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Rhetorical Techniques
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. They seek to make a position or argument more compelling than it would otherwise be. Sonic devices Sonic devices depend on sound. Sonic rhetoric is used as a clearer or swifter way of communicating content in an understandable way. Sonic rhetoric delivers messages to the reader or listener by prompting a certain reaction through auditory perception. Alliteration Alliteration is the repetition of the sound of an initial consonant or consonant cluster in subsequent syllables. Assonance Assonance is the repetition of similar vowel sounds across neighbouring words. Consonance Consonance is the repetition of consonant sounds acro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric is the art of persuasion. It is one of the three ancient arts of discourse ( trivium) along with grammar and logic/ dialectic. As an academic discipline within the humanities, rhetoric aims to study the techniques that speakers or writers use to inform, persuade, and motivate their audiences. Rhetoric also provides heuristics for understanding, discovering, and developing arguments for particular situations. Aristotle defined rhetoric as "the faculty of observing in any given case the available means of persuasion", and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he called it "a combination of the science of logic and of the ethical branch of politics". Aristotle also identified three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric, or phases of developing a persuasive speech, were first codified in classical Rome: i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voiceless Alveolar Fricative
The voiceless alveolar fricatives are a type of fricative consonant pronounced with the tip or blade of the tongue against the alveolar ridge (gum line) just behind the teeth. This refers to a class of sounds, not a single sound. There are at least six types with significant perceptual differences: *The voiceless alveolar sibilant (the standard symbol in the International Phonetic Alphabet or IPA) has a strong hissing sound, as the ''s'' in English ''sink''. It is one of the most common sounds in the world. *The voiceless denti-alveolar sibilant (an ''ad hoc'' notation using IPA conventions), also called apico-dental, has a weaker lisping sound like English ''th'' in ''thin''. It occurs in Spanish dialects in southern Spain (eastern Andalusia). *The voiceless alveolar retracted sibilant ">Voiceless alveolar fricative#Voiceless alveolar retracted sibilant"> and the subform apico-alveolar , or called grave, has a weak hushing sound reminiscent of fricatives. It is used in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard III (play)
''The Tragedy of Richard the Third'', often shortened to ''Richard III'', is a play by William Shakespeare, which depicts the Niccolò_Machiavelli, Machiavellian rise to power and subsequent short reign of King Richard III of England. It was probably written . It is labelled a Shakespearean history, history in the First Folio, and is usually considered one, but it is sometimes called a Shakespearean tragedy, tragedy, as in the quarto edition. ''Richard III'' concludes Shakespeare's first tetralogy which also contains ''Henry VI, Part 1'', ''Henry VI, Part 2'', and ''Henry VI, Part 3''. It is the second longest play in the Shakespeare's plays, Shakespearean canon and is the longest of the First Folio, whose version of ''Hamlet'', otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conduplicatio
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis, within a short space of words. It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech, making it a multilinguistic written or spoken device. Repetition in some cases is seen as undesirable. Its forms, many of which are listed below, have varying resonances to listing (forms of enumeration, such as "Firstly, Secondly, Thirdly, Firstly and lastly..."), as a matter of trite logic often similar in effect. Types * Antimetabole is the repetition of words in successive clauses, but in transposed order. : "I know what I like, and I like what I know." * Tautology is superfluous and simple repetition of the same sense in different words. : "The children gathered in a round circle." * Antanaclasis is the repetiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a Shakespearean tragedy, tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play. Set in Denmark, the play (theatre), play depicts Prince Hamlet and his attempts to exact revenge against his uncle, King Claudius, Claudius, who has murdered Ghost (Hamlet), Hamlet's father in order to seize his throne and marry Gertrude (Hamlet), Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others." It is widely considered one of the greatest plays of all time. Three different early versions of the play are extant: the Hamlet Q1, First Quarto (Q1, 1603); the Second Quarto (Q2, 1604); and the First Folio (F1, 1623). Each version includes lines and passages missing from the others. Many works have been pointed to as possible s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anadiplosis
Anadiplosis ( ; , ''anadíplōsis'', "a doubling, folding up") is the repetition of the last word of a preceding clause. The word is used at the end of a sentence and then used again at the beginning of the next sentence, often to create climax. Examples *"For your brother and my sister no sooner met but they looked; no sooner looked but they loved; no sooner loved but they sighed; no sooner sighed but they asked one another the reason; no sooner knew the reason but they sought the remedy; and in these degrees have they made a pair of stairs to marriage." — William Shakespeare, Shakespeare, ''As You Like It'', V, ii * "... how it was that people had lived in this place and in this place had died." — Cormac McCarthy, ''Blood Meridian'' * "What I present here is what I remember of the letter, and what I remember of the letter I remember verbatim (including that awful French)." —Vladimir Nabokov, ''Lolita'' *Noust in the grass / grass in the wind / wind on the lark / lark f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition (rhetorical Device)
