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Ritornello
A ritornello (Italian; "little return") is a recurring passage in Renaissance music and Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo or rondeau is a musical form that contains a principal theme (music), theme (sometimes called the "refrain") which alternates with one or more contrasting themes (generally called "episodes", but also referred to as "digressions" or "couplets"). Some possible patterns include: Musical_form#Labeling_procedures, ABACA, ABACAB, ABACBA, or ABACABA (with the letter 'A' representing the refrain). The rondo form emerged in the Baroque music, Baroque period and became increasingly popular during the Classical period (music), Classical period. The earliest examples of compositions employing rondo form are found within Italian operatic arias and choruses from the first years of the 17th century. These examples use a multi-couplet rondo or "chain rondo" (ABACAD) known as the Italian rondo. Rondo form, also known in English by its French spelling rondeau, should not be confused with the unrelated but similarly-named Formes fixes, forme fixe Rondeau (forme fixe), rondeau, a 14th- an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the Line (poetry)">line or lines that are repeated in poetry or in music">poetry.html" ;"title="Line (poetry)">line or lines that are repeated in poetry">Line (poetry)">line or lines that are repeated in poetry or in music—the "chorus" of a song. Poetry, Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the Verse (popular music), verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history Although repeats of refrains may use different words, refrains are made recognizable by reusing the same melody (whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passage (music)
In music, a section is a complete, but not independent, musical idea. Types of sections include the Introduction (music), introduction or intro, Exposition (music), exposition, Musical development, development, recapitulation (music), recapitulation, Verse-chorus form, verse, Verse-chorus form, chorus or refrain, Conclusion (music), conclusion, coda (music), coda or outro, fade (audio engineering)#Origins and early examples, fadeout, bridge (music), bridge or wikt:interlude, interlude. In sectional forms such as binary form, binary, the larger unit (form (music), form) is built from various smaller clear-cut units (sections) in combination, analogous to stanzas in poetry or somewhat like stacking Lego. Some well known songs consist of only one or two sections, for example "Jingle Bells" commonly contains verses ("Dashing through the snow...") and choruses ("Oh, jingle bells..."). It may contain "auxiliary members" such as an introduction and/or outro, especially when accompanied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and List of operas by Antonio Vivaldi, more than fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), The Four Seasons''. Many of his compositions were written for the all-female music ensemble of the , a home for abandoned children. Vivaldi b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warrack, John
John Hamilton Warrack (born 9 February 1928) is an English music critic, writer on music, and oboist. Career Born in London, Warrack is the son of Scottish conductor and composer Guy Warrack and Jacynth Mary Ellerton. He was educated at Winchester College (1941–1946) and the Royal College of Music (1949–1952). In the early 1950s he was a freelance oboist, playing mostly with the Boyd Neel Orchestra and Sadler's Wells Orchestra. From 1954 until 1961 he was music critic for ''The Daily Telegraph'', and from 1961 until 1972 for ''The Sunday Telegraph''. From 1978 until 1983 he served as the artistic director of the Leeds Festival. From 1984 until 1993 he taught on the music faculty at the University of Oxford. He is the author of ''Six Great Composers'' (1955); ''Carl Maria von Weber'' (Hamish Hamilton, 1968, 2nd ed. Cambridge UP, 1976), the standard study of Weber in English; '' German Opera: From the Beginnings to Wagner'' (2001) and the co-author of ''The Concise Oxford ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Caplin
William E. Caplin (born 1948) is an American music theorist who lives and works in Montreal, Quebec, Canada, where he is a James McGill Professor at the Schulich School of Music of McGill University. Caplin served as president of the Society for Music Theory from 2005 to 2007 and was its vice-president from 2001 to 2003. His earlier work concentrated on the history of music theory,William E. Caplin. (1981). ''Theories of Harmonic-Metric Relationships from Rameau to Riemann''. PhD diss. University of Chicago. but he is best known for a series of articles and two books on musical form in European music around 1800. The first of those books, ''Classical Form: A Theory of Formal Functions for the Music of Haydn, Mozart, and Beethoven,'' has been widely influential and was a major factor in the revival of interest in musical form in North American music theory. Theory of formal functions ''Classical Form'', along with a more recently published, lengthy textbook intended for both underg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
