Stomp Progression
In music and jazz harmony, the Stomp progression is an eight-bar chord progression named for its use in the "stomp" section of the composition "King Porter Stomp" (1923) by Jelly Roll Morton. The composition was later arranged by Fletcher Henderson, adding greater emphasis on the Trio section, containing a highly similar harmonic loop to that found in the Stomp section.Magee, Jeffrey (2004). ''The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz'', np. Oxford. . It was one of the most popular tunes of the swing era, and the Stomp progression was often used. Following the success of "King Porter Stomp", many other compositions were named after the tune, although many of these "stomps" did not necessarily employ the stomp progression. Harmonic progression Magee (2004) describes a two-measure three-chord harmonic loop: : Putting the first C7 in second inversion produces a chromatically-ascending bass for the first three chords, so that loop () becomes: : The progressi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Head (music)
In its broadest sense, the head of a piece of music is its main theme, particularly in jazz, where the term takes on a more specific set of innovation. In other types of music, "head" may refer to the first or most prominent section of a song. The term may, though obtusely, be applied to classical music, insofar as classical pieces generally bear similar thematic elements, but the preferred term in this instance is (main) theme or subject. The term "head" is most often used in jazz and may refer to the thematic melody, an instance of it in a performance of the song, or a more abstract compilation of ideas as to what the song is. It may also, though uncommonly, refer to the first section of the melody, or the theme riff in the melody. There is a slightly related musical direction, D.C. or da capo (Italian, ''from head''), which means to go back to the very beginning of the sheet music and play to the end, typically ignoring all repeat signs. What's in a head A ''head'' represe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Jump Town
JuMP is an algebraic modeling language and a collection of supporting packages for mathematical optimization embedded in the Julia programming language. JuMP is used by companies, government agencies, academic institutions, software projects, and individuals to formulate and submit optimization problems to thirdparty solvers. JuMP has been specifically applied to problems in the field of operations research. Paperback edition. Features JuMP is a Julia package and domain-specific language that provides an API and syntax for declaring and solving optimization problems. Specialized syntax for declaring decision variables, adding constraints, and setting objective functions is facilitated by Julia's syntactic macros and metaprogramming features. JuMP supports linear programming, mixed integer programming, semidefinite programming, conic optimization, nonlinear programming, and other classes of optimization problems. JuMP provides access to over 50 solvers, including stat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Harry James
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band to great commercial success from 1939 to 1946. He broke up his band for a short period in 1947, but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his Tone (musical instrument), tone, and was influential on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band. Early life James was born in Albany, Georgia, United States, the son of Everett Robert James, a bandleader in a traveling circus, the Mighty Haag Circus, and Myrtle Maybelle (Stewart), an acrobat and horseback rider. He started performing with the circus at an early age, first as a contortionist at the age of four, then playing the snare drum in the band from about the age ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
At The Clambake Carnival
AT or at may refer to: Geography Austria * Austria (ISO 2-letter country code) * .at, Internet country code top-level domain United States * Atchison County, Kansas (county code) * The Appalachian Trail (A.T.), a 2,180+ mile long mountainous trail in the Eastern United States Elsewhere * Antigua and Barbuda, World Meteorological Organization country code * Ashmore and Cartier Islands (FIPS 10-4 territory code, and obsolete NATO country code) * At, Bihar, village in Aurangabad district of Bihar, India * Province of Asti, Italy (ISO 3166-2:IT code) * Australia, LOC MARC code Politics * Awami Tahreek a left-wing Pakistani political party Science and technology Computing * @ (or "at sign"), the punctuation symbol now typically used in e-mail addresses and tweets) * at (command), used to schedule tasks or other commands to be performed or run at a certain time * IBM Personal Computer/AT ** AT (form factor) for motherboards and computer cases ** AT connector, a five-pin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Cab Calloway