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis, within a short space of words. It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech, making it a multilinguistic written or spoken device. Repetition in some cases is seen as undesirable. Its forms, many of which are listed below, have varying resonances to listing (forms of enumeration, such as "Firstly, Secondly, Thirdly, Firstly and lastly..."), as a matter of trite logic often similar in effect. Types * Antimetabole is the repetition of words in successive clauses, but in transposed order. : "I know what I like, and I like what I know." * Tautology is superfluous and simple repetition of the same sense in different words. : "The children gathered in a round circle." * Antanaclasis is the repetit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Caps
In typography, text or font in all caps (short for "all capitals") contains capital letters without any lowercase letters. For example: All-caps text can be seen in legal documents, advertisements, newspaper headlines, and the titles on book covers. Short strings of words in capital letters appear bolder and "louder" than mixed case, and this is sometimes referred to as "screaming" or "shouting". All caps can also be used to indicate that a given word is an acronym. Studies have been conducted on the readability and legibility of all caps text. Scientific testing from the 20th century onward has generally indicated that all caps text is less legible and readable than lower-case text. In addition, switching to all caps may make text appear hectoring and obnoxious for cultural reasons, since all-capitals is often used in transcribed speech to indicate that the speaker is shouting. All-caps text is common in comic books, as well as on older teleprinter and radio transmission syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclamation Mark
The exclamation mark (also known as exclamation point in American English) is a punctuation mark usually used after an interjection or exclamation to indicate strong feelings or to show wikt:emphasis, emphasis. The exclamation mark often marks the end of a sentence, for example: "Watch out!". Similarly, a bare exclamation mark (with nothing before or after) is frequently used in warning signs. Additionally, the exclamation mark is commonly used in writing to make a character seem as though they are shouting, excited, or surprised. Other uses include: * In mathematics, it denotes the factorial operation. * Several computer languages use at the beginning of an expression (computer science), expression to denote logical negation. For example, means "the logical negation of A", also called "not A". This usage has spread to ordinary language (e.g., "!clue" means no-clue or clueless). * Some languages use ǃ, a symbol that looks like an exclamation mark, to denote a click consonant. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onomatopoeia
Onomatopoeia (or rarely echoism) is a type of word, or the process of creating a word, that phonetics, phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias in English include animal noises such as Oink (sound), ''oink'', ''meow'', ''roar'', and ''Bird vocalization, chirp'', among other sounds such as ''Beep (sound), beep'' or ''hiccup''. Onomatopoeia can differ by language: it conforms to some extent to the broader natural language, linguistic system. Hence, the sound of a clock may be expressed variously across languages: as ' in English language, English, in Spanish language, Spanish and Italian language, Italian (see photo), in Standard Chinese, Mandarin, in Japanese language, Japanese, or in Hindi, Urdu, and Bengali language, Bengali. Etymology and terminology The word ''onomatopoeia'', with rarer spelling variants like ''onomatopeia'' and ''onomatopœia'', is an English word from the Ancient Greek language, Ancient Greek com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bells (poem)
"The Bells" is a heavily onomatopoeic poem by Edgar Allan Poe which was not published until after his death in 1849. It is perhaps best known for the diacopic use of the word "bells". The poem has four parts to it; each part becomes darker and darker as the poem progresses from "the jingling and the tinkling" of the bells in part 1 to the "moaning and the groaning" of the bells in part 4. Analysis This poem can be interpreted in many different ways, the most basic of which is simply a reflection of the sounds that bells can make, and the emotions evoked from that sound. For example, "From the bells bells bells bells/Bells bells bells!" brings to mind the clamoring of myriad church bells. Several deeper interpretations exist as well. One is that the poem is a representation of life from the nimbleness of youth to the pain of age. Growing despair is emphasized alongside the growing frenzy in the tone of the poem. The sounds of the verses, specifically the repetitive "''bells, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Allan Poe
Edgar Allan Poe (; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre. He is widely regarded as one of the central figures of Romanticism and Gothic fiction in the United States and of early American literature. Poe was one of the country's first successful practitioners of the short story, and is generally considered to be the inventor of the detective fiction genre. In addition, he is credited with contributing significantly to the emergence of science fiction. He is the first well-known American writer to earn a living exclusively through writing, which resulted in a financially difficult life and career.. Poe was born in Boston. He was the second child of actors David Poe Jr., David and Eliza Poe, Elizabeth "Eliza" Poe. His father abandoned the family in 1810, and when Eliza died the following year, Poe was taken in by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
