|
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Indian Aesthetics
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atharvaveda
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinavabharati
''Abhinavabharati'' is a commentary on ancient Indian author Bharata Muni's work of dramatic theory, the '' Natyasastra''. It is the oldest commentary available on the treatise. The ''Abhinavabharati'' was written by Abhinavagupta (c. 950–1020), the great Kashmiri Saivite spiritual leader and a yogi. In this monumental work, Abhinavagupta explains the ''rasasutra'' of Bharata in consonance with the theory of ''abhivyakti'' (expression) propounded in Anandavardhana's (820–890) work ''Dhvanyaloka'' ("aesthetic suggestion"), as well as the tenets of the Pratyabhijna philosophy of Kashmir. According to Abhinavagupta, the aesthetic experience is the manifestation of the innate dispositions of the self The self is an individual as the object of that individual’s own reflective consciousness. Since the ''self'' is a reference by a subject to the same subject, this reference is necessarily subjective. The sense of having a self—or ''selfhoo ..., such as love and sorrow, by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sutra
''Sutra'' ( sa, सूत्र, translit=sūtra, translit-std=IAST, translation=string, thread)Monier Williams, ''Sanskrit English Dictionary'', Oxford University Press, Entry fo''sutra'' page 1241 in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a condensed manual or text. Sutras are a genre of ancient and medieval Indian texts found in Hinduism, Buddhism and Jainism. In Hinduism, sutras are a distinct type of literary composition, a compilation of short aphoristic statements.Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pages 54–55 Each sutra is any short rule, like a theorem distilled into few words or syllables, around which teachings of ritual, philosophy, grammar, or any field of knowledge can be woven. The oldest sutras of Hinduism are found in the Brahmana and Aranyaka layers of the Vedas. Every school of Hindu philosophy, Vedic guides for rites of pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atman (Hinduism)
Atman or Ātman may refer to: Film * ''Ātman'' (1975 film), a Japanese experimental short film directed by Toshio Matsumoto * ''Atman'' (1997 film), a documentary film directed by Pirjo Honkasalo People * Pavel Atman (born 1987), Russian handball player Religion * ''Ātman'' (Jainism), or ''Jīva'', a philosophical term used within Jainism to identify the soul * ''Ātman'' (Hinduism), meaning "Self", a philosophical concept common to all schools of Hindu philosophy * ''Ātman'' (Buddhism), ''attā'' or ''attan'', a reference to the essential self ** '' Anattā'' or ''anātman'' — "not-self", central concept in Buddhism * '' Atman jnana'' — "knowledge" in the context of Indian philosophy and religions See also * Ataman, a title of Cossack and haidamak leaders of various kinds * World Soul (other) * Atma (other) * Divine soul (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmana
The Brahmanas (; Sanskrit: , ''Brāhmaṇam'') are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within each Veda, which explain and instruct on the performance of Vedic rituals (in which the related Samhitas are recited). In addition to explaining the symbolism and meaning of the Samhitas, Brahmana literature also expounds scientific knowledge of the Vedic Period, including observational astronomy and, particularly in relation to altar construction, geometry. Divergent in nature, some Brahmanas also contain mystical and philosophical material that constitutes Aranyakas and Upanishads. Each Veda has one or more of its own Brahmanas, and each Brahmana is generally associated with a particular Shakha or Vedic school. Less than twenty Brahmanas are currently extant, as most have been lost or destroyed. Dating of the final codification of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinduism
Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global population, known as Hindus. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, many practitioners refer to their religion as '' Sanātana Dharma'' ( sa, सनातन धर्म, lit='the Eternal Dharma'), a modern usage, which refers to the idea that its origins lie beyond human history, as revealed in the Hindu texts. Another endonym is ''Vaidika dharma'', the dharma related to the Vedas. Hinduism is a diverse system of thought marked by a range of philosophies and shared concepts, rituals, cosmological systems, pilgrimage sites, and shared textual sources that discuss theology, metaphysics, mythology, Vedic yajna, yoga, agamic rituals, and temple building, among other to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Shankara
Adi Shankara ("first Shankara," to distinguish him from other Shankaras)(8th cent. CE), also called Adi Shankaracharya ( sa, आदि शङ्कर, आदि शङ्कराचार्य, Ādi Śaṅkarācāryaḥ, lit=First Shankaracharya, ), was an Indian Vedic scholar and teacher (''acharya''), whose works present a harmonizing reading of the ''sastras'', with liberating knowledge of the self at its core, synthesizing the Advaita Vedanta teachings of his time. The title of Shankracharya, used by heads of the amnaya monasteries is derived from his name. Due to his later fame, over 300 texts are attributed to his name, including commentaries (''Bhāṣya''), introductory topical expositions (''Prakaraṇa grantha'') and poetry (''Stotra''). However most of these are likely to be by admirers or pretenders or scholars with an eponymous name.W Halbfass (1983), Studies in Kumarila and Sankara, Studien zur Indologie und Iranistik, Monographic 9, Reinbeck Works known t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Principal Upanishads
Principal Upanishads, also known as Mukhya Upanishads, are the most ancient and widely studied Upanishads of Hinduism. Composed between 800 BCE to the start of common era, these texts are connected to the Vedic tradition. Content The Principal Upanishads, which were composed probably between 600 and 300 BCE, constitute the concluding portion of the Veda. According to most Hinduism traditions, ten Upanishads are considered as Principal Upanishads, but some scholars now are including , and into the list. The founders of the major schools of Vedanta, viz, Adi Shankara and Madhvacharya wrote (''commentaries'') on these ten Principal Upanishads. Even though Ramanuja did not write individual commentaries on Principal Upanishads, he quoted many hundreds of quotations from Upanishads in his Sri Bhasya. In the Ramanuja lineage, one of his followers, Rangaramanuja, wrote commentaries on almost all of the Principal Upanishads around the 1600s. The ten Principal Upanishads are: # (Is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhasya
Bhashya () is a "commentary" or "exposition" of any primary or secondary text in ancient or medieval Indian literature. Common in Sanskrit literature, ''Bhashya'' is also found in other Indian languages. Bhashya are found in various fields, ranging from the Upanishads to the Sutras of Hindu schools of philosophy, from ancient medicine to music.Richa Vishwakarma and Pradip Kumar Goswami (2013), ''A review through Charaka Uttara-Tantra'', International Quarterly Journal of Research in Ayurveda, Volume 34, Issue 1, pages 17–20 The Indian tradition typically followed certain guidelines in preparing a Bhashya. These commentaries give meaning of words, particularly when they are about condensed aphoristic Sutras, supplementing the interpreted meaning with additional information on the subjects. A traditional Bhasya would, like modern scholarship, name the earlier texts (cite) and often include quotes from previous authors. The author of the Bhasya would also provide verification, accept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