Cabell "Cab" Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was a regular performer at the Cotton Club in Harlem, where he became a popular vocalist of the Swing music, swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular Big band, dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Doc Cheatham, Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming the first African-American musician to sell one million copies of a record. He became known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, and singer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. A widely popular star in the jazz and swing eras, he toured internationally, achieving critical and commercial success in the United States and Europe. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999, respectively. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with. When in financial difficulties, he had a habit of selling songs to other writers and performers who clai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Study In Brown (Bunny Berigan Song)
''Study in Brown'' (EmArcy Records, 1955) is a Clifford Brown and Max Roach album. The album consists predominantly of originals by members of the band. The songs "Lands End", by tenor saxophonist Harold Land, and "Sandu", by Brown, have gone on to become jazz standards. The song "George's Dilemma" is also known as "Ulcer Department". Brown's solo on "Cherokee" is among the most acclaimed solos in jazz. Track listing #"Cherokee" (Ray Noble) – 5:44 #"Jacqui" (Richie Powell) – 5:11 #"Swingin'" (Clifford Brown) – 2:52 #"Lands End" (Harold Land) – 4:57 #"George's Dilemma" (Brown) – 5:36 #"Sandu" (Brown) – 4:57 #"Gerkin for Perkin" (Brown) – 2:56 #"If I Love Again" (Jack Murray and Ben Oakland) – 3:24 #"Take the "A" Train" (Billy Strayhorn) – 4:16 Personnel *Clifford Brown – trumpet *Harold Land – tenor saxophone *Richie Powell – piano * George Morrow – double bass *Max Roach – drums The drum is a me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Bunny Berigan
Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era. His career and influence were shortened by alcoholism, and ended with his early demise at the age of 33 from cirrhosis. Although he composed some jazz instrumentals such as "Chicken and Waffles" and "Blues", Berigan was best known for his virtuoso jazz trumpeting. His 1937 classic recording "I Can't Get Started" was inducted into the Grammy Hall of Fame in 1975. Early life and career Berigan was born in Hilbert, Wisconsin, the son of William Patrick Berigan and Mary Catherine (Mayme) Schlitzberg, and raised in Fox Lake. Having learned the violin and trumpet, Berigan started his career playing with local bands as a teenager, including the University of Wisconsin's jazz ensemble (although he never actually went to college). After first trying out for the Hal Kemp Orchestra and being rejected he joined the band in late 1929. His f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Larry Clinton
Larry Clinton (August 17, 1909 – May 2, 1985) was an American musician, best known as a trumpeter who became a prominent American bandleader and arranger. His jazz and pop standards were "The Dipsy Doodle" (1937), "My Reverie" (1938), and "Heart and Soul" (1938). He also composed "Satan Takes a Holiday", "Midnight in the Madhouse", and "Calypso Melody". Biography Clinton was born in Brooklyn, New York, United States. He became a versatile musician, playing trumpet, trombone, and clarinet. While in his twenties, he became a prolific arranger for dance orchestras; bandleaders Tommy Dorsey, Jimmy Dorsey, Glen Gray, Louis Armstrong, and Bunny Berigan all used Larry Clinton charts. His first stint as a bandleader was from 1937 to 1941, and he recorded a string of hits for RCA Victor. The Clinton band's repertoire was split between pop tunes of the day ("I Double Dare You", "Summer Souvenirs", "Deep Purple"), ambitious instrumentals penned by Clinton like "Satan Takes a Hol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
|
Contrafact
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, '' Cheap Imitation'' (1969) by John Cage was produced by systematically changing notes from the melody line of '' Socrate'' by Erik Satie using chance procedures. In jazz, a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure.. As a compositional device, it was of particular importance in the 1940s development of bop, since it allowed jazz musicians to create new pieces for performance and recording on which they could immediately improvise, without having to seek permission or pay publisher fees for copyrighted materials (while melodies can be copyrighted, the underlying harmonic structure cannot be). Contrafacts are not to be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |