkroom as she developed her own glass plate images, as well as dipping his fingers into the chemical trays to see what they tasted like. Although Newhall wanted to study film and photography in college, the subjects were not taught as separate disciplines when he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nata Piaskowski
Nata Piaskowski (1912–2004) was a Polish-American photographer. Known for her fine composition, she took portraits and landscapes as well as series on the San Francisco psychedelic scene and the changing effects of the tide. Early life Born in Łódź, Poland, Piaskowski's parents were killed by Nazis in the Warsaw Ghetto. She attended the State Pedagogical Institute from 1930 to 1932, after which she became a schoolteacher. During the late 1930s, she travelled in France, Austria and the eastern United States. From 1939 to 1942, she lived in Switzerland before emigrating to the United States with her husband in 1942. Shortly after their arrival, her husband died."Nata Piaskowski" Davis & Cline Gallery. Retrieved 15 March 2013. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willard Van Dyke
Willard Ames Van Dyke (December 5, 1906 – January 23, 1986) was an American filmmaker, photographer, arts administrator, teacher, and former director of the film department at the Museum of Modern Art. Early life Van Dyke went to the University of California, Berkeley, circa 1927 dropping out for a time to avoid taking an ROTC course, left in 1929 and did not graduate. "I had been playing around with a camera and developing my own pictures since I was 12 years of age" Photography In 1928, he went to see a photographic exhibition at the Palace of the Legion of Honor in San Francisco, where he not only saw some Edward Weston’s work but met him. It was a life-changing experience. In 1928, he apprenticed with Edward Weston and by 1932 co-founded Group f/64, with Imogen Cunningham, Ansel Adams, and Weston. The group’s approach emphasized both sharp and deep focus (sometimes called straight photography) in contrast with the painterly approach of many other photographers. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
