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Raising Of The Cross
The raising of the Cross or elevation of the Cross has been a distinct subject in the Life of Christ in art depicting the start of the Crucifixion of Jesus.record
in the Getty index Cultural Objects Names Authority (CONA) Iconography Display The subject became popular in the sixteenth and seventeenth centuries, with artists such as , , and a ...
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Raising Of The Cross (Centre Panel Of The Triptych) (SM Sg448b)
Raising may refer to: *Raising (syntax), a syntactic construction *Raising (sound change), a sound change *Raising (metalworking), a metalworking technique *Barn raising, a community event to erect the wooden framework for a building *Fundraising, a method of raising money, usually for non-profits and schools See also *Raise (other) * **Raising Hell (other) **Raising the Bar (other) Raising the Bar may refer to: Film and television * ''Raising the Bar'' (2008 TV series), an American legal drama television series * ''Raising the Bar'' (2013 TV series), an American reality web series about barmaking * ''Raising the Bar'' (20 ... ** Raising the Wind (other) {{disambiguation ...
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Women At The Crucifixion
The presence of a group of female disciples of Jesus at the crucifixion of Jesus is found in all four Gospels of the New Testament. There have been different interpretations of how many and which women were present. Although some Christian traditions hold that there were Three Marys at the cross, only one gospel claims this, and these names differ from the other gospels. Narrative comparison Interpretations Matthew and Mark, who speak of "many women" present at the crucifixion, mention three individually at the death of Jesus and two at his burial. Matthew describes the third individual present at the death as the mother of the sons of Zebedee, without naming her. Mark's third individual is called Salome. Luke mentions none individually. John mentions four individually, including "the mother of Jesus," who is not mentioned by the other gospels. Mark, Matthew, and Luke all place the women "at a distance" (the disciples having fled), whereas John has them "standing by the cros ...
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Descent From The Cross
The Descent from the Cross (, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, ). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary. Other figures not mentioned in the Gospels who are often included in depictions of this subject include John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including The Three Marys, ( Mary Salome being mentioned in Mark 15 ()), and also that the Virgin Mary and Mary Magdalene saw the burial (). These and further women and unnamed male helper ...
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Crucifixion In The Arts
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as responsible for Christ's death. Modern art and culture have also seen the rise of images of crucifixion being used to make statements unconnected with Christian iconography, or even just used for shock value. Art Late antiquity The earliest known artistic representations of crucifixion predate the Christian era, including Greek representations of mythical crucifixions inspired by the use of the punishment by the Persians. The Alexamenos graffito, currently in the museum in the Palatine Hill, Rome, is a Roman graffito from the 2nd century CE which depicts a man worshiping a crucified donkey. ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in the history of Art of Europe, Western art.Gombrich, p. 420. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings and several hundred drawings. Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portrait painting, portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age. Rembrandt never went abroad but was considerably influenced by the work of the Italian Old Masters and Bentvueghels, Dutch and Flemish artists who had studied in Italy. A ...
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Raising Of The Cross (Rembrandt)
Raising may refer to: *Raising (syntax), a syntactic construction *Raising (sound change), a sound change *Raising (metalworking), a metalworking technique *Barn raising, a community event to erect the wooden framework for a building *Fundraising, a method of raising money, usually for non-profits and schools See also *Raise (other) * **Raising Hell (other) **Raising the Bar (other) Raising the Bar may refer to: Film and television * ''Raising the Bar'' (2008 TV series), an American legal drama television series * ''Raising the Bar'' (2013 TV series), an American reality web series about barmaking * ''Raising the Bar'' (20 ... ** Raising the Wind (other) {{disambiguation ...
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Peter Paul Rubens
Sir Peter Paul Rubens ( ; ; 28 June 1577 – 30 May 1640) was a Flemish painting, Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque painting, Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of Book frontispiece, frontispieces for the publishers in Antwerp. Rubens was born and raised in the Holy Roman Empire (modern-day Germany) to parents who were refugees from Antwerp in the Duchy of Brabant in the Southern Netherlands (modern-day Belgium) and moved to Antwerp at ab ...
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The Elevation Of The Cross (Rubens)
''The Elevation of the Cross'' (also called ''The Raising of the Cross'') is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp, Belgium, the original in 1610 and the latter in 1638. The original is a winged altarpiece, with the outside of the hinged wings also painted. These can be folded over the central panel, giving an 'open view' and a 'closed view'. The original is in the Cathedral of Our Lady in Antwerp, as the church for which it was painted has been destroyed. The smaller version is now in the Art Gallery of Ontario, Canada. Another smaller triptych with a different composition, and an oil study, are in the Louvre in Paris. Peter Paul Rubens painted the triptych ''The Elevation of the Cross'' after returning to Antwerp from Italy in 1610–1611 as commissioned by the church authorities of the Church of St. Walburga. Cornelis van der Ge ...
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John The Evangelist
John the Evangelist ( – ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although there is no consensus on how many of these may actually be the same individual. Identity The exact identity of John – and the extent to which his identification with John the Apostle, John of Patmos and John the Presbyter is historical – is disputed between Christian tradition and scholars. The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light o ...
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Gospel Of John
The Gospel of John () is the fourth of the New Testament's four canonical Gospels. It contains a highly schematic account of the ministry of Jesus, with seven "Book of Signs, signs" culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus) and seven "I am (biblical term), I am" discourses (concerned with issues of the Split of early Christianity and Judaism, church–synagogue debate at the time of composition) culminating in Thomas the Apostle, Thomas's proclamation of the risen Jesus as "my Lord and my God". The penultimate chapter's concluding verse set out its purpose, John 20:31, "that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in his name." John reached its final form around AD 90–110, although it contains signs of origins dating back to AD 70 and possibly even earlier. Like the three other gospels, it is anonymous, although it identifies an unnamed "disciple whom Jesus loved" as the source o ...
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Council Of Trent
The Council of Trent (), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation at the time, it has been described as the "most impressive embodiment of the ideals of the Counter-Reformation.""Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). It was the last time an ecumenical council was organized outside the city of Rome. The Council issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass, and the veneration of saintsWetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. and also issued condemnations of what it defined to be heresies committed by proponents of Protestantism. The consequences of the council were als ...
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