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Rack Focus
A focus puller or first assistant camera (1st AC) is a member of a film crew's camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed. "Pulling focus" refers to the act of changing the camera lens's focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from to away from the focal plane, the focus puller changes the lens's distance setting in precise relation to the actor's changing position. The focus puller may also shift focus from one subject to another as the shot requires, a process called "rack focusing". Focus pulling There is often very little room for error, depending on the parameters of a given shot. The focus puller's role is extremely important to a film production. In most circumstances, a "soft" image is considered unusable, as such an error can't be corrected i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Crew
A film crew is a group of people, hired by a production company, for the purpose of Filmmaking, producing a film or motion picture. The crew is distinguished from the Ensemble cast, cast, as the cast are understood to be the actors who appear in front of the camera or Voice acting, provide voices for characters in the film. The crew is also separate from the Film producer, producers, as the producers are the ones who own a portion of either the film studio or the film's Intellectual property#Rights, intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the Filmmaking#Production, production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures. Motion picture projects have three discrete stages: development, production, and distribution. Within the producti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Lens
A camera lens, photographic lens or photographic objective is an optical lens (optics), lens or assembly of lenses (compound lens) used in conjunction with a camera body and mechanism to Imaging, make images of objects either on photographic film or on other media capable of storing an image Photosensitivity, chemically or Image sensor, electronically. There is no major difference in principle between a lens used for a still camera, a video camera, a telescope, a microscope, or other apparatus, but the details of design and construction are different. A lens might be permanently fixed to a camera, or it might be interchangeable lens camera, interchangeable with lenses of different focal lengths, apertures, and other properties. While in principle a simple lens, simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light film crew, crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, photographic lens, lenses, filter (photography), filters, etc. The study and practice of this field are referred to as ''cinematography''. The cinematographer is a subordinate of the film director, director, tasked with capturing a scene in accordance with the director's vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Stapleton
Oliver David Whiteside Stapleton (born 12 April 1948), is an English cinematographer. Life and career He graduated from the University of Cape Town in 1970 with a degree in psychology and from the National Film and Television School (NFTS) UK while working in South Africa (from 1966 to 1974) and England. One of his first efforts was the student film ''Shadowplay'', a film about South African immigrants trying to adjust to life in London, which he wrote, directed, and edited. He progressed to filming music videos and commercials. He worked with many famous bands in the early-to-mid 80s, including a-ha, David Bowie, The Rolling Stones, Eddy Grant and The Human League. Awards *1986 – won MTV Video Music Award for Best Cinematography for " The Sun Always Shines on T.V." by a-ha. *nominated for ACE Award for ''Danny, the Champion of the World''. *1990 – nominated for Independent Spirit Award for Best Cinematography for '' Earth Girls Are Easy''. *2001 – nominated for Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Tap
A video tap is an accessory for a motion picture camera used in filmmaking to provide a video signal from the camera lens. Video taps are used to allow the film crew to see what is in the camera's frame without having to look through the viewfinder, as well as allowing video to be recorded and can be used to create an immediate rough cut, if needed. Since a video tap normally attaches to a camera's existing viewfinder using a beam splitter, the video appears dark and frame rate flicker is visible. Sometimes the tap will include frame lines and burned in timecode and keykode Keykode (also written as either KeyKode or KeyCode) is an Eastman Kodak Company advancement on edge numbers, which are letters, numbers and symbols placed at regular intervals along the edge of 35 mm and 16 mm film to allow for frame-by-fram .... The person who operates a video tap is sometimes called a "video assist". Video taps can be useful for the director of a production to ensure the shot is to thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Sender
A video sender (also known as a DigiSender, wireless video sender, AV sender or audio-video sender) is a device for transmitting domestic audio and video signals wirelessly from one location to another. It is most commonly used for sending the output of a source device, such as a satellite television decoder, to a television in another part of a property and provides an alternative to cable installations. Professional film sets use devices like the Teradek to transmit wireless video to a focus puller or a video village. A wide range of video sender technologies exist, including analogue wireless (radio), digital wireless (spread-spectrum, Wi-Fi, ultra-wideband) and digital wired (power-line communication). Other, less common, technologies also exist, such as those that use existing Ethernet networks. Video senders have been a frequent cause of RF interference, particularly with car key fobs. Overview Typical video sender applications include the transmission of television a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Director Of Photography
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as ''cinematography''. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with the director's vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director and cin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Operator
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not necessarily imply that a male is performing the task. Duties and functions In filmmaking, the cinematographer or director of photography (DP or DoP) is responsible for bringing Director's vision to life on screen. The Cinematographer or Director of Photography handles all the technical aspects of visual storytelling and is the head of the camera crew and light crew on the set. The DP may operate the camera themselves, or enlist the aid of a camera operator or second cameraman to operate it or set the controls. The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader, might be employed to load ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapper Loader
A clapper loader or second assistant camera (2nd AC) is part of a film crew whose main functions are that of loading the raw film stock into camera magazines, operating the clapperboard (slate) at the beginning of each take, marking the actors as necessary, and maintaining all records and paperwork for the camera department. The name "clapper loader" tends to be used in the United Kingdom and Commonwealth, while "second assistant camera" tends to be favored in the United States, but the job is essentially the same whichever title is used. The specific responsibilities and division of labor within the department will almost always vary depending on the circumstances of the shoot. Functions Clapper loaders have a very important role as practically the only people on set who directly and physically oversee the state of the undeveloped Negative (photography), negative. The loader – the only person who actually handles the negative between the manufacturer and the laboratory � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Press
Focal Press is a publisher of creative and applied media books and it is an imprint of Routledge/Taylor & Francis. Company history The firm was founded in London in 1938 by Andor Kraszna-Krausz, a Hungarian photographer who migrated to England in 1937 and eventually published over 1,200 books on photography, cinematography and broadcasting. It "published practical guides to photography at affordable prices for the general public". One of the books published by Kraszna-Krausz's Focal Press was ''The All-in-One Camera Book'' by E. Emanuel and W. D. Dash, which was one of the earliest books on photography written for the general public. First published in 1939 it had gone through 81 editions by 1978. Book series published by the firm included Masters of the Camera and Classics of Photography. There was a second firm named Focal Press which was founded by George Bernhard Eisler in London in 1937 and later opened a branch in New York. It is unclear if there was a connection betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography () is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens (optics), lens to focus reflected light from objects into a real image that is transferred to some image sensor or Photographic film, light-sensitive material inside the movie camera. These Exposure (photography), exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an Charge-coupled device, electrical charge for each pixel in the image, which is Video processing, electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "Photographic developer, developed" into a Positive (photography), visible image. The images on the film stock are Movie projector, projected for viewing in the sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
